Arnold Schoenberg - Knowledge

677: 1701: 1192: 1629: 1011: 1217: 2401: 1956: 1099: 483: 758: 51: 10432: 7168: 5916: 7178: 6407: 390: 11337: 6216: 11325: 11313: 1007:, the nephew of Schoenberg's mother-in-law Henriette Kolisch, lived in New Zealand in 1935–1947. Schoenberg had since childhood been fascinated with islands and with New Zealand in particular, possibly because of its postage stamps. He abandoned the idea of moving to New Zealand after his health began to decline in 1944. 1896:

in their rounds. If Schoenberg really believed what he said (and it is hard to be quite sure about this), then it represents one of the most poignant moments in the history of music. For serialism did not achieve popularity; the process of familiarization for which he and his contemporaries were waiting never occurred.

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According to Ethan Haimo, the general understanding of Schoenberg's twelve-tone work has been difficult to achieve because of the "truly revolutionary nature" of his new system, misinformation disseminated by some early writers about the system's "rules" and "exceptions" that bear "little relation to

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simpler and clearer. Thus he arrived at his "method of composing with twelve tones which are related only with one another". All twelve pitches of the octave (usually unrealized compositionally) are regarded as equal, and no one note or tonality is given the emphasis it occupied in classical harmony.

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Schoenberg continued in his post until the Nazis seized power in 1933. While on vacation in France, he was warned that returning to Germany would be dangerous. Schoenberg formally reclaimed membership in the Jewish religion at a Paris synagogue, then emigrated to the United States with his family. He

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was merely a transient, if unavoidable phase: the history of music, they said, showed that audiences always resisted the unfamiliar, but in time they got used to it and learned to appreciate it ... Schoenberg himself looked forward to a time when, as he said, grocers' boys would whistle serial music

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asserted that Schoenberg committed what he terms a "poietic fallacy", the conviction that what matters most (or all that matters) in a work of art is the making of it, the maker's input, and that the listener's pleasure must not be the composer's primary objective. Taruskin also criticizes the ideas

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July 1951, shortly before midnight. Schoenberg had stayed in bed all day, sick, anxious, and depressed. His wife Gertrud reported in a telegram to her sister-in-law Ottilie the next day that Arnold died at 11:45 pm, 15 minutes before midnight. In a letter to Ottilie dated 4 August 1951, Gertrud

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in 1912. At the time Schoenberg lived in Berlin. He was not completely cut off from the Vienna Conservatory, having taught a private theory course a year earlier. He seriously considered the offer, but he declined. Writing afterward to Alban Berg, he cited his "aversion to Vienna" as the main reason

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Strauss turned to a more conservative idiom in his own work after 1909, and at that point dismissed Schoenberg. Mahler adopted him as a protégé and continued to support him, even after Schoenberg's style reached a point Mahler could no longer understand. Mahler worried about who would look after him

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Ben Earle (2003) found that Schoenberg, while revered by experts and taught to "generations of students" on degree courses, remained unloved by the public. Despite more than forty years of advocacy and the production of "books devoted to the explanation of this difficult repertory to non-specialist

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For the present, it matters more to me if people understand my older works ... They are the natural forerunners of my later works, and only those who understand and comprehend these will be able to gain an understanding of the later works that goes beyond a fashionable bare minimum. I do not attach

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Text: "Die Trauung von »Samuel Schönberg aus Pressburg mit der Jgf. Pauline Nachod aus Prag« wurde in der »Wochenschrift für politische, religiöse und Cultur-Interessen« angezeigt. Diese Angaben divergieren vom Aufgebot, das die Kultusgemeinde veröffentlichte: 17. März (1872) 12 ½ Samuel

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criticized a certain unnamed brand of contemporary music (presumably Schoenberg and his disciples) as "the self-gratification of an individual who sits in his studio and invents rules according to which he then writes down his notes". Schoenberg took offense at this remark and answered that Krenek

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church. According to MacDonald (2008, 93) this was partly to strengthen his attachment to Western European cultural traditions, and partly as a means of self-defence "in a time of resurgent anti-Semitism". In 1933, after long meditation, he returned to Judaism, because he realised that "his racial

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But in 1950, on his 76th birthday, an astrologer wrote Schoenberg a note warning him that the year was a critical one: 7 + 6 = 13. This stunned and depressed the composer, for up to that point he had only been wary of multiples of 13 and never considered adding the digits of his age. He died on

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Schoenberg's significant compositions in the repertory of modern art music extend over a period of more than 50 years. Traditionally they are divided into three periods though this division is arguably arbitrary as the music in each of these periods is considerably varied. The idea that his

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have extended Schoenberg's legacy in increasingly radical directions. The major cities of the United States (e.g., Los Angeles, New York, and Boston) have had historically significant performances of Schoenberg's music, with advocates such as Babbitt in New York and the Franco-American

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the most significant features of Schoenberg's music", the composer's secretiveness, and the widespread unavailability of his sketches and manuscripts until the late 1970s. During his life, Schoenberg was "subjected to a range of criticism and abuse that is shocking even in hindsight".

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takes issue with the idea that it is not possible "for a creative artist to be both radical and popular". Walsh concludes, "Schoenberg may be the first 'great' composer in modern history whose music has not entered the repertoire almost a century and a half after his birth".

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Schoenberg's serial technique of composition with twelve notes became one of the most central and polemical issues among American and European musicians during the mid- to late-twentieth century. Beginning in the 1940s and continuing to the present day, composers such as

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Schönberg Kaufmann aus Szécsény Sohn d. H. Abraham und Fr. Theresia geb Löwy 15. Sept, 1838 II, Taborstr. 4 Pauline Nachod aus Preßburg, Tochter d. H. Josef und d. Fr. Karoline geb. Jontow. 8. März 1843. II Taborstraße 4. Aufgebotsz. u. Deleg. Pressburg 2. März 1872."

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for his decision, while contemplating that it might have been the wrong one financially, but having made it he felt content. A couple of months later he wrote to Schreker suggesting that it might have been a bad idea for him as well to accept the teaching position.

1498:, Op. 22 (1913–1916), writing that he was "in the preliminary stages of a procedure ... which allows for a motif to be a constant basis". Straus considered that the designation "'motivic' music" might apply "in a modified way" to twelve-tone music more generally. 737:, the Society presented 353 performances to paying members, sometimes weekly. During the first year and a half, Schoenberg did not let any of his own works be performed. Instead, audiences at the Society's concerts heard difficult contemporary compositions by 672:

brought a crisis in his development. Military service disrupted his life when at the age of 42 he was in the army. He was never able to work uninterrupted or over a period of time, and as a result he left many unfinished works and undeveloped "beginnings".

592:, an English music journalist then working in Germany. Clark became his sole English student, and in his later capacity as a producer for the BBC he was responsible for introducing many of Schoenberg's works, and Schoenberg himself, to Britain (as well as 1374:, each one eclipsing and subordinating the last. The only motivic elements that persist throughout the work are those that are perpetually dissolved, varied, and re-combined, in a technique, identified primarily in Brahms's music, that Schoenberg called " 1225: 1140:

explained, "About a quarter to twelve I looked at the clock and said to myself: another quarter of an hour and then the worst is over. Then the doctor called me. Arnold's throat rattled twice, his heart gave a powerful beat and that was the end".

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in German) in Vienna in 1918. He sought to provide a forum in which modern musical compositions could be carefully prepared and rehearsed, and properly performed under conditions protected from the dictates of fashion and pressures of commerce.

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of measuring Schoenberg's value as a composer in terms of his influence on other artists, the overrating of technical innovation, and the restriction of criticism to matters of structure and craft while derogating other approaches as vulgarian.

1174: 521:(who committed suicide in that November after Mathilde returned to her marriage). This period marked a distinct change in Schoenberg's work. It was during the absence of his wife that he composed "You lean against a silver-willow" (German: 2190:

Expanded from the 1950 Philosophical Library (New York) publication edited by Dika Newlin (559 pages from 231). The volume carries the note "Several of the essays ... were originally written in German (translated by Dika Newlin)" in both

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Bailey, Walter B. (Spring 2015). ""For the serious listeners who swear neither at nor by Schoenberg": Music Criticism, the Great War, and the Dawning of a New Attitude Toward Schoenberg and Ultra-Modern Music in New York City".

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in Berlin, Schoenberg was appointed to this post the next year, but because of health problems was unable to take up his post until 1926. Among his notable students during this period were the composers Robert Gerhard,

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On one occasion, a superior officer demanded to know if he was "this notorious Schoenberg, then"; Schoenberg replied: "Beg to report, sir, yes. Nobody wanted to be, someone had to be, so I let it be me". According to

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observes the rise of Nazism, but its relationship to political history is oblique". Thomas Mann was always primarily interested in classical music, which also plays a role in many of his works. He sought advice from

2402: 1378:". Schoenberg's procedures in the work are organized in two ways simultaneously; at once suggesting a Wagnerian narrative of motivic ideas, as well as a Brahmsian approach to motivic development and tonal cohesion. 1317:

Beginning with songs and string quartets written around the turn of the century, Schoenberg's concerns as a composer positioned him uniquely among his peers, in that his procedures exhibited characteristics of both

1546:, Op. 42 (1942). Contrary to its reputation for doctrinaire strictness, Schoenberg's technique varied according to the musical demands of each composition. Thus the musical structure of his unfinished opera 1406:". Webern marveled at how "Schoenberg creates an accompaniment figure from a motivic particle", proclaiming "everything is thematic! There is ... not a single note ... that does not have a thematic basis." 1222: 1172: 5212: 1203:

form P1's second half has the same notes, in a different order, as the first half of I10: "Thus it is possible to employ P1 and I10 simultaneously and in parallel motion without causing note doubling".

1206: 1934:, sells his soul to the Devil and is rewarded with superhuman talent. Schoenberg was unhappy about this and initiated an exchange of letters with Mann following the novel's publication. Writer 4320:, selected and edited by Erwin Stein, translated from the original German by Eithne Wilkins and Ernst Kaiser. London: Faber. Paperback reprint, Berkeley: University of California Press, 1987. 1682:), "one could hear the shrill sound of door keys among the violent clapping, and in the second gallery the first fight of the evening began." Later in the concert, during a performance of the 1114:, and according to friend Katia Mann, he feared he would die during a year that was a multiple of 13. This possibly began in 1908 with the composition of the thirteenth song of the song cycle 836:. They had three children: Nuria Dorothea (born 1932), Ronald Rudolf (born 1937), and Lawrence Adam (born 1941). Gertrude Kolisch Schoenberg wrote the libretto for Schoenberg's one-act opera 1173: 5383: 550:. The final two movements, again using poetry by George, incorporate a soprano vocal line, breaking with previous string-quartet practice, and daringly weaken the links with traditional 1271:

twelve-tone period "represents a stylistically unified body of works is simply not supported by the musical evidence", and important musical characteristics—especially those related to

1430:, and its initiation of dynamic and unusual ensemble relationships, involving dramatic interruption and unpredictable instrumental allegiances. Many of these features would typify the 937:. The Schoenbergs were able to employ domestic help and began holding Sunday afternoon gatherings that were known for excellent coffee and Viennese pastries. Frequent guests included 889:

Along with his twelve-tone works, 1930 marks Schoenberg's return to tonality, with numbers 4 and 6 of the Six Pieces for Male Chorus Op. 35, the other pieces being dodecaphonic.

503:, with whom Schoenberg had been studying since about 1894. Schoenberg and Mathilde had two children, Gertrud (1902–1947) and Georg (1906–1974). Gertrud would marry Schoenberg's pupil 474:

and religious heritage was inescapable", and to take up an unmistakable position on the side opposing Nazism. He would self-identify as a member of the Jewish religion later in life.

1207: 925:; and the next year was promoted to professor at a salary of $ 5,100 per year, which enabled him in either May 1936 or 1937 to buy a Spanish Revival house at 116 North Rockingham in 3402: 3372: 815:

Schoenberg viewed his development as a natural progression, and he did not deprecate his earlier works when he ventured into serialism. In 1923 he wrote to the Swiss philanthropist

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observed, "Many music lovers, even today, find difficulty with Schoenberg's music". Small wrote his short biography a quarter of a century after the composer's death. According to

11562: 1237:, which is the relation between P1 and I6, and a source of contrast between "accumulations of 5ths" and "generally more complex simultaneity". For example, group A consists of B 712:, he wrote: "Now comes the reckoning! Now we will throw these mediocre kitschmongers into slavery, and teach them to venerate the German spirit and to worship the German God". 569:, Schoenberg 1922), which remains one of the most influential music-theory books. From about 1911, Schoenberg belonged to a circle of artists and intellectuals who included 999:

discovered his application in the 1970s. It bore two notes in different handwriting: "Jewish" in one and "Modernist ideas and dangerous tendencies" in another marked E.B. (

619:, or melodramatically spoken recitation, the work pairs a female vocalist with a small ensemble of five musicians. The ensemble, which is now commonly referred to as the 11502: 2231:, selected and edited by Erwin Stein, translated from the original German by Eithne Wilkins and Ernst Kaiser. Berkeley and Los Angeles: University of California Press. 1309:, followed Schoenberg faithfully through each of these intellectual and aesthetic transitions, though not without considerable experimentation and variety of approach. 4642: 1986:, which Paul Buhle and David Wagner (2002, v–vii) attribute to the films' left-wing screenwriters—a rather odd claim in light of Schoenberg's statement that he was a " 1075:

minor, Op. 38 (begun in 1906, completed in 1939), the Variations on a Recitative in D minor, Op. 40 (1941). During this period his notable students included

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and William Benjamin suggested referring to it as "motivic" music. Schoenberg himself described his use of a motivic unit "varied and developed in manifold ways" in

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Schoenberg drew comparisons between Germany's assault on France and his assault on decadent bourgeois artistic values. In August 1914, while denouncing the music of

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His innovative music was among the most influential and polemicized of 20th-century classical music. At least three generations of composers extended its somewhat

4807:, collected and presented by Paule Thévenin, translated by Stephen Walsh, with an introduction by Robert Piencikowski, 209–14. Oxford: Clarendon Press; New York: 11412: 3766: 5578: 4206: 1326:, who for most contemporary listeners, were considered polar opposites, representing mutually exclusive directions in the legacy of German music. Schoenberg's 5115: 1065:. Along with twelve-tone music, Schoenberg also returned to tonality with works during his last period, like the Suite for Strings in G major (1935), the 9190: 5898: 2416: 4709: 1835:, and René Leibowitz has had a measurable influence in spreading Schoenberg's musical legacy outside of Germany and Austria. His pupil and assistant 153:(13 September 1874 – 13 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first 10466: 1901:

audiences", it would seem that in particular, "British attempts to popularize music of this kind ... can now safely be said to have failed".

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The first of these periods, 1894–1907, is identified in the legacy of the high-Romantic composers of the late nineteenth century, as well as with

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Ten features of Schoenberg's mature twelve-tone practice are generally characteristic, interdependent, and interactive according to Ethan Haimo:

11542: 1165: 852:. After her husband's death in 1951 she founded Belmont Music Publishers devoted to the publication of his works. Arnold used the notes G and E 645: 634: 5402: 991:

He lived there the rest of his life, but at first he was not settled. In 1934, he applied for a teacher of harmony and theory position at the

11512: 11392: 11377: 296: 11552: 11150: 6725: 6410: 4897:, edited by Fred Wasserman and Esther da Costa Meyer, foreword by Joan Rosenbaum, preface by Christian Meyer. London and New York: Scala. 3394: 3364: 2175:, selected and edited by Erwin Stein, translated from the original German by Eithne Wilkins and Ernst Kaiser. New York: St.Martin's Press. 2168:, selected and edited by Erwin Stein, translated from the original German by Eithne Wilkins and Ernst Kaiser. London: Faber and Faber Ltd. 11587: 6760: 5430: 4364:. The volume carries the note "Several of the essays ... were originally written in German (translated by Dika Newlin)" in both editions. 4336:. Edited by Gerald Strang, with an introduction by Leonard Stein. New York: St. Martin's Press. Reprinted 1985, London: Faber and Faber. 2044:, edited by Gerald Strang, with an introduction by Leonard Stein. New York: St. Martin's Press. Reprinted 1985, London: Faber and Faber. 1930:(1947), is a composer whose use of twelve-tone technique parallels the innovations of Arnold Schoenberg. Leverkühn, who may be based on 421:, and his mother Pauline Schoenberg (née Nachod), a native of Prague, was a piano teacher. Arnold was largely self-taught. He took only 225: 11582: 11467: 11432: 5963: 1657:

in 1913, he received an ovation that lasted a quarter of an hour and culminated with Schoenberg's being presented with a laurel crown.

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After his move to the United States, where he arrived on 31 October 1933, the composer used the alternative spelling of his surname

11387: 11372: 11252: 720: 913:, both of which later named a music building on their respective campuses Schoenberg Hall. He was appointed visiting professor at 460:

after his death. Schoenberg, who had initially despised and mocked Mahler's music, was converted by the "thunderbolt" of Mahler's

11397: 11382: 1792:. Musicians associated with Schoenberg have had a profound influence on contemporary music performance practice in the US (e.g., 1688:

by Berg, fighting broke out after Schoenberg interrupted the performance to threaten removal by the police of any troublemakers.

1839:, who later became a professor of music, was also a conductor. who made a recording of three "master works" Schoenberg with the 11597: 11457: 10893: 5168:

Ringer, Alexander. 1990. "Arnold Schoenberg: The Composer as Jew". Oxford: Clarendon Press; New York: Oxford University Press.

4938: 2037:, edited with a foreword by Leonard Stein. New York, St. Martin's Press. Reprinted, Los Angeles: Belmont Music Publishers 2003. 988:, in what he called "deference to American practice", though according to one writer he first made the change a year earlier. 442:("Transfigured Night") (1899). He later made an orchestral version of this, which became one of his most popular pieces. Both 11452: 11422: 10684: 10048: 5535: 5321: 5307: 5283: 5269: 5252: 5225: 5204: 5187: 5173: 5163: 5078: 5029: 4991: 4969: 4961: 4947: 4931: 4902: 4866: 4848: 4830: 4816: 4756: 4744:. The Florida Center for Instructional Technology, College of Education, University of South Florida (accessed 16 June 2014). 4690: 4671: 4663: 4634: 4626: 4563: 4540: 4515: 4507: 4482: 4456: 4427: 4410: 4402: 4394: 4357: 4341: 4325: 4309: 4283: 4268: 4260: 4174: 4144: 4128: 4120: 4103: 4095: 4055: 4039: 4007: 3953: 3930: 3865: 3853: 3827: 3800: 3784: 3720: 3708: 3687: 3679: 2842: 2264: 2250: 2236: 2187: 2117: 2103: 2067: 2049: 2028: 1765: 1528: 910: 609:, Op. 21, of 1912, a novel cycle of expressionist songs set to a German translation of poems by the Belgian-French poet 292: 3636: 1449:, Op. 10, with soprano. The last movement of this piece has no key signature, marking Schoenberg's formal divorce from 10459: 4230: 11059: 5848: 2526:

while admitting the theory's inadequacy to analysts' aspiration to a "true unified-field theory of post-tonal music" à la

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so much importance to being a musical bogey-man as to being a natural continuer of properly-understood good old tradition!

11557: 11427: 10698: 10672: 7214: 6434: 6117: 6091: 5549: 5523: 1979:. From about 1908 to 1910, he would execute approximately two-thirds of a total oeuvre comprising about sixty-five oils. 1777: 1066: 340: 306: 5735: 1963:

Schoenberg was a painter of considerable ability, whose works were considered good enough to exhibit alongside those of

1475:, Op. 17 (1909). Surveying Schoenberg's Opp. 10, 15–16, and 19, Webern argued: "It creates entirely 1327: 11417: 11407: 11065: 10665: 10508: 9250: 5854: 5515: 5233: 5013: 4066: 2259:, 60th anniversary (second) edition, translated by Leonard Stein and Leo Black. Berkeley: California University Press. 922: 10743: 10719: 5666: 5630: 1539: 11592: 11527: 11492: 11487: 11482: 11442: 11437: 10966: 9976: 2382: 2348: 2222: 2214: 1805: 1761: 1446: 1004: 906: 9202: 4352:. Edited by Leonard Stein, with translations by Leo Black. New York: St. Martins Press; London: Faber & Faber. 2182:, edited by Leonard Stein, with translations by Leo Black. New York: St. Martins Press; London: Faber & Faber. 1769: 240:(1912), Schoenberg visited extremes of emotion; in self-portraits he emphasized his intense gaze. While working on 3807:

Earle, Ben. 2003. "Taste, Power and Trying to Understand Op. 36: British Attempts to Popularize Schoenberg".

