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768:(2008), Ian recalled that Adler had little patience for students who weren't progressing as she wanted, going so far on one occasion as to give one of her students a dime and tell her to call her mother to pick her up because "she had no business in the theater." On another occasion, Ian relates, Adler forcibly ripped a dress off another actress's body to get the actress to play a scene a different way.
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clear and expressive. She often referred to this as an actor's "size" or "worthiness of the stage". Her biggest mantra was perhaps "in your choices lies your talent", and she encouraged actors to find the most grand character interpretation possible in a scene; another favorite phrase of hers regarding this was "don't be boring".
863:. The collection includes correspondence, manuscripts, typescripts, lecture notes, photographs, and other materials. Over 1,100 audio and video recordings of Adler teaching from the 1960s to the 1980s have been digitized by the center and are accessible on site. The archive traces her career from her start in the New York
1775:
Marital note: Harold
Clurman, the director-critic, is back at the Russian Tea Room after a lecture tour. He was fascinated by a column item that his ex-wife, Stella Adler, had remarried in California. If true, this would relieve him of alimony... But no gossip column item, nor even the change of name
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Adler's technique, based on a balanced and pragmatic combination of imagination and memory, is hugely credited with introducing the subtle and insightful details and a deep physical embodiment of a character. Elaine
Stritch once said: "What an extraordinary combination was Stella Adler—a goddess full
589:
Stella Adler was much more than a teacher of acting. Through her work she imparts the most valuable kind of information—how to discover the nature of our own emotional mechanics and therefore those of others. She never lent herself to vulgar exploitations, as some other well-known so-called "methods"
748:
Like
Stanislavski, Adler understood the "gold hidden" inside the circumstances of the text. Actors should stimulate emotional experience by imagining the scene's "given circumstances," rather than recalling experiences from their own lives. She also understood that 50% of the actor's job is internal
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For instance, if a character talks about horse riding, one needs to know something about horse riding as an actor, otherwise one will be faking. More importantly, one must study the values of different people to understand what situations would have meant to people, when those situations might mean
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Adler met with
Stanislavski again later in his career and questioned him on Strasberg's interpretation. He told her that he had abandoned emotional memory, which had been Strasberg's dominant paradigm, but that they both believed that actors did not have what is required to play a variety of roles
416:
at the Grand Street
Theatre on the Lower East Side, as a part of her parents' Independent Yiddish Art Company. She grew up acting alongside her parents, often playing roles of boys and girls. Her work schedule allowed little time for schooling, but when possible, she studied at public schools and
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Adler also trained actors' sensory imagination to help make the characters' experiences more vivid. She believed that mastery of the physical and vocal aspects of acting was necessary for the actor to command the stage, and that all body language should be carefully crafted and voices need to be
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In 1934, Adler went to Paris with Harold
Clurman and studied intensively with Stanislavski for five weeks. During this period, she learned that Stanislavski had revised his theories, emphasizing that the actor should create by imagination rather than memory. Upon her return, she broke away from
841:, Robert Barton wrote: " established the value of the actor putting herself in the place of the character rather than vice versa ... More than anyone else, Stella Adler brought into public awareness all the close careful attention to text and analysis Stanislavski endorsed."
524:
In
January 1937, Adler moved to Hollywood. There, she acted in films for six years under the name Stella Ardler, occasionally returning to the Group Theater until it dissolved in 1941. Eventually, she returned to New York to act, direct, and teach, the latter first at
749:(imagination, emotion, action, will) and 50% is externals (characterization, way of walking, voice, face). To find what works for the character, the actors must study the circumstances of the text and make their choices based on what one gets from the material.
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and was a significant part of the vibrant ethnic theatrical scene that thrived in New York from the late 19th century to the 1950s. Adler became the most famous and influential member of her family. She began acting at the age of four as a part of the
521:
Strasberg on the fundamental aspects of method acting. In 1982, the day
Strasberg died, Adler is said to have remarked, "It will take the theatre decades to recover from the damage that Lee Strasberg inflicted on American actors."
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Mitchell Wilson, the novelist and science writer, died of a heart attack yesterday morning at his home, 1016 Fifth Avenue. He was 59 years old. He also maintained a home with his wife, Stella Adler, the actress, in Water Mill, N.
