Samuel Bronston - Knowledge

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drama that has human interest or even sense." Due to claims of historical inauthenticity, Mann subsequently shot back: "Now I guarantee you there is not one person had read Gibbon ... From Bosley Crowther on down or up. And for them to start to say: 'This isn't Gibbon'—well, this is a lot of crap! Because all we were trying to do was dramatize how an empire fell. Incest, buying an army, destroying the will of the people to speak through the Senate, all these things ... were in the film." The film was a costly box office flop, earning $ 1.9 million in distributor rentals in the United States and Canada.

4645: 4510: 4480: 2393: 2234: 1095: 1527:(1964) served as a departure from Bronston's films, as the film is not derived from a historical event. In 1961, Bernard Gordon thought of doing a large-scale "circus picture—not the standard story of the girl trapeze artist and the lion tamer—but one that would have a free form—the great circus moving all around the world wherever a colorful site could lend itself to a unique and daring stunt." The project passed from multiple directors including Nicholas Ray, 697:, which loaned $ 850,000, while Ideal Factoring Co. loaned $ 300,000. Back in New York, Bronston was alarmed when Heller & Co. withdrew its financial backing. By this point, the project was $ 45,000 in debt, to which Milestone deferred $ 30,000 of his own salary to secure the deficit. Bronston then tried to re-negotiate with Heller & Co, but they later withdrew their offer. Bankrupt, Bronston withdrew from his producing duties on 980:, Skouras learned of the rival project, and he attempted to acquire the project from Bronston for $ 1 million. However, Bronston refused, stating: "I'm in the business of producing not of abandoning motion pictures. Too many people have invested too much effort into this venture." By 1959, Farrow exited the project due to creative differences with the script. Screenwriters Alan Brown and 1819:, was in order to sell everything within Bronston's studios from waste baskets to antique sets. Proceeds of the auction lasted for four days, with the monies transferred to the Union of Film Workers, which had filed suit on behalf of select union members owed thousands in back pay. During the same month, the 1193:, a blacklisted screenwriter, to rewrite it. During a flight trip to Madrid, Mann flew Barzman and handed him the latest shooting script; during the flight, Barzman read it and agreed to rewrite a new screenplay. Before the film's premiere, Bronston paid Barzman a $ 50,000 bonus and purchased his wife 1767:

in the title role, and filming began in late 1966. By 1967, Bronston's legal battle against du Pont III continued, in which the financier eventually settled with Bronston's creditors for twenty-five cents on the dollar, which reduced the debt considerably, although he paid out $ 13.5 million in legal

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review, felt the filmmakers had "missed or disguised certain happenings that were dramatic and important in Jesus' life. They have obfuscated the healings, avoided the miracles and skipped altogether the judgment of Jesus as a blasphemer and seditionist by the Jews ... In short, the essential drama

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had earned $ 1.6 million in distributor box office rentals, it would leave no immediate net profit to reimburse Bronston, Milestone, and the creditors' financial investments. Before the film's release, Bronston filed suit against the bank creditors and five other individuals connected with the film

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March 1964, du Pont III had acquired control over Bronston Productions. It was also separately reported half of the 40-person staff at Bronston Productions' New York office had been laid off with no warning. By 25 March, feeling shut of his own studio, Bronston challenged the trusteeship by hiring

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Principal photography began on July 2, 1962, again at Bronston's studios in Las Rozas. The production was beset with numerous difficulties, including an unfinished shooting script, which Ray was dissatisfied with. Having pre-sold his film to international distributors, Bronston was pressed to have

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film for the Spanish government. On October 7, Bronston pled not guilty on both counts in a federal court. In February 1971, a jury found Bronston guilty on one count of perjury. A sentence hearing was set for March 16, in which Bronston faced a potential jail sentence of five years. At the time,

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was the sharpest, arguing: "There isn't a character in for whom you're made to care two hoots —or, indeed, made to feel is important, or, for that matter, made to understand. The fellows who wrote the screenplay — Ben Barzman, Basilio Franchina and Philip Yordan—have failed completely to shape a

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had both went over budget (costing a total of $ 24 million), Pierre S. du Pont III asked Bronston to sign him as the principal trustee, granting him control over Bronston's films. This way, Bronston could not proceed with any contractual or financial measure without du Pont's full approval. By 6

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has some spectacular sea action scenes and achieves some freshness in dealing with the Revolutionary War. But the Samuel Bronston production doesn't get much fire-power into the characters. They end, as they begin, as historical personages rather than human being." The film earned $ 1 million in

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into a film, but warmed up to the idea after a vacation cruise. Bronston agreed to produce the event into a historical epic due to his support for international unity. In September 1961, Bronston announced the film was in development, with a British director in mind to helm the project.

1904:. On January 10, 1973, the Supreme Court overturned the conviction, in which it ruled that while Bronston's answer was "shrewdly calculated to evade," it did not rise to the level of perjury because he told the literal truth. Over two decades later, the case was invoked by President 1919:, and was still ambitious to develop historical epics. His wife Dorothea stated, "Sam always said, 'Those people take chances and have money so I'm to go there, if they can help me out.' He did a lot of borrowing." He briefly returned to film producing, and was last credited on 801:, which he had earlier considered in 1946. When Bronston entered the United States as an immigrant, he studied American history in preparation for his citizenship test, and Jones's life resonated with him. In December 1955, Bronston announced he was developing the biopic, with 1890:

stated he disagreed with the jury verdict. While he refrained from issuing a jail sentence, nevertheless, Tenney imposed a $ 2,000 fine against Bronston. In December 1971, the U.S. Court of Appeals for the Federal Circuit upheld the perjury charge, in a 2–1 decision.

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for $ 3.36 million for the film rights, along with $ 1 million in punitive damages. He had alleged the defendants committed "oppression and fraud" in which Bronston's interest in the film rights that was submitted as collateral were sold without his knowledge.

1035:(1957). Bronston agreed because of Hunter's striking blue eyes, explaining: "I really chose him for his eyes. It was important that the man playing Christ have memorable eyes." Principal photography began on April 24, 1960, and ended on October 4. For 1367:

had earned $ 5 million in distributor rentals from the United States and Canada. Due to the film's estimated $ 9 million production budget, the film did not earn a profit in the United States, but recouped its cost from international territories.

1408:'s reign as the beginning of the end of Rome's decline as an imperial power, as theorized by Roman historians. Bronston was enthusiastic about the adaptation; he announced the film's development in September 1961, with Mann to direct and 1039:(1961), Bronston continued his pre-selling financial method, in which financing of the film was provided by private investors. Pierre S. du Pont III contributed $ 1.375 million of the film's $ 7 million production budget, according to 752:

were planning an ambitious project to photograph the Vatican into a thirty-part film series. He took up the offer, and was given unprecedented access into the Vatican archives. He produced a total of 26 documentaries, on behalf of the

1336:(1957) at Twentieth Century Fox; Wald had also wanted Guinness to star in his project as well. By April 1962, Wald's infringement complaint proved to be unsuccessful, and he began redeveloping his project into a television film for 437:

In 1937, Bronston arrived in the United States on boat, at the age of 29. He received American citizenship, and changed his name to Samuel Bronston, due to anti-Semitism. For about a month, he resided in an apartment complex in the

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family. His father, Abraham Bronstein, worked as a baker and dessert maker. He was the third born of nine siblings, which included five brothers and four sisters. Through his father's lineage, Bronston was the patrilineal nephew to

1647:, Bronston had filed for Chapter 11 bankruptcy, reporting over $ 5.6 million in accumulated debts to du Pont III. At this point, Bronston had pledged to continue filmmaking in Spain, with several projects in development including 1329:

he had filed an infringement complaint with the Motion Picture Association of America (MPAA) and his project once had similar talent behind it. In 1956, Wald claimed he discussed the project in detail with Yordan while developing

340:(1966), albeit uncredited. During his bankruptcy proceedings with his creditors' attorneys, while under oath, Bronston was found to have committed perjury. He was convicted on one count of perjury, but was later acquitted in a 1428:

was completed, the replica set was rebuilt to the scale of 400 x 230 metres (1312 x 754 feet). Ben Barzman and Basilio Franchina, an Italian screenwriter, were selected to write the screenplay, while an ensemble cast included

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an American-Italian-Spanish co-production. Principal photography began on November 14, 1960, where interior scenes were shot the Chamartín, Sevilla, and Cea studios in Madrid. Additional interior filming was shot at the

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was released to critical acclaim, with praise towards Mann's direction, the cast and the cinematography. At the box office, the film earned $ 12 million in distributor rentals from the United States and Canada. At the

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distributor rentals from the United States and Canada, becoming a box office flop. Despite losing his investment, Du Pont III told Bronston he did not invest in individual projects but "rather in the ability of men."

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was cast as Charmian. Before the film's release, Bronston signed an optioning deal with Charmian for the screen rights to her husband's other novels. In 1944, he announced plans to adapt London's novels, including

732:(1945). A new production company Popular Pictures, Inc., which was headed by Harry Popkin and Edward J. Peskay, was formed to finish the project. Popkin and Peskay acquired the script, which had been written by 389:, where his family was staying. Abraham's sons were emigrated first, and then his daughters. In Paris, Bronston studied to become a surgeon but fainted at his first autopsy. He instead turned to playing the 605:

away from the studio system and signed him to a multi-picture contract to direct independent film projects, which were be distributed by United Artists. Bronston had also lured exiled French directors

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Agency had sent him a copy. Bronston subsequently purchased the screen rights to Brown's novel for $ 15,000 (equivalent to $ 242,314 in 2023). Milestone also agreed to direct a film adaptation of

888:). In his autobiography, Stack stated several American corporations had frozen assets in Spain and could only be reinvested locally. Among them, Du Pont agreed to invest $ 5 million into the film. 1962:'s wife, Dorothea Robinson, in New York. Years later, they divorced their respective spouses, and were married in Mexico on July 14, 1953. The two had three children: Andrea, Phillip, and Kira. 1686:(TVE), Bronston managed to rent his studios to the network. Another part of his studio was lent to Twentieth Century Fox, which used the facilities to shoot four films in Spain, which included 1344:

the film ready for its established release date. During filming, Bronston had heated discussions with Ray over the project, which resulted in Ray suffering a heart attack months into shooting.