324: 11602: 11572: 11472: 10452: 6753: 5755: 5423: 1455: 1116: 527: 10991: 10926: 1230: 800:, all of whom were profoundly influenced by Schoenberg. He published a number of books, ranging from his famous 676: 517:

During the summer of 1908, Schoenberg's wife Mathilde left him for several months for a young Austrian painter,

269: 11537: 10197: 10190: 10012: 6427: 6262: 6110: 5956: 4471:, Nicolas, Laura Kuhn, and Dennis McIntire. 2001. "Schoenberg (originally, Schönberg), Arnold (Franz Walter)." 3857: 1843:, released posthumously in late 2013. This recording includes short lectures by Deutsch on each of the pieces. 1840: 992: 694: 354: 174: 9789: 11577: 11532: 11477: 11095: 10899: 7039: 6232: 4460: 1773: 1723:, and obliquely refers to Stravinsky as "Der kleine Modernsky"), which he used as text for the second of his 1441:

Schoenberg's music from 1908 onward experiments in a variety of ways with the absence of traditional keys or

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Auner, Joseph H. 1999. "Schoenberg and His Public in 1930: The Six Pieces For Male Chorus, Op. 35". In

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After some early difficulties, Schoenberg began to win public acceptance with works such as the tone poem

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organization typical of Brahms and Mahler, reflecting an interest in balanced phrases and an undisturbed

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on the technical compositional details of Schoenberg's new music, who revised the chapters accordingly.

1523:, "I have made a discovery which will ensure the supremacy of German music for the next hundred years". 1191: 11497: 11357: 11303: 10239: 10148: 7171: 6746: 6516: 5919: 5416: 3922: 3898: 17: 5819: 5378: 4115:, second, revised edition. The Master Musicians Series. Oxford and New York: Oxford University Press. 3728: 3674:, edited by Walter Frisch, 85–125. Bard Music Festival Series. Princeton: Princeton University Press. 2887: 1337:

genre. Schoenberg's Six Songs, Op. 3 (1899–1903), for example, exhibit a conservative clarity of

1333:, first performed in 1903, set two contemporary poems to expressive music bordering the limits of the 1233:

between its primary forms, P1 and I6, Schoenberg's Piano Piece, Op. 33a, tone row contains three

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Op. 15. He dreaded his sixty-fifth birthday in 1939 so much that a friend asked the composer and

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In 1941, he became a citizen of the United States. Here he was the first composer in residence at the

373: 10678: 10584: 8543: 7629: 6359: 5949: 5611: 5529: 4765: 4570: 4477:, eighth edition, edited by Nicolas Slonimsky and Laura Kuhn. Six volumes. New York: Schirmer Books. 4301: 1415: 1087: 4890:

Cohen, Mitchell, "A Dissonant Schoenberg in Berlin and Paris," "Jewish Review of Books," April 2016.

4090:, edited by Walter Frisch, 1–15. Bard Music Festival Series. Princeton: Princeton University Press. 4063: 2283: 1904:

In his 2018 biography of Schoenberg's near contemporary and similarly pioneering composer, Debussy,

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Shoaf, R. Wayne. 1992. "Satellite Collections in the Archive of the Arnold Schoenberg Institute".

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The sound of hope: Music as solace, resistance and salvation during the holocaust and world war II

1490:) so emphasized motivic shapes in Schoenberg's (and Berg's and Webern's) "free atonal" music that 603:

Another of his most important works from this atonal or pantonal period is the highly influential

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Later, Schoenberg was to develop the most influential version of the dodecaphonic (also known as

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In October 1901, Schoenberg married Mathilde Zemlinsky, the sister of the conductor and composer

462: 6546: 1891:, writing some twenty years after Small, Schoenberg had thought that this lack of comprehension 11462: 11329: 11041: 10646: 10475: 10424: 10381: 10232: 9310: 8591: 8023: 7927: 7824: 7181: 7140: 6676: 6339: 6287: 6252: 5879: 5715: 4924:

Die Befreiung des Augenblicks: Schönbergs Skandalkonzerte von 1907 und 1908: eine Dokumentation

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Doctor Faustus Dossier, The: Arnold Schoenberg, Thomas Mann and Their Contemporaries, 1930–1951

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is fundamentally different from that of his Phantasy for Violin and Piano, Op. 47 (1949).

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is significant", Berg asserted, parenthetically praising Schoenberg's "excess unheard-of since

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Mahler's Musical Idea: A Schenkerian-Schoenbergian Analysis of the Adagio from Symphony No. 10

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Straus argued that "preoccupation with motivic coherence characterizes a whole range of early

1385:(1904–1905), Joseph N. Straus emphasized the importance of "motivic coherence" in the three's 898:

subsequently gave brief consideration to moving again, either to England or the Soviet Union.

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The deteriorating relation between contemporary composers and the public led him to found the

582: 11269: 11214: 11125: 10948: 10731: 10531: 10360: 10283: 9580: 8473: 8312: 7733: 7657: 7454: 7124: 6708: 6666: 6450: 6133: 6067: 5903: 5784: 5650: 5093: 4705: 4554: 2288: 1740: 1720: 1647: 1495: 1476: 1396: 1294: 1062: 1003:). Schoenberg also explored the idea of emigrating to New Zealand. His secretary and student 769: 570: 450:

recognized Schoenberg's significance as a composer; Strauss when he encountered Schoenberg's

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in 1947. This technique was taken up by many of his students, who constituted the so-called

343:, but Schoenberg was ill as depicted in his String Trio (1946). As the world learned of the 11367: 11362: 11140: 11115: 11070: 10980: 10881: 10777: 10417: 10204: 10060: 8920: 7274: 6651: 6606: 6501: 6282: 6247: 6037: 5869: 5859: 5808: 5494: 5396: 5084: 4378: 4220: 4197: 4151: 3974: 2527: 1616: 1375: 1216: 842:

under the pseudonym Max Blonda. At her request Schoenberg's (ultimately unfinished) piece,

838: 170: 31: 9503: 8955: 5182:, with a preface by Frédéric Chambert and Alain Mousseigne. Montreuil-sous-Bois: Liénart. 4641: 2893: 8: 11284: 11209: 11174: 11120: 11007: 10984: 10960: 10942: 10702: 10574: 10554: 10262: 9719: 9712: 9298: 9094: 9008: 8927: 8682: 8675: 8431: 7622: 7324: 7024: 6364: 6224: 6017: 5874: 5365: 4883: 4166: 3995: 3755: 1781: 1753: 1282: 1275: 426: 221: 11225: 9286: 8550: 5885: 5024:. Studies in Musicology, series edited by George Buelow. Ann Arbor: UMI Research Press. 4786: 542:

Also in this year, Schoenberg completed one of his most revolutionary compositions, the

487: 11231: 11204: 11157: 10998: 10435: 10246: 10141: 10098: 10036: 10024: 9940: 9615: 9573: 9171: 8906: 8724: 8263: 8249: 8144: 7999: 7975: 7859: 7445: 7200: 7019: 6947: 6591: 6486: 6384: 6316: 6237: 6156: 6032: 5802: 4782: 4608: 4160: 3809: 2523: 2209:, edited by Jelena Hahl-Koch, translated by John C. Crawford. London: Faber and Faber. 1789: 1756:. Schoenberg's students have been influential teachers at major American universities: 929:, near the UCLA campus, for $ 18,000. This address was directly across the street from 863: 829: 828:

His first wife died in October 1923, and in August of the next year Schoenberg married

738: 734: 10549: 9964: 9872: 9726: 6102: 6057: 5603: 5247:. London: Williams and Norgate; Revised edition, New York, London: W. W. Norton 1969. 5022:

Schoenberg's Twelve-Tone Harmony: The Suite Op. 29 and the Compositional Sketches

4975: 4710:"Make It New and Difficult: The Music of Arnold Schoenberg" (review of Sachs, Harvey, 4034:, translated from the Dutch by Stephen Taylor. Amsterdam: Amsterdam University Press. 1354: 1285:

movements in poetry and art. The second, 1908–1922, is typified by the abandonment of

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During this final period, he composed several notable works, including the difficult

902: 656:. Having considered many candidates, he offered teaching positions to Schoenberg and 653: 509: 365: 154: 11189: 9475: 7566: 6601: 4998:

Arnold Schoenberg and the Ideology of Progress in Twentieth-Century Musical Thinking

4926:. Wiener Veröffentlichungen zur Musikgeschichte 4. Vienna, Cologne, Weimar: Böhlau. 4621:. Berkeley and Los Angeles: University of California Press, 2007, pp. 301–329. 3600:, "focus on the paintings, which form the central chapter" of the book (p. 11). 777: 772:) method of composition, which in French and English was given the alternative name 531:, Op. 15, based on the collection of the same name by the German mystical poet 11317: 11145: 11110: 11105: 11100: 11011: 10955: 10629: 10578: 10558: 10402: 10395: 10134: 9914: 9823: 9816: 9747: 9649: 9559: 9412: 9322: 9214: 9108: 9101: 8934: 8759: 8717: 8536: 8452: 8347: 8256: 8116: 8088: 7703: 7573: 7538: 7531: 7496: 7411: 7304: 7145: 7114: 7079: 7034: 7029: 6942: 6922: 6912: 6877: 6872: 6718: 6703: 6596: 6476: 6419: 6309: 6198: 6151: 6027: 5972: 5697: 5387: 5102: 4907: 4774: 4600: 4586: 4519: 4154:. n.d. (Who Was Who in America, Volume III {1951–1960}). (accessed 4 October 2012). 3987: 3886: 2512: 2432: 2362: 2319: 2293: 2245:, new paperback English edition. Bloomington and London: Indiana University Press. 1976: 1871: 1830: 1817: 1684: 1565: 1480: 1423: 1349:

and seem to aspire to a Wagnerian "representational" approach to motivic identity.

1131:. Rudhyar did this and told Schoenberg that the year was dangerous, but not fatal. 974: 966: 879: 870: 844: 812:, many of which are still in print and used by musicians and developing composers. 620: 466:, which he considered a work of genius. Afterward he "spoke of Mahler as a saint". 288: 242: 212: 10790: 9608: 9510: 8354: 8340: 8333: 8158: 7517: 6887: 6867: 6511: 4737: 4523: 2005: 1955: 1061:(1932/33), which was one of the first works of its genre written completely using 942: 11169: 11085: 11027: 10524: 10388: 10339: 10325: 10318: 9879: 9782: 9594: 9587: 9489: 9461: 9433: 9385: 9238: 9157: 9129: 9024: 8948: 8899: 8787: 8752: 8640: 8633: 8577: 8529: 8438: 8326: 8179: 8151: 7951: 7873: 7866: 7845: 7782: 7740: 7650: 7643: 7601: 7545: 7436: 7054: 6952: 6902: 6671: 6646: 6566: 6491: 6466: 6354: 6349: 6186: 6022: 5775: 4578: 3942: 3845: 3700: 2516: 2098:, 100th Anniversary Edition. Berkeley: California University Press. 2nd edition. 1731:, "Der neue Klassizismus", also takes aim at the neoclassical trend in general. 1716: 1570: 1516: 1511: 1491: 1465: 1427: 1319: 1144: 1136: 1110:

Schoenberg's superstitious nature may have triggered his death. The composer had

1103: 970: 950: 934: 901:

His first teaching position in the United States was at the Malkin Conservatory (

849: 816: 781: 690: 639: 605: 578: 443: 315: 265: 236: 10516: 9031: 8850: 8626: 8130: 7482: 5765: 1345:

of key relationships. However, the songs also explore unusually bold incidental

757: 11246: 11135: 11003: 10875: 10785: 10346: 10276: 10269: 10211: 10155: 10125: 9988: 9900: 9830: 9775: 9754: 9677: 9670: 9663: 9524: 9482: 9468: 9454: 9405: 9150: 9143: 9122: 9115: 9066: 9045: 9038: 8801: 8612: 8605: 8584: 8568: 8501: 8487: 8375: 8214: 8193: 8186: 8109: 8095: 8081: 7963: 7831: 7712: 7692: 7671: 7608: 7468: 7238: 7104: 7064: 7049: 6978: 6973: 6882: 6832: 6698: 6661: 6636: 6541: 6496: 6272: 6171: 5825: 5484: 4893:

da Costa Meyer, Esther. 2003. "Schoenberg's Echo: The Composer as Painter". In

3939:

Schoenberg's Serial Odyssey: The Evolution of his Twelve-Tone Method, 1914–1928

3916: 3872: 3733: 3640: 2473: 2428: 2145: 2077: 1801: 1748: 1666: 1633: 1548: 1399: 1392: 1323: 1290: 1181: 1057: 938: 930: 918: 833: 742: 657: 518: 492: 248: 166: 8962: 8619: 8284: 7894: 7775: 4360:

Expanded from the 1950 Philosophical Library (New York) publication edited by

1719:'s new neoclassical trend in the poem "Vielseitigkeit" (in which he derogates 364:

principles. His aesthetic and music-historical views influenced musicologists

11351: 11199: 11179: 11130: 11023: 10936: 10638: 10622: 10367: 10332: 10225: 9907: 9851: 9837: 9684: 9545: 9447: 9440: 9426: 9136: 9017: 8885: 8780: 8738: 8689: 8522: 8515: 8480: 8445: 8396: 8368: 8291: 7887: 7817: 7789: 7761: 7664: 7580: 7524: 7510: 7503: 7489: 7397: 7377: 7295: 7267: 7084: 6812: 6631: 6581: 6576: 6556: 6551: 6536: 6394: 6277: 6086: 6012: 5813: 5707: 5405:

Exhibition, 3 May – 13 September 2002, at Arnold Schönberg Center in Vienna.

5356: 5244: 5147: 4840: 4800: 4778: 4678: 4500:

Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition

4244: 4189: 4070: 4044:

Muziek van de twintigste eeuw: een onderzoek naar haar elementen en structuur

3961: 3665:] ArkivMusic: The Source for Classical Music (accessed 27 December 2015). 2477: 2469: 2448: 1972: 1888: 1862:

has noted that, given Schoenberg's living circumstances, his work is usually

1813: 1797: 1793: 1785: 1757: 1736: 1610: 1599: 1435: 1414:

The urgency of musical constructions lacking in tonal centers or traditional

1371: 1363: 1359: 1272: 1234: 1000: 996: 946: 941:(who studied composition privately with Schoenberg beginning in April 1936), 628: 610: 555: 547: 532: 447: 410: 398: 369: 178: 8647: 7552: 7315: 6842: 6081: 5928: 5041:. New York: Galerie St. Etienne and Rizzoli International Publications, Inc. 648:

from 1907, wanted a break from the stale environment personified for him by

50: 11341: 11279: 11258: 11241: 11184: 11164: 11018: 10866: 10617: 10162: 10000: 9893: 9865: 9800: 9768: 9740: 9705: 9698: 9691: 9656: 9622: 9538: 9496: 9354: 9343: 9333: 9080: 9052: 8990: 8983: 8969: 8941: 8913: 8878: 8871: 8843: 8829: 8815: 8794: 8703: 8661: 8654: 8494: 8466: 8417: 8403: 8277: 8242: 8137: 8123: 8060: 7987: 7880: 7838: 7636: 7461: 7119: 7074: 6988: 6983: 6862: 6852: 6822: 6807: 6691: 6656: 6621: 6586: 6531: 6481: 6302: 6052: 6047: 6007: 5892: 5687: 5288: 5192: 5054: 4726: 4386: 4252: 4027: 3999: 3969: 3793:

A Windfall of Musicians: Hitler's Émigrés and Exiles in Southern California

2456: 2440: 2424: 2420: 1852: 1675: 1653: 1442: 1346: 1306: 1298: 1297:, or "twelve-tone" compositional method. Schoenberg's best-known students, 1286: 1124: 1080: 797: 789: 681: 615: 593: 574: 452: 422: 402: 330: 310: 253: 199: 8382: 6521: 3261: 2138: 1607:, "consistent with and derived from the properties of the referential set" 1422:, Op. 9 (1906). This work is remarkable for its tonal development of 11194: 11080: 10444: 10374: 10255: 10114: 10105: 9921: 9844: 8892: 8857: 8773: 8766: 8508: 8410: 8298: 8228: 8165: 8042: 7908: 7768: 7726: 7678: 7615: 7594: 7587: 7559: 7475: 7418: 7258: 7059: 7044: 6471: 6374: 6181: 6161: 5349: 5257: 5106: 5034: 5008: 4919: 4871: 4361: 4231:

Some Memories of Anton Webern, the Berg Concerto, and Vienna in the 1930s

4074: 3022: 2520: 2485: 2452: 2151: 1921: 1859: 1836: 1821: 1664:

premièred unremarkably in 1907. However, when it was played again in the

1576: 1520: 1515:

Schoenberg regarded the twelve-tone system as the equivalent in music of

1507: 1487: 1293:". The third, from 1923 onward, commences with Schoenberg's invention of 962: 883: 669: 536: 4997: 4821:

Brand, Julianne, Christopher Hailey, and Donald Harris (editors). 1987.

4050:, 1964. Third impression, Utrecht: Bohn, Scheltema & Holkema, 1977. 2009:, third edition. Vienna: Universal Edition. (Originally published 1911). 10916: 10304: 9858: 9629: 9552: 9531: 9419: 9087: 9073: 8822: 8808: 8745: 8668: 8557: 8424: 8361: 8221: 8051: 7852: 7810: 7747: 7404: 7109: 7099: 7069: 6802: 6681: 6641: 6389: 6292: 5991: 5830: 5062: 4913:

The First Moderns: Profiles in the Origins of Twentieth-Century Thought

4612: 1991: 1964: 1744: 1671: 1587: 1302: 1121: 958: 954: 933:'s house, and there he befriended fellow composer (and tennis partner) 793: 705: 597: 418: 414: 203: 2243:

The Musical Idea and the Logic, Technique, and Art of Its Presentation

2133:, edited by Robert B. Heywood, Chicago: University of Chicago Press. 1510:, Schoenberg sought an ordering principle that would make his musical 546:. The first two movements, though chromatic in color, use traditional 299:. He explored writing film music (as he had done idiosyncratically in 11090: 10761: 10353: 10311: 10176: 9886: 8976: 8731: 8598: 8319: 8270: 8235: 7796: 7223: 7094: 7014: 6897: 6506: 6454: 6344: 6166: 6137: 6042: 5864: 5464: 4956:. Bard Music Festival Series. Princeton: Princeton University Press. 4730: 4032:

Music of the Twentieth Century: A Study of Its Elements and Structure

2436: 1987: 1931: 1559: 1471: 1367: 1342: 1128: 1076: 1046: 873:, who had served as Director of a Master Class in Composition at the 773: 746: 344: 230: 5408: 4837:

Radical Hollywood: The Untold Story Behind America's Favorite Movies

4604: 2875: 409:) of Vienna, at Obere Donaustraße 5. His father Samuel, a native of 287:

took power; they banned his (and his students') music, labeling it "

11034: 8200: 8067: 7425: 7386: 7370: 7356: 7247: 6561: 6379: 6193: 5941: 3537: 2444: 1866:

rather than listened to, and that it is difficult to experience it

1453:

harmonies. Other important works of the era include his song cycle

1450: 1338: 1200: 551: 535:. This was the first composition without any reference at all to a 470: 433: 273: 6738: 5361: 5047:. 2000. "Arnold Schönberg als Maler/Arnold Schönberg as Painter". 3397:[Three Satires for mixed choir: III. The New Classicism]. 3058: 892: 389: 10973: 9952: 8997: 8459: 8074: 7363: 7347: 7333: 4373:, translated by Leo Black. Berkeley: California University Press. 3612: 2627: 2198:, translated by Leo Black. Berkeley: California University Press. 1604: 762: 624: 257: 158: 693:, this is a reference to Schoenberg's apparent "destiny" as the 631:), violin (doubling on viola), violoncello, speaker, and piano. 456:, and Mahler after hearing several of Schoenberg's early works. 7281: 6215: 5345: 2894:

University of Southern California Thornton School of Music 2008

2659: 2657: 1651:

at a Berlin performance in 1907. At the Vienna première of the

1431: 406: 217: 195: 191: 80: 4729:

and Shierry Weber London: Spearman; Cambridge, Massachusetts:

30:"Schoenberg" redirects here. For others with the surname, see 4939:

Les Fonctions structurelles de l'harmonie d'Arnold Schoenberg

4467: 4081:". AllMusic Review. allmusic.com. Retrieved 26 December 2015. 3578: 3333: 3321: 3285: 3160: 3148: 3028: 2603: 2062:

1922. Berkeley, Los Angeles: University of California Press.

1045:, Op. 42 (1942), and his memorial to the victims of the 709: 701: 432:

In his twenties, Schoenberg earned a living by orchestrating

320: 11336: 7192: 5116:"Arnold Schönbergs Konfrontationen mit Antisemitismus (III)" 4182:

Neighbour, O W. 2001. "Schoenberg , Arnold (Franz Walter)".

