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El Cid (film)

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903:, who was also blacklisted, was hired to rewrite these scenes. He stated, "So Yordan yanked me from what I was doing in Paris and said, 'Write me three or four love scenes for Loren and Heston.' Well, what the hell – he was paying me $ 1500 a week, which was a lot more than I made any other way, and I just took orders and I sat down and I wrote four scenes, about three or four pages each. Whatever love scenes there are in the picture I wrote. And they sent them to Loren and said, OK, she'll do the picture, so I was a little bit of a hero at that point". Loren had also hired screenwriter Basilio Franchina to translate the dialogue into Italian and then back into simpler English, with which she felt comfortable. 1172:. In total, over 2,000 costumes were used for the film. For the weaponry, Samuel Bronston Productions sought several local Spanish companies. Casa Cornejo provided 3,000 war helmets and hundreds of iron-studded leather jerkins. The Garrido Brothers factory, located in Toledo, Spain, worked under an exclusive contract for eight months producing 7,000 swords, scimitars, and lances. Anthony Luna, a Madrid prop manufacturer, crafted 40,000 arrows, 5,780 shields, 1,253 medieval harnesses, 800 maces and daggers, 650 suits of mail (woven from hemp and coated with a metal varnish), and 500 saddles. 527:, Alfonso seizes Chimene and her children and puts them in prison. Count Ordóñez rescues the three and brings them to Rodrigo, wanting to end his rivalry with El Cid and join him in the defense of Spain. Knowing that the citizens of Valencia are starving after the long siege, Rodrigo wins them over by throwing bread into the city with his catapults. Al-Kadir tries to intercede, but the Valencians kill him and open the gates to the besiegers. Emir al-Mu'tamin, Rodrigo's army, and the Valencians offer the city's crown to El Cid, but he refuses and instead sends the crown to King Alfonso. 3240: 531:
to the city in plain sight of the Moorish army. Doctors inform him that they can probably remove the arrow and save his life, but he will be incapacitated for a long time after the surgery. Unwilling to abandon his army at this critical moment, Rodrigo obtains a promise from Chimene to leave the arrow and let him ride back into battle, dying or dead. A guilt-ridden King Alfonso comes to his bedside and asks for his forgiveness. Rodrigo grants it, and Alfonso promises to look after Rodrigo's children.
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Emir al-Mu'tamin riding on either side, the horse leads a mounted charge against Ben Yusuf's now terrified soldiers, who believe that El Cid has risen from the dead. In the panic that ensues, Ben Yusuf is thrown from his horse and is crushed beneath Babieca's hooves, leaving his scattered army to be annihilated. King Alfonso leads Christians and Moors alike in a prayer for God to receive the soul "of the purest knight of all". The film ends with El Cid's horse riding along the coast.
512:. Sancho refuses to accept anything but an undivided kingdom as his birthright. After Alfonso instigates a knife fight, Sancho overpowers his brother and sends him to be imprisoned in Zamora. Rodrigo, who swore to protect all the king’s children, single-handedly defeats Alfonso's guards and brings the Prince to Calahorra. Sancho arrives to demand Alfonso, but Urraca refuses to hand him over. Rodrigo cannot take a side in the conflict, because his oath was to serve them all equally. 1235:(son of Samuel Bronston) and historian-author Neal M. Rosendorf; a documentary on the importance of film preservation and restoration; biographical featurettes on Samuel Bronston, Anthony Mann, and Miklos Rozsa; and a "making of" documentary, "Hollywood Conquers Spain." The collector's edition DVD also included a reproduction of the premiere's souvenir program and a comic book, as well as six color production stills. 1319:." They also noted that "Bronston's epic has its embarrassments. El Cid himself, too, crudely contemporarized seems less the scourge of the heathen than a champion of civil rights. And there are moments when Hero Heston looks as though he needs a derrick to help him with that broadsword. Nevertheless, Anthony Mann has managed his immense material with firmness, elegance, and a sure sense of burly epic rhythm." 870:. He was flown into Spain to begin finalizing the screenplay for the initial start of shooting by July 1960. On that same month, Philip Yordan had been hired to co-write the screenplay. Yordan remarked he had found Frank's treatment to be a "terrible script" and rewrote it. By their mid-November start date, the script had been rewritten, with Heston describing it to be an improvement over the first draft. 516:
coronation, El Cid has him swear upon the Bible that he had no part in the death of his brother. Alfonso, genuinely innocent (although his ally Urraca was aware of the plot), is offended by the demand and banishes Rodrigo from Spain. Chimene discovers she still loves Rodrigo and voluntarily joins him in exile. Rodrigo makes his career as a soldier elsewhere in Spain, and he and Chimene have twin girls.