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with her father's company, in which she appeared for a year before returning to New York. In London, she met her first husband, Englishman Horace
Eliashcheff; their brief marriage, however, ended in a divorce.
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nothing in the actor's own culture. Without this work, Adler said that an actor walks onto the stage "naked". This approach is one for which both Marlon Brando and Robert De Niro became famous.
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already instilled inside them, and that extensive research was needed to understand the experiences of characters who have different values originating from different cultures.
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Stella Adler on
America's Master Playwrights: Eugene O'Neill, Thornton Wilder, Clifford Odets, William Saroyan, Tennessee Williams, William Inge, Arthur Miller, Edward Albee
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studied under Adler in the early 1980s to help her feel more comfortable on stage, and the two women remained close friends until Adler's death. In her autobiography
806:. Sidney was married Luther Adler at the time and provided Stella with a nephew. Even after Sidney and Luther divorced, she and Sylvia remained close friends.
395:, star of the Yiddish Theater. All five of her siblings were actors. The Adlers comprised the Jewish American Adler acting dynasty, which had its start in the
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Adler married three times: first to Horace Eliascheff—the father of her only child, Ellen—from 1923 to 1930; then from 1942 until 1959 to director and critic
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445:. Adler and many others saw these performances, which had a powerful and lasting impact on her career and the 20th-century American theatre. She joined the
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The Stella Adler Studio of Acting in New York opened a new studio in Los Angeles named the Art of Acting Studio in 2010 and is run by the Adler family.
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643:(1948). She concluded her acting career in 1961, after 55 years. During that time, and for years after, she became a renowned acting teacher.
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585:. For many years, Adler led the undergraduate drama department at New York University, and became one of America's leading acting teachers.
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in 1925; there, she was introduced to Stanislavski's theories, from founders and Russian actor-teachers and former members of the
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1935:"Stella Adler and Harold Clurman: An Inventory of their Papers in the Performing Arts Collection at the Harry Ransom Center"
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in New York City in 1949. Later in life she taught part time in Los Angeles, with the assistance of her protégée, actress
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537:, New York City, before founding Stella Adler Conservatory of Theatre in 1949. In the following years, she taught
1351:, by Susan Ware, Stacy Lorraine Braukman, Radcliffe Institute for Advanced Study. Harvard University Press, 2004.
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to her encounters with Stanislavski and the Group Theatre to her lectures at the Stella Adler Studio of Acting.
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to study with Konstantin Stanislavski. She was a prominent member of the Group Theatre, but differences with
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dynasty, Adler began acting at a young age. She shifted to producing, directing, and teaching, founding the
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acquired Adler's complete archive along with a small collection of her papers from her former husband
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889:. Kemble consulted her about characterizations for the play and she told him to "just make it up".
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621:. Among the plays she directed was a 1956 revival of the Paul Green/Kurt Weill antiwar musical
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1814:"Mitchell Wilson, Science Writer And Popular Novelist, Dies at 59: Joined Industry in 1941".
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1494:, by Elinor Slater, Robert Slater. Published by Jonathan David Company, Inc., 1994.
344:(February 10, 1901 – December 21, 1992) was an American actress and acting teacher.
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1958:
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Notable American Women: A Biographical Dictionary Completing the Twentieth Century
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with a foreword by Marlon Brando. From 1926 until 1952, she appeared regularly on
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1121:, by Stella Adler, Barry Paris (editor). Knopf Doubleday Publishing Group 2012.
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of magic and mystery, a child full of innocence and vulnerability." In the book
1690:"New York, New York City Marriage Records, 1829-1938", database, FamilySearch (
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1641:"The Sunshine Boys lights up Connecticut stage…with two veteran Jewish actors"
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Adler made her English-language debut on Broadway in 1922 as the Butterfly in
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1709:. Milwaukee, WI : Applause Theatre & Cinema Books. pp. 69–70.
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885:, Mark Kemble's play about former Group Theatre members' struggles with the
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All works are the original Broadway productions unless otherwise noted.
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Irene Gilbert and Stella Adler papers, circa 1959–1998 (bulk 1970–1992)
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794:, one of the founders of the Group Theatre. She was finally married to
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1079:, by Moni Yakim, Muriel Broadman, Stella Adler. Applause Books, 1993.