3395:"Drei Satiren für gemischten Chor: 3. Der neue Klassizismus" 3249: 3227: 3225: 3223: 2654: 2337: 2328: 1501: 7754: 7288: 4158: 3637:"New German Archive Focuses on Music Silenced by the Nazis" 3267: 2371: 1403: 1334: 914: 436:, while composing his own works, such as the string sextet 284: 4643:

University of Southern California Thornton School of Music

3367:[Three Satires for mixed choir: II. Versatility]. 2368: 2325: 1055:, Op. 46 (1947). He was unable to complete his opera 5362:

Archival records: Arnold Schoenberg collection, 1900–1951

3840: 3661: 3273: 3220: 2959: 2681: 2615: 2340: 2058:, English edition, translated by Roy E. Carter, based on 1950: 1660:

Nonetheless, much of his work was not well received. His

1479:

values; therefore it also needs new means of expression.

1352:

The synthesis of these approaches reaches an apex in his

858:(German: Es, i.e., "S") for "Gertrud Schoenberg", in the 749:, and other leading figures of early 20th-century music. 5228:. Second edition (100th Anniversary) published in 2010. 5017:(e-book). The Lark Ascending, Inc. (accessed 2 May 2010) 4632: 3237: 2881: 2802: 2778: 2644: 2642: 1613:, established through "pitch-relational characteristics" 1418:

relationships can be traced as far back as Schoenberg's

1289:, a move often described (though not by Schoenberg) as " 752: 477: 305:, 1929–1930) and wrote more tonal music, completing his 11563:

Jewish emigrants from Nazi Germany to the United States

6132: 3549: 3525: 3196: 3184: 3086: 2988: 2986: 2947: 2911: 2851: 2669: 1878: 5373:

a web-based exhibition of Arnold Schönberg curated by

5220:. Berkeley, CA: University of California Press, 1978. 5004:

5 (Summer). Online journal (Accessed 17 October 2011).

4493:. Novello Short Biographies. Sevenoaks, Kent: Novello. 4350:

Style and Idea: Selected Writings of Arnold Schoenberg

3477: 3465: 3074: 2971: 2741: 2180:

Style and Idea: Selected Writings of Arnold Schoenberg

2076:, translated into German by Rudolf Kolisch; edited by 11301: 4823:

The Berg-Schoenberg Correspondence: Selected Letters.

4150: 3453: 3365:"Drei Satiren für gemischten Chor: 2. Vielseitigkeit" 3110: 3098: 3010: 2998: 2899: 2639: 2633: 2579: 2383: 2374: 2349: 2331: 1912: 848:

was prepared for performance by Schoenberg's student

397:

Arnold Schoenberg was born into a lower middle-class

169:

as a means of coherence. He propounded concepts like

6449: 4451:. New York: Alfred A. Knopf, Toronto: Random House. 4086:

McCoy, Marilyn. 1999. "A Schoenberg Chronology". In

3513: 3345: 2983: 2863: 2753: 2693: 2567: 2334: 1037:, Op. 39, for chorus and orchestra (1938), the 469:

In 1898 Schoenberg converted to Christianity in the

165:, and a central element of his music was its use of 9191:

A Sunday Afternoon on the Island of La Grande Jatte

5312:Wright, James K. and Alan M. Gillmor (eds.). 2009. 4228: 4218:Plush, Vincent. 1996. "They Could Have Been Ours". 4159:Moldenhauer, Hans, and Rosaleen Moldenhauer. 1978. 3489: 3441: 3297: 3172: 3034: 2923: 2814: 2790: 2729: 2717: 2365: 2322: 2091:, Reprinted, Los Angeles: Belmont Music Publishers. 2080:. Vienna: Universal Edition (German translation of 905:). He moved to Los Angeles, where he taught at the 309:in 1939. With citizenship (1941) and US entry into 210:. They consorted with visual artists, published in 11503:Austro-Hungarian military personnel of World War I 4207:Book of a Lifetime: Doktor Faustus, by Thomas Mann 4162:Anton von Webern: A Chronicle of His Life and Work 3501: 3309: 3208: 3046: 2935: 2705: 2591: 1249:, while the "more blended" group B consists of A-F 264:. He systematically interrelated all notes of the 4619:The Danger of Music and Other Anti-Utopian Essays 4558:. Portland, Oregon & Cambridge, UK: Amadeus. 3429: 3417: 1312: 11349: 5300:Schoenberg, Wittgenstein, and the Vienna Circle. 4417: 3822:. Oxford and New York: Oxford University Press. 3779:. Oxford and New York: Oxford University Press. 3543: 2555: 1938:comments that "written in the shadow of Hitler, 1670:on 31 March 1913, (which also included works by 1409: 832:(1898–1967), sister of his pupil, the violinist 561:During the summer of 1910, Schoenberg wrote his 5314:Schoenberg's Chamber Music, Schoenberg's World. 5158:. New Haven and London: Yale University Press. 4857:, translated by Rodney Livingstone. Cambridge: 4185:The New Grove Dictionary of Music and Musicians 3836:City of Nets: A Portrait of Hollywood in 1940's 3795:. New Haven and London: Yale University Press. 3569:Thomas Mann: Life as a Work of Art: A Biography 2543: 893:Nazi regime and emigration to the United States 11413:Academic staff of the Prussian Academy of Arts 5199:. New York: Liveright Publishing Corporation. 4569: 3618: 3584: 3339: 3327: 3291: 3166: 3154: 2663: 2609: 2112:, Reprinted, London: Oxford University Press. 1469:, Op. 21 (1912), as well as his dramatic 1143:Schoenberg's ashes were later interred at the 957:, and, on occasion, well-known actors such as 733:From its inception until its dissolution amid 429:, who was to become his first brother-in-law. 224:, attracting fame and stirring debate. In his 10460: 7208: 6754: 6435: 6118: 5957: 5933: 5424: 5122:16, 164–254. Vienna: Arnold Schönberg Center. 5067:My Life, My Loves: The Memoirs of Alma Mahler 4876:"The Test Pressings of Schoenberg Conducting 4274:Reprinted 1996, with a new preface. Chicago: 1526:Among Schoenberg's twelve-tone works are the 716:described this as an "act of war psychosis". 558:chords, and the work is not fully non-tonal. 11155: 11151:International Society for Contemporary Music 10123: 10112: 7313: 7302: 7256: 7245: 6411:List of dodecaphonic and serial compositions 5773: 5763: 5753: 5743: 5733: 5695: 5685: 5664: 5648: 5638: 5628: 5601: 5513: 5492: 5482: 5472: 5462: 4825:New York, London: W. W. Norton and Company. 4803:. 1991. "Schoenberg is Dead" (1952). In his 4474:Baker's Biographical Dictionary of Musicians 4397:(Revised ed., New York: W. W. Norton, 1980. 3571:, chapter XVII (Doctor Faustus), subchapter 2074:Die Grundlagen der musikalischen Komposition 1445:. His first explicitly atonal piece was the 1386: 724: 328: 7384: 5371:Schönberg. Linking two continents in sound. 4204: 3964:". 52composers.com (accessed 24 June 2018). 3555: 1519:'s discoveries in physics. Schoenberg told 417:, Slovakia) and then to Vienna, was a shoe- 268:in his twelve-tone music, often exploiting 252:(from 1923), Schoenberg confronted popular 10474: 10467: 10453: 7215: 7201: 6761: 6747: 6442: 6428: 6406: 6125: 6111: 5964: 5950: 5431: 5417: 4982:, translated by G. M. Goshgarian. Ithaca: 4545: 4437:Journal of the Arnold Schoenberg Institute 4368: 4347: 4331: 4315: 3820:Schoenberg's New World: The American Years 3279: 2965: 2747: 2687: 2621: 726:Verein für musikalische Privataufführungen 49: 10692:Begleitungsmusik zu einer Lichtspielscene 5579:Concerto for String Quartet and Orchestra 5543:Begleitungsmusik zu einer Lichtspielscene 5339:International Music Score Library Project 5113: 5002:Search: Journal for New Music and Culture 4895:Schoenberg, Kandinsky, and the Blue Rider 4683:The Gesualdo Hex: Music, Myth, and Memory 4443: 4377: 4181: 4139:. Cambridge: Cambridge University Press. 4110: 3959: 3885: 3833: 3116: 3092: 2953: 2857: 2808: 2784: 2648: 2573: 2511:", ascribing it to "much of the work" of 1535:Begleitungsmusik zu einer Lichtspielscene 1502:Third period: Twelve-tone and tonal works 1157:List of compositions by Arnold Schoenberg 1093: 302:Begleitungsmusik zu einer Lichtspielscene 291:". He taught in the US, including at the 11253:Society for Private Musical Performances 10746:, Op. 33a (1928-1929) and Op. 33b (1931) 4685:. New York: W. W. Norton & Company. 4585: 4551: 4013: 3986: 3790: 3694: 3483: 3471: 3459: 3142: 3129: 2917: 2772: 2699: 2585: 2148:: Selected Writings of Arnold Schoenberg 1954: 1699: 1627: 1542:, Opp. 33a & b (1931), and the 1391:more generally. "Every smallest turn of 1278:—transcend these boundaries completely. 1215: 1190: 1184:with soprano Rona Israel-Kolatt, in 2007 1097: 1009: 869:Following the death in 1924 of composer 756: 721:Society for Private Musical Performances 675: 481: 388: 355:Israel Conservatory and Academy of Music 5276:Theory of Tonality: Theoretical Studies 5138:. Oxford Studies of Composers. London: 4916:. Chicago: University of Chicago Press. 4677: 4502:. Cambridge: Harvard University Press. 4405:Third ed. New York: W.W. Norton, 1997. 3729:"The Nazis' take on 'Degenerate Music'" 2977: 1856:"wishes for only whores as listeners". 1623: 1381:Citing Berg and Webern on Schoenberg's 862:, for septet, Op. 29 (1925). (see 357:elected him honorary president (1951). 198:synthesis on which he built. Mentoring 14: 11518:Burials at the Vienna Central Cemetery 11350: 5120:Journal of the Arnold Schönberg Center 5049:Journal of the Arnold Schönberg Center 4761: 4589:(Spring 2004). "The poietic fallacy". 4497: 4134: 3975:When Weimar Luminaries Went West Coast 3968: 3913: 3817: 3748: 3255: 3243: 3231: 3104: 3064: 3016: 3004: 2992: 2941: 2929: 2905: 2869: 2675: 2519:. He noted his argument's reliance on 1959:Arnold Schoenberg, self-portrait, 1910 1951:Personality and extramusical interests 1463:, Op. 16 (1909), the influential 1166:Second String Quartet, fourth movement 977:studied with Schoenberg at this time. 921:, music director and conductor of the 206:, he became the central figure of the 27:Austrian-American composer (1874–1951) 11543:Converts to Judaism from Christianity 10448: 10049:Six Characters in Search of an Author 7196: 6742: 6423: 6106: 5945: 5932: 5438: 5412: 5264:New York: Farrar, Straus and Giroux. 4835:Buhle, Paul, and David Wagner. 2002. 4653: 4555:Choral Music in the Twentieth Century 4530: 4488: 4449:Begin Again: A Biography of John Cage 4434: 4273: 4243: 4229:Krasner, Louis, and Don C. Seibert. " 4217: 4085: 4061: 4026: 3936: 3891:"Music History Monday: Lotte Lehmann" 3856:Reprinted, Berkeley and Los Angeles: 3806: 3669: 3657:Max Deutsch Conducts Arnold Schonberg 3654: 3634: 3531: 3519: 3495: 3435: 3423: 3351: 3315: 3303: 3214: 3202: 3190: 3178: 3080: 3068: 2832: 2820: 2796: 2759: 2735: 2723: 2561: 2394: 2089:Preliminary Exercises in Counterpoint 2035:Preliminary Exercises in Counterpoint 1920:Adrian Leverkühn, the protagonist of 1870:from the ideology that surrounds it. 1691: 911:University of California, Los Angeles 753:Development of the twelve-tone method 478:1901–1914: experimenting in atonality 293:University of California, Los Angeles 11513:Berlin University of the Arts alumni 11393:20th-century Austrian male musicians 11378:20th-century American male musicians 11044:(1935, rev. ed. Douglas Jarman 1996) 5971: 5180:Arnold Schönberg: Visions et regards 5130:. London: Columbia University Press. 4575:Schoenberg: His Life, World and Work 4298:: Listening to the Twentieth Century 4289: 4016:Why We're Still Afraid of Schoenberg 3871: 3774: 3763: 3726: 3575:, Princeton University Press (2002). 3507: 3447: 3052: 3040: 2711: 2597: 2549: 1879:Relationship with the general public 993:New South Wales State Conservatorium 525:), the thirteenth song in the cycle 405:district (in earlier times a Jewish 11553:Jewish American classical composers 10573:, Op. 10 (1907-1908, 1919 and 1929 10571:String Quartet No. 2 (with soprano) 6768: 5291:. 1932. "The Lyceum of Schonberg", 4805:Stocktakings from an Apprenticeship 4334:Fundamentals of Musical Composition 2468:His views also influenced pianists 2110:Models for Beginners in Composition 2082:Fundamentals of Musical Composition 2042:Fundamentals of Musical Composition 2014:Models for Beginners in Composition 1366:that develops several distinctive " 1041:, Op. 41 (1942), the haunting 810:Fundamentals of Musical Composition 393:Arnold Schönberg in Payerbach, 1903 24: 11588:People from Brentwood, Los Angeles 10701:, Op. 38 (1906–1940) and Op. 38b ( 10553:, Op. 4 (1899, 1916-1917 and 1943 9251:Nude Descending a Staircase, No. 2 5357:Arnold Schoenberg Center in Vienna 5014:Arnold Schönberg's European Family 4855:Theodor W. Adorno: One Last Genius 4751:New Haven: Yale University Press. 4742:A Teacher's Guide to the Holocaust 4698: 4658:. London: Faber and Faber Limited 4137:Schoenberg and Hollywood Modernism 4067:Rheinland-Pfalz Staatsphilharmonie 3029:Slonimsky, Kuhn, and McIntire 2001 2154:. New York: Philosophical Library. 923:Los Angeles Philharmonic Orchestra 313:, he satirized fascist tyrants in 25: 11619: 11583:Music Academy of the West faculty 11468:Austrian male classical composers 11433:American male classical composers 11060:Arnold Schönberg Complete Edition 5849:Arnold Schönberg Complete Edition 5328: 5087:, Joshua Banks (September 2015). 5065:. Frankfurt am Main: S. Fischer, 4633:UCLA Department of Music. 2008. " 4371:Style and Idea: Selected Writings 3919:, 1878–1934: A Cultural Biography 3405:from the original on 21 July 2024 3375:from the original on 21 July 2024 3141:Nuria Schoenberg-Nono, quoted in 2278:Arnold Schönberg Complete Edition 2257:Style and Idea: Selected Writings 2207:: Letters, Pictures and Documents 2196:Style and Idea: Selected Writings 1806:New England Conservatory of Music 1632:Portrait of Arnold Schoenberg by 1438:aesthetic of the coming century. 917:in 1935 on the recommendation of 907:University of Southern California 623:, consists of flute (doubling on 523:Du lehnest wider eine Silberweide 347:, he memorialized its victims in 297:facilities are named in his honor 11608:Twelve-tone and serial composers 11403:20th-century classical composers 11335: 11323: 11311: 10431: 10430: 7176: 7167: 7166: 6405: 6214: 5915: 5914: 5335:Free scores by Arnold Schoenberg 5007:Greissle-Schönberg, Arnold, and 4725:, translated from the German by 4577:, translated from the German by 4383:The Lives of the Great Composers 3875:. 1951. "Schoenberg, 1874–1951" 3777:Music: A Very Short Introduction 3751:Popper in Australasia, 1937–1945 3268:Moldenhauer and Moldenhauer 1978 2361: 2318: 1727:, Op. 28. The third of the 1220: 1204: 1170: 260:and substantially developed his 157:who transformed the practice of 11388:20th-century Austrian composers 11373:20th-century American composers 5295:9, no. 3 (March–April): 99–107. 5241:Structural Functions of Harmony 4430:University of California Press. 3881:92, no. 1 (September): 401–403. 3603: 3590: 3561: 3387: 3357: 3135: 3122: 2826: 2765: 2501: 2021:Structural Functions of Harmony 1459:, Op. 15 (1908–1909), his 1023:in commemoration of this event. 973:and the Hollywood orchestrator 283:(1926–1933), emigrating as the 184:Schoenberg's early works, like 11398:20th-century Austrian painters 11383:20th-century American painters 10969:, Op. 6 (1913-1915, rev. 1929) 10945:, Op. 1 (1907-1908, rev. 1920) 10831: 10669:, Op. 5 (1902-1903, rev. 1920) 10198:Grosvenor School of Modern Art 10191:Fourth dimension in literature 7040:Modes of limited transposition 5178:Rollet, Philippe (ed.). 2010. 4048:Oosthoek's Uitgevers Mij. N.V. 3858:University of California Press 2491: 2462: 2409: 2311: 2161:, by B. Schott's Söhne, Mainz. 1841:Orchestre de la Suisse Romande 1640: 1313:First period: Late Romanticism 664: 376:collects his archival legacy. 175:emancipation of the dissonance 13: 1: 11598:Pupils of Alexander Zemlinsky 11458:Austrian emigrants to Germany 10894:Concerto for Nine Instruments 10509:Das Buch der hängenden Gärten 7222: 5756:Das Buch der hängenden Gärten 5393:Arnold Schoenberg (1874–1951) 5154:Petropoulos, Jonathan. 2014. 4880:: Sprechstimme Reconsidered". 4649:" (accessed 1 December 2008). 4647:Performance Halls and Studios 4637:" (accessed 1 December 2008). 4524:10.4159/harvard.9780674436336 4461:Northwestern University Press 4418:Schoenberg, E. Randol. 2018. 3992:The Book of Musical Anecdotes 2882:UCLA Department of Music 2008 2299: 2016:, New York: G. Schirmer, Inc. 1456:Das Buch der Hängenden Gärten 1410:Second period: Free atonality 1117:Das Buch der Hängenden Gärten 1031:, Op. 36 (1934/36), the 613:. Utilizing the technique of 528:Das Buch der Hängenden Gärten 384: 279:Schoenberg resigned from the 56: 11453:Austrian classical composers 11423:American classical composers 10992:Schließe mir die Augen beide 10927:Schließe mir die Augen beide 6335:All-interval twelve-tone row 5403:Arnold Schönberg and His God 5262:Arnold Schoenberg's Journey. 4952:Frisch, Walter (ed.). 1999. 4666:; New York: Alfred A. Knopf 4188:, second edition, edited by 3770:(accessed 7 September 2019). 3727:Berg, Marita (24 May 2013). 2537: 1997: 1846: 1231:hexachordal combinatoriality 761:Arnold Schoenberg, 1927, by 379: 163:20th-century classical music 7: 10291:List of avant-garde artists 9275:The Cabinet of Dr. Caligari 7090:Quartal and quintal harmony 6779:List of modernist composers 6092:Der Blaue Reiter (painting) 5316:New York: Pendragon Press. 5274:Stegemann, Benedikt. 2013. 4980:Immanence and Transcendence 4656:Debussy: A Painter in Sound 4581:. New York: Schirmer Books. 4276:University of Chicago Press 3914:Hailey, Christopher. 1993. 3791:Crawford, Dorothy L. 2009. 2270: 2150:, edited and translated by 2123: 1971:. as fellow members of the 1486:Analysts (most prominently 1383:String Quartet No. 1, Op. 7 1017:. In 1947 Schoenberg wrote 695:"Emancipator of Dissonance" 99:Los Angeles, California, US 55:Schoenberg in Los Angeles, 10: 11624: 11558:Jewish classical composers 11428:American former Christians 10726:Sechs kleine Klavierstücke 10681:, Op. 16 (1909, rev. 1922) 10149:Classical Hollywood cinema 5641:Sechs kleine Klavierstücke 5278:. Wilhelmshaven: Noetzel. 5239:Schoenberg, Arnold. 1959. 5210:Schoenberg, Arnold. 1922. 5197:Schoenberg: Why He Matters 5114:Muxeneder, Therese. 2019. 5039:Arnold Schoenberg's Vienna 4712:Schoenberg: Why He Matters 4635:Facilities and Maintenance 4571:Stuckenschmidt, Hans Heinz 4533:Arnold Schoenberg: Letters 4531:Stein, Erwin (ed.). 1987. 4489:Small, Christopher. 1977. 4369:Schoenberg, Arnold. 1984. 4348:Schoenberg, Arnold. 1975. 4332:Schoenberg, Arnold. 1967. 4316:Schoenberg, Arnold. 1964. 4111:MacDonald, Malcolm. 2008. 3923:Cambridge University Press 3921:. Cambridge and New York: 3635:Anon. (29 February 2008). 3627: 3598:Arnold Schoenberg's Vienna 1820:). In Europe, the work of 1154: 1147:in Vienna on 6 June 1974. 1102:Schoenberg's grave in the 1039:Ode to Napoleon Buonaparte 425:lessons with the composer 29: 11418:American ballet composers 11408:20th-century male artists 11051: 10951:, Op. 3 (1910, rev. 1924) 10915: 10865: 10842: 10823: 10800: 10753: 10712: 10657: 10609: 10590:Suite, Op. 29 (1925–1926) 10541: 10492: 10482: 10412: 10090: 9931: 9799: 9639: 9395: 9384: 9227:Les Demoiselles d'Avignon 9181: 9007: 8567: 8050: 8041: 7918: 7702: 7444: 7435: 7230: 7154: 7133: 7003: 6963: 6792: 6785: 6776: 6462: 6403: 6327: 6261: 6223: 6212: 6144: 6076: 6000: 5979: 5939: 5934:Links to related articles 5912: 5840: 5795: 5726: 5678: 5621: 5588: 5559: 5530:Five Pieces for Orchestra 5506: 5455: 5446: 5375:Österreichische Mediathek 5302:Bern: Verlag Peter Lang. 4766:The Journal of Musicology 4459:Reprinted, Evanston, IL: 4318:Arnold Schoenberg Letters 4302:Farrar, Straus and Giroux 4237:(Nov.