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with four apses, whose semicircular hollows overhung by semi-cupolas were articulated by four columns. Around this space ran the ambulatory surmounted by a space later used as a women's gallery. Towers rose at the four corners of the square building. The whole was topped by a dome of which we know little, this having been lost. The interior was lit by large windows, and probably decorated with marble in the lower parts and with mosaics in the vaults and arches. Of the two side buildings, the smaller was in the east, opposite the entrance: a chapel in the shape of a Greek cross, later on octagonal, dedicated to St
Hippolytus. The larger building was to the south, having the function of the imperial mausoleum: tradition attributing its foundation to
429:
cupola (dome) had been reconstructed using pipes made of terracotta, making it lighter than the previous one, perhaps already damaged to the extent of justifying a reconstruction. After the disasters of the eleventh century, the restorations of the twelfth and thirteenth centuries focused on providing stability to the whole complex, rebuilding the pillars that supported the cupola and carrying out other interventions on the load-bearing structures (columns, towers). In this period, a lantern was added above the dome, supported by flying buttresses leaning against the towers. In the fifteenth century, the Chapel of the
Citizens was created from the hall of the apse in the southeast, which had already been refashioned in the eleventh century.
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case, with its three arched façade, presents a display of 29 pipes of the
Principal 8' arranged in three groups, one for each of the three arches, with the mitred mouths of the pipes aligned. Following on, the layout of the organ is arranged according to the position of the mechanisms that control the various stops in the columns of the stops either side of the console (at the left of the console the Second Organ; at the right the Great Organ and Pedal).
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301:. Evidence for this proposition comes from archaeological investigations carried out between 2002 and 2004. Supporters of this view are divided as to the function of the building; for some it is an imperial basilica that would have confirmed the role of Milan as the imperial capital of the West, in rivalry with Rome and Constantinople; for others, it is a mausoleum for the Theodosian dynasty.
436:. His collaboration with Rinaldi, Meda and Trezzi resulted in numerous changes and was only completed in 1619. Archbishop Borromeo had the chapel of St Genesius rededicated to St Aquilino, whose relics were placed in the chapel; to its sides were added two chapels, dedicated to St John the Baptist and the Holy Family. In 1623, at the wish of Archbishop
428:
In the tenth century, probably in the
Ottonian era, reconstruction took place possibly involving the participation of a Byzantine workforce who had retained knowledge of the classical techniques of construction and decoration. Little is known regarding these restorations, but it is assumed that the
416:
Between 489 and 511 Bishop
Lorenzo had a third structure built to the north, a chapel dedicated to St Sixtus, to be used for the burial of metropolitans. Perhaps in this period, when Roman imperial authority in Italy had diminished, the mausoleum to the south of the basilica was transformed into a
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The basilica was built between the late fourth and early fifth centuries. The exact date is uncertain, as are the name of who commissioned it and the circumstances of its foundation. According to some scholars, but unconfirmed by the archaeology or inscriptions, San
Lorenzo was erected to coincide
497:
Principal 16' Bass
Principal 16' Treble Principal I 8' Bass Principal I 8' Treble Principal II 8' Bass Principal II 8' Treble Octave 4' Bass Octave 4' Treble Open twelfth 2⅔' Bass Open twelfth 2⅔' Treble Super octave 2' Octave twelfth 1½' Octave fifteenth 1' Mixture I Mixture II Mixture III Bass
408:
The building had a central plan approached by a four-sided portico and surrounded by two connected structures. Access to the portico was through a colonnade which in turn gave access to three portals leading to the main body of the building. This consisted of a square hall inscribed as a building
471:
The instrument, with a fully mechanical transmission, has its console situated at the centre of the organ case, comprising two manuals (keyboards) each of 61 notes (Great Organ, first manual; Second Organ, second manual), with a first extensive chromatic octave and a pedal board of 24 notes. The
467:
On the face of the women's gallery to the right of the apse is to be found the pipe organ, built by the