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promises Count Ordóñez she will marry him instead if he kills Rodrigo. Ordóñez lays an ambush for Rodrigo and his men but is captured by al-Mu'tamin, to whom Rodrigo had earlier showed mercy. Rodrigo forgives the Count and returns home to marry Chimene. The marriage is not consummated: Rodrigo will not touch her if she does not give herself to him out of love. Chimene instead goes to a convent.
1376:, but—Mamma mia!—that name is below Charlton Heston's. In the language of the complaint: "If the defendants are permitted to place deponent's name below that of Charlton Heston, then it will appear that deponent's status is considered to be inferior to that of Charlton Heston... It is impossible to determine or even to estimate the extent of the damages which the plaintiff will suffer". 927: 375:, Bronston began developing a biographical film of El Cid. Franco had admired and compared himself to El Cid. In 1960, Bronston hired Frederic M. Frank to write the script and Anthony Mann to direct the film. Philip Yordan was later hired to rewrite the script, although Mann later recruited Ben Barzman to write the final screenplay. Before 1295:--in which scenery and regal rites and warfare have been so magnificently assembled and photographed as they are in this dazzler ... The pure graphic structure of the pictures, the imposing arrangement of the scenes, the dynamic flow of the action against strong backgrounds, all photographed with the 70mm color camera and projected on the 1697: 485:. At a private meeting, Rodrigo begs Gormaz to ask the aged but proud Diego for forgiveness (for accusing Rodrigo of treason). Gormaz refuses, so Rodrigo fights the duel on Diego’s behalf and kills his opponent. Chimene witnesses the death of Gormaz and swears to avenge him, renouncing her affection for Rodrigo. 1432:
is both turbulent and intelligent, with characters who analyze their passions as they eloquently articulate them. The Court scenes, in particular, have the complex intrigue, if not quite the poetry, of a Shakespearean history play. This richness is especially evident in the film's love story." At the
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as well as 500 mounted riders from Madrid's Municipal Honor Guard. 15 war machines and siege towers were constructed from historical artwork, and 35 boats were decorated with battlements to serve as the Moorish fleet. Tensions between Mann and Canutt rose as Mann sought to shoot the sequence himself.
