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591:(1903), all of whom acted. They had a tumultuous marriage, with many infidelities, separations, and reconciliations. At one point, Sara entered a sanatorium after one of her husband's infidelities; at another, she took a lover and planned to establish a rival theater before a bout of tuberculosis led her to abandon those plans and return to her husband. Once, when Jacob Adler left her to live with a mistress, Sara Adler and
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Though she did not act much in her old age, Adler remained active. In her 70's, she began learning to tango, and stayed out past midnight with friends every night until her last illness. Adler died in New York City on April 28, 1953 following a long illness.
486:. The film was one of only two movies in which she appeared. After her husband's 1920 stroke and 1926 death, she performed infrequently. On March 14, 1939, her 50 years of work were honored at the National Theater, where she performed the third act of
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In 1890, Maurice and Sara divorced. She joined Adler's Finkel-Feinman-Mogulesko troupe as its principal actor for both dramatic and operetta roles. In 1891 she married Adler, himself recently divorced from a brief second marriage to
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assassination led to a
Russian ban on Yiddish theater. There, Heine's troupe joined with Jacob Adler's and then in 1883 for New York City. As "Madam Heine," Sara was the leading lady in
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that her husband directed, which was seen as the beginning of serious
Yiddish theater (in contrast to the previous vaudeville and melodrama). The next year, she acted in
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Jacob Adler recorded that when she first performed at his London theater around 1886, "she spoke no
Yiddish ... but came out before the curtain and sang Russian songs".
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formed their own company, with Sara doing everything from acting and directing to designing and sewing costumes and polishing the fruit sold at intermission.
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Adler, Jacob, A Life on the Stage: A Memoir, translated and with commentary by Lulla
Rosenfeld, Knopf, New York, 1999, ISBN 0-679-41351-0. 266, passim.
359:). Her father was a well-to-do merchant. Levitzky attended a Russian school, where she first performed on the stage at eight years old as Emilia in
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Although probably most remembered for her lead roles opposite her husband, Sara Adler also set out on her own with the
Novelty Theater in
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before transitioning to a career in
Yiddish theater. During her teens, she performed in local amateur productions. She grew up speaking
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as
Teitele, a role she reprised for the next thirty years. She went on to create many serious character roles in plays by Gordin,
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well before they were familiar to an
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Sara
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She introduced "realism" in acting before it became an American movement.
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783:. American National Biography Online. Oxford University Press.
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812:"Yiddish Actress Sara Adler Honored for 50 Years on the Stage"
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Women in American History site. Retrieved February 22, 2005.
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The Adlers had five children together, Frances (1892),
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Emigrants from the Russian Empire to the United States
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Adler had two sons with Heine, Joseph and Max Heine.
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Russian-born American actress in the Yiddish theater
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641:Women in World History
382:Early career in Europe
885:Judith Laikin Elkin,
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139:26 May 1858
110:סערע אַדלער
69:introducing
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969:Odesa Jews
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343:Early life
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