Milanese organ builder Pietro Bernasconi, re-using materials from the organ constructed in 1840 by Felice Bossi; he in turn had re-used parts from an earlier organ, restored in 1820 by Antonio
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The eleventh and twelfth centuries were marked by numerous disasters: fires, in particular, the terrible "fire of the Stork", that in 1071 devoured the basilica, devastating the internal decorations, and earthquakes, that undermined the stability of the complex, making new restorations necessary
488:
Bassoon Bass
Trumpet Treble Clarion Bass Clarinet Treble Trumpet Bass English horn Treble Contra Oboe Treble Contra Oboe Bass Flute Treble Viola Bass Flute in VIII Bass Flute in VIII Treble Piccolo Treble Open twelfth Treble Principal cornet Treble Vox humana Treble Violine 8' (on the pedals)
653:
The parish priest of San
Lorenzo has long held the position of provost. The complete list of provosts is not known; the following names are derived from a list compiled from studies undertaken by the priest A. Baruffaldi, carved in marble and placed in the basilica itself. Among them were two
321:
While Medieval Milan underwent a period of decline, San Lorenzo maintained a leading role in the city's liturgy: as the highest place in Milan it came to represent the Mount of Olives and on Palm Sunday the bishop blessed the palms and led the procession that from there to the now-demolished
387:
the houses that had been destroyed were not rebuilt enabling the park of the basilicas to be created, from which there is an excellent view of the complex. In 1934 in place of the demolished houses a sort of a courtyard was formed, with the creation of a public square opposite the basilica.
404:
The basilica, perhaps to avoid the unstable and marshy ground, was built on an artificial hill not far from the walls, along the Via Ticinensis, the main access route to the city, and not far from the Imperial Palace and the amphitheatre, from which were taken some of the materials used in
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In 1894, the engineer and architect Cesare Nava built a vestibule in front of the church, consisting of three ionic arches in stone-like cement. In 1934 the houses that had sprung up in the courtyard were demolished, and in their place the following year was positioned a bronze statue of
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What is certain is that at the time of its construction the basilica was the largest, centrally planned building in the West. The dedication of the temple to St. Laurence (San Lorenzo) the martyr has been certified only from 590, when Milan was already controlled by the Lombards.
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On 5 June 1573, the dome of the basilica suddenly collapsed, fortunately without causing casualties. Construction of a new dome in a more modern style began immediately and was completed in 1619. During the reconstruction, a miracle occurred, one predicted by Archbishop
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between the twelfth and thirteenth centuries. Towards the middle of the eleventh century, the open space behind the basilica, called Vetra, was used as the place of executions: this practice continued until 1840 and was reported, among others, by
346:
The basilica of San Lorenzo remained throughout the Middle Ages a symbol of the legacy of the Roman Empire in Milan. Subsequently, during the age of the Renaissance, especially after the 1154 destruction of the other Ancient Roman structures by
405:
constructing the temple itself. The complex was surrounded by various waterways, coming together to form the Vettabbia, the canal that takes away the waters of Milan, which still flow towards the agricultural areas to the south of the city.
382:
In the 1830s the Austrian Government began a redevelopment of the Vetra: houses built leaning against the basilica and inhabited by tanners were demolished; the channel of the Vetra was covered over; and executions were abolished. After the
510:
were added to the original edifice. Notable is the octagonal Capella di Sant'Aquilino (chapel of St Aquilino), adjoining the main church to the south. The chapel, which may have originally been built as an imperial Roman
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area of the ancient basilica is now a park. Previously the area was occupied by a channel or a lake (probably with a port), while later it was used in public executions, one of which is recounted in
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chapel dedicated to St Genesius the martyr. By the sixth century, on the east wall, opposite the entrance, two portals were opened giving access to two local apses.