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Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feelin' So Sad
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in front of the Stella Adler Theatre at 6773 Hollywood Boulevard.
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2014:
1694: : 20 June 2023), Horace Eliascheff and Stella Adler, 1923.
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have remained largely unknown, unrecognized, and unappreciated.
24:
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Adler began her acting career at the age of four in the play
1864:. February 28, 1946. p. 2. Retrieved November 27, 2023.
513:. Members of Group Theatre were leading interpreters of the
1425:
Twentieth Century Actor Training: Principles of Performance
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of acting have done. As a result, her contributions to the
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technique based on the work and writings of Stanislavski.
421:. She made her London debut, at the age of 18, as Naomi in
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Sullivan, Ed (February 13, 1967). "Little Old New York".
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circuit. In 1922–23, the renowned Russian actor-director
1107:, by Stella Adler, Barry Paris. Random House Inc, 2001.
1093:, by Stella Adler, Howard Kissel, Applause Books, 2000.
1309:
Stella Adler, 91, an Actress And Teacher of the Method
1613:
The Fervent Years: The Group Theatre and the Thirties
1045:
The Fervent Years: The Group Theatre and the Thirties
1802:
Stella Adler's hubby, Mitch Wilson OK after surgery.
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https://www.familysearch.org/ark:/61903/1:1:248Z-Q8M
611:. Her later stage roles include the 1946 revival of
1668:
Lina and Serge: The Love and Wars of Lina Prokofiev
1077:
Creating a Character: A Physical Approach to Acting
371:in New York City. She was the youngest daughter of
1961:The University of Texas at Austin, April 26, 2004.
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783:Adler had a brief romantic relation with composer
1858:"Sylvia Sidney Divorces Stage Actor Luther Adler"
1761:Lyons, Leonard (June 25, 1966). "The Lyons Den".
617:and an eccentric mother in the 1961 black comedy
2120:
1515:Theater; Stella Adler In Her Latest Role: Author
2101:New York Public Library for the Performing Arts
1745:"It Happened Last Night: Phil Going to England"
1606:
1604:
16:American actress and acting teacher (1901–1992)
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1547:
1545:
1532:Stella Adler (1901–1992) – Biographical Sketch
1105:Stella Adler on Ibsen, Strindberg, and Chekhov
646:
505:, and directed the touring company of Odets's
1584:Acting Now: Conversations on Craft and Career
2015:"Stella Adler Academy of Acting Los Angeles"
1787:
1610:
1601:
844:In 1991, Stella Adler was inducted into the
359:, who continued to teach Adler's technique.
2159:American people of Ukrainian-Jewish descent
2084:The Stella Adler and Harold Clurman archive
1959:Ransom Center acquires Stella Adler archive
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1542:
1399:The Great Acting Teachers and Their Methods
870:In 2006, she was honored with a posthumous
685:. Unsourced material may be challenged and
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1987:
1876:, November 1952, page 33, Ideal Publishers
1848:. p. 10. Retrieved November 27, 2023.
1208:Stella Adler Feb 10, 1901 – Dec 21, 1992 (
906:, a longtime protégée and friend, ran the
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1971:Adler Gets Posthumous Hollywood Walk Star
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1884:
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1751:. p. 4. Retrieved November 26, 2023.
1734:. p. 9. Retrieved November 26, 2023.
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1418:
705:Learn how and when to remove this message
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49:of all important aspects of the article.
1611:Clurman, Harold; Adler, Stella (1983).
1536:Harry Ransom Humanities Research Center
1510:
1508:
1269:"About | Stella Adler Studio of Acting"
1065:, by Stella Adler. Bantam Books, 1988.
892:
255: 1966; died 1973)
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1952:
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1874:Motion Picture and Television Magazine
1706:Stella! : Mother of Modern Acting
1552:Adler, Stella; Kissel, Howard (2000).
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1275:from the original on December 4, 2018.
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887:House Un-American Activities Committee
824:On December 21, 1992, Adler died from
45:Please consider expanding the lead to
1988:Hirschhorn, Joel (December 4, 2001).
1840:Glazer, Barney (September 16, 1938).
1580:
1368:
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391:and half-sister of Charles Adler and
367:Stella Adler was born in Manhattan's
1895:. Cengage Learning. pp. 136–7.
