231:. The carpets are part of the Feria de Huamantla which extend over the month of August. All month the artisans create carpets in the atrium of the Basilica, the sanctuary of the city's most important image the Nuestra Señora de la Caridad (Our Lady of Charity). Each of these are about forty m2 and change each day, and dedicated to the Virgin Mary image. However, the most important events occurs from 14 to 15 August. Since 1941, Nuestra Señora de la Caridad leaves its sanctuary in a procession that wanders for eight km around the streets of the city. The entire procession route is covered in carpets made of sawdust and other materials. The carpets are created the night before during what is called “La noche que nadie duerme” (The night no one sleeps) then trampled by the procession of the image in the early morning hours of the 15th. The carpets are organized and made by committees organized by the various neighborhoods. The procession and the carpets draw about 300,000 visitors each year.
310:, both of which maintain the original purpose of use during Holy Week. Sutiaba is an indigenous community whose tradition dates back at least to 19th century according to written record. The carpets are made on what is called the Calle de Las Alfombras (Street of the Carpets) in the indigenous community of Sutiaba, meters from the San Juan de Dios de Sutiaba church. The carpets are created between Monday and Friday during Holy Week for the Good Friday procession. Each section takes about five to six hours with two to six people working on it depending on the complexity. Nicaraguan artist Federico Quezada has worked to preserve the sawdust carpet traditions of Sutiaba.
94:
321:, a similar tradition is called the Festa de les Enramades d'Arbúcies (Feast of the Bowers) related to Corpus Christi, which was declared a national heritage in 1999. The tradition has been traced as far back as 1589. The Feast of the Bowers is eight days of festivities along with preparation days before when people collect large quantities of flowers and other materials to make carpets for the streets alone with tree branches. The color is mostly provided by the flowers. The elaborate decorations are then walked over by a parade of floats and other festive elements.
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streets and other surfaces, the design can be drawn in chalk and filled in with the coloring materials. There are two ways to create the design, with the use of molds or stencils and freehand, sprinkling and placing the colored material. Freehand takes longer and requires more skill with the use of molds allowing for very defined and complicated designs. After the carpet is finished, it received a very light spray of water to affix the sawdust in place and keep the colors from fading.
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42:, and sometimes other additional materials, laid on the ground as decoration. Sawdust carpets are traditionally created to greet a religious procession that walks over them. The tradition of decorating streets in this fashion began in Europe and was brought to the Americas by the Spanish. The tradition is still found in Mexico,
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in Mexico City, large carpets are made with sawdust along with marigold petals, corn, salt and candles for Day of the Dead. These include many made by primary school children. Since 2007 carpets dedicated to Day of the Dead are made in
Guanajuato, for the festival "El Tapete de la Muerte". However,
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The making of these sawdust carpets have led to the town and some of its artisans being more widely known. One noted creator from
Huamantla is Efrén Chacón, who not only participates in Huamantla each year, but has also traveled all over Mexico and to countries such as Spain, Italy, Canada and Japan
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Traditional carpets in Mexico and
Central America are done with colored and uncolored sawdust; however, various other materials are used with it and sometimes in place of it. These include flowers and flower petals, pine needles, rice, fruit, colored earth, ashes and other usually organic materials.
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Most traditional carpets begin with a layer of undyed sawdust spread in a wood frame to smooth out rough surfaces such as stone paved streets and then sprayed with a light coating of water. Sometimes other materials such as sand are used for the base. Then the designs are laid over top. On smooth
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creates carpets for the procession of the Señor de los
Corazones, a black Christ figure, on 24 July which extend over five kilometers on the city's streets. Although the tradition was adopted from that of Huamantla, Huajuapan since has developed its own characteristics such as the designs on the
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with images related to that day, Christ on the Cross and a grieving Virgin Mary. The
Spanish brought the custom to Latin America and it was established during the colonial period as part of Holy Week celebration, especially to welcome Good Friday and Easter processions of religious icons carried
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Another area famous for its carpets is
Antigua Guatemala as it has mixed Catholic and indigenous images since the colonial period. Antigua Guatemala carpets are generally made using molds with allegoric designs, religious symbols, Biblical scenes, geometric shapes and floral designs with entire
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when he and 222 other artisans worked to create a carpet with the image of the Pope with the Virgin Mary using sawdust and flowers. He has received recognition for his work from Japan, Canada, Switzerland, Italy, El
Salvador, Guatemala and the United States. In 2008, artisans in Huamantla also
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and other scenes from his life. They were accepted by the indigenous populations especially in Mexico and parts of
Guatemala as it was similar to traditions of laying fruit in honor of the gods of the harvest and carpets made from feathers of exotic birds such as
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in 2000, a technique to create permanent designs in sawdust was created. Exhibitions of these permanent works have been held in
Sutiaba, Managua and Antigua Guatemala. These have been created with both religious and secular motifs such as landscapes and
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Traditionally the sawdust afterwards is burned or thrown in rivers which causes environmental problems. For this reason some organizations adopt alternatives to sawdust. One example of this is students from
Colegio Cedros Norte in
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Juan Ramon Nava Flores (January 16, 1999). "Artesanos de la Fe / Fabricantes de alfombras: Tradicion y fe lo inspiran" [Artisans of Faith/Creators of carpets: Tradition and faith inspire them].