958:(1959), Farrow and Bronston formed a production company, Brofar, and they proceeded on their second project. The next month, Bronston announced the project was a religious biographical film of 884:

called Admiral Pictures Corp., with R. Stuyvesant Pierrepont as the board chairman. Bronston raised financial capital from multiple investors, including financier Pierre S. Du Pont III (of the

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while he was an active film producer. In 1969, he was charged with two federal counts of perjury for denying he had a Swiss bank account and denying he retained an interest in a potential

279:. There, he produced a total of 26 documentary films, exploring the Vatican archives. In 1955, he returned to Hollywood as an independent producer. He relocated Bronston Productions in 1714:(1968). Yordan, who had worked with Bronston, decided to remain uninvolved throughout Bronston's financial struggles. Eventually, the real estate was acquired by Spanish director 4762: 1678:

Bronston tried to reorganize his studio operations in Madrid, and convinced the Banco Exterior to not foreclose on his mortgage of his properties. Thanks to his connections with

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to avoid a jail sentence. He was apprehended by French authorities, and released from police custody. He migrated with his family to England in the following year. There, he met

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called "El Cid"—which translates to the Lord—from the Arabic term "El Seid." Alone in his convictions, the Cid finds himself a battle of feudal rivalries while the kingdom of

927:, who was vacationing in Madrid at the time. During shooting, Farrow had Crawford deliver his dialogue with his back turned to the camera. Filming wrapped on August 5, 1958. 1843:' committee meeting about the production company's overseas financial assets. It included the following exchange between Bronston and one of the lawyers for his creditors: 4795: 3525: 772:

reported Bronston had returned to the United States, intending to sell his documentaries for theatrical distribution. He also had pictures of the Vatican published in

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of the messianic issue has been missed and the central character has been left to perform quietly in a series of collateral tableaux." However, at the box office,

4695: 1392: 1763:. The story concerns the title character who constructs a doll named Coppelia that is quite lifelike that people mistaken it for a real woman. The film starred 1472:, insisting the set be built to life-size scale, where he invited investors and international distributors to visit the set. During filming, in February 1963, 674:

rampant at home. That same month, Duvivier sued Bronston for $ 395,000, alleging a breach of contract on his two-picture deal. Duvivier had been set to direct

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adapted from the Oscar Ray novel. In November 1944, United Artists cancelled two of Bronston's projects in development, which included a film adaptation of

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During the financial litigations, Jaime Prades, an associate producer on Bronston's films, arranged enough financing to produce small-scale films, such as

1185:. Loren was hired for $ 1 million (equivalent to $ 10,299,213 in 2023), becoming the second actress to receive a one-million salary for a film (behind 5220: 1795:

reported that Brosnan had cleared his "technical-legal monetary problems," and found new financing from Marion Harper, an advertising executive based in

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and other studio executives visited the set during filming, and became interested in securing the distribution rights due to their concurrent success of

3063: 966:. It had been an independent project Farrow had been developing since 1953. Meanwhile, Twentieth Century Fox, under the leadership of studio president 3758: 3019: 1555:. Principal photography began on September 29, 1963, and wrapped in February 1964. Bronston also arranged to have the film marketed and presented in 818: 3854: 2436: 4030: 2408: 797:

reported that Bronston had returned to Hollywood, with plans to produce an independent project. He returned to the idea of a biographical film of

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The Life and Times of Samuel Bronston, Builder of 'Hollywood in Madrid': A Study in the International Scope and Influence of American Pop Culture

2341: 2218: 5250: 228:. Together, they formed a brief but fruitless partnership. Roosevelt left Hollywood to return to active military service. Bronston then joined 2841: 1306:

and Yordan (serving as a front for Gordon) was to write the script. In December 1961, both men persuaded Charlton Heston, who was set to star

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and doubled it." By December 1963, Paramount Pictures agreed to distribute Bronston's next four films, for an investment of $ 40 million.

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Bronston left Hollywood but nevertheless wanted to produce more films. During the late 1940s, he became the official photographer of the

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received mixed reviews from film critics, who praised the production design, but were not impressed with the script. By January 1964,

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to casting agents, asking them to help select an appropriate actor that most resembled him. Farrow eventually selected American actor

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were enlisted to portray the lead roles. Filming began on October 15, 1941. In 1943, Bronston formed his namesake production company,

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had signed on to direct the film, as part of a three-picture contract deal with Bronston. The two other projects were slated to be

701:. Milestone flew to Chicago and successfully negotiated a deal for $ 750,000. Filming proceeded, and wrapped on January 5, 1945. 5255: 5235: 5230: 1356:

directed the remaining sequences, including the beginning and opening scenes. Principal photography ended on November 15, 1962.

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was the theme 'a man rode out to victory dead on his horse.' I loved the concept of that ending." Both Bronston and Mann had

3464: 3338: 1286: 1258: 1250: 814: 628: 268: 3677: 736:. The principal cast, which had been hired, remained with the project. It was later distributed by Twentieth Century Fox. 5265: 2082: 1784: 1751:. For the 1966 film adaptation, Fregonese returned to direct. Bronston however was uncredited. This was followed up with 311: 4729: 4172: 1839:

Meanwhile, Bronston found himself in other legal issues, concerning perjury. In 1966, he was questioned under oath at a

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to write the final script. A known Hispanophile, Mann expressed excitement at the project: "The reason I wanted to make

4961: 1901: 517: 345: 4438: 1996:(1977) are jokily produced by a fictional movie producer, "Samuel L. Bronkowitz" (a conflation of Samuel Bronston and 401:. His early photography career led to an interest in the film industry, where he worked as a film publicity agent for 5169: 1698:(1970). Philip Yordan also formed a production company called Scotia International after he purchased a terrain near 1625: 462:, a position he held for six months. In 1939, Roosevelt formed his production company, Globe Productions, to produce 689:

was hired to write the screenplay, and principal photography began in November 1944 at the Agoura Ranch within the

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was then hired to direct for $ 75,000 (equivalent to $ 783,904 in 2023) for 24 weeks of work. Ray then asked

619: 348:, which set a major precedent for perjury prosecutions. In 1994, Bronston died in Sacramento, at the age of 85. 5106:

Rosendorf, Neal (March 2007). "Hollywood in Madrid: American Film Producers and the Franco Regime, 1950–1970".

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having written a script. He had secured financial backing from a pool of Spanish investors, and the support of

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proved difficult, which delayed filming of scenes featuring Washington. At one point, Farrow and Bronston sent

576: 489: 2811: 2543: 1606:(1964) premiered and later became a financial failure. Undeterred, Paramount announced it was still releasing 1298:

was envisioned to portray one of the lead roles. Nicholas Ray, who was set to direct an epic retelling of the

516:. However, by late October 1940, the partnership had dissolved due to Roosevelt's active involvement with the 2684: 2607: 2042: 2018: 1031: 920: 635: 498: 258: 234: 3809: 666:, an original film about munitions manufacturers. The former project was dropped due to opposition from the 4980: 4685: 4636: 4049: 1820: 1623:

magazine stated: "Though likable enough, this least pretentious of Bronston spectaculars cannot compare to

972: 3999: 3735: 287:, and raised financial capital by pre-selling his film projects to private investors, including financier 3909: 2833: 1909: 1234: 1189:). After being cast, Loren had read Yordan's draft but was displeased with her dialogue. She recommended 1103: 765:

caused a minor fire in the chapel, and relations between Bronston and the Vatican soured not long after.

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Bronston was first married to Sarah Bogatchek (1911–1990), who was a concert pianist. They had one son,

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to star. However, Heston backed out having disliked an early draft of the script, and agreed to star in

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The creditors' attorneys later discovered that Bronston indeed had an active personal bank account in

998:. At the Vatican, Bronston presented the script, credited to Yordan and Italian theologian playwright 4856: 4542: 4468: 3827: 2643: 2214: 2206: 2098: 2058: 1896: 1834: 1731: 1631: 1317:

Weeks after his announcement, Bronston faced another infringement complaint, this time from producer

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ordered Bronston to pay du Pont III nearly $ 2.5 million plus interest, for a total of $ 3 million.

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to write a new screenplay. Yordan was initially reluctant, but he agreed; he retitled the script to

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with stardust." It was another box office failure, earning $ 1.6 million in distributor rentals.

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had also been hired to the script. To reestablish his dormant production company, the country of

553: 244: 4124: 3364: 463: 181: 5240: 4904: 4256: 4190: 2050: 1974: 1970: 1936: 1848: 1812: 1710: 1663: 1237:. Heston finished filming his scenes in April 1961, with the duel fight of Calahorra sequence. 908: 678:, in which Bronston agreed to modify the adaptation treatment to secure approval from the OWI. 381:, whose real name was Lev Davidovich Bronstein. Abraham was not enamored with the then-ongoing 70: 1772: 1490: 1382:(1961), Bronston wanted Anthony Mann to direct another epic for him. Having finished filming 1345: 1205: 1201: 924: 761:

served as the narrator for these documentaries. However, the intense heat generated from the

710:(1945), another war film with similar subject material. Milestone then presented the film to 706: 484: 451: 221: 3600: 3574: 5210: 5205: 3064:"Film 'Armada' in Spain: 'John Paul Jones' Movie Unit Takes Small Iberian Village by Storm" 1997: 1887: 1458: 1062: 892: 711: 643: 472:

reported both Roosevelt and Bronston partnered to produce three prospective film projects:

1715: 8: 4294: 3759:"Bronston Plans 3 Film Spectacles: Boxer Rebellion, Rome's Fall, French Revolt on Agenda" 2090: 1978: 1874: 1523: 1442: 1246: 1058: 1053: 877: 826: 749: 704:

However, United Artists decided not to distribute the film as they had agreed to release