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1599:
249:, it is one of the oldest churches in the city, originally built in Roman times, but subsequently rebuilt several times over the centuries. It is close to the
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447:
In 1713 at the initiative of Francesco Croce, the Chapel of Redemption was inserted between those of St Aquilino and the Holy Family (now a sacristry).
334:
in the history of the infamous column. By 1167, with the construction of the medieval walls, the basilica was to be found within the city, at the new
480:
Tromba dolce 8' Voce tremula 8' Treble Viola I 4' Bass Violin I 4' Treble Viola II 4' Bass Violin II 4' Treble Voce flebile Treble Flute in VIII 4'
375:, displayed on the Piazza della Vetra. Following this event, donations increased enabling more rapid progress in the reconstruction. In 1626, the
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basilicas. Contemporary sources recall that the so-called Basilica Portiana resisted the efforts of St Ambrose to wrest it from the Arians.
440:
there began the construction of the chapter house to the side of the courtyard, a project carried out by the architects Aurelio Trezzi and
550:
526:" ("Traditio Legis" - "handing over the law") or possibly "Christ the teacher". Jesus is seated on a throne, flanked by a "school" of his
633:
The square facing the basilica features the so-called "Colonne di San Lorenzo" (Columns of St. Lawrence), one of the few remains of the
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57:
351:, the temple was an example of the classical architectural canons admired by humanists, and studied by architects and artists such as
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A second hypothesis, is that the church was founded some decades later between 390 and 402, and commissioned by
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viols and octave 16'+8' (on the pedals) Bass viols II 16' (on the pedals) Coupler IP Coupler II-I Third hand
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of Milan (or Saint Aquilinus of Cologne), with his remains being housed in the chapel. A 17th-century
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Bishop of Milan Auxentius (355–372). If true, San Lorenzo predates the foundation of the four
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1847:
1826:
1516:
1511:
1471:
1436:
1415:
1144:
1135:
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de Capitani d'Arzago, A. (1948). "Actes du VIe Congrès International des Études Byzantines".
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1993:
1531:
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371:: one year after his death in 1585, a sick woman was cured in front of the icon of the
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645:. They were carried in the current place when the basilica construction was finished.
1761:
1579:
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1007:. The Pelican History of Art (2nd ed.). Harmondsworth: Penguin Books. pp.
2133:
2128:
2049:
1883:
1661:
1375:
1363:
1262:
1251:
1202:
Age of spirituality: late antique and early Christian art, third to seventh century
999:
Beckwith, John (1979) . "Early Christian Art: Rome and the Legacy of the Caesars".
313:
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2110:
1960:
1924:
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637:"Mediolanum", dating from the 3rd century AD and probably belonging to the large
527:
189:
2008:
1983:
1731:
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530:, with a scroll box at his feet. The chapel was later dedicated to the martyr
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368:
335:
279:
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Brunelli II and probably originally from the church of San Giovanni in Conca.
432:
After the collapse of 1573, a new cupola was commissioned from the architect,
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1756:
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with the "Basilica Portiana", which was built by the "Augustus of the West" (
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1746:
1584:
893:
634:
564:
294:
101:
413:, which is why the sacellum took on the name of the chapel of the Queen.
283:
567:, decorates the wall behind the main altar in the Sant'Aquilino chapel.
1188:(1947). "The Italian Element in Late Roman and Medieval Architecture".
1164:
L'architettura religiosa dell'alto medio evo nell'Italia settentrionale
1118:. Fodor's CITYPACK. New York: Fodor's Travel Publications. p. 35.
1109:. The Pelican History of Art. Baltimore: Penguin Books. pp. 55–57.
638:
2085:
2044:
815:
Giovan Battista Gadola (1855–1865), formerly Parish priest of Legnano
728:
Enea Silvvio Piccolomini (1436–1440), in 1458 elected Pope as Pius II
535:
522:. Among the mosaics is included a formulaic depiction of Jesus, as "
512:
363:. Painted references to the church from that era can be identified.