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families working together using sawdust, pine needles, fruit, flowers, sand and cut paper. The carpets and processions in Antigua, Guatemala draw about 200,000 tourists from the country and abroad.
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who died in 2012. Day of the Dead carpets can accompany a traditional ofrenda on a table or can be the entire ofrenda. These are most commonly made in the central part of Mexico. In
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720:"Montan macro altar en memoria de víctimas de casino Royale en NL" [Set up mega altar in memory of the victims of the Casino Royale in Nuevo León].
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390:"Realizan en Huamantla tapete alusivo al 63 aniversario de la ONU" [Create a carpet alluding to the 63rd anniversary of the UN in Huamantla].
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The Pittsburgh Corpus Christi carpets are dyed with environmentally safe dyes and the sawdust is traditionally re-gathered for use in church gardens.
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for the procession of the Virgin Mary image of Octolán, and for the feast of the Apostle Peter on 29 June in San Pedro Xalostoc, near
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in Mexico, especially for large institutional altars called ofrendas and ofrendas to honor important people such as a one for writer
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The tradition of making these carpets for patron saint processions has spread to other areas of Mexico. They are now made in the
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267:, images from pre Hispanic codices and regional color schemes. The event draws over 10,000 visitors along the procession route.
184:. In 2011 the Honduran Embassy in the United States held an exhibition of various carpets at an event to commemorate Holy Week.
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Oscar Rene Oliva (April 10, 2004). "Antigua mantiene tradicion religiosa" [Antigua maintains religious tradition].
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created a carpet 150 meters long and six meters wide with a design to honor the United Nations for its 63rd anniversary.
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in the United States. In Mexico, their use has been extended to processions dedicated to patron saints, especially in
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597:[A miracle, a path of sawdust and flowers in Tlaxcala] (in Spanish). Mexico City: Mexico Desconocido magazine
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through the streets. One of the reasons these were promoted was didactic, with the images telling the story of the
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In Central America, two noted events that feature the carpets is the community of Sutiaba in the municipality of
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Vicente Ochoa (August 8, 1999). "Huamantla: Las alfombras florales" [Huamantla: The flowered carpets].
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The sawdust is cleaned, soaked in water with dye then set out to dry. In the past natural dyes such as
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Imelda Robles (October 26, 2012). "Rinden tributo a dos grandes" [Pay tribute to two greats].
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Today, the making of sawdust carpets is found in Mexico, various Central American countries Honduras,
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903:
295:, where one large carpet/ofrenda surrounded by 300 candles was made to commemorate the victims of a
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The tradition of making carpets with sawdust and other materials has since been extended to include
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to give exhibitions and talks. His work with the carpets earned Efren Chacon a chance to meet
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Irma Valadez (June 8, 2012). "Conjugan fe y ecología" [Conjoin faith and ecology].
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as part of their Day of the Dead festivities. They have been created as far north as
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and parts of the United States, but it is strongest in Mexico and Central America.
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646:[Sawdust carpets, exhibition of love for the Señor de los Corazones].
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https://riversofsteel.com/heritage-highlights-holy-martyrs-sawdust-carpets/
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676:[Create sawdust carpets to commemorate Day of the Dead in Cancun].
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Sawdust carpet made during "The night no one sleeps" in Huamantla, Tlaxcala
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arriving from Germany. Due to concerns about preserving the tradition, in
167:. The carpets are made in some Catholic parishes of the United States. In
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674:"Elaboran tapetes de aserrín para conmemorar el Día de Muertos en Cancún"
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The most traditional use of these carpets is for processions related to
362:"Manual Básico para la Elaboración de Alfombras Pasionarios de Aserrín"
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620:[Carpets in San Pedro Xalostoc, tradition that came to stay].