690: 402: 394: 324: 1926: 5123: 5098: 4950: 4876: 4757: 4548: 4154: 3397: 3169: 2153: 1507: 1477: 1145: 935: 881: 869: 754: 716: 382: 328:(1964), in which he owed over US$ 5.6 million to du Pont III. He subsequently produced 5158: 5064: 3714:"History Own Best Dramatist to Him: Bronston Making Parallels With Past Pay Off Today" 1594:, the former Governor of New York and two-time Republican presidential nominee in the 1124:(1961) as a potential film project in 1958. The film tells a fictionalized account of 1061:(MGM). The studio did not provide any financing towards the film, but Bronston signed 5190: 5165: 5142: 5127: 5079: 5075: 5048: 5029: 5022: 5006: 4984: 4973: 4957: 4931: 4908: 4883: 4860: 4830: 3838: 3499: 3408: 2796: 2158: 2074: 1930: 1540: 1485: 1299: 1277: 1137: 1025: 916: 762: 528: 468: 305: 291:. In Madrid, Bronston spearheaded several productions of historical epics, including 229: 5115: 4844: 2700: 2026: 1955: 1186: 1154: 822: 806: 694: 597: 479: 443: 194: 157: 1679: 5136: 4927: 4898: 4582: 4407: 4367: 4346: 4209:"Bronston Retains Nizer; Seeks Quick Trusteeship End; Had Conference with DuPont" 3980: 3832: 3713: 3520: 3455: 3404: 3134: 3094: 2991: 2958: 2902: 2790: 2501: 1808: 1657: 1619: 1502: 1469: 1409: 1401: 1332: 1290: 1174: 1072: 1003: 912: 857: 798: 774: 655: 614: 610: 602: 562: 561:. The film was an adaptation of the biographical book authored by London's widow 447: 413: 253: 217: 4849: 4502: 3669: 3468: 2385: 2114: 1959: 1815:. However, by June 1971, plans had been halted, and an auction, ordered by the 1804: 1796: 1744: 1532: 1450: 1421: 1400:

bookshop. Mann did not read the entire edition but selected the focal point of

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Bronston had been freed on a $ 10,000 bond. The case was next appealed to the

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was released in June 1959 to mixed reviews from film critics. James Powers of

5199: 4822: 4721: 3412: 2437:"Samuel Bronston, the Former Partner of James Roosevelt, Signs With Columbia" 2162: 2106: 2066: 1771:

In April 1966, Bronston announced plans to produce a biographical epic about

1764: 1753: 1740: 1694: 1552: 1544: 1488:. It took me 40 minutes just to drive around the set. They took the scale of 1473: 1438: 1387: 1353: 1295: 1194: 1166: 1120: 1084:

earned $ 8 million in distributor rentals from the United States and Canada.

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to work for him. During the summer of 1944, he acquired the screen rights to

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By June 1964, Bronston declared bankruptcy due to the box office failures of

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project in 1956. By August 1960, Bronston negotiated to have Aspa Films and

606: 263: 216:), Bronston immigrated into the United States in 1937. A year later, he met 2122: 1921: 1905: 1800: 1780: 1591: 1434: 1430: 1178: 1162: 1071:

was released in October 1961 and received mixed reviews from film critics.

999: 985: 981: 900: 865: 853: 745: 378: 276: 167: 4239:"Spain and Paramount, 'Simpatico' To Bronston's Future Films, Also Studio" 1468:

Similar to his earlier productions, Bronston refused to use miniatures or

1222: 4945: 4464: 2959:"Drama: John Paul Jones Story Aimed at Wayne; Peggy Lee Gets English Bid" 1747:

set to produce and direct, respectively. Plans were intended to shoot in

1587: 1548: 1528: 1454: 1446: 1417: 1349: 1281:(1963) was conceived during a story conference between Philip Yordan and 1230: 1190: 1115: 873: 837: 509: 504: 455: 420:. While in England, Bronston's family had aspirations to relocate to the 417: 409: 398: 225: 4827:

The Red and the Blacklist: The Intimate Memoir of a Hollywood Expatriate

1759: 670:(OWI) as the story concerned a returning U.S. war veteran who discovers 408:

In 1932, Bronston was accused of writing bad checks, and he fled to the

5186: 4790: 4707: 2685:"'Walk in the Sun' Returns May Be Not So Sunny for Bronston, Milestone" 1688: 1571: 1567: 1564: 1536: 1462: 1318: 802: 647: 540: 361: 205: 190: 48: 3020:"Passing Picture Scene: Big-Scale Features Slated by Samuel Bronston" 2144: 1966: 1748: 1397: 1321:

who went public about his in-development project, tentatively titled

1014: 492:; and an untitled third film that was to be produced and directed by 1858: 238:(1942). A year later, in 1943, Bronston founded his namesake studio 4878:

Behind the Spanish Lens: Spanish Cinema under Fascism and Democracy

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was to begin, Bronston was faced with an infringement lawsuit from

1057:(1959). By December 1960, Bronston sold the distribution rights to 896: 693:. Financing of the film was initially handled by the bank creditor 2812:"Peskay Sets 'Indians' For 20th-Fox Release; Pays 325G for Rights" 2409:"News of the Screen: James Roosevelt and Bronston End Association" 4191:"Half of Bronstonians Exit Manhattan Office on Return from Lunch" 4155:"Pierre DuPont's Trustee Controls Budgets-Bursting Bronston Pair" 2992:"Fitzgerald Will Star in Britain; John Kerr Will Do Cocteau Play" 1916: 1816: 1699: 1638: 1249:, in 1962, the film received three Academy Award nominations for 891:

Principal photography began in January 1958, with scenes shot in

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had been cast in the title role, with supporting roles filled by

671: 369: 213: 5071: 4570:. 8 October 1969. Section II, p. 32 – via Newspapers.com. 2342:"James Roosevelt Takes Film Post As Goldwyn Executive on Coast" 1863:

Q. Have you any nominees who have bank accounts in Swiss banks?

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later that year, with its investment in the film left intact.

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in mind to portray the lead role. Bronston also had envisioned

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Bronston left Hollywood, and worked as a photographer with the

4590:. 10 February 1971. Part IV, p. 17 – via Newspapers.com. 4310:"Bronston Says I'll Be Producing Again'; Madrid Echoes 'Amen'" 3878: 3226: 2644:"'Too Leftist' Script Gets OWI Frown But Bronston Will Revamp" 2207:"Sam Bronston's Hollywood Lumps Turn into Sugar As Production" 1787:. In 1971, Bronston again announced his intentions to produce 4048:

Wicking, Christopher; Pattinson, Barrie (July–October 1969).

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A. The company had an account there for about six months, in

1133: 1129: 1029:(1960). Ray was familiar with Hunter, having directed him in 959: 845: 810: 439: 390: 386: 284: 4131:. 11 December 1963. p. 18 – via Internet Archive. 3816:. 20 September 1961. p. 5 – via Internet Archive. 1416:. In response, Bronston had the construction replica of the 1348:

was hired to direct the remaining scenes between Heston and

496:. The deal was later extended to five films, which included 4640:. 13 December 1971. p. C-6 – via Newspapers.com. 3916:. 27 January 1964. p. 37 – via Internet Archive. 3751: 3749: 3742:. 6 September 1961. p. 3 – via Internet Archive. 2818:. 14 February 1945. p. 7 – via Internet Archive. 2632:. 14 November 1944. p. 3 – via Internet Archive. 1803:

was hired to direct and John Peebles had written a script.

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and became an amateur photographer. He was educated at the

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The Magnificent Showman: The Epic Films of Samuel Bronston

4316:. 29 April 1964. p. 120 – via Internet Archive. 4065: 4063: 4006:. 4 December 1963. p. 5 – via Internet Archive. 3778: 3552: 3540: 3306: 3250: 3238: 3185: 3159: 3157: 2827: 2825: 2614:. 1 November 1944. p. 3 – via Internet Archive. 1682:, who was the programme director of the state broadcaster 1617:

received a mixed reception from film critics. A review in

5141:(Second ed.). Jefferson, North Carolina: McFarland. 4786:"Samuel Bronston: el hombre que trajo Hollywood a España" 4656: 4654: 4419: 4388: 4386: 4219: 3947: 3692: 3623: 3043: 2293:"Maverick Gentleman: Samuel Bronston's Vanishing Empires" 1908:'s attorneys when he was charged with perjury during his 1886:. In April 1971, a jury upheld the perjury charge. Judge 1739:. The film had been long in development since 1958, with 1337: 1310:(1964), to star in their film, following the premiere of 1017:

had suggested him as a candidate, having directed him in

825:

Bronston agreed and relocated his production studio near

4753:"Samuel Bronston, Film Producer, 85; Made Epic 'El Cid'" 4245:. 15 April 1964. p. 3 – via Internet Archive. 4215:. 25 March 1964. p. 7 – via Internet Archive. 4056:. Vol. 10. p. 53 – via Internet Archive. 3937: 3935: 3746: 3475: 2719: 2321: 2255: 976:(1965), another religious biopic of Jesus. According to 5003:

Hollywood Exile: or How I Learned to Love the Blacklist

4327: 4325: 4323: 4197:. 4 March 1964. p. 2 – via Internet Archive. 4161:. 4 March 1964. p. 1 – via Internet Archive. 4060: 3607:. 18 July 1956. p. 7 – via Internet Archive. 3318: 3154: 3074: 3012: 3010: 3008: 3006: 2970: 2822: 2550:. 19 July 1944. p. 3 – via Internet Archive. 2245: 2243: 2200: 2198: 2196: 2194: 2181: 2179: 1393:

The History of the Decline and Fall of the Roman Empire

4666: 4651: 4383: 4135: 4105: 4093: 2743: 2731: 2679: 2677: 2526: 2524: 1958:, and one daughter Irene. In 1947, he met his partner 1702:. There, he used Bronston's studio facilities to film 1480:, visited the set and was left impressed. He told the 728:

By January 1945, Bronston had withdrew from producing

714:, whom agreed to distribute the film. In August 1946, 551:. As his inaugural project, he produced the 1943 film 356:

Bronston (né Bronstein) was born on 7 August 1908, in

4524:"Bronston Ordered by Court To Pay du Pont for Movies" 4275:"Bronston Film Productions Files Bankruptcy Petition" 4081: 4010: 3932: 3920: 3890: 3790: 3730: 3728: 3670:"The 34th Academy Awards (1962) Nominees and Winners" 3102:. 20 May 1959. p. 11 – via Newspapers.com. 2856: 2480: 1340:. Wald however died three months later, on July 13. 4320: 3611: 3265: 3031: 3003: 2922: 2267: 2240: 2191: 2176: 1757:(1966), a film adaptation based on the comic ballet 1484:, "When 9,300 people reported for work, it was like 1233:

filming was shot on actual locations, including the

1149:

announced that Bronston was independently producing

4722:"'Samuel: Hollywood Vs Hollywood', The Documentary" 3959: 3866: 3635: 3492: 3490: 2941:"Sam Bronston to Biopic 'John Paul Jones' for WB". 2707: 2674: 2662: 2536: 2521: 2286: 2284: 2282: 1915:Afterwards, Bronston moved to a small apartment in 685:(1945) with Milestone as co-producer and director. 432: 5157: 5063: 5021: 4972: 4949: 4875: 4848: 4602:"Movie Producer Is Fined On Conviction of Perjury" 4581: 4561: 4406: 4366: 4345: 3979: 3853: 3831: 3757: 3725: 3712: 3454: 3396: 3133: 3093: 3018: 2990: 2957: 2901: 2789: 2587: 2500: 2407: 2340: 1153:after he had purchased the rights to screenwriter 781: 3497:Mann, Anthony (March 1964). "Empire Demolition". 454:. By 1938, Bronston and James Roosevelt moved to 5197: 5108:Historical Journal of Film, Radio and Television 4744: 4047: 3487: 3390: 3388: 3386: 2834:"S. Bronston; Producer of 'El Cid,' Other Epics" 2279: 1590:as his attorney. In response, du Pont III hired 1574:for a curved projection using anamorphic lens. 1255:Best Music Score of a Dramatic or Comedy Picture 1216:'s Dear Film involved in his production, making 813:was recommended to him for potential filming by 768:By March 1950, after fifteen months of filming, 739: 442:with his cousin, Leon Patlach. He then moved to 4415:. Calendar, pp. 8–9 – via Newspapers.com. 3467:from the original on 26 March 2020 – via 3428:"'Kings' Rolls, 1st of 3 Big Ones for Bronston" 3282: 3280: 2626:"Duvivier Sues Bronston for 395G on 2-Pic Deal" 1371: 1639:1964–1993: Financial bankruptcy and last years 1629:. It's just a minor romantic tearjerker, it's 1285:. Yordan was initially reluctant to adapt the 984:had been selected to rewrite Farrow's script. 4354:. Part III, p. 11 – via Newspapers.com. 3383: 3202: 3200: 1940: 1208:'s Aspa Films, who had earlier announced his 4534: 4475:. Part IV, p. 12 – via Newspapers.com. 4000:"4 Bronston Pix And the Pitch Via Paramount" 3721:. Part IV, p. 17 – via Newspapers.com. 3569: 3567: 3277: 3061: 2999:. Part IV, p. 11 – via Newspapers.com. 2502:"Novel Director Setup Plan for London Tales" 1826: 4921: 4563:"Movie Producer Denies Two Perjury Charges" 3988:. Part IV, p. 8 – via Newspapers.com. 3884: 3784: 3736:"Bronston On Epic Kick; Making 3 in 1962–3" 3312: 3259: 3244: 3232: 3191: 2966:. Part I, p. 13 – via Newspapers.com. 2003:In 2024, a biographical documentary titled 1807:had signed to portray the title role while 601:(1943). In 1944, Bronston enticed director 5221:American people of Moldovan-Jewish descent 5155: 3601:"2d 'El Cid' Lined Up with Quinn-Grossman" 3197: 3049: 2763:"Bronston Files Dual Suit For $ 4,350,000" 1949: 1501:received mixed reviews from film critics. 1065:with MGM, ensuring the film's completion. 880:. To finance the film, Bronston formed an 623:(which was also performed under the title 5138:Combat Films: American Realism, 1945–2010 5105: 5092: 5061: 4970: 4843: 4632:"Film Producer Fails To Upset Conviction" 4425: 4368:"Film Making Still the Same, Bob Insists" 4225: 3564: 3503:. Vol. 10, no. 6. pp. 7–8. 3481: 3419: 3121:. p. 6 – via Internet Archive. 3080: 2988: 2976: 2955: 2903:"Adele Jergens Stars in Science Thriller" 2800:. p. J15 – via Newspapers.com. 2787: 2725: 2498: 2434: 2406:Churchill, Douglas W. (21 October 1940). 2405: 2367: 1602:, as his attorney. During the same week, 1136:faces an invasion from the Moors, led by 821:, whom Bronston met at a dinner party in 527:In late April 1941, Bronston signed with 512:. All these films were to be released by 232:, and worked as an associate producer on 197:. His films have earned a total of seven 189:; 7 August 1908 – 12 January 1994) was a 4495:"Studio Sales Ends Project for Bronston" 4379:. p. 45 – via Newspapers.com. 4028: 3981:"Bronston's Shooting Works on Spectacle" 3855:"Jerry Wald Is Dead; Movie Producer, 49" 3842:. p. 21 – via Newspapers.com. 3826: 3336: 1945:in Las Rozas honors its famous neighbor. 1935: 1386:, Mann saw an Oxford concise edition of 1093: 4821: 4783: 4492: 4405:Scheuer, Philip K. (4 September 1966). 4404: 4343: 4022: 3711:Scheuer, Philip K. (23 February 1962). 3710: 3558: 3546: 3452: 3131: 3095:"Washington Casting Poses Film Problem" 2831: 2435:Churchill, Douglas W. (30 April 1941). 2290: 1965:On 12 January 1994, Bronston died from 915:. However, casting an actor to portray 819:Spanish Ambassador to the United States 668:United States Office of War Information 634:Meanwhile, Bronston decided to produce 5198: 5042: 5019: 4997: 4851:Anthony Mann: New and Expanded Edition 4672: 4660: 4392: 4173:"Film Unit Acquired by Pierre Du Pont" 4141: 4111: 4099: 4087: 4016: 3977: 3953: 3941: 3926: 3896: 3796: 3755: 3698: 3629: 3617: 3324: 3271: 3132:Scheuer, Philip K. (24 October 1958). 3112: 3037: 3016: 2928: 2862: 2486: 2327: 2273: 2261: 2249: 2204: 2185: 907:. Filming was also allowed inside the 5251:Soviet emigrants to the United States 5134: 5024:The Actor's Life: Journals, 1956–1976 4944: 4896: 4873: 4784:Sanchez, Fernando (12 January 2024). 4751:Lyons, Richard D. (15 January 1994). 4750: 4463: 4344:Scheuer, Philip K. (9 October 1958). 4331: 3965: 3872: 3833:"Boxer Rebellion Is Theme of TV Show" 3641: 3425: 3062:Gersdorfenia, Phil (17 August 1958). 2956:Schallert, Edwin (23 December 1955). 2832:Folkart, Bruce W. (15 January 1994). 2788:Stanfield, Audrey (13 January 1945). 2749: 2737: 2713: 2668: 2530: 2370:"Roosevelt, Bronston Interests Merge" 1984: 1098:Filming for the jousting sequence in 180: 5216:20th-century American businesspeople 4798:from the original on 13 January 2024 4583:"Sentence Set Next in Bronston Case" 4469:"Rita's Fast Burn Over 'Slow Study'" 4364: 3810:"Wald Protests Boxer Rebellion Dupe" 3756:Archer, Eugene (12 September 1961). 3496: 3394: 3337:Crowther, Bosley (12 October 1961). 2989:Schallert, Edwin (27 October 1957). 2143: 1977:, at the age of 85. He is buried in 1847:Q. Do you have any bank accounts in 1268: 1161:. In July 1960, Bronston next hired 531:to work as an associate producer on 5226:Deaths from pneumonia in California 5156:Stack, Robert; Evans, Mark (1980). 4612:from the original on 14 August 2024 4347:"Willson Will Film 'The Music Man'" 3513: 3456:"Bronston Discovers El Cid's Spain" 3135:"Bronston, Farrow To Repeat Aboard" 2876:"Sam Bronston Film Shot in Vatican" 2499:Schallert, Edwin (21 August 1944). 2007:was produced and released in Spain. 1785:Ministry of Information and Tourism 397:, where he studied history and the 13: 4975:Just Tell Me When to Cry: A Memoir 4765:from the original on 22 April 2024 4031:"Screen: Romans Versus Barbarians" 4029:Crowther, Bosley (27 March 1964). 