881:
36:
22:
124:
The painting is relatively small, 56.7 × 92.2 cm, and is unlikely to have been an altarpiece. It may have been intended for
Portinari's chapel in the church of St Jacob in Bruges. It was not catalogued in Portinari's belongings when he died in 1501, and is thought to have been moved from
200:
visible behind the city. Unusually, for paintings of this period, the lighting across the painting is internal, associated with the rising sun on the far right, and consistent across the painting, with areas to the rear right in the light and areas to the front left in shadow.
173:), then follows the procession of the cross back out of the city to the bottom right, then up to the top for the crucifixion, and ending in the distance at the top right with the appearances at Emmaus and Galilee. It includes seven of the traditional 14
602:
Cyclic form and the
English mystery plays: a comparative study of the English biblical cycles and their continental and iconographic counterparts; Volume 7 of Ludus : Medieval and early Renaissance theatre and drama, Peter Happé, Rodopi,
663:
401:
below and proceeding to the right, a procession leaves from the city gate; on the road outside, Christ falls to his knees, and is assisted by Simon of Cyrene (traditional
Stations of the Cross nos 3 and 5)
1161:
1131:
812:
762:
1169:
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705:
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177:, but adds several scenes before and after them, and omits 7: Jesus being given his cross, two occasions when Jesus falls carrying the cross, Jesus meeting
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196:, depicted as a walled medieval city with exotic towers topped by domes. The high "birds-eye" point of view makes
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548:) (1480), made for the altar of the Tanners' guild in Our Lady's Church in Bruges but now held by the
149:
The scenes of the
Passion start in the distance at the top left with Jesus's entry into Jerusalem on
1267:
971:
544:
940:
443:
to the right, Christ is removed from the cross at night (traditional
Station of the Cross no.13)
232:
826:
438:
333:
178:
81:
combined in one narrative composition without a central dominating scene: 19 episodes from the
601:
575:
623:
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right from the crowning with thorns: Christ is shown to the people, who condemn him to death
174:
162:
76:
588:
271:
166:
154:
44:
8:
848:
798:
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below the descent from the cross, to the right (traditional
Station of the Cross no.14)
52:
1031:
605:
591:
578:
125:
Bruges to
Florence between 1510 and 1520. It is first recorded in the collection of
106:
82:
325:
left of centre; Pilate seated on his throne (traditional
Station of the Cross no.1)
35:
1219:
314:
above and right from the arrest: Peter shown in a doorway, with cock crowing above
284:
134:
993:
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right of the flagellation, Jesus receives a crown with thorns and a purple robe
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down and to the left from the temple scene, in a narrow candle-lit archway
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right of centre, skipping across two scenes in a narrow building set back
421:
257:
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48:
21:
430:, together with two criminals (traditional Station of the Cross no.12)
370:
276:
below the Last Supper; three apostles lie sleeping while Jesus prays
193:
170:
576:
Northern
Renaissance art, Susie Nash, Oxford University Press, 2008
427:
294:
130:
126:
153:, passes through the town and out again to the bottom left to the
589:
Jesus: A Life in
Pictures, Neil Morris, Salariya Publishers, 2004
298:
197:
615:
553:
262:
to the left of the betrayal, in a building with a pitched roof
110:
39:
An unknown artist showed a number of small scenes in a similar
413:
top, right of centre (traditional Station of the Cross no.11)
117:
kneeling and praying in the lower left corner, with his wife,
138:
237:
to the right of the entry of Jesus, under a double arch
157:, through the Passion scenes in the centre of the city (
68:
on a panel of Baltic oak, painted c.1470 by German-born
469:
to the right of the procession, Christ with a crucifix
192:
The scenes are distributed in and around an idealized
536:
Memling used a similar narrative style for his later
1046:
Christ Surrounded by Singing and Music-making Angels
863:
Madonna and Child with Saint James and Saint Dominic
522:
Appearance before the apostles at the Sea of Galilee
121:, in a similar attitude in the lower right corner.
664:Virgin and Child Enthroned with two Musical Angels
233:Jesus driving the money-changers out of the Temple
1254:
525:to the left of the meeting with Mary Magdalene
631:
189:, and Jesus being stripped of his garments.