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Ben Yusuf arrives at Valencia, the fortified city guarding the beach where he plans to land his armada. To weaken his Spanish opponents he hires Dolfos, a warrior formerly trusted by Ferdinand, to assassinate Sancho and throw suspicion for the crime on Alfonso, who becomes the sole king. At Alfonso's
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Rodrigo dies, and a rumor of his death spreads. His allies honor Rodrigo's final wish. With help of an iron frame they prop up his body, its eyes staring straight ahead. Dressed in full armor and holding an unfurled banner, he is strapped to the back of his horse, Babieca. Guided by King Alfonso and
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from Castile, Rodrigo becomes Ferdinand's champion, winning the city in single combat. In his new capacity he is sent on a mission to collect tribute from Moorish vassals to the Castilian crown. He asks that Chimene be given to him as his wife upon his return, so that he can provide for her. Chimene
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into the score. Bronston turned to Rózsa instead. Regardless, Italian financiers insisted Nascimbene be credited, to which Bronston asked Rózsa for his permission to have him credited on the Italian film prints. Rózsa agreed, as long as Nascimbene make no claim for royalties and his credit appeared
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were Bronston's first choices for the two leads. Writing in his autobiography, in the summer of 1960, Heston had received Frank's draft which he described as not "good, ranging from minimally OK to crappy", but he was intrigued with the role. He then flew out to Madrid, Spain to meet with Bronston,
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Ben Yusuf arrives with his immense invasion army, and Valencia is the only barrier between him and Spain. Ordóñez is tortured and killed after being captured on a reconnaissance mission. The ensuing battle goes well for the defenders until El Cid is struck in the chest by an arrow and has to return
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Years later, Rodrigo, now known widely as "El Cid", is called back into the service of the king to protect Castile from Yusuf's North African army. However, Alfonso rejects an alliance with El Cid's Muslim friends, and rather than work directly with the king, El Cid allies himself with the emirs to
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premiered on December 6, 1961 at the Metropole Theatre in London, and was released on December 14 in the United States. The film received largely positive reviews praising the performances of Heston and Loren, the cinematography, and the musical score. It went on to gross $ 26.6 million during its
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By January 1963, the film had grossed $ 8 million in box office rentals in the United States and Canada. The film finished its box office run, earning $ 26.6 million in the United States and Canada. Overall, it returned $ 12 million in box office rentals (the distributor's share of the box office
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trained for a month in the use in weaponry under stunt coordinator Enzo Musumeci Greco. The fight took five days to shoot, totaling 31 hours of combat before editing. 21,000 metres (69,000 ft) of film was shot for the sequence, which was ultimately edited down to 330 metres (1,080 ft)
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was initially approached to play Ben Yusuf, but he insisted a double do his on-set performance while he would dub in his lines during post-production. Bronston refused. British actors were primarily sought for the other male roles, for which most of the principal casting was completed by early
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Rózsa recorded a score totaling two hours and 16 minutes in Rome throughout ten days. However, more than 23 minutes of the score was removed during post-production, as the music would supersede the film's sound effects. Rózsa appealed to have the music restored to no success. After the film's
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gave the film two-and-a-half stars out of four. He commented that "...watching the movie today is something of a chore. Much of its celebration of heroic romanticism seems either silly, inflated or crudely flat in this non-heroic age." He also felt Heston and Loren lacked romantic chemistry.
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to North Africa. He chastises them for co-existing peacefully with their Christian neighbors, which goes against his dream of Islamic world domination. The emirs return to Spain with orders to resume hostilities with the Christians while Ben Yusuf readies his army for a full-scale invasion.
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praised the performances from Heston and Loren and summarized the film as "raw and strong, brooding and challenging, romantic and powerfully dramatic. It is motion picture entertainment ascending new heights of pomp, pageantry, panoply." Philip K. Scheuer of the
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to revise it. Mann subsequently got Barzman onto a plane to Rome, after which he gave him the current screenplay draft. Barzman read the draft and found it to be unusable. With filming set to begin, Barzman received a copy of the tragicomedy play
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on a busy day, but the dramatics in it explode with all the force of a panful of popcorn." It also derided Mann's direction as "slow, stately, and confused, while Miss Loren and Heston spend most of the picture simply glaring at each other."
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The film was released on January 29, 2008 as a deluxe edition and a collector's edition DVD. Both DVDs included bonus materials including archival cast interviews, as well as 1961 promotional radio interviews with Loren and Heston; an
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Principal photography began November 14, 1960 at Sevilla Studios in Madrid, Spain. Filming was reported to spend at least four months of exterior shooting in Spain which would be followed by a final month of interior shooting at the
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turns more often to the ridiculous than the sublime. Perhaps if the movie didn't take itself so seriously, there wouldn't be opportunities for unintentional laughter, but, from the bombastic dialogue to the stentorian score,
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is about as self-important as a motion picture can be. Regardless, there are still moments of breathtaking, almost transcendant splendor, when the film makers attain the grand aspirations they strive for.