3978:Hopper, Hedda (21 February 1963). 3453:Scheuer, Philip K. (6 July 1960). 3339:"Screen: A Mammoth Biblical Drama" 3288:"Pierre DuPont's Stake in 'Kings'" 2608:"Bronston Drops 2 Which UA Vetoed" 2368:Schallert, Edwin (13 April 1940). 1420:dismantled, and replaced with the 1197:a mink coat she did not ask for. 1114:film souvenir program, written by 970:, had been long in development of 786: 518:United States Marine Corps Reserve 16:American film producer (1908–1994) 14: 5277: 5180: 4924:Nicholas Ray: An American Journey 4882:. Denver, Colorado: Arden Press. 4698:from the original on 31 July 2024 4493:Johnson, Patricia (3 June 1971). 4439:"Sam Bronston Readying 'Isabela'" 3680:from the original on 2 April 2015 3208:"MG Gives 'Kings' 'Hur' Rah Deal" 2844:from the original on 30 July 2024 2650:. 6 December 1944. pp. 1, 43 2309:from the original on 31 July 2024 2221:from the original on 31 July 2024 1990:Several fictional films shown in 1287:historic 1900 international siege 954:Despite the financial failure of 502:, a film adaptation of the novel 193:-born American film producer and 4777: 4714: 4678: 4643: 4624: 4594: 4574: 4554: 4516: 4508: 4486: 4478: 4457: 4431: 4408:"Slezak Calls His Own Shots Now" 4398: 4365:Lara, Jose R. (1 October 1965). 4358: 4337: 4302: 4285: 4267: 4249: 4231: 4201: 4183: 4165: 4147: 4117: 3528:from the original on 27 May 2022 2391: 2232: 947: 589:The Little Lady of the Big House 433:1937–1945: Early Hollywood years 121: 5261:People with Alzheimer's disease 4952:John Wayne: The Life and Legend 4732:from the original on 8 May 2024 4041: 3992: 3971: 3902: 3846: 3820: 3802: 3704: 3662: 3647: 3593: 3507: 3446: 3357: 3330: 3125: 3115:"Film Reviews: John Paul Jones" 3106: 3086: 3055: 2982: 2949: 2934: 2894: 2868: 2804: 2781: 2755: 2636: 2618: 2600: 2596:. 10 November 1944. p. 24. 2580: 2554: 2492: 2468:. 24 September 1941. p. 22 2454: 2428: 2399: 2361: 1925:(1984), a French film starring 1515: 1181:in the role as Rodrigo's wife, 1128:, a Castilian knight, whom the 782:1955–1964: Independent producer 383:Russian Revolution of 1917–1923 141: 5256:People from Kishinyovsky Uyezd 5236:Film producers from California 4814: 4050:"Interviews with Anthony Mann" 3654:"All-Time Top Film Grossers". 3173:. 26 November 1958. p. 20 3113:Powers, James (17 June 1959). 3017:Weiler, A. H. (15 June 1958). 2910:. 6 August 1955. Part I, p. 13 2333: 2205:Hopper, Hedda (21 July 1963). 2137: 2011: 2005:Samuel: Hollywood vs Hollywood 1118:, Bronston first contemplated 627:), with Clair hired to direct 595:Bronston's second project was 385:, and formulated an exodus to 1: 5062:Millichap, Joseph R. (1981). 5005:. University of Texas Press. 4922:Eisenschitz, Bernard (1993). 4900:Anthony Mann: The Film Career 4608:. 22 April 1971. p. 36. 4453:– via Internet Archive. 4257:"Cinema: Sawdust Spectacular" 4077:. 6 January 1965. p. 39. 4071:"Big Rental Pictures of 1964" 3658:. 8 January 1964. p. 37. 3589:– via Internet Archive. 3442:– via Internet Archive. 3426:Werba, Hank (27 April 1960). 3379:– via Internet Archive. 3365:"Big Rental Pictures of 1962" 3302:– via Internet Archive. 3222:– via Internet Archive. 3214:. 21 December 1960. p. 3 3181:– via Internet Archive. 3165:"Three Epics Based on Christ" 2890:– via Internet Archive. 2777:– via Internet Archive. 2658:– via Internet Archive. 2576:– via Internet Archive. 2476:– via Internet Archive. 2130: 2019:The Adventures of Martin Eden 1476:, then-head of production of 1396:near the front window at the 1032:The True Story of Jesse James 740:1945–1954: Intermediate years 681:Bronston then proceeded with 533:The Adventures of Martin Eden 522:The Adventures of Martin Eden 499:The Adventures of Martin Eden 351: 235:The Adventures of Martin Eden 5246:Soviet expatriates in France 4501:. Part II, p. 6 – via 4125:"Hollywood Production Pulse" 3371:. 9 January 1963. p. 13 3294:. 12 October 1960. p. 2 2769:. 31 January 1945. p. 3 2349:. 5 December 1938. p. 1 2083:The Fall of the Roman Empire 1821:New York State Supreme Court 1604:The Fall of the Roman Empire 1579:The Fall of the Roman Empire 1499:The Fall of the Roman Empire 1373:The Fall of the Roman Empire 1308:The Fall of the Roman Empire 1302:, decided instead to direct 1265:(The Falcon and the Dove)". 973:The Greatest Story Ever Told 913:Francoist Spanish government 450:, the son of U.S. President 416:, the second wife of author 320:The Fall of the Roman Empire 312:The Fall of the Roman Empire 252:. He next collaborated with 220:, the son of U.S. President 7: 4971:Fleischer, Richard (1993). 4530:. 18 June 1971. p. 30. 4263:. 10 July 1964. p. 96. 4179:. 6 March 1964. p. 40. 3581:. 31 August 1960. p. 5 3150:– via Newspapers.com. 2918:– via Newspapers.com. 2517:– via Newspapers.com. 1902:United States Supreme Court 1817:El Banco Español de Crédito 1570:, and was then blown up to 1240:Released in December 1961, 876:made a cameo appearance as 549:Samuel Bronston Productions 539:was hired to direct, while 240:Samuel Bronston Productions 10: 5282: 5266:University of Paris alumni 5135:Rubin, Steven Jay (2011). 4686:"Obituary: Irene Bronston" 4445:. 13 April 1966. p. 3 4298:. 7 June 1964. p. A3. 3910:"Top Rental Films of 1963" 3862:. 14 July 1962. p. 1. 3403:(Film program). New York: 2882:. 22 March 1950. p. 1 2691:. 7 August 1946. p. 4 1832: 1626:The Greatest Show on Earth 1378:Prior to his success with 836:In October 1957, director 755:Chancellery of the Vatican 695:Walter E. Heller & Co. 460:Samuel Goldwyn Productions 5231:Film people from Chișinău 5120:10.1080/01439680601177155 5020:Heston, Charlton (1979). 4857:Wesleyan University Press 4543:Bronston v. United States 2544:"Bronston Buys 'Indians'" 1941: 1897:Bronston v. United States 1835:Bronston v. United States 1828:Bronston v. United States 1261:for the "Love Theme From 1087: 1045:1960 Cannes Film Festival 427: 163: 152: 103: 95: 78: 59: 30: 23: 5093:Rosendorf, Neal (2000). 4956:. Simon & Schuster. 3399:Samuel Bronston's El Cid 1993:The Kentucky Fried Movie 1497:Released in March 1964, 1251:Best Art Direction—Color 1013:was cast as Jesus after 852:. Before filming began, 844:, a religious biopic of 730:And Then There Were None 620:And Then There Were None 524:without a distributor. 269:And Then There Were None 5164:. New York: Macmillan. 4905:McFarland & Company 4897:Darby, William (2009). 4691:San Francisco Chronicle 4377:Philadelphia Daily News 4292:"Film Maker Bankrupt". 2462:"Ford as 'Martin Eden'" 1950:Personal life and death 1900:ultimately reached the 1613:Released in June 1964, 1165:to direct the film and 1047:, MGM studio president 535:(1942). A month later, 490:syndicated radio series 3050:Stack & Evans 1980 2291:Zegarac, Nick (2009). 1975:Sacramento, California 1946: 1871: 1711:Krakatoa, East of Java 1664:Nightrunners of Bengal 1643:Before the release of 1359:Released in May 1963, 1107: 939:wrote in his review: " 909:Royal Palace of Madrid 748:. There, he heard the 577:The Valley of the Moon 569:as Jack London, while 482:attached as director; 71:Sacramento, California 4874:Besas, Peter (1985). 3395:Lamb, Harold (1961). 