225:
2054:
1868:
1220:
873:
824:
Luigi Bignami (1896–1905), who was appointed Archbishop of Siracusa
642:
475:
352:
298:
1298:
1025:
659:
Anselmo da Bovisio (?–1097), who was appointed Archbishop of Milan
1950:
519:
507:
246:
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was transferred to the high altar where it remains to this day.
557:
483:
648:
2080:
1113:
492:
242:
455:, a copy of an original late antiquity preserved in Rome in
851:
561:
The Rediscovery of the corpse of Saint Aquilinus of Cologne
1684:
Museo della Scienza e della Tecnologia "Leonardo da Vinci"
1105:(1965). "Christian Architecture in the Capitals 335-400".
308:
257:, which includes both the Basilica of San Lorenzo and the
1141:
Western Architecture: From Ancient Greece to the Present
1071:
1048:
489:
Kettledrum (on the pedals) Bombarde 16' (on the pedals)
1051:
Architettura dei secoli quarto e quinto in Alta Italia
917:
History of medieval Arabic and Western European domes
1143:. World of Art. London: Thames and Hudson. pp.
1026:
A. Calderini; G. Chierici & C.Cecchelli (1951).
869:
459:; the courtyard was opened to form a public square.
245:, Northern Italy. Located within the city's ring of
1134:
1000:
538:for the saint was crafted by Lombardian architect
2146:
476:Column to the left of the console – Second Organ
341:
1600:Antique Furniture & Wooden Sculpture Museum
1236:
1190:Annual Italian Lecture of the British Academy
1114:Staddon, Jackie & Weston, Hilary (2005).
33:
1184:
1028:La basilica di S. Lorenzo Maggiore in Milano
484:Column to the left of the registry – Concert
1101:
649:Chronology of the provosts (parish priests)
501:
1243:
1229:
1176:: CS1 maint: location missing publisher (
1107:Early Christian and Byzantine Architecture
1063:: CS1 maint: location missing publisher (
1040:: CS1 maint: location missing publisher (
966:Early Christian and Byzantine Architecture
957:
493:Column to the right of the registry – Full
43:
1669:Museo Civico di Storia Naturale di Milano
948:
944:
942:
622:
1772:Palazzo della Banca Commerciale Italiana
1268:History of architecture and art in Milan
998:
419:
395:
312:
1161:
963:
391:
309:The Medieval Period and the Renaissance
92:Ecclesiastical or organizational status
14:
2147:
1132:
939:
444:; construction was completed in 1626.
1224:
845:Augusto Casolo (1996–still in office)
761:Giovan Battista Recalcato (1579–1589)
755:Giovan Battista della Chiesa (1551–?)
1652:Art collection of Fondazione Cariplo
1250:
978:
922:History of early modern period domes
912:History of Roman and Byzantine domes
812:Giovan Battista Redaelli (1830–1854)
782:Giovan Ambrogio Torriani (1650–1666)
614:Ceiling over the chapel's main altar
830:Giovanni Maria Stoppani (1932–1960)
806:Giovan Battista Aloardi (1795–1819)
797:Pier Antonio Valmaginio (1733–1747)
24:
1989:Giardini Pubblici Indro Montanelli
1657:Palazzo Anguissola Antona Traversi
821:Giovan Battista Thomas (1877–1895)
791:Carlo Ambrogio Curioni (1717–1728)
758:Giovan Aandrea Pionnio (1569–1579)
713:Francesco da S. Zenone (1350–1359)
25:
2181:
2165:Renaissance architecture in Milan
1507:S. Maurizio al Monastero Maggiore
1049:de Capitani d'Arzago, A. (1942).