364:[Basic manual for the creation of Passion carpets of sawdust]
837:[Exhibit traditional Passion carpets of sawdust in Sutiaba].
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Michael Aubele (June 11, 2007). "Colorful carpets made of sawdust".
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835:"Exponen tradicionales alfombras pasionarias de aserrín en Sutiaba"
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618:"Tapetes de San Pedro Xalostoc, tradición que llegó para quedarse"
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739:[Sawdust, flowers and corn in various colors to admire].
644:"Tapetes de Aserrín, muestra de cariño al Señor de los Corazones"
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The largest event which features sawdust carpets in Mexico is in
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The tradition has its origins in the feast of Corpus Christi in
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554:[The faith of a people, it's the night no one sleeps].
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810:[Realize exhibition of sawdust carpets in Teotitlán].
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Day of the Dead altar with sawdust carpet depicting the god
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and Pittsburgh, Pennsylvania, the tradition was brought by
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595:"Un milagro, un recorrido de aserrín y flores en Tlaxcala"
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Museo Universitario de Artes Populares María Teresa Pomar
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808:"Realizan exposición de Tapetes de Aserrín en Teotitlán"
487:[Honduras presents sawdust carpet in the U.S.].
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Part of a carpet made for Holy Week in Antigua Guatemala
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287:, Oaxaca where they are made to honor the saints and
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National Fund for the Development of Arts and Crafts
426:
McNaughton, Kathryn (June 2005). "Sawdust Carpets".
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552:"La fe de un pueblo, es la noche que nadie duerme"
134:. The making of the carpets was then extended to
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1211:Museo de la Laca and the Santo Domingo monastery
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737:"Aserrín, flores y maíz de colores para admirar"
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485:"Honduras presenta alfombra de aserrín en EE.UU"
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765:[Receive death with sawdust carpets].
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911:
867:(in Spanish). Fort Lauderdale, FL. p. 2.
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368:(in Spanish). Nicaragua: Municipality of León
763:"Reciben a la muerte con tapetes de aserrín"
724:(in Spanish). Mexico City. October 26, 2011.
706:(in Spanish). Monterrey, Mexico. p. 17.
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394:(in Spanish). Mexico City. October 24, 2008.
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769:(in Spanish). Mexico City. November 3, 2010
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1231:Museo Regional de la Ceramica, Tlaquepaque
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582:(in Spanish). Saltillo, Mexico. p. 7.
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491:(in Spanish). Tegucigalpa. April 13, 2011
463:"Celebrating the Feast of Corpus Christi"
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283:the tradition has spread as far south as
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465:. Society of Saint Pius X. July 6, 2011
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532:(in Spanish). Mexico City. p. 18.
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199:Significant traditions using the craft
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514:(in Spanish). Mexico City. p. 4.
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1425:Traditional Mexican handcrafted toys
833:Jose Luis González (April 6, 2012).
806:Acela Guadalupe (November 4, 2012).
735:Berenice Balboa (November 3, 2011).
672:Elvira Espinosa (November 3, 2010).
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297:massacre at the city's Casino Royale
38:) are one or more layers of colored
1420:Traditional metal working in Mexico
879:"Festa de les Enramades d'Arbúcies"
650:(in Spanish). Oaxaca. July 19, 2011
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57:and Central America (especially in
13:
14:
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1415:Traditional copper work in Mexico
616:Emmanuel Suberza (July 2, 2012).
410:McClatchy - Tribune Business News
593:Mayte G. Bonilla (2 July 2010).
85:, especially in central Mexico.
997:Textiles and other fiber crafts
973:Green glazed pottery of Atzompa
927:Mexican handcrafts and folk art
781:
550:Lucia Perez (August 16, 2012).
1246:National Museum of Mexican Art
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1375:Mexican handcrafted fireworks
1251:National Pyrotechnic Festival
841:(in Spanish). León, Nicaragua
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213:ITESM Campus Ciudad de México
1282:Handcrafts by federal entity
1256:Palm Sunday Handcraft Market
1226:Museo Nacional de la Máscara
412:. Washington, DC. p. 1.