1942:Calle Samuel Bronston 1939: 1845: 1673:The French Revolution 1404:'s death and his son 1390:'s six-volume series 1202:principal photography 1126:Rodrigo Díaz de Vivar 1097: 962:, tentatively titled 921:one-dollar U.S. bills 712:Twentieth Century Fox 707:The Story of G.I. Joe 466:. In April 1940, the 452:Franklin D. Roosevelt 289:Pierre S. du Pont III 222:Franklin D. Roosevelt 5043:Martin, Mel (2007). 2562:"Clair's French Pic" 1998:Joseph L. Mankiewicz 1884:Second Circuit Court 1535:. The cast included 793:By August 1955, the 266:on the mystery film 5047:. BearManor Media. 4694:. 13 January 2008. 4295:The Washington Post 3956:, pp. 137–141. 3887:, pp. 387–389. 3701:, pp. 145–146. 3632:, pp. 115–116. 3575:"'Cid's' Near-Skid" 3561:, pp. 346–347. 3549:, pp. 306–313. 3235:, pp. 361–362. 2945:. 23 December 1955. 2330:, pp. 173–174. 2264:, pp. 172–173. 2147:(29 January 2008). 1971:Alzheimer's disease 1720:Los Diablos Del Mar 1705:Battle of the Bulge 1684:Televisión Española 1649:Battle of the Bulge 1443:Christopher Plummer 1247:34th Academy Awards 1059:Metro-Goldwyn-Mayer 1006:, who approved it. 878:Catherine the Great 850:The Story of Nelson 750:Knights of Columbus 691:San Fernando Valley 629:the film adaptation 565:. The film starred 488:, adapted from the 403:Metro-Goldwyn-Mayer 5099:Harvard University 4981:Carroll & Graf 4845:Bassinger, Jeanine 4758:The New York Times 4606:The New York Times 4528:The New York Times 4279:The New York Times 4177:The New York Times 4035:The New York Times 3860:The New York Times 3764:The New York Times 3514:Corliss, Richard. 3343:The New York Times 3068:The New York Times 3025:The New York Times 2594:The New York Times 2568:. 29 November 1944 2441:The New York Times 2414:The New York Times 2347:The New York Times 2213:. Calendar, pp. 4– 2154:The New York Times 1985:In popular culture 1947: 1508:The New York Times 1478:Paramount Pictures 1289:stemming from the 1259:Best Original Song 1108: 1104:Castle of Belmonte 882:investment company 870:Jean Pierre Aumont 815:Jose Maria Areilza 720:anticipated while 625:Ten Little Indians 346:U.S. Supreme Court 5160:Straight Shooting 5148:978-0-786-48613-7 5085:978-0-805-79281-2 5076:Twayne Publishers 5054:978-1-593-93129-2 5035:978-0-671-83016-8 5012:978-0-292-72827-1 4990:978-0-881-84944-8 4937:978-0-571-17830-8 4914:978-0-786-43839-6 4866:978-0-819-56845-8 4836:978-1-560-25617-5 4637:Progress Bulletin 4588:Los Angeles Times 4551:, 409 (1973). 4473:Los Angeles Times 4413:Los Angeles Times 4352:Los Angeles Times 3986:Los Angeles Times 3839:The Capital Times 3830:(21 April 1962). 3719:Los Angeles Times 3516:"DVD and Conquer" 3500:Films and Filming 3463:. Part II, p. 9. 3461:Los Angeles Times 3327:, pp. 60–61. 3140:Los Angeles Times 2997:Los Angeles Times 2964:Los Angeles Times 2908:Los Angeles Times 2838:Los Angeles Times 2797:Dayton Daily News 2752:, pp. 17–18. 2740:, pp. 16–17. 2507:Los Angeles Times 2374:Los Angeles Times 2211:Los Angeles Times 2075:55 Days at Peking 2043:A Walk in the Sun 1981:, Madrid, Spain. 1931:Catherine Deneuve 1888:Charles H. Tenney 1867:Q. Have you ever? 1855:Q. Have you ever? 1793:Los Angeles Times 1789:Isabella of Spain 1773:Isabella of Spain 1735:(1966), starring 1722:(translated into 1716:Juan Piquer Simón 1541:Claudia Cardinale 1482:Los Angeles Times 1414:55 Days at Peking 1365:55 Days at Peking 1361:55 Days at Peking 1304:55 Days at Peking 1300:French Revolution 1278:55 Days at Peking 1270:55 Days at Peking 1110:According to the 1026:Sergeant Rutledge 917:George Washington 805:in mind to star. 795:Los Angeles Times 763:high-key lighting 722:A Walk in the Sun 699:A Walk in the Sun 683:A Walk in the Sun 640:A Walk in the Sun 638:of the 1944 book 636:a film adaptation 529:Columbia Pictures 469:Los Angeles Times 405:(MGM) in Europe. 306:55 Days at Peking 259:A Walk in the Sun 230:Columbia Pictures 174: 173: 134:Dorothea Robinson 96:Years active 5273: 5175: 5163: 5152: 5131: 5102: 5089: 5069: 5058: 5039: 5028:. Pocket Books. 5027: 5016: 4994: 4978: 4967: 4955: 4941: 4918: 4893: 4881: 4870: 4854: 4840: 4829:. Nation Books. 4808: 4807: 4805: 4803: 4781: 4775: 4774: 4772: 4770: 4748: 4742: 4741: 4739: 4737: 4718: 4712: 4711: 4705: 4703: 4682: 4676: 4670: 4664: 4658: 4649: 4648: 4647: 4641: 4628: 4622: 4621: 4619: 4617: 4598: 4592: 4591: 4585: 4578: 4572: 4571: 4565: 4558: 4552: 4546: 4538: 4532: 4531: 4520: 4514: 4513: 4512: 4506: 4499:Los Angeles Time 4490: 4484: 4483: 4482: 4476: 4461: 4455: 4454: 4452: 4450: 4435: 4429: 4423: 4417: 4416: 4410: 4402: 4396: 4390: 4381: 4380: 4370: 4362: 4356: 4355: 4349: 4341: 4335: 4329: 4318: 4317: 4306: 4300: 4299: 4289: 4283: 4282: 4271: 4265: 4264: 4253: 4247: 4246: 4235: 4229: 4223: 4217: 4216: 4205: 4199: 4198: 4187: 4181: 4180: 4169: 4163: 4162: 4151: 4145: 4139: 4133: 4132: 4121: 4115: 4109: 4103: 4097: 4091: 4085: 4079: 4078: 4067: 4058: 4057: 4045: 4039: 4038: 4026: 4020: 4014: 4008: 4007: 3996: 3990: 3989: 3983: 3975: 3969: 3963: 3957: 3951: 3945: 3939: 3930: 3924: 3918: 3917: 3906: 3900: 3894: 3888: 3885:Eisenschitz 1993 3882: 3876: 3870: 3864: 3863: 3857: 3850: 3844: 3843: 3835: 3824: 3818: 3817: 3806: 3800: 3794: 3788: 3785:Eisenschitz 1993 3782: 3776: 3775: 3773: 3771: 3761: 3753: 3744: 3743: 3732: 3723: 3722: 3716: 3708: 3702: 3696: 3690: 3689: 3687: 3685: 3666: 3660: 3659: 3651: 3645: 3639: 3633: 3627: 3621: 3615: 3609: 3608: 3597: 3591: 3590: 3588: 3586: 3571: 3562: 3556: 3550: 3544: 3538: 3537: 3535: 3533: 3511: 3505: 3504: 3494: 3485: 3479: 3473: 3472: 3458: 3450: 3444: 3443: 3441: 3439: 3434:. pp. 3, 17 3423: 3417: 3416: 3402: 3392: 3381: 3380: 3378: 3376: 3361: 3355: 3354: 3352: 3350: 3334: 3328: 3322: 3316: 3313:Eisenschitz 1993 3310: 3304: 3303: 3301: 3299: 3284: 3275: 3269: 3263: 3260:Eisenschitz 1993 3257: 3248: 3245:Eisenschitz 1993 3242: 3236: 3233:Eisenschitz 1993 3230: 3224: 3223: 3221: 3219: 3204: 3195: 3192:Eisenschitz 1993 3189: 3183: 3182: 3180: 3178: 3161: 3152: 3151: 3149: 3147: 3142:. Part IV, p. 11 3137: 3129: 3123: 3122: 3110: 3104: 3103: 3097: 3090: 3084: 3078: 3072: 3071: 3059: 3053: 3047: 3041: 3035: 3029: 3028: 3022: 3014: 3001: 3000: 2994: 2986: 2980: 2974: 2968: 2967: 2961: 2953: 2947: 2946: 2938: 2932: 2926: 2920: 2919: 2917: 2915: 2905: 2898: 2892: 2891: 2889: 2887: 2872: 2866: 2860: 2854: 2853: 2851: 2849: 2829: 2820: 2819: 2808: 2802: 2801: 2793: 2791:"Down the Aisle" 2785: 2779: 2778: 2776: 2774: 2759: 2753: 2747: 2741: 2735: 2729: 2723: 2717: 2711: 2705: 2704: 2701:Internet Archive 2698: 2696: 2681: 2672: 2666: 2660: 2659: 2657: 2655: 2640: 2634: 2633: 2622: 2616: 2615: 2604: 2598: 2597: 2591: 2584: 2578: 2577: 2575: 2573: 2558: 2552: 2551: 2540: 2534: 2528: 2519: 2518: 2516: 2514: 2504: 2496: 2490: 2484: 2478: 2477: 2475: 2473: 2458: 2452: 2451: 2449: 2447: 2432: 2426: 2425: 2423: 2421: 2411: 2403: 2397: 2396: 2395: 2389: 2383: 2381: 2365: 2359: 2358: 2356: 2354: 2344: 2337: 2331: 2325: 2319: 2318: 2316: 2314: 2308: 2297: 2288: 2277: 2271: 2265: 2259: 2253: 2247: 2238: 2237: 2236: 2230: 2228: 2226: 2202: 2189: 2183: 2174: 2173: 2171: 2169: 2141: 2027:City Without Men 1944: 1927:Gérard Depardieu 1879:Spanish Symphony 1777:José María Pemán 1206:Cesáreo González 1187:Elizabeth Taylor 1155:Fredric M. Frank 823:Washington, D.C. 807:Jesse Lasky, Jr. 598:City Without Men 480:Alfred Hitchcock 444:Washington, D.C. 256:on the war film 188: 145: 143: 125: 123: 66: 44: 42: 35:Samuel Bronstein 21: 20: 5281: 5280: 5276: 5275: 5274: 5272: 5271: 5270: 5196: 5195: 5187:Samuel Bronston 5183: 5178: 5172: 5149: 5086: 5066:Lewis Milestone 5055: 5036: 5013: 4999:Gordon, Bernard 4991: 4964: 4938: 4928:Faber and Faber 4915: 4890: 4867: 4837: 4817: 4812: 4811: 4801: 4799: 4782: 4778: 4768: 4766: 4749: 4745: 4735: 4733: 4720: 4719: 4715: 4701: 4699: 4684: 4683: 4679: 4671: 4667: 4659: 4652: 4642: 4630: 4629: 4625: 4615: 4613: 4600: 4599: 4595: 4580: 4579: 4575: 4560: 4559: 4555: 4540: 4539: 4535: 4522: 4521: 4517: 4507: 4491: 4487: 4477: 4467:(17 May 1971). 