481:. In court, the charge is supported by Chimene's father, Count Gormaz, the king's champion. Rodrigo's aged father, Don Diego, angrily calls Gormaz a liar. Gormaz strikes Don Diego, challenging him to a 1305:
praised the film as "a fast-action color-rich, corpse-strewn, battle picture...The Spanish scenery is magnificent, the costumes are vivid, the chain mail and Toledo steel gear impressive." A review in
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as the actual city had become modernized. For three months, hundreds of production design personnel constructed city walls to block off modern buildings. 1,700 trained infantrymen were leased from the
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that Mann had earlier shot. In his autobiography, Heston expressed his dissatisfaction with Mann's insistence on shooting the battle scenes himself, feeling Canutt was more competent and efficient.
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if not bigger. If it had put a few more connectives in the narrative, if it had not thrown in an excess of everything else in three hours running time, it might have been great." A review in
967:, but Heston and Bronston refused. Ultimately, Loren became available but only for ten to twelve weeks, in which she was paid $ 1 million. At the time, Loren became the second actress, after 1882: 1034:. Specifically for the film's second half, Heston suggested growing a gray-flecked beard and wearing a facial scar to showcase Don Rodrigo's battle scarring within the ten-year gap. 1114:
After meeting with Ramón Menéndez Pidal, Rózsa began an extensive one-month study into medieval Spanish music. He took inspiration from the 12th-century musical piece titled the
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had initiated 'Operación Propaganda Exterior' to increase Spanish trade and tourism, to which Bronston attended frequent meetings to discuss issues of common interest.
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On a 600-sq.-ft. billboard facing south over Manhattan's Times Square, Sophia Loren's name appears in illuminated letters that could be read from an incoming
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Yordan, and Mann who all discussed the role with him. On July 26, 1960, his casting was announced. As he conducted research into his role, Heston read
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Loren's scenes were shot first as her availability was initially for twelve weeks. Shooting lasted for eight hours a day as the production employed
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The Life and Times of Samuel Bronston, Builder of 'Hollywood in Madrid': A Study in the International Scope and Influence of American Pop Culture
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oversaw a staff of 400 wardrobe seamstresses which spent roughly $ 500,000 on manufacturing medieval-style clothing at a local supply company,
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that "not one line" in the shooting script was written by Yordan. However, Barzman's screen credit would not be added to the film until 1999.
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that their father wanted his kingdom divided among his heirs: Castile to Sancho, Asturias and León to Alfonso, and Calahorra to their sister,
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had its world premiere at the Metropole Theatre in Victoria, London on December 6, 1961. On December 14, 1961, the film premiered at the
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besiege Valencia, where the cowardly al-Kadir has violated his oath of allegiance to Rodrigo and come out in support of Ben Yusuf.
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from the library of the French embassy in Madrid and used it as the basis for a new screenplay. Years later, in 1967, Mann told
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Sophia Loren had a major issue with Bronston's promotion of the film, an issue important enough to her that Loren sued him for
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was approached for the role, but she backed out feeling Heston's part was bigger than hers. Mann then suggested his wife
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had read the latest draft and was displeased with her dialogue. She then recommended hiring blacklisted screenwriter
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brings back the excitement of movie-making; it may even bring back the excitement of movie-going. It's as big as
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Rosendorf, Neal (March 2007). "Hollywood in Madrid: American Film Producers and the Franco Regime, 1950–1970".