1776:on the lining of Stella's mink coat.
1505:
1453:. Springer Nature. pp. 95–112.
1427:, by Alison Hodge. Routledge, 2000.
1236:"A New Act Unfolds in Drama Dynasty"
1229:
1227:
1225:
683:adding citations to reliable sources
650:
625:. She appeared in only three films:
18:
2174:Jewish American non-fiction writers
2099:, The Billy Rose Theatre Division,
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1336:
1297:
1279:
1047:, By Harold Clurman, Stella Adler.
729:(later developed by Strasberg into
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2169:American women non-fiction writers
14:
2215:
2029:
1818:. February 27, 1973. p. 40.
1581:Vilga, Edward (January 1, 1997).
1373:. Applause Theatre & Cinema.
1292:"A Stella Adler turf war in L.A."
1222:
828:at the age of 91 in Los Angeles.
780:, an actor and theatre director.
717:Adler was the only member of the
441:made his only U.S. tour with his
1538:, University of Texas at Austin.
1234:Berger, Joseph (April 9, 2008).
910:in Los Angeles until her death.
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433:, and she spent a season in the
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2189:20th-century American actresses
2007:
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1743:Wilson Earl, (April 28, 1959).
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1726:Dixon, Hugh (October 5, 1942).
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1371:Stella! Mother of Modern Acting
1091:Stella Adler: The Art of Acting
469:, among others, she joined the
402:Independent Yiddish Art Company
252:
223:
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37:may be too short to adequately
2184:American vaudeville performers
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535:New School for Social Research
347:A member of Yiddish Theater's
47:provide an accessible overview
1:
2092:University of Texas at Austin
2079:Stella Adler Studio of Acting
1195:
908:Stella Adler Studio of Acting
899:Stella Adler Studio of Acting
857:University of Texas at Austin
846:American Theater Hall of Fame
740:Luther and Stella Adler, 1936
733:) made her leave the group.
362:
353:Stella Adler Studio of Acting
123:Los Angeles, California, U.S.
1587:. Rutgers University Press.
1445:Chinoy, Helen Krich (2013).
7:
2070:, Jewish Women Encyclopedia
1560:. Applause Books. preface.
1218:Social Security Death Index
1133:
647:Stanislavski and the method
489:by John Howard Lawson, two
447:American Laboratory Theatre
10:
2220:
2204:20th-century American Jews
2179:Yiddish theatre performers
2040:Internet Broadway Database
1397:Brestoff, Richard (1995).
1216:) 563-22-9174 California;
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819:1952 presidential election
2164:American acting theorists
2149:Jewish American actresses
1978:, Friday, August 4, 2006.
1597:– via Google Books.
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2144:American stage actresses
2139:Actresses from Manhattan
2074:Stella Adler Los Angeles
1666:Morrison, Simon (2013).
1447:"Strasberg versus Adler"
1038:
881:Adler is a character in
865:Yiddish Theater District
397:Yiddish Theater District
2199:American acting coaches
2194:American film actresses
2154:American drama teachers
1893:Acting: Onstage and Off
1891:Barton, Robert (2011).
1749:Asheville Citizen-Times
1732:Pittsburgh Post-Gazette
1459:10.1057/9781137294609_7
1170:Constantin Stanislavski
1063:The Technique of Acting
839:Acting: Onstage and Off
817:'s campaign during the
772:Personal life and death
605:The Technique of Acting
603:In 1988, she published
473:, New York, founded by
439:Konstantin Stanislavski
1842:"Hollywood Peek-A-Boo"
1703:Ochoa, Sheena (2014).
1369:Ochoa, Sheana (2014).
876:Hollywood Walk of Fame
741:
634:Shadow of the Thin Man
601:
511:More to Give to People
85:Shadow of the Thin Man
1939:norman.hrc.utexas.edu
1862:The Los Angeles Times
1401:. Smith & Kraus.
1160:Stanislavski's system
938:The House of Connelly
776:Adler was related to
739:
727:Stanislavski's system
587:
279:Jacob Pavlovich Adler
133:Mount Carmel Cemetery
1670:. Houghton Mifflin.
1522:, September 4, 1988.
1316:, December 22, 1992.