4462: 4458: 4448: 4446: 4437: 4436: 4432: 4424: 4420: 4403: 4399: 4391: 4384: 4363: 4359: 4342: 4338: 4330: 4321: 4308: 4307: 4303: 4291: 4290: 4286: 4273: 4272: 4268: 4255: 4254: 4250: 4237: 4236: 4232: 4224: 4220: 4207: 4206: 4202: 4189: 4188: 4184: 4171: 4170: 4166: 4153: 4152: 4148: 4140: 4136: 4123: 4122: 4118: 4110: 4106: 4098: 4094: 4086: 4082: 4069: 4068: 4061: 4046: 4042: 4027: 4023: 4015: 4011: 3998: 3997: 3993: 3976: 3972: 3964: 3960: 3952: 3948: 3940: 3933: 3925: 3921: 3908: 3907: 3903: 3895: 3891: 3883: 3879: 3871: 3867: 3852: 3851: 3847: 3825: 3821: 3808: 3807: 3803: 3795: 3791: 3783: 3779: 3769: 3767: 3754: 3747: 3734: 3733: 3726: 3709: 3705: 3697: 3693: 3683: 3681: 3668: 3667: 3663: 3653: 3652: 3648: 3640: 3636: 3628: 3624: 3616: 3612: 3599: 3598: 3594: 3584: 3582: 3573: 3572: 3565: 3557: 3553: 3545: 3541: 3531: 3529: 3512: 3508: 3495: 3488: 3480: 3476: 3451: 3447: 3437: 3435: 3424: 3420: 3405:Dell Publishing 3393: 3384: 3374: 3372: 3363: 3362: 3358: 3348: 3346: 3335: 3331: 3323: 3319: 3311: 3307: 3297: 3295: 3286: 3285: 3278: 3270: 3266: 3258: 3251: 3243: 3239: 3231: 3227: 3217: 3215: 3206: 3205: 3198: 3190: 3186: 3176: 3174: 3163: 3162: 3155: 3145: 3143: 3130: 3126: 3111: 3107: 3092: 3091: 3087: 3079: 3075: 3060: 3056: 3048: 3044: 3036: 3032: 3015: 3004: 2987: 2983: 2975: 2971: 2954: 2950: 2940: 2939: 2935: 2927: 2923: 2913: 2911: 2900: 2899: 2895: 2885: 2883: 2874: 2873: 2869: 2861: 2857: 2847: 2845: 2830: 2823: 2810: 2809: 2805: 2786: 2782: 2772: 2770: 2761: 2760: 2756: 2748: 2744: 2736: 2732: 2724: 2720: 2712: 2708: 2694: 2692: 2683: 2682: 2675: 2667: 2663: 2653: 2651: 2642: 2641: 2637: 2624: 2623: 2619: 2606: 2605: 2601: 2586: 2585: 2581: 2571: 2569: 2560: 2559: 2555: 2542: 2541: 2537: 2529: 2522: 2512: 2510: 2509:. Part II, p. 8 2497: 2493: 2485: 2481: 2471: 2469: 2460: 2459: 2455: 2445: 2443: 2433: 2429: 2419: 2417: 2404: 2400: 2390: 2379: 2377: 2376:. Part I, p. 14 2366: 2362: 2352: 2350: 2339: 2338: 2334: 2326: 2322: 2312: 2310: 2306: 2295: 2289: 2280: 2272: 2268: 2260: 2256: 2248: 2241: 2231: 2224: 2222: 2203: 2192: 2184: 2177: 2167: 2165: 2142: 2138: 2133: 2051:John Paul Jones 2014: 1987: 1952: 1868: 1866: 1864: 1862: 1856: 1854: 1852: 1851:, Mr. Bronston? 1837: 1831: 1809:John Philip Law 1658:Brave New World 1641: 1520: 1503:Bosley Crowther 1470:matte paintings 1410:Charlton Heston 1402:Marcus Aurelius 1376: 1333:No Down Payment 1323:The Hellraisers 1291:Boxer Rebellion 1273: 1235:Belmonte Castle 1175:Charlton Heston 1143:In April 1960, 1092: 1073:Bosley Crowther 1063:guarantee bonds 1004:Pope John XXIII 956:John Paul Jones 952: 941:John Paul Jones 931:John Paul Jones 858:Macdonald Carey 799:John Paul Jones 791: 788:John Paul Jones 784: 742: 656:Edward Chodorov 615:Agatha Christie 611:Julien Duvivier 603:Lewis Milestone 448:James Roosevelt 435: 430: 414:Charmian London 354: 254:Lewis Milestone 242:, and produced 224:, and moved to 218:James Roosevelt 195:media executive 177:Samuel Bronston 148: 147: 144: 1953) 139: 135: 127: 124: 1953) 119: 115: 114:Sarah Bogatchek 91: 88:media executive 74: 68: 64: 63:12 January 1994 55: 46: 40: 38: 37: 36: 26: 25:Samuel Bronston 17: 12: 11: 5: 5279: 5269: 5268: 5263: 5258: 5253: 5248: 5243: 5238: 5233: 5228: 5223: 5218: 5213: 5208: 5194: 5193: 5182: 5181:External links 5179: 5177: 5176: 5170: 5153: 5147: 5132: 5103: 5097:(PhD thesis). 5090: 5084: 5059: 5053: 5040: 5034: 5017: 5011: 4995: 4989: 4968: 4963:978-1439199589 4962: 4942: 4936: 4919: 4913: 4894: 4888: 4871: 4865: 4841: 4835: 4823:Barzman, Norma 4818: 4816: 4813: 4810: 4809: 4794:(in Spanish). 4776: 4761:. p. 28. 4743: 4713: 4677: 4675:, p. 197. 4665: 4663:, p. 196. 4650: 4623: 4593: 4573: 4553: 4533: 4515: 4503:Newspapers.com 4485: 4456: 4430: 4428:, p. 319. 4426:Rosendorf 2000 4418: 4397: 4395:, p. 198. 4382: 4357: 4336: 4319: 4301: 4284: 4281:. 6 June 1964. 4266: 4248: 4230: 4228:, p. 318. 4226:Rosendorf 2000 4218: 4200: 4182: 4164: 4146: 4144:, p. 155. 4134: 4116: 4114:, p. 154. 4104: 4102:, p. 132. 4092: 4090:, p. 153. 4080: 4059: 4040: 4021: 4019:, p. 145. 4009: 3991: 3970: 3958: 3946: 3944:, p. 134. 3931: 3929:, p. 127. 3919: 3901: 3899:, p. 126. 3889: 3877: 3865: 3845: 3828:Connolly, Mike 3819: 3801: 3799:, p. 172. 3789: 3787:, p. 378. 3777: 3745: 3724: 3703: 3691: 3661: 3646: 3634: 3622: 3610: 3592: 3563: 3551: 3539: 3506: 3486: 3484:, p. 260. 3482:Rosendorf 2000 3474: 3469:Newspapers.com 3445: 3418: 3382: 3356: 3329: 3317: 3315:, p. 375. 3305: 3276: 3264: 3262:, p. 364. 3249: 3247:, p. 362. 3237: 3225: 3196: 3194:, p. 361. 3184: 3153: 3124: 3105: 3085: 3081:Rosendorf 2007 3073: 3054: 3052:, p. 198. 3042: 3030: 3002: 2981: 2977:Rosendorf 2007 2969: 2948: 2933: 2921: 2893: 2867: 2865:, p. 178. 2855: 2821: 2803: 2780: 2754: 2742: 2730: 2728:, p. 130. 2726:Millichap 1981 2718: 2706: 2673: 2661: 2635: 2617: 2599: 2579: 2553: 2535: 2520: 2491: 2489:, p. 175. 2479: 2453: 2427: 2398: 2386:Newspapers.com 2360: 2332: 2320: 2278: 2276:, p. 173. 2266: 2254: 2252:, p. 172. 2239: 2190: 2188:, p. 171. 2175: 2135: 2134: 2132: 2129: 2128: 2127: 2119: 2111: 2103: 2095: 2087: 2079: 2071: 2063: 2055: 2047: 2039: 2031: 2023: 2013: 2010: 2009: 2008: 2001: 1986: 1983: 1960:Robert Haggiag 1951: 1948: 1833:Main article: 1830: 1825: 1805:Glenda Jackson 1797:Madison Avenue 1745:Hugo Fregonese 1724:The Sea Devils 1640: 1637: 1600:1948 elections 1533:Henry Hathaway 1519: 1514: 1451:Anthony Quayle 1422:Forbidden City 1375: 1370: 1283:Bernard Gordon 1272: 1267: 1214:Robert Haggiag 1159:film treatment 1091: 1086: 1077:New York Times 1011:Jeffrey Hunter 968:Spyros Skouras 951: 946: 886:du Pont family 862:Charles Coburn 790: 785: 783: 780: 741: 738: 734:Dudley Nichols 652:Borrowed Night 583:The Star Rover 567:Michael O'Shea 559:United Artists 514:United Artists 434: 431: 429: 426: 366:Russian Empire 353: 350: 342:prominent case 250:United Artists 210:Russian Empire 201:nominations. 172: 171: 165: 161: 160: 154: 150: 149: 137: 133: 132: 131: 130: 117: 113: 112: 111: 110: 107: 105: 101: 100: 97: 93: 92: 90: 89: 86: 82: 80: 76: 75: 69: 67:(aged 85) 61: 57: 56: 53:Russian Empire 47: 34: 32: 28: 27: 24: 15: 9: 6: 4: 3: 2: 5278: 5267: 5264: 5262: 5259: 5257: 5254: 5252: 5249: 5247: 5244: 5242: 5241:Moldovan Jews 5239: 5237: 5234: 5232: 5229: 5227: 5224: 5222: 5219: 5217: 5214: 5212: 5209: 5207: 5204: 5203: 5201: 5192: 5188: 5185: 5184: 5173: 5171:0-02-613320-2 5167: 5162: 5161: 5154: 5150: 5144: 5140: 5139: 5133: 5129: 5125: 5121: 5117: 5114:(1): 77–109. 