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Savages (Pocahontas song)

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embodies a complexity of attitudes and beliefs that remain, at their core, offensive to American Indian people and needless to say detrimental to Indian children". Gurl deemed it "gross" and unnecessary, adding "They could have portrayed the issues between settlers and Native Americans without throwing in a catchy song that perpetuates the idea that Native American people aren't human". University of Texas anthropologist Pauline Turner Strong wrote "for many Native Americans 'savage' is the 'S' word, as potent and degrading as the word 'rigger.' [
662: 294:] I cannot imagine the latter epithet repeated so often, and set to music in a G-rated film and its soundtrack. It is even more shocking to write it in a review. Is 'savage' more acceptable because it is used reciprocally? But then does this not downplay the role the colonial ideology of savagism played in the extermination and dispossession of indigenous people." 283:
pounds out the drum beats while both camps sing about their hate for each other. Their voices echo throughout the soundfield. The low-end sonics are deep and rumbling. It's probably the best sounding sequence of the whole film." Americana E-Journal said "This song "Savages" does not lack political
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The song has two parts. The first part sees the colonists and the natives each declare the other to be inhuman as they prepare to fight. The second part intertwines Pocahontas' race to stop the execution of John Smith with the colonists and natives vowing to destroy and exterminate the other side.
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The "Pocahontas Paradox: A Cautionary Tale for Educators" describes the song as "especially unsettling" and "brutal", arguing "While the song presumably meant to unearth and thus neutralize from a perspective 350 years after the fact a pervasive racism of the earlier era, the song nonetheless
279:" to "Savages," 'Pocahontas' has one of the Disney's most unforgettable soundtracks". It however praised the audio and visual quality: "Each of the memorable songs is belted at lofty volumes that seem to surround the listener. The best example of this is the "Savages" musical number. The 250:. However, the Native Americans also demonize the white colonists, describing them as "demon" and "paleface", and "wonder if they even bleed". It is "heavily emphasized that the difference between the two peoples are the real cause of the war". 284:
incorrectness; moreover, it is nothing but the shocking anger and grievance felt against the other" and notes the song serves as a substitute to actually depicting the bloody war.
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The song sees the colonists and the Native Americans singing about how the other groups are savages, and how they will go to war to wipe out the other race. The "
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based on the face value of its violently racist lyrics despite the views expressed thereby being portrayed negatively by the context of the film's narrative.
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This has been described as a "war call that brings back fond memories of the ensemble layers of 'The Mob Song' in the 1991 film
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and the colonists break into the same song as they prepare for the upcoming battle".
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sings counterpoint melodies during the song which are variations on "
39: 271:, "Savages" lacks the vivacity and wit that Menken's late partner, 246:. The colonist side is critical of those who do not believe in the 189: 173: 165: 122: 108: 661: 275:, brought to previous Disney musicals". Hidefdigest said "From " 263:
wrote "The most heavy-handed of the seven songs composed by
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1995 song by David Ogden Stiers, Jim Cummings and Judy Kuhn
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Edgerton, Gary; Jackson, Kathy Merlock (Summer 1996).
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Americana - e-Journal of American Studies in Hungary
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Americana - e-Journal of American Studies in Hungary
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Index

Song
David Ogden Stiers
Jim Cummings
Judy Kuhn
Pocahontas: An Original Disney Records Soundtrack
Genre
Film score
Label
Walt Disney Records
Composer(s)
Alan Menken
Lyricist(s)
Stephen Schwartz
Producer(s)
Alan Menken
Disney
Pocahontas
othering
xenophobia
genocide
Native Americans
Powhatans
Pocahontas
Colors of the Wind
Beauty and the Beast
Hellfire
The Hunchback of Notre Dame
mixing of races
social construct
Christian God

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