3216: 1846:, but he had already died in 1915. His brother, Ramón, was still alive in 1960 and as described was in his 90s. 1818: 1813: 3889:, reviewed by Dr. Jonathan Phillips, senior lecturer in medieval history, Royal Holloway, University of London 3299: 2816: 4949: 4899: 4849: 4563: 4316: 4113: 3944: 3907: 1408: 971:, to earn $ 1 million for a film. Furthermore, Bronston also agreed to pay $ 200 a week for her hairdresser. 164: 4684: 4557: 4424: 4954: 4909: 4874: 4761: 4300: 3885: 3029: 2996: 2168: 1126: 810: 604: 447: 4575: 1030:. As filming had progressed, by December 1960, location shooting for action sequences were shot along the 4929: 4894: 4348: 3159: 1062: 931: 760: 192: 4884: 4052: 1774: 4737: 910:
served as the historical consultant to the screenwriters and the director of the film. The naturalist
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However, Barzman's script lacked powerful romantic scenes, which again displeased Loren. Screenwriter
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had signed on to direct the film. In an interview, Mann called the film "a Spanish Western". However,
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described the film as being "crammed with jousts and battles, and its sound track is reminiscent of
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In April 1961, the last sequence to be shot for the film—the duel for Calahorra—was filmed near the
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screen, give a grandeur and eloquence to this production that are worth seeing for themselves".
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announced that Bronston was independently producing three films in Spain, one of which included
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in Los Angeles on December 18. For the film's international release, distributors included the
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had joined the cast. At least four actresses screen-tested for the role of Doña Urraca.
655: 383:'s Dear Film studio, making the film an Italian co-production. On a $ 7 million budget, 4801: 4793: 4478: 4276: 4244: 4185: 4137: 3808: 3781: 3709: 3644: 3190:"'El Cid' with Charlton Heston, Sophia Loren, Raf Vallone, Genevieve Page, John Fraser" 3106: 2033:
Epic Films: Casts, Credits, and Commentary on More Than 350 Historical Spectacle Movies
1945: 1357: 1301: 1267: 1066: 893: 818: 734: 695: 679: 626: 524: 317: 1100:, a native Italian composer, had been hired but he refused Bronston's demand to adapt 4703: 4669: 4501: 4455: 4260: 4228: 4145: 3976: 3857: 3829: 3812: 3762: 3751: 3735: 3716: 3693: 3686: 3670: 3651: 3628: 3609: 3001: 2894: 2381: 2254: 2041: 1507: 1488: 1434: 1330: 1196: 1161: 1153: 1079: 948: 566: 459: 451: 423: 419: 174: 3892: 983: 580: 359:
During the late 1950s, Samuel Bronston had established his own production studio in
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began, Bronston purchased the rights to a rival biographical film developed by
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magazine felt that "Surprisingly, the picture is good—maybe not as good as
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The battle of Valencia was shot on location along the beaches of Peñíscola.
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The Red and the Blacklist: The Intimate Memoir of a Hollywood Expatriate
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With the film's first half nearly complete, shooting for the battle of
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Klady, Leonard (February 20, 1995). "Top Grossing Independent Films".
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as "one of the greatest epic films ever made". James Berardinelli of
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releasing the film in Britain, Dear Film in Italy, Astoria Filmes in
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gave the film three stars out of four. In his review, he felt that "
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With the sequence nearly finished, Canutt spent three days filming
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was hired to write lyrics for the theme, much to Rózsa's dislike.
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won the part, and her casting was announced on December 16, 1960.
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Backstory 2: Interviews with Screenwriters of the 1940s and 1950s
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was briefly considered as a replacement. Another account states
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from the original on March 18, 2020 – via Newspapers.com.
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from the original on March 26, 2020 – via Newspapers.com.
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having undergone a digital and color restoration supervised by
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began filming in September 1960 and concluded in April 1961.
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Wicking, Christopher; Pattinson, Barrie (July–October 1969).
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premiere, he canceled a publicity tour promoting the score.
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and arranged a meeting with historian Ramón Menéndez Pidal.