–Dec. 1987): 335–347 4135:Marcus, Kenneth H. 2016. 4014:Lebrecht, Norman. 2001. " 2837:. McFarland. p. 16. 2833:Brown, Kellie D. (2020). 2229:Arnold Schoenberg Letters 2173:Arnold Schoenberg Letters 2166:Arnold Schoenberg Letters 2129:1947. "The Musician". In 1088:Music Academy of the West 627:), clarinet (doubling on 544:String Quartet No. 2 329: 323:), deploying Beethoven's 134: 124: 104: 88: 66: 48: 41: 11593:People from Leopoldstadt 11528:Composers for pipe organ 11493:Austrian opera composers 11488:Austrian music theorists 11483:Austrian music arrangers 11443:American opera composers 11438:American music theorists 10994:" (second setting, 1925) 10983:(1923-1935; ii "Adagio" 10685:Variations for orchestra 8012:The Master and Margarita 6617:Gottfried Michael Koenig 5536:Variations for Orchestra 5377:in cooperation with the 5346:"Discovering Schoenberg" 5126:Orenstein, Arbie. 1975. 4984:Cornell University Press 4954:Schoenberg and His World 4936:Floirat, Bernard. 2001. 4859:Harvard University Press 4787:10.1525/jm.2015.32.2.279 4779:10.1525/jm.2015.32.2.279 4498:Straus, Joseph N. 1990. 4439:15, no. 1 (June): 9–110. 4088:Schoenberg and His World 4062:Lewis, Uncle Dave. n.d. 3960:Helm, Paul. 2006–2017. " 3895:robertgreenbergmusic.com 3713:Cornell University Press 3695:Beaumont, Antony. 2000. 3672:Schoenberg and His World 2509:twentieth-century music 2304: 1529:Variations for Orchestra 1197:Variations for Orchestra 1150: 1127:to prepare Schoenberg's 1063:dodecaphonic composition 875:Prussian Academy of Arts 745:, Mahler, Webern, Berg, 554:. Both movements end on 281:Prussian Academy of Arts 272:and sometimes admitting 270:combinatorial hexachords 10967:Three Orchestral Pieces 10959:, Op. 4 (1911-1912, iv 10929:" (first setting, 1907) 10298:List of modernist poets 10184:Fourth dimension in art 9367:Meshes of the Afternoon 5833:(Relatives by marriage) 5379:Arnold Schönberg Center 5298:Wright, James K. 2007. 5140:Oxford University Press 5134:Payne, Anthony (1968). 5128:Ravel: Man and Musician 4853:Clausen, Detlev. 2008. 4809:Oxford University Press 4797:London: Reaktion Books. 3947:Oxford University Press 3834:Friedrich, Otto. 1986. 3813:84, no. 4: 608–43. 3399:Arnold Schönberg Center 3369:Arnold Schönberg Center 2417:his many other students 1358:, Op. 4 (1899), a 735:Austrian hyperinflation 501:Alexander von Zemlinsky 374:Arnold Schönberg Center 11603:Second Viennese School 11573:Jewish opera composers 11473:Austrian male painters 11156: 10835:(1910-1911, rev. 1921) 10699:Chamber Symphony No. 2 10673:Chamber Symphony No. 1 10647:A Survivor from Warsaw 10633:(1914–1922, rev. 1944) 10476:Second Viennese School 10382:Second Viennese School 10124: 10113: 8024:The Sound and the Fury 7928:In Search of Lost Time 7385: 7314: 7303: 7257: 7246: 7141:Second Viennese School 7134:Schools of composition 6677:Second Viennese School 6340:All-trichord hexachord 6288:Second Viennese School 5880:Second Viennese School 5774: 5764: 5754: 5744: 5734: 5716:A Survivor from Warsaw 5696: 5686: 5665: 5649: 5639: 5629: 5602: 5550:Chamber Symphony No. 2 5524:Chamber Symphony No. 1 5514: 5493: 5483: 5473: 5463: 5020:Hyde, Martha M. 1982. 4654:Walsh, Stephen. 2018. 4552:Strimple, Nick. 2005. 3818:Feisst, Sabine. 2011. 3775:Cook, Nicholas. 1998. 2435:in Europe; in the US, 2284:Arnold Schönberg Prize 1984:Hopalong Cassidy films 1960: 1898: 1772:; Richard Hoffmann at 1715:Schoenberg criticized 1712: 1662:Chamber Symphony No. 1 1637: 1538:, Op. 34 (1930); 1532:, Op. 31 (1928); 1483:cannot be separated." 1461:Five Orchestral Pieces 1420:Chamber Symphony No. 1 1387: 1267: 1213: 1107: 1094:Superstition and death 1067:Chamber Symphony No. 2 1052:A Survivor from Warsaw 1024: 1020:A Survivor from Warsaw 1015:Warsaw Ghetto Uprising 826: 786:Second Viennese School 765: 725: 685: 522: 496: 394: 350:A Survivor from Warsaw 307:Chamber Symphony No. 2 208:Second Viennese School 190:(1899), represented a 179:unity of musical space 129:Second Viennese School 11538:Composers from Vienna 11270:Twelve-tone technique 11215:Musical fragmentation 11126:Fragmentation (music) 10666:Pelleas und Melisande 10361:Reactionary modernism 10284:List of art movements 7125:Twelve-tone technique 6709:Karlheinz Stockhausen 6667:Einojuhani Rautavaara 6134:Twelve-tone technique 6068:Marianne von Werefkin 5904:Twelve-tone technique 5785:Four Orchestral Songs 5516:Pelleas und Melisande 5094:Music Theory Spectrum 5061:, with a foreword by 4887:12, no. 1 (February). 4747:Auner, Joseph. 1993. 3596:Kallir, Jane (1984), 3544:E. R. Schoenberg 2018 2634:Marquis Who's Who n.d 2131:The Works of the Mind 1982:He was interested in 1958: 1893: 1741:Karlheinz Stockhausen 1703: 1648:Pelleas und Melisande 1631: 1496:Four Orchestral Songs 1447:second string quartet 1416:dissonance-consonance 1219: 1194: 1101: 1090:summer conservatory. 1013: 821: 760: 680:Arnold Schoenberg by 679: 571:Lene Schneider-Kainer 485: 392: 262:twelve-tone technique 11578:Male opera composers 11533:Composers for violin 11478:Austrian monarchists 11141:Josef Matthias Hauer 11116:Developing variation 10987:for cl, vl, pf 1935) 10902:, Op. 27 (1935-1936) 10900:Variations for piano 10896:, Op. 24 (1931-1934) 10890:, Op. 21 (1927-1928) 10810:, Op. 36 (1934-1936) 10781:, Op. 32 (1928-1929) 10778:Von heute auf morgen 10773:, Op. 18 (1910-1913) 10740:, Op. 25 (1921-1923) 10734:, Op. 23 (1920-1923) 10695:, Op. 34 (1929-1930) 10687:, Op. 31 (1926-1928) 10679:Fünf Orchesterstücke 10600:String Quartet No. 4 10594:String Quartet No. 3 10587:, Op. 26 (1923-1924) 10565:String Quartet No. 1 10534:, Op. 22 (1913-1916) 10512:, Op. 15 (1907-1909) 10205:Hanshinkan Modernism 10061:The Threepenny Opera 9977:Pelléas et Mélisande 6652:Krzysztof Penderecki 6607:Josef Matthias Hauer 6547:André Boucourechliev 6502:Osvaldas Balakauskas 6283:Josef Matthias Hauer 6248:Retrograde inversion 6038:Alexej von Jawlensky 5870:Developing variation 5598:(Opp. 7, 10, 30, 37) 5495:Von heute auf morgen 5449:List of compositions 5156:Artists Under Hitler 5071:St. Martin's Griffin 4908:Everdell, William R. 4749:A Schoenberg Reader. 4379:Schonberg, Harold C. 4198:Macmillan Publishers 3996:Simon & Schuster 3937:Haimo, Ethan. 1990. 2528:Schenkerian analysis 2396:[ˈʃøːnbɛɐ̯k] 1913:Thomas Mann's novel 1624:Reception and legacy 1506:In the aftermath of 1376:developing variation 839:Von heute auf morgen 341:honorary citizenship 226:String Quartet No. 2 171:developing variation 139:List of compositions 32:Schoenberg (surname) 11548:Expressionist music 11523:Composers for piano 11448:Austrian Christians 11285:Alexander Zemlinsky 11210:Jacques-Louis Monod 11121:Expressionist music 10977:, Op. 7 (1914-1922) 10770:Die glückliche Hand 10705:for 2pf, 1941-1942) 10567:, Op. 7 (1904-1905) 10504:, Op. 2 (1899-1900) 10263:International Style 10013:Afternoon of a Faun 9299:Battleship Potemkin 9203:Mont Sainte-Victoir 6572:Niccolò Castiglioni 6365:Formula composition 6018:Heinrich Campendonk 5875:Expressionist music 5475:Die glückliche Hand 5395:videos compiled by 5366:Library of Congress 4996:Gur, Golan. 2009. " 4884:Music Theory Online 4793:Berry, Mark. 2019. 4224:(Jan. 1996): 36–95. 4167:Victor Gollancz Ltd 4020:The Lebrecht Weekly 3810:Music & Letters 3621:, pp. 551–552. 3619:Stuckenschmidt 1977 3609:Kallir 1984, p. 40. 3585:Stuckenschmidt 1977 3546:, pp. 109–149. 3340:Stuckenschmidt 1977 3328:Stuckenschmidt 1977 3292:Stuckenschmidt 1977 3167:Stuckenschmidt 1977 3155:Stuckenschmidt 1977 2664:Stuckenschmidt 1977 2610:Stuckenschmidt 1977 1754:Jacques-Louis Monod 646:Vienna Conservatory 644:), director of the 583:Else Lasker-Schüler 427:Alexander Zemlinsky 295:(1936–1944), where 222:expressionist music 11232:Musical set theory 11205:Riccardo Malipiero 11158:Klangfarbenmelodie 10908:, Op. 28 (1937–38) 10732:Fünf Klavierstücke 10720:Drei Klavierstücke 10621:, Op. (1900-1903, 10142:Buddhist modernism 10099:American modernism 10025:The Rite of Spring 8000:The Sun Also Rises 7976:The Magic Mountain 6627:Witold Lutosławski 6592:Luigi Dallapiccola 6487:Hans Erich Apostel 6033:Natalia Goncharova 5667:Zwei Klavierstücke 5651:Fünf Klavierstücke 5631:Drei Klavierstücke 5107:10.1093/mts/mtv015 5045:Kandinsky, Wassily 4942:. Eska, Musurgia. 4795:Arnold Schoenberg. 4738:'Degenerate' Music 4736:Anon. 1997–2013. " 4445:Silverman, Kenneth 4221:ABC Radio 24 Hours 3980:The New York Times 3901:on 7 February 2020 3889:(26 August 2019). 3764:Boss, Jack. 2013. 3534:, pp. 321–22. 3205:, pp. 155–57. 3193:, pp. 154–55. 2203:Arnold Schoenberg 2159:Ausgewählte Briefe 1961: 1778:Patricia Carpenter 1752:conductor-pianist 1713: 1692:Twelve-tone period 1638: 1268: 1214: 1108: 1025: 864:musical cryptogram 766: 686: 497: 395: 11498:Austrian refugees 11358:Arnold Schoenberg 11299: 11298: 11293: 11292: 11275:Viennese trichord 11265:Eduard Steuermann 11237:Hermann Scherchen 11076:Theodor W. Adorno 10933:Seven Early Songs 10861: 10860: 10851:Der biblische Weg 10789:(1930–32, compl. 10738:Suite für Klavier 10484:Arnold Schoenberg 10442: 10441: 10170:Experimental film 10086: 10085: 10073:Waiting for Godot 9380: 9379: 8037: 8036: 7940:The Metamorphosis 7190: 7189: 6999: 6998: 6736: 6735: 6687:Arnold Schoenberg 6417: 6416: 6370:Modernism (music) 6298:Arnold Schoenberg 6100: 6099: 6063:Arnold Schoenberg 5987:Wassily Kandinsky 5926: 5925: 5440:Arnold Schoenberg 5397:Randol Schoenberg 5322:978-1-57647-130-2 5308:978-3-03911-287-6 5284:978-3-7959-0963-5 5270:978-0-374-10590-7 5253:978-0-393-00478-6 5226:978-0-520-04945-1 5218:Theory of Harmony 5205:978-1-63149-757-5 5188:978-2-35906-028-7 5174:978-0-19-315466-7 5164:978-0-300-19747-1 5079:978-0-312-02540-3 5073:(1958) Paperback 5030:978-0-8357-1512-6 4992:978-0-8014-8272-4 4970:978-0-691-04861-1 4962:978-0-691-04860-4 4948:978-2-7472-0209-1 4932:978-3-205-77103-6 4903:978-1-85759-312-9 4867:978-0-674-02618-6 4849:978-1-56584-819-1 4831:978-0-393-01919-3 4817:978-0-19-311210-0 4757:978-0-300-09540-1 4691:978-0-393-07102-3 4672:978-1-5247-3192-2 4664:978-0-571-33016-4 4627:978-0-520-94279-0 4592:The Musical Times 4587:Taruskin, Richard 4564:978-1-57467-122-3 4546:Schoenberg (1964) 4541:978-0-520-06009-8 4516:978-0-674-75990-9 4508:978-0-674-43633-6 4483:978-0-02-865571-0 4469:Nicolas Slonimsky 4457:978-1-4000-4437-5 4428:978-0-520-29683-1 4411:978-0-393-03857-6 4403:978-0-393-01302-3 4395:978-0-393-02146-2 4358:978-0-520-05294-9 4342:978-0-571-09276-5 4326:978-0-520-06009-8 4310:978-0-374-24939-7 4296:The Rest Is Noise 4284:978-0-226-72643-4 4269:978-0-670-01986-1 4261:978-0-670-13316-1 4249:Arnold Schoenberg 4175:978-0-394-47237-9 4152:Marquis Who's Who 4145:978-1-107-06499-7 4129:978-0-19-803840-5 4121:978-0-19-517201-0 4104:978-0-691-04861-1 4096:978-0-691-04860-4 4056:978-90-313-0244-4 4040:978-90-5356-765-4 4008:978-0-02-918710-4 3982:(3 October 2008). 3962:Arnold Schoenberg 3954:978-0-19-315260-1 3931:978-0-521-39255-6 3887:Greenberg, Robert 3878:The Musical Times 3866:978-0-520-20949-7 3854:978-0-06-015626-8 3844:]. New York: 3828:978-0-19-537238-0 3801:978-0-300-15548-8 3785:978-0-19-285340-0 3721:978-0-8014-3803-5 3709:978-0-571-16983-2 3688:978-0-691-04861-1 3680:978-0-691-04860-4 2844:978-1-4766-7056-0 2678:, pp. 55–57. 2482:Eduard Steuermann 2265:978-0-52026-607-0 2251:978-0-25321-835-3 2237:978-0-520-06009-8 2205:Wassily Kandinsky 2188:978-0-520-05294-9 2118:978-0-19538-221-1 2104:978-0-52026-608-7 2096:Theory of Harmony 2068:978-0-520-03464-8 2056:Theory of Harmony 2050:978-0-571-09276-5 2029:978-0-393-00478-6 1969:Wassily Kandinsky 1945:Theodor W. Adorno 1885:Christopher Small 1883:Writing in 1977, 1810:Eduard Steuermann 1711:from 6 April 1913 1636:, circa June 1905 1619:set presentations 1226: 1210: 1175: 1112:triskaidekaphobia 903:Boston University 806:Theory of Harmony 654:Hermann Graedener 567:Theory of Harmony 366:Theodor W. Adorno 147:Arnold Schoenberg 144: 143: 83:, Austria-Hungary 77:13 September 1874 43:Arnold Schoenberg 16:(Redirected from 11615: 11340: 11339: 11328: 11327: 11326: 11316: 11315: 11314: 11307: 11226:Schönberg Family 11161: 11146:Ruzena Herlinger 11111:David Josef Bach 11106:Darmstadt School 11101:Ferruccio Busoni 11052:Related articles 10956:Altenberg Lieder 10630:Die Jakobsleiter 10490: 10489: 10469: 10462: 10455: 10446: 10445: 10434: 10433: 10405: 10403:Vulgar modernism 10398: 10396:Underground film 10391: 10384: 10377: 10370: 10363: 10356: 10349: 10342: 10335: 10328: 10321: 10314: 10307: 10300: 10293: 10286: 10279: 10272: 10265: 10258: 10249: 10242: 10235: 10228: 10221: 10219:Hippie modernism 10214: 10207: 10200: 10193: 10186: 10179: 10172: 10165: 10158: 10151: 10144: 10137: 10135:Bloomsbury Group 10130: 10129: 10119: 10118: 10108: 10101: 10079: 10078: 10067: 10066: 10055: 10054: 10043: 10042: 10031: 10030: 10019: 10018: 10007: 10006: 9995: 9994: 9983: 9982: 9971: 9970: 9959: 9958: 9947: 9946: 9924: 9917: 9910: 9903: 9896: 9889: 9882: 9875: 9868: 9861: 9854: 9847: 9840: 9833: 9826: 9819: 9812: 9792: 9785: 9778: 9771: 9764: 9757: 9750: 9743: 9736: 9729: 9722: 9715: 9708: 9701: 9694: 9687: 9680: 9673: 9666: 9659: 9652: 9632: 9625: 9618: 9611: 9604: 9597: 9590: 9583: 9576: 9569: 9562: 9555: 9548: 9541: 9534: 9527: 9520: 9513: 9506: 9499: 9492: 9485: 9478: 9471: 9464: 9457: 9450: 9443: 9436: 9429: 9422: 9415: 9408: 9393: 9392: 9373: 9372: 9361: 9360: 9349: 9348: 9339: 9338: 9329: 9328: 9323:Un Chien Andalou 9317: 9316: 9305: 9304: 9293: 9292: 9287:Ballet Mécanique 9281: 9280: 9269: 9268: 9257: 9256: 9245: 9244: 9233: 9232: 9221: 9220: 9215:The Starry Night 9209: 9208: 9197: 9196: 9174: 9167: 9160: 9153: 9146: 9139: 9132: 9125: 9118: 9111: 9104: 9097: 9090: 9083: 9076: 9069: 9062: 9055: 9048: 9041: 9034: 9027: 9020: 9000: 8993: 8986: 8979: 8972: 8965: 8958: 8951: 8944: 8937: 8930: 8923: 8916: 8909: 8902: 8895: 8888: 8881: 8874: 8867: 8860: 8853: 8846: 8839: 8832: 8825: 8818: 8811: 8804: 8797: 8790: 8783: 8776: 8769: 8762: 8755: 8748: 8741: 8734: 8727: 8720: 8713: 8706: 8699: 8692: 8685: 8678: 8671: 8664: 8657: 8650: 8643: 8636: 8629: 8622: 8615: 8608: 8601: 8594: 8587: 8580: 8560: 8553: 8546: 8544:Toulouse-Lautrec 8539: 8532: 8525: 8518: 8511: 8504: 8497: 8490: 8483: 8476: 8469: 8462: 8455: 8448: 8441: 8434: 8427: 8420: 8413: 8406: 8399: 8392: 8385: 8378: 8371: 8364: 8357: 8350: 8343: 8336: 8329: 8322: 8315: 8308: 8301: 8294: 8287: 8280: 8273: 8266: 8259: 8252: 8245: 8238: 8231: 8224: 8217: 8210: 8203: 8196: 8189: 8182: 8175: 8168: 8161: 8154: 8147: 8140: 8133: 8126: 8119: 8112: 8105: 8098: 8091: 8084: 8077: 8070: 8063: 8048: 8047: 8030: 8029: 8018: 8017: 8006: 8005: 7994: 7993: 7982: 7981: 7970: 7969: 7958: 7957: 7946: 7945: 7934: 7933: 7911: 7904: 7897: 7890: 7883: 7876: 7869: 7862: 7855: 7848: 7841: 7834: 7827: 7820: 7813: 7806: 7799: 7792: 7785: 7778: 7771: 7764: 7757: 7750: 7743: 7736: 7729: 7722: 7715: 7695: 7688: 7681: 7674: 7667: 7660: 7653: 7646: 7639: 7632: 7625: 7618: 7611: 7604: 7597: 7590: 7583: 7576: 7569: 7562: 7555: 7548: 7541: 7534: 7527: 7520: 7513: 7506: 7499: 7492: 7485: 7478: 7471: 7464: 7457: 7442: 7441: 7428: 7421: 7414: 7407: 7400: 7391: 7390: 7380: 7373: 7366: 7359: 7350: 7343: 7336: 7327: 7320: 7319: 7309: 7308: 7305:Der Blaue Reiter 7298: 7291: 7284: 7277: 7270: 7263: 7262: 7252: 7251: 7241: 7217: 7210: 7203: 7194: 7193: 7180: 7170: 7169: 7146:Darmstadt School 7080:Post-romanticism 6790: 6789: 6763: 6756: 6749: 6740: 6739: 6719:Charles Wuorinen 6704:Nikos Skalkottas 6597:Karel Goeyvaerts 6477:Louis Andriessen 6444: 6437: 6430: 6421: 6420: 6409: 6408: 6328:Related articles 6310:Charles Wuorinen 6218: 6152:Combinatoriality 6127: 6120: 6113: 6104: 6103: 6028:Lyonel Feininger 5973:Der Blaue Reiter 5966: 5959: 5952: 5943: 5942: 5930: 5929: 5918: 5917: 5886:Schönberg Family 5779: 5769: 5759: 5749: 5739: 5701: 5698:Die Jakobsleiter 5691: 5670: 5654: 5644: 5634: 5607: 5519: 5498: 5488: 5478: 5468: 5433: 5426: 5419: 5410: 5409: 5388:Internet Archive 5353: 5243:. Translated by 5151: 5123: 5110: 4790: 4708:(28 July 2023). 