1003:Early Christian and Byzantine Art
981:Early Christian and Byzantine Art
927:Early Christian churches in Milan
800:Carlo Antonio Belvisi (1748–1770)
770:Giovan Stefaano Ciami (1607–1608)
767:Massimiliano Pusterla (1594–1607)
722:Giovanni di Sommariva (1392–1399)
515:, features important 4th-century
1297:
886:
872:
788:Giovan Antonio Gallo (1688–1717)
749:Francescco Aaccursio (1528–1545)
734:Filippo da Gallarate (1448–1460)
731:Leonardo da Vercelli (1441–1444)
719:Giovanni da Mandello (1376–1385)
716:Francesco da Legnano (1363–1371)
607:
595:
580:
235:Basilica of San Lorenzo Maggiore
764:Giulio Cesare Negri (1589–1594)
743:Francesco Cazzaniga (1510–1519)
740:Bernardino Lanterio (1500–1505)
1136:"The Christian Legacy of Rome"
972:
746:Giacomo de Spaldis (1522–1525)
707:Ardizone del Conte (1321–1338)
704:Bonifacio Pusterla (1313–1314)
698:Ardizone del Conte (1254–1285)
13:
1:
2004:Orto Botanico di Cascina Rosa
1905:Galleria Vittorio Emanuele II
1812:Palazzo delle Scuole Palatine
1620:Museum of Musical Instruments
932:
842:Riccardo Busnelli (1986–1996)
809:Giovanni dell'Oro (1820–1830)
752:Ottoviano Arcimboldo (1546–?)
737:Nicolò da Appiano (1461–1496)
725:Martino di Canale (1406–1436)
710:Antonio del Conte (1340–1347)
701:Filippo del Conte (1285–1312)
462:
342:Recent and contemporary times
2170:Tourist attractions in Milan
1742:Casa di Riposo per Musicisti
827:Carlo Rigogliosi (1906–1932)
785:Orazio Baruverio (1667–1688)
776:Tullo Piantanida (1629–1630)
7:
865:
860:Storia della Colonna Infame
836:Carlo del Corno (1968–1984)
803:Antonio Airoldo (1771–1795)
779:Giulio Maschera (1630–1650)
587:Late 4th-century mosaic of
10:
2186:
2155:Basilica churches in Milan
2106:Milan International (1906)
1832:Villa Belgiojoso Bonaparte
1502:S. Maria presso San Satiro
1457:S. Cristoforo sul Naviglio
1295:
1207:Metropolitan Museum of Art
991:
839:Angelo Manzoni (1984–1986)
818:Achille Achino (1867–1876)
654:Archbishops and one Pope.
626:
400:Interior open central area
268:
259:Basilica of Sant'Eustorgio
30:Basilica of Saint Lawrence
2124:
2073:
2060:Stadio del Ghiaccio Agorà
2022:
1976:
1938:
1898:Squares and public spaces
1897:
1861:
1840:
1797:Palazzo dei Giureconsulti
1722:
1704:Contemporary Art Pavilion
1699:Museo Teatrale alla Scala
1570:
1540:
1497:S. Maria presso San Celso
1429:
1336:
1313:
1306:
1276:
1258:
833:Anselmo Redaelli (1960–?)
794:Settimio Lodi (1728–1733)
224:
219:
211:
203:
183:
175:
170:
131:
123:
118:
110:
100:
90:
80:
68:
56:
51:
42:
29:
1647:Gallerie di Piazza Scala
1590:Bagatti Valsecchi Museum
773:Andrea Bassi (1609–1629)
572:Chapel of Saint Aquilino
502:Chapel of Saint Aquilino
457:San Giovanni in Laterano
1956:Quadrilatero della moda
1879:Teatro degli Arcimboldi
1821:State Archives of Milan
1642:Galleria d'Arte Moderna
1605:Applied Arts Collection
1527:Oratorio di San Protaso
1452:S. Bernardino alle Ossa
1396:S. Maria della Passione
1326:Basilica di Santa Tecla
1162:Verzone, Paolo (1942).