1008:Pretty Little Parlor
893:Stella Adler schools
679:improve this section
583:Yale School of Drama
431:The World We Live In
226: 1942;
197: 1923;
2088:Harry Ransom Center
1923:. December 6, 1991.
1917:"On Stage, and Off"
1790:New York Daily News
1271:. August 17, 2015.
1015:He Who Gets Slapped
853:Harry Ransom Center
614:He Who Gets Slapped
455:Richard Boleslavsky
419:New York University
143:New York University
107:New York City, U.S.
2113:The New York Times
2019:stellaadler-la.com
1846:The Southwest Wave
1816:The New York Times
1519:The New York Times
1492:Great Jewish Women
1313:The New York Times
1240:The New York Times
1026:Manhattan Nocturne
917:Career on Broadway
800:Mitchell A. Wilson
760:Singer-songwriter
742:
592:theatrical culture
451:Moscow Art Theater
443:Moscow Art Theatre
241:Mitchell A. Wilson
2108:Stella Adler News
1902:978-0-495-89886-3
1677:978-0-547-39131-1
1556:The Art of Acting
1451:The Group Theatre
1408:978-1-57525-012-0
1127:978-0-679-42443-7
1002:Sons and Soldiers
715:
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707:
575:Peter Bogdanovich
531:Dramatic Workshop
459:Maria Ouspenskaya
339:
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184:Horace Eliascheff
166:Years active
116:December 21, 1992
104:February 10, 1901
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2036:Stella Adler
2018:
2009:
1997:. Retrieved
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1502:. pp. 14–16.
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1489:Stella Adler
1484:
1474:December 25,
1472:. Retrieved
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637:(1941), and
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318:Luther Adler
118:(1992-12-21)
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70:Stella Adler
52:
36:
34:lead section
2134:1992 deaths
2129:1901 births
1999:January 27,
1728:"Hollywood"
974:Gentlewoman
809:A lifelong
778:Jerry Adler
393:Celia Adler
389:Julia Adler
330:Jerry Adler
324:Allen Adler
312:Julia Adler
300:Celia Adler
149:Occupations
2123:Categories
1798:2300679875
1771:2816859991
1359:. pp. 9–10
1196:References
563:Manu Tupou
507:Golden Boy
467:Elia Kazan
435:vaudeville
363:Early life
284:Sara Adler
100:1901-02-10
55:April 2023
1944:March 15,
1824:119670939
1651:April 23,
1253:April 18,
1248:0362-4331
1190:Ion Cojar
1145:Uta Hagen
962:Big Night
796:physicist
787:in 1919.
762:Janis Ian
666:does not
320:(brother)
308:(brother)
306:Jay Adler
293:Relatives
169:1905–1992
82:Adler in
39:summarize
1975:Fox News
1820:ProQuest
1794:ProQuest
1767:ProQuest
1435:. p. 139
1273:Archived
1214:New York
1210:New York
1134:See also
1051:, 1983.
932:Big Lake
811:Democrat
631:(1937),
609:Broadway
332:(cousin)
326:(nephew)
314:(sister)
264:Children
2086:at the
2038:at the
1994:Variety
1990:"Names"
1020:revival
874:on the
855:at the
687:removed
672:sources
533:at the
493:plays,
272:Parents
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155:Actress
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934:(1927)
928:(1926)
832:Legacy
577:, and
481:, and
408:Career
381:Luther
88:(1941)
1039:Works
883:Names
725:over
349:Adler
251:(
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222:(
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193:(
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2054:IMDb
2001:2023
1946:2017
1897:ISBN
1711:ISBN
1672:ISBN
1653:2019
1621:ISBN
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1496:ISBN
1476:2021
1463:ISBN
1429:ISBN
1403:ISBN
1375:ISBN
1353:ISBN
1255:2023
1244:ISSN
1123:ISBN
1109:ISBN
1095:ISBN
1081:ISBN
1067:ISBN
1053:ISBN
944:1931
872:star
670:any
668:cite
509:and
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373:Sara
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113:Died
94:Born
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681:by
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385:Jay
2125::
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2017:.
1992:.
1937:.
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1829:Y.
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1238:.
1224:^
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1018:–
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224:m.
195:m.
2021:.
2003:.
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453:—
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