4693: 4674: 4650: 4638: 4616: 4582: 4566: 4543: 4527: 4494: 4485: 4464: 4440: 4431: 4414: 4374: 4365: 4344: 4328: 4312: 4286: 4272: 4238: 4225: 4214: 4201: 4178: 4155: 4147: 4131: 4107: 4082: 4058: 4023: 4010: 3988:Lebrecht, Norman 3983: 3965: 3956: 3933: 3910: 3908: 3906: 3897:. Archived from 3882: 3868: 3846:Harper & Row 3830: 3814: 3803: 3787: 3771: 3760: 3749:Biskup, Peter. " 3745: 3743: 3741: 3723: 3691: 3666: 3651: 3649: 3647: 3622: 3616: 3610: 3607: 3601: 3594: 3588: 3582: 3576: 3567:Hermann Kurzke, 3565: 3559: 3553: 3547: 3541: 3535: 3529: 3523: 3517: 3511: 3505: 3499: 3493: 3487: 3481: 3475: 3469: 3463: 3457: 3451: 3445: 3439: 3433: 3427: 3421: 3415: 3414: 3412: 3410: 3391: 3385: 3384: 3382: 3380: 3361: 3355: 3349: 3343: 3337: 3331: 3325: 3319: 3313: 3307: 3301: 3295: 3289: 3283: 3277: 3271: 3265: 3259: 3253: 3247: 3241: 3235: 3229: 3218: 3212: 3206: 3200: 3194: 3188: 3182: 3176: 3170: 3164: 3158: 3152: 3146: 3139: 3133: 3126: 3120: 3114: 3108: 3102: 3096: 3090: 3084: 3078: 3072: 3062: 3056: 3050: 3044: 3038: 3032: 3026: 3020: 3014: 3008: 3002: 2996: 2990: 2981: 2975: 2969: 2963: 2957: 2951: 2945: 2939: 2933: 2927: 2921: 2915: 2909: 2903: 2897: 2891: 2885: 2879: 2873: 2867: 2861: 2855: 2849: 2848: 2830: 2824: 2818: 2812: 2806: 2800: 2794: 2788: 2782: 2776: 2769: 2763: 2757: 2751: 2745: 2739: 2733: 2727: 2721: 2715: 2709: 2703: 2697: 2691: 2685: 2679: 2673: 2667: 2661: 2652: 2646: 2637: 2631: 2625: 2619: 2613: 2607: 2601: 2595: 2589: 2583: 2577: 2571: 2565: 2559: 2553: 2547: 2531: 2505: 2499: 2495: 2489: 2466: 2460: 2433:Nikos Skalkottas 2413: 2407: 2406: 2405: 2404: 2398: 2393: 2386: 2381: 2380: 2377: 2376: 2373: 2370: 2367: 2359: 2352: 2347: 2346: 2343: 2342: 2339: 2336: 2333: 2330: 2327: 2324: 2315: 2294:List of refugees 1977:Der Blaue Reiter 1872:Richard Taruskin 1834: 1818:Juilliard School 1788:and Earl Kim at 1707:, caricature in 1685:Altenberg Lieder 1617:Multidimensional 1566:combinatoriality 1481:Content and form 1390: 1266: 1265: 1260: 1259: 1254: 1253: 1248: 1247: 1242: 1241: 1228: 1227: 1212: 1211: 1195:In Schoenberg's 1177: 1176: 1074: 1073: 1005:Richard Hoffmann 975:Edward B. Powell 967:Leonard Rosenman 880:Nikos Skalkottas 871:Ferruccio Busoni 857: 856: 845:Die Jakobsleiter 788:. They included 728: 643: 621:Pierrot ensemble 513: 491:, a painting by 488:Schönberg Family 334: 333: 256:by returning to 246:(from 1914) and 243:Die Jakobsleiter 213:Der Blaue Reiter 95: 76: 74: 61: 58: 53: 39: 38: 21: 11623: 11622: 11618: 11617: 11616: 11614: 11613: 11612: 11568:Jewish painters 11348: 11347: 11346: 11334: 11330:Classical music 11324: 11322: 11312: 11310: 11302: 11300: 11295: 11294: 11289: 11220:Max Oppenheimer 11170:Oskar Kokoschka 11086:Peter Altenberg 11047: 11042:Violin Concerto 11002:(1925-1926 for 10911: 10857: 10838: 10819: 10816:, Op. 42 (1942) 10808:Violin Concerto 10796: 10765:, Op. 17 (1909) 10749: 10728:, Op. 19 (1911) 10722:, Op. 11 (1909) 10708: 10653: 10650:, Op. 46 (1947) 10605: 10602:, Op. 37 (1936) 10596:, Op. 30 (1927) 10550:Verklärte Nacht 10537: 10528:, Op. 21 (1912) 10525:Pierrot lunaire 10520:, Op. 20 (1911) 10478: 10473: 10443: 10438: 10429: 10421: 10408: 10401: 10394: 10389:Structural film 10387: 10380: 10373: 10366: 10359: 10352: 10345: 10340:New Objectivity 10338: 10331: 10326:Neo-romanticism 10324: 10319:Neo-primitivism 10317: 10310: 10303: 10296: 10289: 10282: 10275: 10268: 10261: 10254: 10245: 10238: 10231: 10224: 10217: 10210: 10203: 10196: 10189: 10182: 10175: 10168: 10161: 10154: 10147: 10140: 10133: 10122: 10111: 10104: 10097: 10082: 10076: 10070: 10064: 10058: 10052: 10046: 10040: 10034: 10028: 10022: 10016: 10010: 10004: 9998: 9992: 9986: 9980: 9974: 9968: 9965:Verklärte Nacht 9962: 9956: 9950: 9944: 9938: 9927: 9920: 9913: 9906: 9899: 9892: 9885: 9878: 9871: 9864: 9857: 9850: 9843: 9836: 9829: 9822: 9815: 9808: 9795: 9788: 9781: 9774: 9767: 9760: 9753: 9746: 9739: 9732: 9725: 9718: 9711: 9704: 9697: 9690: 9683: 9676: 9669: 9662: 9655: 9648: 9635: 9628: 9621: 9614: 9607: 9600: 9593: 9586: 9579: 9572: 9565: 9558: 9551: 9544: 9537: 9530: 9523: 9516: 9509: 9502: 9495: 9488: 9481: 9474: 9467: 9460: 9453: 9446: 9439: 9432: 9425: 9418: 9411: 9404: 9387: 9376: 9370: 9364: 9358: 9352: 9346: 9342: 9336: 9332: 9326: 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8164: 8157: 8150: 8143: 8136: 8129: 8122: 8115: 8108: 8101: 8094: 8087: 8080: 8073: 8066: 8059: 8033: 8027: 8021: 8015: 8009: 8003: 7997: 7991: 7985: 7979: 7973: 7967: 7961: 7955: 7949: 7943: 7937: 7931: 7925: 7914: 7907: 7900: 7893: 7886: 7879: 7872: 7865: 7858: 7851: 7844: 7837: 7830: 7823: 7818:Lowell (Robert) 7816: 7809: 7802: 7795: 7788: 7781: 7774: 7767: 7760: 7753: 7746: 7739: 7732: 7725: 7718: 7711: 7698: 7691: 7684: 7677: 7670: 7663: 7656: 7649: 7642: 7635: 7628: 7621: 7614: 7607: 7600: 7593: 7586: 7579: 7572: 7565: 7558: 7551: 7544: 7537: 7530: 7523: 7516: 7509: 7502: 7495: 7488: 7481: 7474: 7467: 7460: 7453: 7431: 7424: 7417: 7410: 7403: 7396: 7383: 7376: 7369: 7362: 7355: 7346: 7339: 7332: 7323: 7312: 7301: 7294: 7287: 7280: 7273: 7266: 7255: 7244: 7237: 7226: 7221: 7191: 7186: 7163: 7150: 7129: 7055:New Objectivity 7008: 7006: 6995: 6959: 6781: 6772: 6770:Modernist music 6767: 6737: 6732: 6672:Humphrey Searle 6647:Juan Carlos Paz 6567:Jacques Calonne 6517:Richard Barrett 6492:Kees van Baaren 6467:Hans Abrahamsen 6458: 6448: 6418: 6413: 6399: 6355:Duration series 6350:Chromatic scale 6323: 6264: 6257: 6219: 6210: 6187:Cross partition 6157:Complementation 6140: 6131: 6101: 6096: 6072: 6058:Gabriele Münter 6023:Robert Delaunay 5996: 5975: 5970: 5935: 5927: 5922: 5908: 5836: 5816:(Grandchildren) 5791: 5776:Pierrot lunaire 5722: 5674: 5659:Suite for Piano 5617: 5604:Verklärte Nacht 5596:String quartets 5584: 5567:Violin Concerto 5555: 5502: 5451: 5442: 5437: 5344: 5331: 5326: 5133: 5083: 5051:, no. 1:131–76. 4976:Genette, Gérard 4878:Pierrot lunaire 4719:Adorno, Theodor 4701: 4699:Further reading 4696: 4605:10.2307/4149092 4579:Humphrey Searle 4205:Sean O'Brien, " 4042:Translation of 3943:Clarendon Press 3904: 3902: 3759:. 44(6): 20–28. 3739: 3737: 3701:Faber and Faber 3645: 3643: 3630: 3625: 3617: 3613: 3608: 3604: 3595: 3591: 3583: 3579: 3566: 3562: 3554: 3550: 3542: 3538: 3530: 3526: 3518: 3514: 3506: 3502: 3494: 3490: 3482: 3478: 3470: 3466: 3458: 3454: 3446: 3442: 3434: 3430: 3422: 3418: 3408: 3406: 3393: 3392: 3388: 3378: 3376: 3363: 3362: 3358: 3354:, pp. 2–3. 3350: 3346: 3338: 3334: 3326: 3322: 3314: 3310: 3302: 3298: 3290: 3286: 3280:Schoenberg 1984 3278: 3274: 3266: 3262: 3254: 3250: 3242: 3238: 3230: 3221: 3213: 3209: 3201: 3197: 3189: 3185: 3177: 3173: 3165: 3161: 3153: 3149: 3140: 3136: 3127: 3123: 3115: 3111: 3103: 3099: 3091: 3087: 3079: 3075: 3063: 3059: 3051: 3047: 3039: 3035: 3027: 3023: 3015: 3011: 3003: 2999: 2991: 2984: 2976: 2972: 2966:Schoenberg 1975 2964: 2960: 2952: 2948: 2940: 2936: 2928: 2924: 2916: 2912: 2904: 2900: 2892: 2888: 2880: 2876: 2868: 2864: 2856: 2852: 2845: 2831: 2827: 2819: 2815: 2807: 2803: 2795: 2791: 2783: 2779: 2770: 2766: 2758: 2754: 2748:Schoenberg 1967 2746: 2742: 2734: 2730: 2722: 2718: 2710: 2706: 2698: 2694: 2688:Schoenberg 1975 2686: 2682: 2674: 2670: 2662: 2655: 2647: 2640: 2632: 2628: 2622:Schoenberg 1975 2620: 2616: 2608: 2604: 2596: 2592: 2584: 2580: 2572: 2568: 2560: 2556: 2548: 2544: 2540: 2535: 2534: 2517:Igor Stravinsky 2506: 2502: 2496: 2492: 2467: 2463: 2414: 2410: 2400: 2399: 2391: 2384: 2364: 2360: 2357: 2350: 2321: 2317: 2316: 2312: 2307: 2302: 2273: 2126: 2000: 1953: 1918: 1881: 1849: 1828: 1717:Igor Stravinsky 1705:Watschenkonzert 1694: 1643: 1626: 1517:Albert Einstein 1504: 1492:Benjamin Boretz 1466:Pierrot lunaire 1428:quartal harmony 1412: 1397:accompanimental 1355:Verklärte Nacht 1315: 1263: 1262: 1257: 1256: 1251: 1250: 1245: 1244: 1239: 1238: 1221: 1205: 1199:, Op. 31, 1189: 1188: 1187: 1186: 1185: 1178: 1171: 1168: 1159: 1153: 1145:Zentralfriedhof 1104:Zentralfriedhof 1096: 1071: 1070: 1029:Violin Concerto 971:George Tremblay 951:Louis Gruenberg 935:George Gershwin 895: 854: 853: 850:Winfried Zillig 830:Gertrud Kolisch 817:Werner Reinhart 782:Humphrey Searle 755: 691:Norman Lebrecht 667: 637: 606:Pierrot lunaire 588:In 1910 he met 579:Herwarth Walden 507: 480: 444:Richard Strauss 439:Verklärte Nacht 387: 382: 337:Post-war Vienna 316:Ode to Napoleon 266:chromatic scale 237:Pierrot lunaire 187:Verklärte Nacht 120: 100: 97: 93: 84: 78: 72: 70: 62: 59: 44: 35: 28: 23: 22: 15: 12: 11: 5: 11621: 11611: 11610: 11605: 11600: 11595: 11590: 11585: 11580: 11575: 11570: 11565: 11560: 11555: 11550: 11545: 11540: 11535: 11530: 11525: 11520: 11515: 11510: 11508:Baalei teshuva 11505: 11500: 11495: 11490: 11485: 11480: 11475: 11470: 11465: 11460: 11455: 11450: 11445: 11440: 11435: 11430: 11425: 11420: 11415: 11410: 11405: 11400: 11395: 11390: 11385: 11380: 11375: 11370: 11365: 11360: 11345: 11344: 11332: 11320: 11297: 11296: 11291: 11290: 11288: 11287: 11282: 11277: 11272: 11267: 11262: 11255: 11250: 11247:Skandalkonzert 11244: 11239: 11234: 11229: 11222: 11217: 11212: 11207: 11202: 11197: 11192: 11190:René Leibowitz 11187: 11182: 11177: 11172: 11167: 11162: 11153: 11148: 11143: 11138: 11136:Richard Gerstl 11133: 11128: 11123: 11118: 11113: 11108: 11103: 11098: 11093: 11088: 11083: 11078: 11073: 11068: 11063: 11055: 11053: 11049: 11048: 11046: 11045: 11039: 11031: 11015: 11004:string quartet 10995: 10988: 10978: 10970: 10964: 10952: 10949:String Quartet 10946: 10940: 10930: 10922: 10920: 10913: 10912: 10910: 10909: 10906:String Quartet 10903: 10897: 10891: 10885: 10884:, Op. 1 (1908) 10879: 10876:Langsamer Satz 10872: 10870: 10863: 10862: 10859: 10858: 10856: 10855: 10846: 10844: 10840: 10839: 10837: 10836: 10827: 10825: 10821: 10820: 10818: 10817: 10814:Piano Concerto 10811: 10804: 10802: 10798: 10797: 10795: 10794: 10786:Moses und Aron 10782: 10774: 10766: 10757: 10755: 10751: 10750: 10748: 10747: 10741: 10735: 10729: 10723: 10716: 10714: 10710: 10709: 10707: 10706: 10696: 10688: 10682: 10676: 10675:, Op. 9 (1906) 10670: 10661: 10659: 10655: 10654: 10652: 10651: 10643: 10634: 10626: 10613: 10611: 10607: 10606: 10604: 10603: 10597: 10591: 10588: 10582: 10568: 10562: 10545: 10543: 10539: 10538: 10536: 10535: 10529: 10521: 10513: 10505: 10496: 10494: 10487: 10480: 10479: 10472: 10471: 10464: 10457: 10449: 10440: 10439: 10422: 10414: 10413: 10410: 10409: 10407: 10406: 10399: 10392: 10385: 10378: 10371: 10364: 10357: 10350: 10347:Poetic realism 10343: 10336: 10329: 10322: 10315: 10308: 10301: 10294: 10287: 10280: 10277:Late modernity 10273: 10270:Late modernism 10266: 10259: 10252: 10251: 10250: 10243: 10236: 10222: 10215: 10212:High modernism 10208: 10201: 10194: 10187: 10180: 10173: 10166: 10159: 10156:Degenerate art 10152: 10145: 10138: 10131: 10126:Ballets Russes 10120: 10109: 10102: 10094: 10092: 10088: 10087: 10084: 10083: 10081: 10080: 10068: 10056: 10044: 10032: 10020: 10008: 9996: 9984: 9972: 9960: 9948: 9935: 9933: 9929: 9928: 9926: 9925: 9918: 9911: 9904: 9897: 9890: 9883: 9876: 9869: 9862: 9855: 9848: 9841: 9834: 9827: 9820: 9813: 9805: 9803: 9797: 9796: 9794: 9793: 9786: 9779: 9772: 9765: 9758: 9751: 9744: 9737: 9730: 9723: 9716: 9709: 9702: 9695: 9688: 9681: 9674: 9667: 9660: 9653: 9645: 9643: 9637: 9636: 9634: 9633: 9626: 9619: 9612: 9605: 9598: 9591: 9584: 9577: 9570: 9563: 9556: 9549: 9542: 9535: 9528: 9521: 9514: 9507: 9500: 9493: 9486: 9479: 9472: 9465: 9458: 9451: 9444: 9437: 9430: 9423: 9416: 9409: 9401: 9399: 9390: 9382: 9381: 9378: 9377: 9375: 9374: 9362: 9350: 9340: 9330: 9318: 9306: 9294: 9282: 9270: 9258: 9246: 9234: 9222: 9210: 9198: 9185: 9183: 9179: 9178: 9176: 9175: 9168: 9161: 9154: 9147: 9140: 9133: 9126: 9119: 9112: 9105: 9098: 9091: 9084: 9077: 9070: 9063: 9056: 9049: 9042: 9035: 9028: 9021: 9013: 9011: 9005: 9004: 9002: 9001: 8994: 8987: 8980: 8973: 8966: 8959: 8952: 8945: 8938: 8931: 8924: 8917: 8910: 8903: 8896: 8889: 8882: 8879:Ray (Satyajit) 8875: 8872:Ray (Nicholas) 8868: 8861: 8854: 8847: 8840: 8833: 8826: 8819: 8812: 8805: 8798: 8791: 8784: 8777: 8770: 8763: 8756: 8749: 8742: 8735: 8728: 8721: 8714: 8707: 8700: 8693: 8686: 8679: 8672: 8665: 8658: 8651: 8644: 8637: 8630: 8623: 8616: 8609: 8602: 8595: 8588: 8581: 8573: 8571: 8565: 8564: 8562: 8561: 8554: 8547: 8540: 8533: 8526: 8519: 8512: 8505: 8498: 8491: 8484: 8477: 8470: 8463: 8456: 8449: 8442: 8435: 8428: 8421: 8414: 8407: 8400: 8393: 8386: 8379: 8372: 8365: 8358: 8351: 8344: 8337: 8330: 8323: 8316: 8309: 8302: 8295: 8288: 8281: 8274: 8267: 8260: 8253: 8246: 8239: 8232: 8225: 8218: 8211: 8204: 8197: 8190: 8183: 8176: 8169: 8162: 8155: 8148: 8141: 8134: 8127: 8120: 8113: 8106: 8099: 8092: 8085: 8078: 8071: 8064: 8056: 8054: 8045: 8039: 8038: 8035: 8034: 8032: 8031: 8019: 8007: 7995: 7983: 7971: 7964:The Waste Land 7959: 7947: 7935: 7922: 7920: 7916: 7915: 7913: 7912: 7905: 7898: 7891: 7884: 7877: 7870: 7863: 7856: 7849: 7842: 7835: 7828: 7821: 7814: 7807: 7800: 7793: 7786: 7779: 7772: 7765: 7758: 7751: 7744: 7737: 7730: 7723: 7716: 7708: 7706: 7700: 7699: 7697: 7696: 7689: 7682: 7675: 7668: 7661: 7654: 7647: 7640: 7633: 7626: 7619: 7612: 7605: 7598: 7591: 7584: 7577: 7570: 7563: 7556: 7549: 7542: 7535: 7528: 7521: 7514: 7507: 7500: 7493: 7486: 7479: 7472: 7465: 7458: 7450: 7448: 7439: 7433: 7432: 7430: 7429: 7422: 7415: 7408: 7401: 7394: 7393: 7392: 7374: 7367: 7360: 7353: 7352: 7351: 7337: 7330: 7329: 7328: 7321: 7310: 7292: 7285: 7278: 7275:Constructivism 7271: 7264: 7253: 7242: 7234: 7232: 7228: 7227: 7220: 7219: 7212: 7205: 7197: 7188: 7187: 7185: 7184: 7174: 7160:Romantic music 7156: 7155: 7152: 7151: 7149: 7148: 7143: 7137: 7135: 7131: 7130: 7128: 7127: 7122: 7117: 7112: 7107: 7102: 7097: 7092: 7087: 7082: 7077: 7072: 7067: 7065:Pandiatonicism 7062: 7057: 7052: 7050:New Complexity 7047: 7042: 7037: 7032: 7027: 7022: 7017: 7011: 7009: 7004: 7001: 7000: 6997: 6996: 6994: 6993: 6992: 6991: 6986: 6981: 6976: 6970:United States 6967: 6965: 6961: 6960: 6958: 6957: 6956: 6955: 6950: 6945: 6937: 6936: 6935: 6927: 6926: 6925: 6917: 6916: 6915: 6907: 6906: 6905: 6900: 6892: 6891: 6890: 6885: 6880: 6875: 6870: 6865: 6857: 6856: 6855: 6847: 6846: 6845: 6837: 6836: 6835: 6827: 6826: 6825: 6820: 6815: 6810: 6805: 6796: 6794: 6787: 6783: 6782: 6777: 6774: 6773: 6766: 6765: 6758: 6751: 6743: 6734: 6733: 6731: 6730: 6721: 6716: 6711: 6706: 6701: 6699:Roger Sessions 6696: 6695: 6694: 6689: 6684: 6674: 6669: 6664: 6662:Henri Pousseur 6659: 6654: 6649: 6644: 6639: 6637:Donald Martino 6634: 6629: 6624: 6619: 6614: 6609: 6604: 6602:Henryk Górecki 6599: 6594: 6589: 6584: 6579: 6574: 6569: 6564: 6559: 6554: 6549: 6544: 6542:Konrad Boehmer 6539: 6534: 6529: 6524: 6519: 6514: 6509: 6504: 6499: 6497:Milton Babbitt 6494: 6489: 6484: 6479: 6474: 6469: 6463: 6460: 6459: 6447: 6446: 6439: 6432: 6424: 6415: 6414: 6404: 6401: 6400: 6398: 6397: 6392: 6387: 6382: 6377: 6372: 6367: 6362: 6357: 6352: 6347: 6342: 6337: 6331: 6329: 6325: 6324: 6322: 6321: 6312: 6307: 6306: 6305: 6300: 6295: 6285: 6280: 6275: 6273:Milton Babbitt 6269: 6267: 6259: 6258: 6256: 6255: 6253:Multiplication 6250: 6245: 6240: 6235: 6229: 6227: 6221: 6220: 6213: 6211: 6209: 6208: 6207: 6206: 6201: 6191: 6190: 6189: 6179: 6174: 6172:Interval class 6169: 6164: 6159: 6154: 6148: 6146: 6142: 6141: 6130: 6129: 6122: 6115: 6107: 6098: 6097: 6095: 6094: 6089: 6084: 6077: 6074: 6073: 6071: 6070: 6065: 6060: 6055: 6050: 6045: 6040: 6035: 6030: 6025: 6020: 6015: 6010: 6004: 6002: 5998: 5997: 5995: 5994: 5989: 5983: 5981: 5977: 5976: 5969: 5968: 5961: 5954: 5946: 5940: 5937: 5936: 5924: 5923: 5913: 5910: 5909: 5907: 5906: 5901: 5896: 5889: 5882: 5877: 5872: 5867: 5862: 5857: 5852: 5844: 5842: 5838: 5837: 5835: 5834: 5828: 5826:Rudolf Kolisch 5823: 5817: 5811: 5806: 5799: 5797: 5793: 5792: 5790: 5789: 5781: 5771: 5761: 5751: 5741: 5730: 5728: 5724: 5723: 5721: 5720: 5712: 5703: 5693: 5682: 5680: 5676: 5675: 5673: 5672: 5662: 5656: 5646: 5636: 5625: 5623: 5619: 5618: 5616: 5615: 5609: 5599: 5592: 5590: 5586: 5585: 5583: 5582: 5576: 5573:Piano Concerto 5570: 5563: 5561: 5557: 5556: 5554: 5553: 5547: 5539: 5533: 5527: 5521: 5510: 5508: 5504: 5503: 5501: 5500: 5490: 5485:Moses und Aron 5480: 5470: 5459: 5457: 5453: 5452: 5447: 5444: 5443: 5436: 5435: 5428: 5421: 5413: 5407: 5406: 5400: 5390: 5381: 5368: 5359: 5354: 5342: 5330: 5329:External links 5327: 5325: 5324: 5310: 5296: 5286: 5272: 5255: 5237: 5234:978-0520266087 5208: 5190: 5176: 5166: 5152: 5131: 5124: 5111: 5101:(2): 224–252. 5081: 5052: 5042: 5032: 5018: 5005: 4994: 4973: 4950: 4934: 4917: 4905: 4891: 4888: 4869: 4851: 4833: 4819: 4801:Boulez, Pierre 4798: 4791: 4773:(2): 279–322. 