442:Francesco Maria Richino
324:Basilica of Santa Tecla
261:, as well as the Roman
251:medieval Porta Ticinese
35:Basilica di San Lorenzo
2040:Hippodrome of San Siro
1999:Orto Botanico di Brera
1767:Palazzo dell'Arengario
1679:Museo del Risorgimento
1553:Garegnano Charterhouse
1284:Colonne di San Lorenzo
1089:Cite journal requires
949:Staddon & Weston.
629:Colonne di San Lorenzo
623:Colonne di San Lorenzo
554: 1634–1635
425:
401:
318:
263:Colonne di San Lorenzo
226:sanlorenzomaggiore.com
133:Geographic coordinates
34:
2074:Events and traditions
2014:Villa Litta Modignani
1848:Biblioteca Ambrosiana
1827:Royal Palace of Milan
1807:Palazzo della Ragione
1610:Archaeological Museum
1572:Museums and galleries
1467:S. Giorgio al Palazzo
1381:S. Maria delle Grazie
695:Guglielmo (1228–1251)
641:built by the emperor
453:Constantine the Great
423:
399:
385:bombings of 1944–1945
317:The church's exterior
316:
2160:4th-century churches
2101:Milan Furniture Fair
1532:Rotonda della Besana
1512:S. Pietro in Gessate
1482:S. Maria del Carmine
1472:S. Giovanni in Conca
1416:S. Vincenzo in Prato
1386:Leonardo da Vinci's
1277:Archaeological sites
1166:(in Italian). Milan.
1133:Sutton, Ian (1999).
1103:Krautheimer, Richard
1053:(in Italian). Milan.
1030:(in Italian). Milan.
677:Guifredo (1146–1152)
665:Ambrogio (1116–1119)
602:The octagonal chapel
392:Art and architecture
361:Giuliano da Sangallo
155:45.45833°N 9.18194°E
75:Archdiocese of Milan
2065:Velodromo Vigorelli
2030:Allianz Cloud Arena
1966:Via Monte Napoleone
1853:Biblioteca di Brera
1792:Palazzo Castiglioni
1714:Triennale di Milano
1709:Pinacoteca di Brera
1694:Museo Poldi Pezzoli
1674:Museo del Novecento
1625:Museo d'Arte Antica
1487:S. Maria della Pace
1421:S. Vittore al Corpo
1411:S. Stefano Maggiore
1186:Ward Perkins, J. B.
907:List of Roman domes
692:Anizone (1208–1225)
689:Giacomo (1187–1203)
671:Belengerio (1137–?)
589:Christ the Lawgiver
524:Christ the Lawgiver
151: /
18:San Lorenzo (Milan)
2096:Milan Fashion Week
2023:Sporting sceneries
1946:Corso Buenos Aires
1939:Streets and canals
1930:Piazza Gae Aulenti
1920:Piazza della Scala
1817:Palazzo del Senato
1802:Palazzo Mezzanotte
1777:Palazzo Belgioioso
1737:Casa degli Omenoni
1724:Villas and palaces
1595:Castello Sforzesco
1492:S Maria Incoronata
1401:S. Nazaro in Brolo
1289:Milan amphitheatre
902:Roman architecture
880:Catholicism portal
856:Alessandro Manzoni
426:
424:Plan of the church
402:
349:Emperor Barbarossa
332:Alessandro Manzoni
319:
2142:
2141:
1977:Gardens and parks
1787:Palazzo Carminati
1762:Palazzina Appiani
1580:Alfa Romeo Museum
1566:
1565:
1548:Chiaravalle Abbey
1354:S. Carlo al Corso
1205:, no. 584, 1979,
683:Corvo (1158–1176)
438:Federico Borromeo
377:Madonna del Latte
373:Madonna del Latte
338:(Ticinese gate).