5113: 5109: 5104: 5100: 5096: 5091: 5087: 5081: 5077: 5073: 5068: 5067: 5060: 5056: 5050: 5046: 5041: 5037: 5031: 5026: 5025: 5018: 5014: 5008: 5004: 5000: 4996: 4992: 4986: 4982: 4977: 4976: 4969: 4965: 4959: 4954: 4953: 4947: 4943: 4939: 4933: 4929: 4925: 4920: 4916: 4910: 4906: 4902: 4901: 4895: 4891: 4885: 4880: 4879: 4872: 4868: 4862: 4858: 4853: 4852: 4846: 4842: 4838: 4832: 4828: 4824: 4820: 4819: 4797: 4793: 4792: 4787: 4780: 4764: 4760: 4759: 4754: 4747: 4731: 4727: 4723: 4717: 4709: 4697: 4693: 4692: 4687: 4681: 4674: 4669: 4662: 4657: 4655: 4646: 4639: 4638: 4633: 4627: 4611: 4607: 4603: 4597: 4589: 4584: 4577: 4569: 4564: 4557: 4550: 4545: 4544: 4537: 4529: 4525: 4519: 4511: 4504: 4500: 4496: 4489: 4481: 4474: 4470: 4466: 4460: 4444: 4440: 4434: 4427: 4422: 4414: 4409: 4401: 4394: 4389: 4387: 4378: 4374: 4369: 4361: 4353: 4348: 4340: 4334:, p. 63. 4333: 4328: 4326: 4324: 4315: 4311: 4305: 4297: 4296: 4288: 4280: 4276: 4270: 4262: 4258: 4252: 4244: 4240: 4234: 4227: 4222: 4214: 4210: 4204: 4196: 4192: 4186: 4178: 4174: 4168: 4160: 4156: 4150: 4143: 4138: 4130: 4126: 4120: 4113: 4108: 4101: 4096: 4089: 4084: 4076: 4072: 4066: 4064: 4055: 4051: 4044: 4037:. p. 14. 4036: 4032: 4025: 4018: 4013: 4005: 4001: 3995: 3987: 3982: 3974: 3968:, p. 57. 3967: 3962: 3955: 3950: 3943: 3938: 3936: 3928: 3923: 3915: 3911: 3905: 3898: 3893: 3886: 3881: 3875:, p. 58. 3874: 3869: 3861: 3856: 3849: 3841: 3840: 3834: 3829: 3823: 3815: 3811: 3805: 3798: 3793: 3786: 3781: 3765: 3760: 3752: 3750: 3741: 3737: 3731: 3729: 3720: 3715: 3707: 3700: 3695: 3679: 3675: 3671: 3665: 3657: 3650: 3644:, p. 23. 3643: 3638: 3631: 3626: 3620:, p. 73. 3619: 3614: 3606: 3602: 3596: 3580: 3576: 3570: 3568: 3560: 3555: 3548: 3543: 3527: 3523: 3522: 3517: 3510: 3502: 3501: 3493: 3491: 3483: 3478: 3470: 3466: 3462: 3457: 3449: 3433: 3429: 3422: 3414: 3410: 3406: 3401: 3400: 3391: 3389: 3387: 3370: 3366: 3360: 3344: 3340: 3333: 3326: 3321: 3314: 3309: 3293: 3289: 3283: 3281: 3274:, p. 53. 3273: 3268: 3261: 3256: 3254: 3246: 3241: 3234: 3229: 3213: 3209: 3203: 3201: 3193: 3188: 3172: 3171: 3166: 3160: 3158: 3141: 3136: 3128: 3120: 3116: 3109: 3101: 3096: 3089: 3083:, p. 90. 3082: 3077: 3070:. p. X5. 3069: 3065: 3058: 3051: 3046: 3040:, p. 36. 3039: 3034: 3027:. p. X7. 3026: 3021: 3013: 3011: 3009: 3007: 2998: 2993: 2985: 2979:, p. 89. 2978: 2973: 2965: 2960: 2952: 2944: 2943:Daily Variety 2937: 2931:, p. 27. 2930: 2925: 2909: 2904: 2897: 2881: 2877: 2871: 2864: 2859: 2843: 2839: 2835: 2828: 2826: 2817: 2813: 2807: 2799: 2798: 2792: 2784: 2768: 2764: 2758: 2751: 2746: 2739: 2734: 2727: 2722: 2716:, p. 16. 2715: 2710: 2702: 2690: 2686: 2680: 2678: 2671:, p. 15. 2670: 2665: 2649: 2645: 2639: 2631: 2627: 2621: 2613: 2609: 2603: 2595: 2590: 2589:"Screen News" 2583: 2567: 2563: 2557: 2549: 2545: 2539: 2533:, p. 11. 2532: 2527: 2525: 2508: 2503: 2495: 2488: 2483: 2467: 2463: 2457: 2442: 2438: 2431: 2415: 2410: 2402: 2394: 2387: 2375: 2371: 2364: 2348: 2343: 2336: 2329: 2324: 2305: 2301: 2294: 2287: 2285: 2283: 2275: 2270: 2263: 2258: 2251: 2246: 2244: 2235: 2220: 2216: 2212: 2208: 2201: 2199: 2197: 2195: 2187: 2182: 2180: 2164: 2160: 2156: 2155: 2150: 2146: 2140: 2136: 2125: 2124: 2120: 2117: 2116: 2112: 2109: 2108: 2107:Dr. Coppelius 2104: 2101: 2100: 2099:Savage Pampas 2096: 2093: 2092: 2088: 2085: 2084: 2080: 2077: 2076: 2072: 2069: 2068: 2064: 2061: 2060: 2059:King of Kings 2056: 2053: 2052: 2048: 2045: 2044: 2040: 2037: 2036: 2032: 2029: 2028: 2024: 2021: 2020: 2016: 2015: 2006: 2002: 1999: 1995: 1994: 1989: 1988: 1982: 1980: 1976: 1972: 1969:secondary to 1968: 1963: 1961: 1957: 1943: 1938: 1934: 1932: 1928: 1924: 1923: 1918: 1913: 1911: 1907: 1903: 1899: 1898: 1892: 1889: 1885: 1880: 1876: 1870: 1860: 1850: 1844: 1842: 1836: 1829: 1824: 1822: 1818: 1814: 1810: 1806: 1802: 1798: 1794: 1790: 1786: 1782: 1778: 1774: 1769: 1766: 1765:Walter Slezak 1762: 1761: 1756: 1755: 1754:Dr. Coppelius 1750: 1746: 1742: 1741:Steve Barclay 1738: 1737:Robert Taylor 1734: 1733: 1732:Savage Pampas 1727: 1725: 1721: 1717: 1713: 1712: 1707: 1706: 1701: 1697: 1696: 1691: 1690: 1685: 1681: 1680:Adolfo Suárez 1676: 1674: 1670: 1666: 1665: 1660: 1659: 1654: 1650: 1646: 1636: 1634: 1633: 1632:Stella Dallas 1628: 1627: 1622: 1621: 1616: 1611: 1609: 1605: 1601: 1597: 1593: 1589: 1584: 1580: 1575: 1573: 1569: 1566: 1562: 1558: 1554: 1553:Richard Conte 1550: 1546: 1545:Rita Hayworth 1542: 1538: 1534: 1530: 1526: 1525: 1518: 1513: 1510: 1509: 1504: 1500: 1495: 1493: 1492: 1487: 1483: 1479: 1475: 1474:Martin Rackin 1471: 1466: 1464: 1460: 1456: 1452: 1448: 1444: 1440: 1439:Alec Guinness 1436: 1432: 1427: 1423: 1419: 1415: 1411: 1407: 1403: 1399: 1395: 1394: 1389: 1388:Edward Gibbon 1385: 1381: 1374: 1369: 1366: 1362: 1357: 1355: 1354:Andrew Marton 1351: 1347: 1341: 1339: 1335: 1334: 1328: 1324: 1320: 1315: 1313: 1309: 1305: 1301: 1297: 1296:Alec Guinness 1292: 1288: 1284: 1280: 1279: 1275:The idea for 1271: 1266: 1264: 1260: 1256: 1252: 1248: 1243: 1238: 1236: 1232: 1228: 1224: 1219: 1215: 1211: 1207: 1203: 1198: 1196: 1192: 1188: 1184: 1180: 1176: 1172: 1168: 1167:Philip Yordan 1164: 1160: 1156: 1152: 1148: 1147: 1141: 1139: 1135: 1131: 1127: 1123: 1122: 1117: 1113: 1105: 1101: 1096: 1090: 1085: 1083: 1082:King of Kings 1078: 1074: 1070: 1069:King of Kings 1066: 1064: 1060: 1056: 1055: 1050: 1046: 1042: 1038: 1037:King of Kings 1034: 1033: 1028: 1027: 1022: 1021: 1020:The Searchers 1016: 1012: 1007: 1005: 1001: 997: 996: 995:King of Kings 991: 990:Philip Yordan 987: 983: 979: 975: 974: 969: 965: 961: 957: 950: 949:King of Kings 945: 942: 938: 937: 932: 928: 926: 925:John Crawford 922: 918: 914: 910: 906: 902: 898: 894: 889: 887: 883: 879: 875: 871: 867: 863: 859: 855: 851: 847: 843: 839: 834: 832: 828: 824: 820: 816: 812: 808: 804: 800: 796: 789: 779: 777: 776: 771: 766: 764: 760: 759:Bob Considine 756: 751: 747: 737: 735: 731: 726: 723: 719: 718: 713: 709: 708: 702: 700: 696: 692: 688: 687:Robert Rossen 684: 679: 677: 673: 669: 665: 661: 658:'s 1944 play 657: 653: 649: 645: 641: 637: 632: 630: 626: 622: 621: 617:'s 1943 play 616: 612: 608: 604: 600: 599: 593: 591: 590: 585: 584: 579: 578: 572: 571:Susan Hayward 568: 564: 560: 556: 555: 550: 546: 545:Claire Trevor 542: 538: 537:Sidney Salkow 534: 530: 525: 523: 520:, which left 519: 515: 511: 507: 506: 501: 500: 495: 491: 487: 486: 481: 477: 476: 471: 470: 465: 464:penny arcades 461: 457: 453: 449: 446:where he met 445: 441: 425: 423: 422:United States 419: 415: 411: 406: 404: 400: 396: 392: 388: 384: 380: 375: 371: 368:(present day 367: 363: 359: 349: 347: 343: 339: 338: 337:Dr. Coppelius 333: 332: 331:Savage Pampas 327: 326: 321: 316: 314: 313: 308: 307: 302: 301: 296: 295: 294:King of Kings 290: 286: 282: 278: 273: 271: 270: 265: 261: 260: 255: 251: 247: 246: 241: 237: 236: 231: 227: 223: 219: 215: 212:(present day 211: 207: 202: 200: 199:Academy Award 196: 192: 187: 183: 178: 169: 166: 162: 159: 156:5, including 155: 151: 129: 128: 109: 108: 106: 102: 98: 94: 87: 85:Film producer 84: 83: 81: 77: 72: 62: 58: 54: 50: 45:7 August 1908 33: 29: 22: 19: 5159: 5137: 5111: 5107: 5094: 5065: 5044: 5023: 5002: 4974: 4951: 4946:Eyman, Scott 4923: 4899: 4877: 4850: 4826: 4800:. 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