4759: 4745: 4734: 4716: 4702: 4700: 4697: 4695: 4694: 4679:Watkins, Glenn 4675: 4651: 4639: 4630: 4599:(1886): 7–34. 4583: 4567: 4549: 4528: 4495: 4486: 4465: 4441: 4432: 4415: 4375: 4366: 4345: 4329: 4313: 4287: 4245:Rosen, Charles 4240: 4239: 4226: 4215: 4202: 4179: 4156: 4148: 4132: 4108: 4083: 4059: 4024: 4011: 3984: 3966: 3957: 3934: 3917:Franz Schreker 3911: 3883: 3869: 3831: 3815: 3804: 3788: 3772: 3761: 3746: 3734:Deutsche Welle 3724: 3692: 3667: 3652: 3641:Deutsche Welle 3631: 3629: 3626: 3624: 3623: 3611: 3602: 3589: 3587:, p. 142. 3577: 3560: 3548: 3536: 3524: 3522:, p. 643. 3512: 3500: 3488: 3476: 3464: 3452: 3450:, p. 156. 3440: 3428: 3416: 3386: 3356: 3344: 3342:, p. 185. 3332: 3330:, p. 184. 3320: 3308: 3296: 3294:, p. 277. 3284: 3282:, p. 218. 3272: 3260: 3248: 3236: 3219: 3207: 3195: 3183: 3171: 3169:, p. 521. 3159: 3157:, p. 520. 3147: 3145:, p. 295) 3143:Lebrecht (1985 3134: 3132:, p. 294) 3130:Lebrecht (1985 3121: 3117:Greenberg 2019 3109: 3107:, p. 188. 3097: 3093:MacDonald 2008 3085: 3073: 3057: 3045: 3043:, p. 401. 3033: 3021: 3019:, p. 117. 3009: 3007:, p. 122. 2997: 2982: 2980:, p. 114. 2970: 2968:, p. 514. 2958: 2954:MacDonald 2008 2946: 2934: 2922: 2920:, p. 116. 2910: 2908:, p. 161. 2898: 2886: 2874: 2862: 2858:Friedrich 1986 2850: 2843: 2825: 2813: 2811:, p. 216. 2809:MacDonald 2008 2801: 2789: 2787:, p. 223. 2785:Silverman 2010 2777: 2773:Strimple (2005 2764: 2762:, p. 100. 2752: 2740: 2728: 2716: 2704: 2692: 2690:, p. 104. 2680: 2668: 2653: 2649:Neighbour 2001 2638: 2626: 2624:, p. 136. 2614: 2612:, p. 103. 2602: 2600:, p. 118. 2590: 2578: 2574:Helm 2006–2017 2566: 2554: 2541: 2539: 2536: 2533: 2532: 2500: 2490: 2474:Artur Schnabel 2461: 2429:Robert Gerhard 2408: 2309: 2308: 2306: 2303: 2301: 2298: 2297: 2296: 2291: 2286: 2281: 2272: 2269: 2268: 2267: 2253: 2239: 2225: 2199: 2192: 2176: 2169: 2162: 2155: 2146:Style and Idea 2141: 2125: 2122: 2121: 2120: 2106: 2092: 2085: 2078:Rudolf Stephan 2070: 2052: 2038: 2031: 2017: 2010: 1999: 1996: 1952: 1949: 1940:Doktor Faustus 1927:Doctor Faustus 1917: 1915:Doctor Faustus 1911: 1880: 1877: 1851:In the 1920s, 1848: 1845: 1802:Rudolf Kolisch 1749:Milton Babbitt 1693: 1690: 1667:Skandalkonzert 1642: 1639: 1634:Richard Gerstl 1625: 1622: 1621: 1620: 1614: 1608: 1602: 1596: 1591: 1585: 1580: 1573: 1568: 1549:Moses und Aron 1544:Piano Concerto 1503: 1500: 1477:new expressive 1411: 1408: 1314: 1311: 1291:free atonality 1235:perfect fifths 1182:Carmel Quartet 1180:Played by the 1179: 1169: 1164: 1163: 1162: 1161: 1160: 1152: 1149: 1095: 1092: 1058:Moses und Aron 1043:Piano Concerto 984:, rather than 939:Otto Klemperer 931:Shirley Temple 927:Brentwood Park 919:Otto Klemperer 894: 891: 834:Rudolf Kolisch 778:René Leibowitz 754: 751: 666: 663: 658:Franz Schreker 548:key signatures 519:Richard Gerstl 505:Felix Greissle 493:Richard Gerstl 479: 476: 463:Third Symphony 401:family in the 386: 383: 381: 378: 339:beckoned with 249:Moses und Aron 142: 141: 136: 132: 131: 126: 125:Known for 122: 121: 119: 118: 115: 114:music theorist 112: 108: 106: 102: 101: 98: 96:(aged 76) 90: 86: 85: 79: 68: 64: 63: 54: 46: 45: 42: 26: 9: 6: 4: 3: 2: 11620: 11609: 11606: 11604: 11601: 11599: 11596: 11594: 11591: 11589: 11586: 11584: 11581: 11579: 11576: 11574: 11571: 11569: 11566: 11564: 11561: 11559: 11556: 11554: 11551: 11549: 11546: 11544: 11541: 11539: 11536: 11534: 11531: 11529: 11526: 11524: 11521: 11519: 11516: 11514: 11511: 11509: 11506: 11504: 11501: 11499: 11496: 11494: 11491: 11489: 11486: 11484: 11481: 11479: 11476: 11474: 11471: 11469: 11466: 11464: 11463:Austrian Jews 11461: 11459: 11456: 11454: 11451: 11449: 11446: 11444: 11441: 11439: 11436: 11434: 11431: 11429: 11426: 11424: 11421: 11419: 11416: 11414: 11411: 11409: 11406: 11404: 11401: 11399: 11396: 11394: 11391: 11389: 11386: 11384: 11381: 11379: 11376: 11374: 11371: 11369: 11366: 11364: 11361: 11359: 11356: 11355: 11353: 11343: 11338: 11333: 11331: 11321: 11319: 11309: 11308: 11305: 11286: 11283: 11281: 11278: 11276: 11273: 11271: 11268: 11266: 11263: 11261: 11260: 11256: 11254: 11251: 11248: 11245: 11243: 11240: 11238: 11235: 11233: 11230: 11228: 11227: 11223: 11221: 11218: 11216: 11213: 11211: 11208: 11206: 11203: 11201: 11200:Gustav Mahler 11198: 11196: 11193: 11191: 11188: 11186: 11183: 11181: 11180:Louis Krasner 11178: 11176: 11173: 11171: 11168: 11166: 11163: 11160: 11159: 11154: 11152: 11149: 11147: 11144: 11142: 11139: 11137: 11134: 11132: 11131:Stefan George 11129: 11127: 11124: 11122: 11119: 11117: 11114: 11112: 11109: 11107: 11104: 11102: 11099: 11097: 11094: 11092: 11089: 11087: 11084: 11082: 11079: 11077: 11074: 11072: 11069: 11067: 11064: 11062: 11061: 11057: 11056: 11054: 11050: 11043: 11040: 11037: 11036: 11032: 11029: 11025: 11021: 11020: 11016: 11013: 11009: 11006:, 1928 ii-iv 11005: 11001: 11000: 10996: 10993: 10989: 10986: 10982: 10981:Kammerkonzert 10979: 10976: 10975: 10971: 10968: 10965: 10962: 10958: 10957: 10953: 10950: 10947: 10944: 10941: 10938: 10934: 10931: 10928: 10924: 10923: 10921: 10918: 10914: 10907: 10904: 10901: 10898: 10895: 10892: 10889: 10886: 10883: 10880: 10877: 10874: 10873: 10871: 10868: 10864: 10853: 10852: 10848: 10847: 10845: 10841: 10834: 10833: 10832:Harmonielehre 10829: 10828: 10826: 10822: 10815: 10812: 10809: 10806: 10805: 10803: 10799: 10792: 10788: 10787: 10783: 10780: 10779: 10775: 10772: 10771: 10767: 10764: 10763: 10759: 10758: 10756: 10752: 10745: 10744:Klavierstücke 10742: 10739: 10736: 10733: 10730: 10727: 10724: 10721: 10718: 10717: 10715: 10711: 10704: 10700: 10697: 10694: 10693: 10689: 10686: 10683: 10680: 10677: 10674: 10671: 10668: 10667: 10663: 10662: 10660: 10656: 10649: 10648: 10644: 10641: 10640: 10639:Genesis Suite 10636:"Prelude" to 10635: 10632: 10631: 10627: 10624: 10620: 10619: 10615: 10614: 10612: 10608: 10601: 10598: 10595: 10592: 10589: 10586: 10583: 10580: 10576: 10572: 10569: 10566: 10563: 10560: 10556: 10552: 10551: 10547: 10546: 10544: 10540: 10533: 10530: 10527: 10526: 10522: 10519: 10518: 10514: 10511: 10510: 10506: 10503: 10502: 10498: 10497: 10495: 10491: 10488: 10485: 10481: 10477: 10470: 10465: 10463: 10458: 10456: 10451: 10450: 10447: 10437: 10427: 10426: 10425:Postmodernism 10420: 10419: 10411: 10404: 10400: 10397: 10393: 10390: 10386: 10383: 10379: 10376: 10372: 10369: 10368:Metamodernism 10365: 10362: 10358: 10355: 10351: 10348: 10344: 10341: 10337: 10334: 10333:New Hollywood 10330: 10327: 10323: 10320: 10316: 10313: 10309: 10306: 10302: 10299: 10295: 10292: 10288: 10285: 10281: 10278: 10274: 10271: 10267: 10264: 10260: 10257: 10253: 10248: 10244: 10241: 10237: 10234: 10230: 10229: 10227: 10226:Impressionism 10223: 10220: 10216: 10213: 10209: 10206: 10202: 10199: 10195: 10192: 10188: 10185: 10181: 10178: 10174: 10171: 10167: 10164: 10160: 10157: 10153: 10150: 10146: 10143: 10139: 10136: 10132: 10128: 10127: 10121: 10117: 10116: 10110: 10107: 10103: 10100: 10096: 10095: 10093: 10089: 10075: 10074: 10069: 10063: 10062: 10057: 10051: 10050: 10045: 10039: 10038: 10033: 10027: 10026: 10021: 10015: 10014: 10009: 10003: 10002: 9997: 9991: 9990: 9985: 9979: 9978: 9973: 9967: 9966: 9961: 9955: 9954: 9949: 9943: 9942: 9937: 9936: 9934: 9930: 9923: 9919: 9916: 9912: 9909: 9905: 9902: 9898: 9895: 9891: 9888: 9884: 9881: 9877: 9874: 9870: 9867: 9863: 9860: 9856: 9853: 9849: 9846: 9842: 9839: 9835: 9832: 9828: 9825: 9821: 9818: 9814: 9811: 9807: 9806: 9804: 9802: 9798: 9791: 9787: 9784: 9780: 9777: 9773: 9770: 9766: 9763: 9759: 9756: 9752: 9749: 9745: 9742: 9738: 9735: 9731: 9728: 9724: 9721: 9717: 9714: 9710: 9707: 9703: 9700: 9696: 9693: 9689: 9686: 9682: 9679: 9675: 9672: 9668: 9665: 9661: 9658: 9654: 9651: 9647: 9646: 9644: 9642: 9638: 9631: 9627: 9624: 9620: 9617: 9613: 9610: 9606: 9603: 9599: 9596: 9592: 9589: 9585: 9582: 9578: 9575: 9571: 9568: 9564: 9561: 9557: 9554: 9550: 9547: 9543: 9540: 9536: 9533: 9529: 9526: 9522: 9519: 9515: 9512: 9508: 9505: 9501: 9498: 9494: 9491: 9487: 9484: 9480: 9477: 9473: 9470: 9466: 9463: 9459: 9456: 9452: 9449: 9445: 9442: 9438: 9435: 9431: 9428: 9424: 9421: 9417: 9414: 9410: 9407: 9403: 9402: 9400: 9398: 9394: 9391: 9389: 9383: 9369: 9368: 9363: 9357: 9356: 9351: 9345: 9341: 9335: 9331: 9325: 9324: 9319: 9313: 9312: 9307: 9301: 9300: 9295: 9289: 9288: 9283: 9277: 9276: 9271: 9265: 9264: 9259: 9253: 9252: 9247: 9241: 9240: 9235: 9229: 9228: 9223: 9217: 9216: 9211: 9205: 9204: 9199: 9193: 9192: 9187: 9186: 9184: 9180: 9173: 9169: 9166: 9162: 9159: 9155: 9152: 9148: 9145: 9141: 9138: 9134: 9131: 9127: 9124: 9120: 9117: 9113: 9110: 9106: 9103: 9099: 9096: 9092: 9089: 9085: 9082: 9078: 9075: 9071: 9068: 9064: 9061: 9060:Hundertwasser 9057: 9054: 9050: 9047: 9043: 9040: 9036: 9033: 9029: 9026: 9022: 9019: 9015: 9014: 9012: 9010: 9006: 8999: 8995: 8992: 8988: 8985: 8981: 8978: 8974: 8971: 8967: 8964: 8960: 8957: 8953: 8950: 8946: 8943: 8939: 8936: 8932: 8929: 8925: 8922: 8918: 8915: 8911: 8908: 8904: 8901: 8897: 8894: 8890: 8887: 8883: 8880: 8876: 8873: 8869: 8866: 8862: 8859: 8855: 8852: 8848: 8845: 8841: 8838: 8834: 8831: 8827: 8824: 8820: 8817: 8813: 8810: 8806: 8803: 8799: 8796: 8792: 8789: 8785: 8782: 8778: 8775: 8771: 8768: 8764: 8761: 8757: 8754: 8750: 8747: 8743: 8740: 8736: 8733: 8729: 8726: 8722: 8719: 8715: 8712: 8708: 8705: 8701: 8698: 8694: 8691: 8687: 8684: 8680: 8677: 8673: 8670: 8666: 8663: 8659: 8656: 8652: 8649: 8645: 8642: 8638: 8635: 8631: 8628: 8624: 8621: 8617: 8614: 8610: 8607: 8603: 8600: 8596: 8593: 8589: 8586: 8582: 8579: 8575: 8574: 8572: 8570: 8566: 8559: 8555: 8552: 8548: 8545: 8541: 8538: 8534: 8531: 8527: 8524: 8520: 8517: 8513: 8510: 8506: 8503: 8499: 8496: 8492: 8489: 8485: 8482: 8478: 8475: 8471: 8468: 8464: 8461: 8457: 8454: 8450: 8447: 8443: 8440: 8436: 8433: 8429: 8426: 8422: 8419: 8415: 8412: 8408: 8405: 8401: 8398: 8394: 8391: 8387: 8384: 8380: 8377: 8373: 8370: 8366: 8363: 8359: 8356: 8352: 8349: 8345: 8342: 8338: 8335: 8331: 8328: 8324: 8321: 8317: 8314: 8310: 8307: 8303: 8300: 8296: 8293: 8289: 8286: 8282: 8279: 8275: 8272: 8268: 8265: 8261: 8258: 8254: 8251: 8247: 8244: 8240: 8237: 8233: 8230: 8226: 8223: 8219: 8216: 8212: 8209: 8205: 8202: 8198: 8195: 8191: 8188: 8184: 8181: 8177: 8174: 8170: 8167: 8163: 8160: 8156: 8153: 8149: 8146: 8142: 8139: 8135: 8132: 8128: 8125: 8121: 8118: 8114: 8111: 8107: 8104: 8100: 8097: 8093: 8090: 8086: 8083: 8079: 8076: 8072: 8069: 8065: 8062: 8058: 8057: 8055: 8053: 8049: 8046: 8044: 8040: 8026: 8025: 8020: 8014: 8013: 8008: 8002: 8001: 7996: 7990: 7989: 7984: 7978: 7977: 7972: 7966: 7965: 7960: 7954: 7953: 7948: 7942: 7941: 7936: 7930: 7929: 7924: 7923: 7921: 7917: 7910: 7906: 7903: 7899: 7896: 7892: 7889: 7885: 7882: 7878: 7875: 7871: 7868: 7864: 7861: 7857: 7854: 7850: 7847: 7843: 7840: 7836: 7833: 7829: 7826: 7822: 7819: 7815: 7812: 7808: 7805: 7801: 7798: 7794: 7791: 7787: 7784: 7780: 7777: 7773: 7770: 7766: 7763: 7759: 7756: 7752: 7749: 7745: 7742: 7738: 7735: 7731: 7728: 7724: 7721: 7717: 7714: 7710: 7709: 7707: 7705: 7701: 7694: 7690: 7687: 7683: 7680: 7676: 7673: 7669: 7666: 7662: 7659: 7655: 7652: 7648: 7645: 7641: 7638: 7634: 7631: 7627: 7624: 7620: 7617: 7613: 7610: 7606: 7603: 7599: 7596: 7592: 7589: 7585: 7582: 7578: 7575: 7571: 7568: 7564: 7561: 7557: 7554: 7550: 7547: 7543: 7540: 7536: 7533: 7529: 7526: 7522: 7519: 7515: 7512: 7508: 7505: 7501: 7498: 7494: 7491: 7487: 7484: 7480: 7477: 7473: 7470: 7466: 7463: 7459: 7456: 7452: 7451: 7449: 7447: 7443: 7440: 7438: 7437:Literary arts 7434: 7427: 7423: 7420: 7416: 7413: 7409: 7406: 7402: 7399: 7395: 7389: 7388: 7382: 7381: 7379: 7378:Neoplasticism 7375: 7372: 7368: 7365: 7361: 7358: 7354: 7349: 7345: 7344: 7342: 7341:Functionalism 7338: 7335: 7331: 7326: 7322: 7318: 7317: 7311: 7307: 7306: 7300: 7299: 7297: 7296:Expressionism 7293: 7290: 7286: 7283: 7279: 7276: 7272: 7269: 7268:Ashcan School 7265: 7261: 7260: 7254: 7250: 7249: 7243: 7240: 7236: 7235: 7233: 7229: 7225: 7218: 7213: 7211: 7206: 7204: 7199: 7198: 7195: 7183: 7179: 7175: 7173: 7165: 7164: 7162: 7161: 7153: 7147: 7144: 7142: 7139: 7138: 7136: 7132: 7126: 7123: 7121: 7118: 7116: 7113: 7111: 7108: 7106: 7103: 7101: 7098: 7096: 7093: 7091: 7088: 7086: 7083: 7081: 7078: 7076: 7073: 7071: 7068: 7066: 7063: 7061: 7058: 7056: 7053: 7051: 7048: 7046: 7043: 7041: 7038: 7036: 7033: 7031: 7028: 7026: 7025:Expressionism 7023: 7021: 7018: 7016: 7013: 7012: 7010: 7002: 6990: 6987: 6985: 6982: 6980: 6977: 6975: 6972: 6971: 6969: 6968: 6966: 6962: 6954: 6951: 6949: 6946: 6944: 6941: 6940: 6938: 6934: 6931: 6930: 6928: 6924: 6921: 6920: 6918: 6914: 6911: 6910: 6908: 6904: 6901: 6899: 6896: 6895: 6893: 6889: 6886: 6884: 6881: 6879: 6876: 6874: 6871: 6869: 6866: 6864: 6861: 6860: 6858: 6854: 6851: 6850: 6848: 6844: 6841: 6840: 6838: 6834: 6831: 6830: 6828: 6824: 6821: 6819: 6816: 6814: 6811: 6809: 6806: 6804: 6801: 6800: 6798: 6797: 6795: 6791: 6788: 6784: 6780: 6775: 6771: 6764: 6759: 6757: 6752: 6750: 6745: 6744: 6741: 6728: 6727: 6722: 6720: 6717: 6715: 6714:Richard Swift 6712: 6710: 6707: 6705: 6702: 6700: 6697: 6693: 6690: 6688: 6685: 6683: 6680: 6679: 6678: 6675: 6673: 6670: 6668: 6665: 6663: 6660: 6658: 6655: 6653: 6650: 6648: 6645: 6643: 6640: 6638: 6635: 6633: 6632:Bruno Maderna 6630: 6628: 6625: 6623: 6620: 6618: 6615: 6613: 6610: 6608: 6605: 6603: 6600: 6598: 6595: 6593: 6590: 6588: 6585: 6583: 6582:Aaron Copland 6580: 6578: 6577:Aldo Clementi 6575: 6573: 6570: 6568: 6565: 6563: 6560: 6558: 6557:Martin Boykan 6555: 6553: 6552:Pierre Boulez 6550: 6548: 6545: 6543: 6540: 6538: 6537:Luciano Berio 6535: 6533: 6530: 6528: 6527:Arthur Berger 6525: 6523: 6520: 6518: 6515: 6513: 6512:Jean Barraqué 6510: 6508: 6505: 6503: 6500: 6498: 6495: 6493: 6490: 6488: 6485: 6483: 6480: 6478: 6475: 6473: 6470: 6468: 6465: 6464: 6461: 6456: 6452: 6445: 6440: 6438: 6433: 6431: 6426: 6425: 6422: 6412: 6402: 6396: 6393: 6391: 6388: 6386: 6383: 6381: 6378: 6376: 6373: 6371: 6368: 6366: 6363: 6361: 6358: 6356: 6353: 6351: 6348: 6346: 6343: 6341: 6338: 6336: 6333: 6332: 6330: 6326: 6319: 6318: 6313: 6311: 6308: 6304: 6301: 6299: 6296: 6294: 6291: 6290: 6289: 6286: 6284: 6281: 6279: 6278:Pierre Boulez 6276: 6274: 6271: 6270: 6268: 6266: 6260: 6254: 6251: 6249: 6246: 6244: 6241: 6239: 6236: 6234: 6231: 6230: 6228: 6226: 6222: 6217: 6205: 6202: 6200: 6197: 6196: 6195: 6192: 6188: 6185: 6184: 6183: 6180: 6178: 6175: 6173: 6170: 6168: 6165: 6163: 6160: 6158: 6155: 6153: 6150: 6149: 6147: 6143: 6139: 6135: 6128: 6123: 6121: 6116: 6114: 6109: 6108: 6105: 6093: 6090: 6088: 6087:Expressionism 6085: 6083: 6079: 6078: 6075: 6069: 6066: 6064: 6061: 6059: 6056: 6054: 6051: 6049: 6046: 6044: 6041: 6039: 6036: 6034: 6031: 6029: 6026: 6024: 6021: 6019: 6016: 6014: 6013:David Burliuk 6011: 6009: 6006: 6005: 6003: 5999: 5993: 5990: 5988: 5985: 5984: 5982: 5978: 5974: 5967: 5962: 5960: 5955: 5953: 5948: 5947: 5944: 5938: 5931: 5921: 5911: 5905: 5902: 5900: 5897: 5895: 5894: 5890: 5888: 5887: 5883: 5881: 5878: 5876: 5873: 5871: 5868: 5866: 5863: 5861: 5858: 5856: 5853: 5851: 5850: 5846: 5845: 5843: 5839: 5832: 5829: 5827: 5824: 5822:(Grandnephew) 5821: 5820:Claude-Michel 5818: 5815: 5812: 5810: 5807: 5805:(Second wife) 5804: 5801: 5800: 5798: 5794: 5787: 5786: 5782: 5778: 5777: 5772: 5768: 5767: 5762: 5758: 5757: 5752: 5748: 5747: 5742: 5738: 5737: 5732: 5731: 5729: 5725: 5718: 5717: 5713: 5710: 5709: 5708:Genesis Suite 5704: 5700: 5699: 5694: 5690: 5689: 5684: 5683: 5681: 5677: 5669: 5668: 5663: 5660: 5657: 5653: 5652: 5647: 5643: 5642: 5637: 5633: 5632: 5627: 5626: 5624: 5620: 5613: 5610: 5606: 5605: 5600: 5597: 5594: 5593: 5591: 5587: 5580: 5577: 5574: 5571: 5568: 5565: 5564: 5562: 5558: 5551: 5548: 5545: 5544: 5540: 5537: 5534: 5531: 5528: 5525: 5522: 5518: 5517: 5512: 5511: 5509: 5505: 5497: 5496: 5491: 5487: 5486: 5481: 5477: 5476: 5471: 5467: 5466: 5461: 5460: 5458: 5454: 5450: 5445: 5441: 5434: 5429: 5427: 5422: 5420: 5415: 5414: 5411: 5404: 5401: 5398: 5394: 5391: 5389: 5385: 5382: 5380: 5376: 5372: 5369: 5367: 5363: 5360: 5358: 5355: 5351: 5347: 5343: 5340: 5336: 5333: 5332: 5323: 5319: 5315: 5311: 5309: 5305: 5301: 5297: 5294: 5290: 5289:Weiss, Adolph 5287: 5285: 5281: 5277: 5273: 5271: 5267: 5263: 5259: 5256: 5254: 5250: 5246: 5245:Leonard Stein 5242: 5238: 5235: 5231: 5227: 5223: 5219: 5215: 5214: 5213:Harmonielehre 