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For his act of mercy, Don Rodrigo is accused of treason by
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The Magnificent Showman: The Epic Films of Samuel Bronston
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For script advice and historical truth, Spanish historian
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Don Rodrigo Díaz de Vivar, on the way to his wedding with
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In August 1993, the film was re-released in theaters by
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Initially, Loren was unavailable to portray Ximena, and
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as a potential project, but it would be set aside until
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Hollywood Exile: or How I Learned to Love the Blacklist
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wrote "it is hard to remember a picture--not excluding
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Outstanding Directorial Achievement in Motion Pictures
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when they were seated together at a dinner party in
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International Film Music Critics Association Awards
394:initial theatrical run. It was nominated for three 4067: 3821: 3750: 3708: 3685: 3643: 2729: 2649: 2547: 2481: 2444: 2139: 2128: 1086:(1961). Rózsa had been assigned by M-G-M to score 830:'s 140-page treatment for the film. In July 1960, 4816: 3792:Historical Journal of Film, Radio and Television 2886:A Knight at the Movies: Medieval History on Film 2166: 2152:from the original on March 26, 2020 – via 1842:In his autobiography, Heston claims he met with 1575:Best Cinematography in a Theatrical Feature Film 1503:Best Music Score of a Dramatic or Comedy Picture 978:November 1960. That same month, on November 30, 747:was recommended to him as a filming location by 404:Best Music Score of a Dramatic or Comedy Picture 2810: 2808: 2806: 2804: 2728:. March 5, 1962. Part IV, p. 16. Archived from 2253:. University of California Press. p. 368. 2106:"'Kings' Rolls, 1st of 3 Big Ones for Bronston" 709:as Soldier (Credited on film as Nelio Bernardi) 3824:Double Life: The Autobiography of Miklós Rózsa 2966:"Miramax to rerelease a restored '61 'El Cid'" 1868: 1866: 1864: 1862: 4425: 4053: 3908: 3646:Stunt Man: the Autobiography of Yakima Canutt 2247:McGilligan, Patrick (1997). "Philip Yordan". 1315:, but anyway better than any spectacle since 3297: 3267: 2801: 2734:on July 30, 2020 – via Newspapers.com. 2598:"Mann Winds Casting For Spain Pic, 'El Cid'" 2198: 2196: 2025: 2023: 2021: 2019: 783:(1959) was completed, Bronston and director 3641: 2878: 2876: 2756: 2592: 2590: 2511: 2509: 2029: 1859: 1054:, which would be edited within the longer, 811:Spanish Ministry of Information and Tourism 4432: 4418: 4060: 4046: 3915: 3901: 3421: 2246: 2230:"2d 'El Cid' Lined Up with Quinn-Grossman" 1702:Miklós Rózsa, Nic Raine and Douglass Fake 1567:British Society of Cinematographers Awards 1428:, wrote that "Like the best action films, 1168:, Italy from materials specially woven in 1082:, who had scored Bronston's previous film 1026:for the battle sequences were directed by 442:, rescues a Spanish town from an invading 27: 3788: 3775: 3298:Christiansen, Richard (August 27, 1993). 2651:"Genevieve Page Set for Role in 'El Cid'" 2372:Harris, Warren G. (1998). "Oscar Night". 2312: 2193: 2088: 2016: 2010: 1998: 1986: 1959: 846:set to star, and a collaboration between 523:After being defeated by the Moors at the 500:King Ferdinand dies and his younger son, 3625:Medieval and Early Modern Film and Media 3215:Scheuer, Philip K. (December 10, 1961). 