185:wiping the face of Jesus, Jesus meeting the
879:
638:
624:
75:. The painting shows 23 vignettes of the
218:Jesus rides into the city on a donkey on
34:
20:
1162:Portrait of a Man with a Pink Carnation
245:Judas betrays Jesus to the High Priests
1255:
386:down and left, below the flagellation
1206:Portrait of Barbara van Vlaendenbergh
619:
224:top left, outside the city gatehouse
133:in 1550. The painting is now in the
105:). The painting was commissioned by
1192:Portrait of a Man with a Roman Medal
813:Christ Surrounded by Musician Angels
482:above limbo, with the guards asleep
1002:Earthly Vanity and Divine Salvation
13:
1024:Diptych of Maarten van Nieuwenhove
426:above, to the left, Jesus dies on
14:
1304:
1288:Paintings in the Galleria Sabauda
1273:Paintings of the Passion of Jesus
678:Scenes from the Passion of Christ
204:
61:Scenes from the Passion of Christ
26:Scenes from the Passion of Christ
645:
289:down and right from the garden:
43:from Poland, ca. 1490, from the
1170:Portrait of Benedetto Portinari
777:Mystic Marriage of St Catherine
531:
91:appearances of the risen Christ
1072:Portrait of a Man in a Red Hat
346:Second interrogation by Pilate
144:
1:
1238:
1224:
1210:
1196:
1182:
1151:
1136:
1121:
1106:
1102:Portrait of Tommaso Portinari
1091:
1076:
1050:
1036:
1006:
984:
961:
931:
916:
901:
867:
853:
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817:
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781:
767:
753:
738:
724:
720:Madonna and Child with Angels
710:
696:
682:
668:
109:, an Italian banker based in
1147:Portrait of an Elderly Woman
1016:Benedetto Portinari Triptych
912:Diptych of an elderly couple
749:Advent and Triumph of Christ
539:Advent and Triumph of Christ
410:Jesus is nailed to the cross
7:
1293:Paintings of Mary Magdalene
1234:Portrait of Folco Portinari
1117:Portrait of Maria Portinari
70:Early Netherlandish painter
10:
1309:
1132:Portrait of an Elderly Man
927:Diptych of Jean de Cellier
559:
209:In order, the scenes are:
1283:Christian art about death
1263:Paintings by Hans Memling
1178:Portrait of Willem Morell
1063:
888:
877:
653:
972:Adriaan Reins Altarpiece
545:Seven Joys of the Virgin
16:Painting by Hans Memling
941:Jan Floreins Altarpiece
500:above the resurrection
394:Carrying of the Cross;
113:, who is depicted in a
734:Allegory with a Virgin
439:Descent from the Cross
334:Flagellation of Christ
187:daughters of Jerusalem
56:
32:
1278:Paintings about death
957:Adoration of the Magi
692:Adoration of the Magi
175:Stations of the Cross
163:Flagellation of Jesus
38:
24:
358:Crowning with Thorns
322:Christ before Pilate
272:Garden of Gethsemane
167:Crowning with Thorns
155:Garden of Gethsemane
51:(lower left) to the
45:Entry into Jerusalem
799:Pagagnotti Triptych
383:Making of the Cross
949:St John Altarpiece
612:, p. 118-124.
571:Web Gallery of Art
566:Web Gallery of Art
159:judgment of Pilate
89:, and three later
57:
53:Ascension of Jesus
33:
1250:
1249:
1087:Portrait of a Man
1032:St. Ursula Shrine
529:
528:
107:Tommaso Portinari
83:Passion of Christ
1300:
1243:
1240:
1229:
1226:
1220:Sibylla Sambetha
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758:
755:
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715:
712:
701:
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687:
684:
673:
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656:religious panels
640:
633:
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617:
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285:Arrest of Christ
212:
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135:Galleria Sabauda
119:Maria Baroncelli
1308:
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1268:1470s paintings
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994:Moreel Triptych
987:
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791:Angel Musicians
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585:, p. 278-9
562:
550:Alte Pinakothek
542:(also known as
534:
496:noli me tangere
465:Christ in Limbo
398:bears the cross
396:Simon of Cyrene
310:Denial of Peter
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12:
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5:
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980:Donne Triptych
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763:Mater Dolorosa
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706:Mater Dolorosa
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510:Road to Emmaus
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492:Mary Magdalene
488:
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452:The Entombment
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293:kisses Jesus;
287:
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270:Prayer in the
268:
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206:
205:The chronology
203:
146:
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115:donor portrait
103:Sea of Galilee
99:road to Emmaus
95:Mary Magdalene
78:Life of Christ
15:
9:
6:
4:
3:
2:
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897:Last Judgment
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610:90-420-1652-3
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596:1-904642-49-7
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583:0-19-284269-2
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490:Meeting with
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101:, and at the
100:
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63:
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50:
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1022:
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1000:
992:
978:
970:
955:
947:
939:
925:
910:
895:
861:
847:
835:Adam and Eve
833:
827:Annunciation
825:
821: 1480s
811:
797:
789:
775:
761:
747:
732:
718:
704:
690:
677:
676:
662:
647:Hans Memling
543:
537:
535:
532:Similarities
478:Resurrection
208:
191:
148:
123:
87:Resurrection
77:
73:Hans Memling
66:oil painting
60:
59:
58:
55:(centre top)
47:through the
40:
30:Hans Memling
25:
18:
1242: 1490
1228: 1480
1214: 1480
1200: 1480
1186: 1480
1155: 1470
1140: 1470
1125: 1470
1110: 1470
1095: 1470
1080: 1465
1054: 1483
1040: 1489
1010: 1485
988: 1480
965: 1479
935: 1475
920: 1470
905: 1467
871: 1485
857: 1485
843: 1485
807: 1480
785: 1480
771: 1480
757: 1480
742: 1479
728: 1479
714: 1475
700: 1471
686: 1470
672: 1467
598:, p. 5
422:Crucifixion
258:Last Supper
220:Palm Sunday
151:Palm Sunday
145:Description
49:Golden Gate
1257:Categories
889:Polyptychs
654:Individual
514:top right
179:his mother
1064:Portraits
849:Bathsheba
371:Ecce Homo
297:cuts off
194:Jerusalem
171:Ecce Homo
97:, on the
428:Golgotha
183:Veronica
131:Florence
127:Cosimo I
830:, 1480s
794:, 1480s
560:Sources
508:On the
338:centre
299:Malchus
198:Calvary
41:Passion
1173:, 1478
1165:, 1475
1027:, 1487
1019:, 1487
997:, 1484
975:, 1480
952:, 1479
944:, 1479
608:
594:
581:
554:Munich
301:' ear
161:, the
111:Bruges
85:, the
64:is an
1157:–1475
1142:–1475
1127:–1472
1112:–1472
1097:–1472
1082:–1470
1056:–1494
967:–1480
922:–1472
907:–1471
744:–1480
295:Peter
291:Judas
139:Turin
606:ISBN
603:2004
592:ISBN
579:ISBN
256:The
93:(to
552:in
519:23.
505:22.
487:21.
474:20.
461:19.
448:18.
435:17.
418:16.
407:15.
391:14.
380:13.
367:12.
354:11.
343:10.
137:in
129:in
28:by
1259::
1239:c.
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319:8.
306:7.
281:6.
267:5.
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242:3.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