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1201:Mexico City Alebrije Parade
1148:Tenancingo, State of Mexico
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16:Religious street decoration
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1435:Votive paintings of Mexico
1216:Museo de Trajes Regionales
881:. Generalitat de Catalunya
446:"Building Sawdust Carpets"
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1380:Mexican ironwood carvings
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743:(in Spanish). Mexico City
452:updated February 20, 2017
285:Teotitlán de Flores Magón
1273:List of Mexican artisans
789:"El Tapete De La Muerte"
450:Catholics & Cultures
59:Sutiaba, León, Nicaragua
1196:Feria Maestros del Arte
968:Blanco family (Oaxaca)
260:carpet. These include
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128:Santa Cruz de Tenerife
106:
97:Carpet in progress in
35:
24:
1390:Mexican mask-folk art
1206:Museo de Arte Popular
1121:Santa Clara del Cobre
1106:San Bartolo Coyotepec
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169:Corpus Christi, Texas
96:
22:
1395:Mexican pointy boots
1111:San Martín Tilcajete
814:(in Spanish). Oaxaca
680:(in Spanish). Cancun
624:(in Spanish). Toluca
558:(in Spanish). Puebla
1385:Mexican lacquerware
1370:Mexican featherwork
1360:Alfeñique in Mexico
1153:Teotitlán del Valle
1138:Santo Tomás Jalieza
1133:Santa María Atzompa
1080:Miss Lupita project
963:Barro negro pottery
946:Ceramics of Jalisco
360:Quezada, Federico.
229:Huamantla, Tlaxcala
71:Huamantla, Tlaxcala
55:Holy Week in Mexico
1440:María Teresa Pomar
1101:Ocotlán de Morelos
1049:Textiles of Oaxaca
1044:Textiles of Mexico
1039:Tenango embroidery
1009:Basketry of Mexico
978:Mata Ortiz pottery
951:Pottery of Metepec
225:
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173:Holy Ghost Fathers
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36:tapetes de aserrín
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1177:Organizations and
934:Clay and ceramics
308:Antigua Guatemala
257:Huajuapan de León
237:Pope John Paul II
141:Passion of Christ
75:Huajuapan de León
63:Antigua Guatemala
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1191:Ciudadela Market
1019:Mexican rag doll
983:Talavera pottery
941:Mexican ceramics
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28:Sawdust carpets
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48:South America
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1126:Punzo family
1094:Crafts towns
1075:Lupita dolls
1029:Quechquemitl
988:Tree of Life
885:November 26,
883:. Retrieved
873:
864:
845:November 24,
843:. Retrieved
838:
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818:November 24,
816:. Retrieved
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682:. Retrieved
678:La Policiaca
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316:
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280:Azcapotzalco
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146:hummingbirds
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99:Acaxochitlán
52:
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1445:Marta Turok
1365:Huichol art
1314:Mexico City
1163:Tlaquepaque
1158:Tlalpujahua
1116:San Pablito
865:El Sentinel
190:Mexico City
182:still lifes
136:Good Friday
132:Middle Ages
46:, parts of
1294:Guanajuato
1070:Cartonería
648:XEOU Radio
489:La Tribuna
325:References
1319:Michoacán
1179:festivals
434:(5): 3–4.
319:Catalonia
293:Monterrey
177:Nicaragua
1465:Category
1355:Alebrije
1339:Tlaxcala
1299:Guerrero
1265:Artisans
793:Facebook
704:El Norte
265:fretwork
249:Ecatepec
154:quetzals
89:Creation
1400:Piteado
1309:Jalisco
1304:Hidalgo
1289:Chiapas
1143:Temoaya
767:Milenio
722:NOTIMEX
580:Palabra
530:Reforma
512:Reforma
392:NOTIMEX
306:and in
122:History
103:Hidalgo
40:sawdust
32:Spanish
1430:Vochol
1329:Puebla
1324:Oaxaca
1085:Piñata
1034:Rebozo
1024:Petate
1014:Huipil
289:Cancún
262:Mixtec
209:Tlaloc
161:Brazil
150:macaws
112:indigo
79:Oaxaca
65:) and
1065:Amate
1058:Paper
366:(PDF)
1271:see
887:2012
847:2012
820:2012
775:2012
749:2012
686:2012
656:2012
630:2012
603:2012
564:2012
497:2012
471:2012
374:2012
165:Peru
163:and
152:and
73:and
61:and
317:In
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