5209: 5206: 5202: 5198: 5194: 5193:Sachs, Harvey 5191: 5189: 5185: 5181: 5177: 5175: 5171: 5167: 5165: 5161: 5157: 5153: 5149: 5145: 5141: 5137: 5132: 5129: 5125: 5121: 5117: 5112: 5108: 5104: 5100: 5096: 5095: 5090: 5086: 5082: 5080: 5076: 5072: 5068: 5064: 5060: 5056: 5053: 5050: 5046: 5043: 5040: 5036: 5033: 5031: 5027: 5023: 5019: 5016: 5015: 5010: 5006: 5003: 4999: 4995: 4993: 4989: 4985: 4981: 4977: 4974: 4971: 4967: 4963: 4959: 4955: 4951: 4949: 4945: 4941: 4940: 4935: 4933: 4929: 4925: 4921: 4918: 4915: 4914: 4909: 4906: 4904: 4900: 4896: 4892: 4889: 4886: 4885: 4881: 4879: 4873: 4870: 4868: 4864: 4860: 4856: 4852: 4850: 4846: 4842: 4841:The New Press 4838: 4834: 4832: 4828: 4824: 4820: 4818: 4814: 4810: 4806: 4802: 4799: 4796: 4792: 4788: 4784: 4780: 4776: 4772: 4768: 4767: 4760: 4758: 4754: 4750: 4746: 4743: 4739: 4735: 4732: 4728: 4724: 4720: 4717: 4715: 4713: 4707: 4704: 4703: 4692: 4688: 4684: 4680: 4676: 4673: 4669: 4665: 4661: 4657: 4652: 4648: 4644: 4640: 4636: 4631: 4628: 4624: 4620: 4617:(Reissued in 4614: 4610: 4606: 4602: 4598: 4594: 4593: 4588: 4584: 4580: 4576: 4572: 4568: 4565: 4561: 4557: 4556: 4550: 4547: 4542: 4538: 4534: 4529: 4525: 4521: 4517: 4513: 4509: 4505: 4501: 4496: 4492: 4487: 4484: 4480: 4476: 4475: 4470: 4466: 4462: 4458: 4454: 4450: 4446: 4442: 4438: 4433: 4429: 4425: 4421: 4416: 4412: 4408: 4404: 4400: 4396: 4392: 4388: 4384: 4380: 4376: 4372: 4367: 4363: 4359: 4355: 4351: 4346: 4343: 4339: 4335: 4330: 4327: 4323: 4319: 4314: 4311: 4307: 4303: 4299: 4297: 4292: 4288: 4285: 4281: 4277: 4270: 4266: 4262: 4258: 4254: 4250: 4246: 4242: 4241: 4236: 4232: 4227: 4223: 4222: 4216: 4212: 4208: 4203: 4199: 4195: 4191: 4190:Stanley Sadie 4187: 4186: 4180: 4176: 4172: 4168: 4164: 4163: 4157: 4153: 4149: 4146: 4142: 4138: 4133: 4130: 4126: 4122: 4118: 4114: 4109: 4105: 4101: 4097: 4093: 4089: 4084: 4080: 4076: 4072: 4071:Frank Strobel 4068: 4065: 4060: 4057: 4053: 4049: 4045: 4041: 4037: 4033: 4029: 4028:Leeuw, Ton de 4025: 4021: 4017: 4012: 4009: 4005: 4001: 3997: 3993: 3989: 3985: 3981: 3977: 3976: 3971: 3970:Laskin, David 3967: 3963: 3958: 3955: 3951: 3948: 3944: 3940: 3935: 3932: 3928: 3924: 3920: 3918: 3912: 3900: 3896: 3892: 3888: 3884: 3880: 3879: 3874: 3870: 3867: 3863: 3859: 3855: 3851: 3847: 3843: 3842: 3837: 3832: 3829: 3825: 3821: 3816: 3812: 3811: 3805: 3802: 3798: 3794: 3789: 3786: 3782: 3778: 3773: 3769: 3768: 3762: 3758: 3757: 3752: 3747: 3736: 3735: 3730: 3725: 3722: 3718: 3714: 3710: 3706: 3702: 3698: 3693: 3689: 3685: 3681: 3677: 3673: 3668: 3664: 3663: 3658: 3655:Anon. 2013. " 3653: 3642: 3638: 3633: 3632: 3620: 3615: 3606: 3599: 3593: 3586: 3581: 3574: 3570: 3564: 3557: 3552: 3545: 3540: 3533: 3528: 3521: 3516: 3510:, p. 46. 3509: 3504: 3498:, p. 25. 3497: 3492: 3486:, p. 12. 3485: 3484:Taruskin 2004 3480: 3474:, p. 10. 3473: 3472:Taruskin 2004 3468: 3461: 3460:Taruskin 2004 3456: 3449: 3444: 3437: 3432: 3425: 3420: 3404: 3400: 3396: 3390: 3374: 3370: 3366: 3360: 3353: 3348: 3341: 3336: 3329: 3324: 3317: 3312: 3306:, p. 41. 3305: 3300: 3293: 3288: 3281: 3276: 3269: 3264: 3258:, vii, 3, 27. 3257: 3252: 3245: 3240: 3233: 3228: 3226: 3224: 3216: 3211: 3204: 3199: 3192: 3187: 3181:, p. 15. 3180: 3175: 3168: 3163: 3156: 3151: 3144: 3138: 3131: 3125: 3118: 3113: 3106: 3101: 3095:, p. 83. 3094: 3089: 3082: 3077: 3070: 3066: 3061: 3055:, p. 45. 3054: 3049: 3042: 3037: 3030: 3025: 3018: 3013: 3006: 3001: 2995:, p. 12. 2994: 2989: 2987: 2979: 2974: 2967: 2962: 2956:, p. 79. 2955: 2950: 2943: 2938: 2931: 2926: 2919: 2918:Crawford 2009 2914: 2907: 2902: 2895: 2890: 2883: 2878: 2872:, p. 46. 2871: 2866: 2860:, p. 31. 2859: 2854: 2846: 2840: 2836: 2829: 2823:, p. 85. 2822: 2817: 2810: 2805: 2799:, p. 64. 2798: 2793: 2786: 2781: 2775:, p. 22) 2774: 2768: 2761: 2756: 2749: 2744: 2738:, p. 66. 2737: 2732: 2726:, p. 65. 2725: 2720: 2714:, p. 60. 2713: 2708: 2701: 2700:Lebrecht 2001 2696: 2689: 2684: 2677: 2672: 2666:, p. 96. 2665: 2660: 2658: 2650: 2645: 2643: 2635: 2630: 2623: 2618: 2611: 2606: 2599: 2594: 2588:, p. 87. 2587: 2586:Beaumont 2000 2582: 2575: 2570: 2563: 2558: 2551: 2546: 2542: 2529: 2525: 2522: 2518: 2514: 2510: 2504: 2494: 2487: 2483: 2479: 2478:Rudolf Serkin 2475: 2471: 2470:Charles Rosen 2465: 2458: 2454: 2450: 2449:Leon Kirchner 2446: 2442: 2438: 2434: 2430: 2426: 2422: 2418: 2412: 2403: 2397: 2389: 2388: 2379: 2355: 2354: 2345: 2314: 2310: 2295: 2292: 2290: 2289:Fragmentation 2287: 2285: 2282: 2280: 2279: 2275: 2274: 2266: 2262: 2258: 2254: 2252: 2248: 2244: 2240: 2238: 2234: 2230: 2226: 2224: 2223:0-571-13194-8 2220: 2216: 2215:0-571-13060-7 2212: 2208: 2206: 2200: 2197: 2193: 2189: 2185: 2181: 2177: 2174: 2170: 2167: 2163: 2160: 2156: 2153: 2149: 2147: 2142: 2140: 2136: 2132: 2128: 2127: 2119: 2115: 2111: 2107: 2105: 2101: 2097: 2093: 2090: 2086: 2083: 2079: 2075: 2071: 2069: 2065: 2061: 2060:Harmonielehre 2057: 2053: 2051: 2047: 2043: 2039: 2036: 2032: 2030: 2026: 2022: 2018: 2015: 2011: 2008: 2007: 2006:Harmonielehre 2002: 2001: 1995: 1993: 1989: 1985: 1980: 1978: 1974: 1973:expressionist 1970: 1966: 1957: 1948: 1946: 1941: 1937: 1933: 1929: 1928: 1923: 1916: 1910: 1907: 1906:Stephen Walsh 1902: 1897: 1892: 1890: 1889:Nicholas Cook 1886: 1876: 1873: 1869: 1865: 1861: 1857: 1854: 1844: 1842: 1838: 1832: 1827: 1826:Luigi Rognoni 1823: 1819: 1815: 1814:Felix Galimir 1811: 1807: 1803: 1799: 1798:Eugene Lehner 1795: 1794:Louis Krasner 1791: 1787: 1786:Leon Kirchner 1783: 1779: 1775: 1771: 1767: 1763: 1759: 1758:Leonard Stein 1755: 1750: 1746: 1742: 1738: 1737:Pierre Boulez 1732: 1730: 1726: 1722: 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Alma 5048: 5038: 5035:Kallir, Jane 5021: 5012: 5001: 4979: 4953: 4937: 4923: 4920:Eybl, Martin 4911: 4894: 4882: 4877: 4872:Byron, Avior 4854: 4839:. 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Retrieved 3368: 3359: 3347: 3335: 3323: 3318:, p. 4. 3311: 3299: 3287: 3275: 3263: 3251: 3239: 3217:, p. 4. 3210: 3198: 3186: 3174: 3162: 3150: 3137: 3124: 3112: 3100: 3088: 3076: 3060: 3048: 3036: 3024: 3012: 3000: 2978:Watkins 2010 2973: 2961: 2949: 2937: 2932:, p. 6. 2925: 2913: 2901: 2889: 2877: 2865: 2853: 2834: 2828: 2816: 2804: 2792: 2780: 2767: 2755: 2743: 2731: 2719: 2707: 2695: 2683: 2671: 2629: 2617: 2605: 2593: 2581: 2569: 2557: 2545: 2503: 2493: 2464: 2457:Oscar Levant 2441:Lou Harrison 2425:Hanns Eisler 2421:Egon Wellesz 2411: 2313: 2276: 2256: 2242: 2228: 2202: 2195: 2179: 2172: 2165: 2158: 2144: 2130: 2109: 2095: 2088: 2081: 2073: 2059: 2055: 2041: 2034: 2020: 2013: 2004: 1981: 1962: 1939: 1936:Sean O'Brien 1925: 1919: 1914: 1903: 1899: 1894: 1882: 1867: 1863: 1858: 1853:Ernst Krenek 1850: 1733: 1729:Drei Satiren 1728: 1725:Drei Satiren 1724: 1714: 1708: 1704: 1695: 1683: 1665: 1659: 1654:Gurre-Lieder 1652: 1646: 1644: 1598:Hexachordal 1590:partitioning 1583:Partitioning 1579:presentation 1554: 1547: 1540:Piano Pieces 1533: 1527: 1525: 1505: 1485: 1470: 1464: 1454: 1440: 1413: 1380: 1360:programmatic 1353: 1351: 1347:chromaticism 1329:Zwei Gesänge 1328: 1316: 1307:Anton Webern 1299:Hanns Eisler 1295:dodecaphonic 1280: 1269: 1196: 1142: 1133: 1125:Dane Rudhyar 1115: 1109: 1085: 1081:Lou Harrison 1056: 1050: 1038: 1032: 1026: 1018: 990: 985: 981: 979: 965:. Composers 900: 896: 888: 868: 859: 843: 837: 827: 822: 814: 809: 805: 801: 798:Hanns Eisler 790:Anton Webern 767: 732: 718: 699: 687: 682:Egon Schiele 668: 650:Robert Fuchs 635:Wilhelm Bopp 633: 616:Sprechstimme 614: 604: 602: 590:Edward Clark 587: 575:Franz Werfel 566: 562: 560: 541: 526: 516: 498: 486: 468: 461: 458: 453:Gurre-Lieder 451: 437: 431: 423:counterpoint 403:Leopoldstadt 396: 359: 353:(1947). The 348: 331:Marseillaise 314: 311:World War II 300: 278: 254:antisemitism 247: 241: 235: 234:(1909), and 229: 216:, and wrote 211: 200:Anton Webern 185: 183: 150: 146: 145: 94:(1951-07-13) 92:13 July 1951 36: 11368:1951 deaths 11363:1874 births 11195:Alma Mahler 11081:Guido Adler 10999:Lyric Suite 10919:(1885-1935) 10882:Passacaglia 10869:(1883-1945) 10854:(1922-1927) 10801:Concertante 10532:Vier Lieder 10501:Vier Lieder 10486:(1874-1951) 10418:Romanticism 10375:Remodernism 10256:Incoherents 10115:Avant-garde 10106:Armory Show 9713:Maeterlinck 9616:Villa-Lobos 9602:Szymanowski 9581:Stockhausen 9518:Lutosławski 9243:(1909–1910) 8043:Visual arts 8016:(1928–1940) 7932:(1913–1927) 7455:Apollinaire 7419:Synchromism 7259:Art Nouveau 7070:Polyrhythms 7045:Neotonality 6933:Szymanowski 6472:Gilbert Amy 6451:Twelve-tone 6375:Punctualism 6360:Equivalence 5809:Eric Randol 5746:Vier Lieder 5705:Prelude to 5692:(1900–1911) 5560:Concertante 5350:BBC Radio 3 5009:Nancy Bogen 4706:Adams, John 4362:Dika Newlin 4211:Independent 4075:Max Deutsch 4046:. Utrecht: 3941:. Oxford : 3905:11 February 3256:Straus 1990 3244:Straus 1990 3232:Straus 1990 3105:Marcus 2016 3065:Biskup 2000 3017:Feisst 2011 3005:Feisst 2011 2993:Feisst 2011 2942:Laskin 2008 2930:Feisst 2011 2906:Feisst 2011 2870:Feisst 2011 2676:Hailey 1993 2521:pitch-class 2513:Béla Bartók 2486:Glenn Gould 2453:Dika Newlin 2152:Dika Newlin 1922:Thomas Mann 1860:Allen Shawn 1837:Max Deutsch 1829: [ 1822:Hans Keller 1641:First works 1563:inversional 1560:Hexachordal 1521:Josef Rufer 1508:World War I 1488:Allen Forte 1287:key centers 1276:development 995:in Sydney. 963:Peter Lorre 884:Josef Rufer 770:twelve-tone 670:World War I 665:World War I 638: [ 508: [ 177:, and the " 105:Occupations 60: 1948 11352:Categories 11175:Karl Kraus 11030:1962-1978) 11012:str. orch. 10917:Alban Berg 10658:Orchestral 10625:1910-1911) 10579:str. orch. 10559:str. orch. 10305:Maximalism 10240:Literature 9915:Wiesenthal 9817:Cunningham 9810:Balanchine 9790:Witkiewicz 9762:Strindberg 9748:Pirandello 9720:Mayakovsky 9595:Stravinsky 9567:Schoenberg 9386:Performing 9311:Metropolis 9102:Mendelsohn 8907:Rossellini 8900:Richardson 8711:Fassbinder 8697:Eisenstein 8634:Cassavetes 8390:Modigliani 8264:Goncharova 8250:Giacometti 7644:Dos Passos 7446:Literature 7405:Surrealism 7316:Die Brücke 7115:Surrealism 7110:Stochastic 7100:Sound mass 7035:Microtonal 7007:techniques 7005:Genres and 6953:Stravinsky 6913:Skalkottas 6818:Schoenberg 6682:Alban Berg 6642:Luigi Nono 6390:Time point 6385:Set theory 6293:Alban Berg 6238:Retrograde 6177:Invariance 6162:Derivation 6082:Die Brücke 5992:Franz Marc 5831:Luigi Nono 5507:Orchestral 5399:on YouTube 5384:Recordings 5136:Schoenberg 5063:Willy Haas 5059:Mein Leben 4491:Schoenberg 4291:Ross, Alex 4196:. London: 4165:. London: 4113:Schoenberg 4079:Der Schatz 4064:"Review of 3998:; London: 3838: [ 3740:23 October 3699:. London: 3646:29 October 3532:Walsh 2018 3520:Earle 2003 3496:Small 1977 3436:Anon. 2013 3352:Haimo 1990 3316:Rosen 1996 3304:Haimo 1990 3234:, 23, 192. 3215:Haimo 1990 3203:Leeuw 2005 3191:Leeuw 2005 3179:McCoy 1999 3128:quoted in 3081:Plush 1996 3069:Plush 1996 2821:Auner 1999 2797:Shoaf 1992 2771:quoted in 2760:Stein 1987 2736:Rosen 1996 2724:Rosen 1975 2562:Anon. 2008 2524:set theory 2300:References 1992:monarchist 1965:Franz Marc 1745:Luigi Nono 1594:Invariants 1588:Isomorphic 1571:Aggregates 1434:-oriented 1424:whole-tone 1400:figuration 1303:Alban Berg 1229:Featuring 1155:See also: 1137:Friday, 13 1122:astrologer 982:Schoenberg 959:Harpo Marx 955:Ernst Toch 794:Alban Berg 706:Stravinsky 419:shopkeeper 415:Bratislava 385:Early life 325:fate motif 289:degenerate 276:elements. 204:Alban Berg 155:modernists 73:1874-09-13 18:Schoenberg 11318:Biography 11091:Atonality 10762:Erwartung 10354:Pulp noir 10312:Modernity 10177:Film noir 9901:St. Denis 9824:Diaghilev 9560:Schaeffer 9483:Hindemith 9462:Dutilleux 9434:Boulanger 9239:The Dance 8935:Tarkovsky 8928:Sternberg 8760:Hitchcock 8676:Dovzhenko 8592:Antonioni 8537:Stieglitz 8376:Metzinger 8327:Kokoschka 8306:Kandinsky 7720:Aldington 7713:Akhmatova 7630:Marinetti 7623:Mansfield 7574:Hemingway 7412:Symbolism 7231:Movements 7224:Modernism 7095:Serialism 7015:Atonality 6943:Prokofiev 6786:Composers 6522:Jürg Baur 6507:Don Banks 6457:composers 6345:Atonality 6265:composers 6243:Inversion 6233:Prime row 6199:Aggregate 6182:Partition 6167:Hexachord 6138:serialism 6080:See also 6043:Paul Klee 5865:Atonality 5702:(1917–22) 5489:(1930–32) 5465:Erwartung 5148:915854222 4964:(cloth); 4731:MIT Press 4645:. 2008. " 4098:(cloth); 4022:(8 July). 3697:Zemlinsky 3682:(cloth); 3573:The guide 3508:Cook 1998 3448:Ross 2007 3424:Lewis n.d 3246:, vii, 3. 3053:Ross 2007 3041:Foss 1951 2712:Ross 2007 2598:Boss 2013 2550:Berg 2013 2538:Citations 2437:John Cage 2191:editions. 2139:752682744 1998:Textbooks 1990:" turned 1988:bourgeois 1932:Nietzsche 1924:'s novel 1847:Criticism 1680:Zemlinsky 1472:Erwartung 1368:leitmotif 1362:work for 1343:hierarchy 1129:horoscope 1077:John Cage 1047:Holocaust 1034:Kol Nidre 986:Schönberg 774:serialism 714:Alex Ross 514:in 1921. 434:operettas 380:Biography 345:Holocaust 231:Erwartung 196:Wagnerian 192:Brahmsian 151:Schönberg 11035:Der Wein 10888:Symphony 10436:Category 10037:Fountain 9941:Don Juan 9880:Nijinsky 9776:Wedekind 9755:Piscator 9650:Anderson 9574:Scriabin 9490:Honegger 9151:Sullivan 9137:Saarinen 9130:Rietveld 9123:Niemeyer 9095:Melnikov 9025:Bunshaft 8956:Truffaut 8921:Sjöström 8865:Pudovkin 8837:Minnelli 8802:Kurosawa 8795:Kuleshov 8725:Flaherty 8551:Vuillard 8530:Steichen 8488:Rousseau 8453:Pissarro 8432:O'Keeffe 8397:Mondrian 8348:Malevich 8341:Magritte 8313:Kirchner 8257:van Gogh 8208:Doesburg 8187:Delaunay 8180:Delaunay 8103:Brâncuși 8089:Boccioni 8052:Painting 7902:Williams 7825:Mallarmé 7741:Cendrars 7651:Platonov 7609:Lawrence 7602:Koestler 7539:Flaubert 7532:Faulkner 7497:Bulgakov 7426:Tonalism 7387:De Stijl 7371:Lettrism 7357:Futurism 7248:Art Deco 7172:Category 7105:Spectral 7030:Futurism 6964:Americas 6948:Scriabin 6919:Hungary 6894:Germany 6878:Messiaen 6873:Koechlin 6849:Finland 6839:Czechia 6833:Pousseur 6829:Belgium 6799:Austria 6562:Ole Buck 6380:Semitone 6194:Tone row 5920:Category 5899:Students 5788:, Op. 22 5780:, Op. 21 5770:, Op. 20 5760:, Op. 15 5719:, Op. 46 5711:, Op. 44 5671:, Op. 33 5661:, Op. 25 5655:, Op. 23 5645:, Op. 19 5635:, Op. 11 5614:, Op. 26 5575:, Op. 42 5569:, Op. 36 5552:, Op. 38 5546:, Op. 34 5538:, Op. 31 5532:, Op. 16 5499:, Op. 32 5479:, Op. 18 5469:, Op. 17 5260:. 2002. 5195:. 2023. 5057:. 1960. 5037:. 1984. 4978:. 1997. 4922:. 2004. 4874:. 2006. 4721:. 1967. 4681:. 2010. 4573:. 1977. 4447:. 2010. 4293:. 2007. 4271:(cloth). 4247:. 1975. 4030:. 2005. 3990:. 1985. 3972:. 2008. 3756:Quadrant 3711:Ithaca: 3403:Archived 3373:Archived 3083:, 36–95. 3071:, 36–95. 2445:Earl Kim 2271:See also 2124:Writings 1864:defended 1782:Columbia 1709:Die Zeit 1451:diatonic 1264:♯ 1258:♯ 1252:♯ 1246:♮ 1240:♭ 1201:tone row 1106:, Vienna 1072:♭ 909:and the 855:♭ 739:Scriabin 552:tonality 471:Lutheran 411:Szécsény 327:and the 111:Composer 11304:Portals 11026:compl. 10974:Wozzeck 10542:Chamber 10091:Related 9953:Ubu Roi 9908:Tamiris 9894:Sokolow 9873:Massine 9741:Osborne 9734:O'Neill 9727:O'Casey 9685:Chekhov 9671:Beckett 9657:Anouilh 9641:Theatre 9588:Strauss 9546:Russolo 9525:Milhaud 9504:Janáček 9476:Górecki 9469:Feldman 9455:Debussy 9448:Copland 9406:Antheil 9144:Steiner 9067:Johnson 9046:Guimard 9039:Gropius 8886:Resnais 8788:Kubrick 8718:Fellini 8704:Epstein 8690:Edwards 8655:Cocteau 8641:Chaplin 8613:Bresson 8606:Bergman 8585:Aldrich 8578:Akerman 8523:Soutine 8495:Schiele 8446:Picasso 8439:Picabia 8369:Matisse 8243:Gauguin 8215:Duchamp 8173:Kooning 8152:Claudel 8145:Chirico 8138:Chagall 8131:Cézanne 8124:Cassatt 8096:Bonnard 8082:Bellows 8075:Balthus 7952:Ulysses 7874:Stevens 7867:Seferis 7686:Unamuno 7525:Forster 7504:Chekhov 7469:Beckett 7398:Orphism 7364:Imagism 7348:Bauhaus 7334:Fauvism 7239:Acmeism 7157: ← 7085:Process 6974:Antheil 6939:Russia 6929:Poland 6909:Greece 6903:Strauss 6883:Milhaud 6868:Jolivet 6859:France 6853:Bergman 6263:Notable 6001:Artists 5980:Leaders 5841:Related 5814:Marlena 5803:Gertrud 5750:, Op. 2 5740:, Op. 1 5608:, Op. 4 5589:Chamber 5526:, Op. 9 5520:, Op. 5 5341:(IMSLP) 5337:at the 5085:Mailman 4613:4149092 4518:(hbk). 4510:(ebk). 4463:, 2012. 4235:Fanfare 3628:Sources 3409:21 July 3379:21 July 2392:German: 2358:US also 1816:at the 1804:at the 1790:Harvard 1774:Oberlin 1770:CalArts 1605:Harmony 1575:Linear 1512:texture 1395:, even 1370:"-like 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