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created her own seaweed album. The materials needed for the hobby became readily available at seaside shops. These activities also afforded women the opportunity to display their understanding and appreciation of the natural world.
186:; a stick like a common cedar "pen stalk," with a needle driven into the end of it, or, in lack of that, any stick sharpened carefully; two or three large white dishes, like "wash bowls"
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and collection in general. It was especially fashionable with young women, as it allowed a greater level of personal freedom. Indeed, it was so in-style that, as a young girl,
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The actions of some of the collectors earned them recognition and admiration from their male, professional counterparts.
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145:, thought to be the first female photographer, published the first book using photographs as illustrations. This was
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In his 1881 book, A.B. Hervey recommended the following equipment for collecting and pressing seaweed.
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Collecting seaweed can be traced back to at least the 17th century with the pressings found in
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Sea Mosses: A Collector's Guide and an
Introduction to the Study of Marine Algae
337:. Cambridge Studies in Nineteenth-Century Literature and Culture. Vol. 30.
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The title page from an 1848 Seaweed collection by Eliza A. Jordan of
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Collecting Ladies: Ferdinand Von
Mueller and Women Botanical Artists
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These
Victorian collections form valuable historical resources for
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499:. The Society for the Preservation of Natural History Collections
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Algae and corallines of the bay & harbor of New York
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Algae and
Corallines of the Bay & Harbor of New York
460:"A 150-year-old seaweed collection returns to Cumbrae"
371:"Nature Domesticated: A Victorian Seaweed Scrapbook"
300:"Mystery surrounds Victorian lady seaweed collector"
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For the process of collecting seaweed for food, see
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Photographs of
British Algae: Cyanotype Impressions
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Photographs of
British Algae: Cyanotype Impressions
102:The pastime became increasingly popular during the
393:"Catalogue of Photographically Illustrated Books"
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106:, where it played to the burgeoning interest in
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232:. New York : G.P. Putnam. p. 65.
473:(1). Glasgow: Glasgow Natural History: 3–8
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79:. It became popular as a pastime in the
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334:The Victorian Parlour: A Cultural Study
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149:and contained pictures of seaweed.
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494:"How to Prepare Seaweed Specimens"
14:
574:
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32:Seaweed from Charles F. Durant’s
528:: Estes and Lauriat. p. 19.
228:Durrant, Charles Ferson (1850).
275:"The Sir Hans Sloane Herbarium"
251:Shady, Beth (April 20, 2011).
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1:
542:Digitised seaweed collections
428:National Library of Australia
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190:'s "drying paper;" or common
91:History of seaweed collecting
16:Process of collecting seaweed
492:Huxley, Rob; Bryant, Jenny.
170:Seaweed collecting equipment
36:(1850). Clockwise from top:
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373:. Peter Harrington, London
339:Cambridge University Press
178:You should have a pair of
134:as part of her 1843 book,
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238:10.5962/bhl.title.158141
159:studies and from which
48:Polysiphonia nigrescens
544:at the Brooklyn Museum
467:The Glasgow Naturalist
279:Natural History Museum
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518:Hervey, A.B. (1881).
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458:Moore, P.G. (2008).
331:Logan, Thad (2001).
205:History of phycology
397:The British Library
44:Sargassum montagnei
312:. October 22, 2013
310:Johnston Press plc
166:can be extracted.
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68:is the process of
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430:. p. 15.
426:(1 ed.).
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253:"The Process"
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418:Olsen, Penny
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503:October 24,
477:October 23,
443:October 23,
402:October 24,
377:October 23,
354:October 23,
316:October 23,
284:October 23,
259:October 24,
143:Anna Atkins
132:Anna Atkins
97:Hans Sloane
563:Collecting
552:Categories
216:References
130:, made by
70:collecting
39:Ulva linza
558:Phycology
210:Phycology
124:photogram
420:(2013).
199:See also
188:botanist
184:scissors
74:pressing
59:Brooklyn
161:genomic
87:today.
77:seaweed
526:Boston
434:
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180:pliers
46:, and
497:(PDF)
463:(PDF)
128:Algae
85:hobby
505:2014
479:2014
445:2014
432:ISBN
404:2014
379:2014
356:2014
343:ISBN
318:2013
286:2014
261:2014
234:doi
164:DNA
126:of
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122:A
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