231:
230:
160:45.45833; 9.18194
38:
16:(Redirected from
2177:
2134:Outline of Milan
2129:Tourism in Italy
2050:Mediolanum Forum
1915:Piazza del Duomo
1884:Teatro Dal Verme
1782:Palazzo Borromeo
1662:Palazzo Brentani
1442:S. Antonio Abate
1364:Portinari Chapel
1311:
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1263:History of Milan
1252:Tourism in Milan
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102:Year consecrated
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2138:
2120:
2116:Oh bej! Oh bej!
2111:Milan Triennial
2069:
2018:
1972:
1961:Via della Spiga
1934:
1925:Piazza Mercanti
1910:Piazza Cordusio
1893:
1857:
1836:
1752:Casa Panigarola
1718:
1689:Museo Diocesano
1615:Egyptian Museum
1562:
1536:
1425:
1332:
1321:Milan Cathedral
1307:Religious sites
1302:
1293:
1272:
1254:
1249:
1219:
1197:Weitzmann, Kurt
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1116:Milan's 25 Best
1090:
1088:
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1056:
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1019:
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977:
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951:Milan's 25 Best
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871:
868:
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651:
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190:Early Christian
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2020:
2019:
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2009:Parco Sempione
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1996:
1991:
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1984:Basilicas Park
1980:
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1968:
1963:
1953:
1948:
1942:
1940:
1936:
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1922:
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1912:
1907:
1901:
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1874:Piccolo Teatro
1871:
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1732:Casa Campanini
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1637:Civic Aquarium
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1558:Mirasole Abbey
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1406:S. Simpliciano
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411:Galla Placidia
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369:Carlo Borromeo
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336:Porta Ticinese
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280:Valentinian II
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255:Basilicas Park
239:Roman Catholic
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2015:
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1918:
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1911:
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1889:Teatro Lirico
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1757:Castello Cova
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1517:S. Sebastiano
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983:. p. 31.
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968:. p. 56.
967:
964:Krautheimer.
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536:reliquary ark
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2035:Arena Civica
1994:Monte Stella
1747:Casa Manzoni
1585:Armani/Silos
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1370:
1359:S. Eustorgio
1209:, New York,
1200:
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1082:cite journal
1076:. Paris: 80.
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295:Theodosius I
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215:18th century
171:Architecture
127:Milan, Italy
1522:S. Sepolcro
1477:S. Gottardo
1437:Sant'Angelo
1388:Last Supper
1349:S. Calimero
1344:S. Ambrogio
543: [
194:Renaissance
158: /
58:Affiliation
2149:Categories
1630:Pinacoteca
1447:S. Barnaba
1371:S. Lorenzo
979:Beckwith.
933:References
463:Pipe organ
241:church in
146:09°10′55″E
143:45°27′30″N
2086:Expo 2015
2045:Idroscalo
1841:Libraries
1462:S. Fedele
1337:Basilicas
1314:Cathedral
1172:cite book
1059:cite book
1036:cite book
513:mausoleum
288:Ambrosian
212:Completed
85:Ambrosian
2055:San Siro
1869:La Scala
1862:Theatres
1430:Churches
1376:S. Marco
866:See also
643:Maximian
556:). The
528:Apostles
357:Leonardo
353:Bramante
299:Stilicho
179:Basilica
124:Location
119:Location
96:Basilica
70:Province
52:Religion
1951:Navigli
1199:, ed.,
992:Sources
520:mosaics
508:chapels
269:Origins
247:navigli
220:Website
198:Baroque
1213:
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1015:
558:fresco
506:Other
359:, and
114:Active
111:Status
2081:EICMA
1541:Other
639:baths
635:Roman
563:, by
547:]
284:Arian
243:Milan
237:is a
185:Style
1211:ISBN
1178:link
1149:ISBN
1120:ISBN
1095:help
1065:link
1042:link
1013:ISBN
852:apse
850:The
233:The
176:Type
81:Rite
858:'s
686:...
680:...
674:...
668:...
662:...
551:fl.
297:or
278:or
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1021:.
549:(
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