3099: 3093: 2873: 2587: 2545: 2506: 2479: 2099: 2097: 1791: 1380: 993: 925: 3748: 3603: 3328: 3214: 2814: 2515: 2483:"MacDonald Carey on Set For 'Alcatraz'" 2442: 2300: 2137: 2076: 1938: 1936: 1257: 753:Spanish Ambassador to the United States 4817: 3729: 3706: 3683: 3664: 3642:Canutt, Yakima; Drake, Oliver (1979). 3310:from the original on November 30, 2020 3100:Crowther, Bosley (December 15, 1961). 3028:Arnold, Thomas K. (November 8, 2007). 3027: 2882: 2780: 2768: 2744: 2708: 2696: 2684: 2672: 2581: 2467: 2430: 2371: 2359: 2347: 2288: 2273: 1872: 1698:Best Re-Recording of an Existing Score 1078:The instrumental score was written by 328:, meaning "The Lord"). The film stars 4413: 4041: 3896: 3819: 3688:The Actor's Life: Journals, 1956–1976 3535: 3459:"Best Cinematography in Feature Film" 2994: 2963: 2867: 2855: 2837:from the original on January 27, 2021 2795: 2658:. December 16, 1960. Part II, p. 12. 2103: 2094: 1942: 4945:Films shot in the province of Cuenca 3622: 3585:at the Comic Book DB (archived from 3508: 3114:from the original on August 19, 2020 2546:Connolly, Mike (December 10, 1960). 2443:Scheuer, Philip K. (July 26, 1960). 2412:from the original on 30 October 2019 2313:Tavernier, Bertrand (January 1967). 1933: 1885:from the original on August 19, 2020 1873:Welles, Benjamin (January 1, 1961). 1652:Best Original Score – Motion Picture 1252: 787:began developing their next project 759:Bronston agreed and established his 367:. To strengthen cordial ties to the 3329:Corliss, Richard (August 6, 2006). 3040:from the original on August 1, 2020 2964:Frook, John Evan (April 16, 1993). 2907:from the original on August 1, 2020 2824:TCNJ Journal of Student Scholarship 2560:from the original on March 26, 2020 2494:from the original on March 18, 2020 2480:Connolly, Mike (October 19, 1960). 2337:(DVD). The Weinstein Company. 2008. 2141:"Bronston Discovers El Cid's Spain" 2138:Scheuer, Philip K. (July 6, 1960). 1203:, Filmayer in Spain, and Melior in 629:as Count Gormaz (father of Chimene) 352:, with uncredited contributions by 324:, called "El Cid" (from the Arabic 13: 3715:. New York: Simon & Schuster. 3439:from the original on April 2, 2015 3409:from the original on July 23, 2022 3375:from the original on July 23, 2022 3345:from the original on July 30, 2020 3030:"'El Cid' leads charge for Miriam" 3009:from the original on July 30, 2020 2976:from the original on July 30, 2020 2054:from the original on April 9, 2020 733:entered into cooperation with the 308:historical drama film directed by 16:1961 epic directed by Anthony Mann 14: 4966: 4870:Samuel Bronston Productions films 3845: 3488:Directors Guild of America Awards 3227:from the original on June 7, 2021 3170:from the original on June 7, 2021 3166:. December 22, 1961. p. 45. 2722:"Spanish Troops Seen in 'El Cid'" 2446:"Heston Accepts Lead in 'El Cid'" 2315:"Anthony Mann et 'Le Livre noir'" 1683:Best Sound Editing – Feature Film 1600:Directors Guild of America Awards 1145: 801:reached completion. At the time, 4441:Rodrigo Díaz de Vivar ("El Cid") 3257:. December 18, 1961. p. 98. 3238: 639:, the 1st born of King Ferdinand 623:as Don Diego (father of Rodrigo) 474:") and swear allegiance to him. 3576: 3558: 3529: 3502: 3475: 3451: 3387: 3357: 3322: 3291: 3280:from the original on 2020-07-30 3261: 3246: 3208: 3196:. December 9, 1961. p. 194 3182: 3152: 3126: 3078: 3052: 3021: 2995:Hartl, John (August 22, 1993). 2988: 2957: 2939: 2919: 2714: 2642: 2630:. November 30, 1960. p. 17 2616: 2549:"New Hemingway Picture Planned" 2539: 2528:from the original on 2022-05-27 2516:Corliss, Richard (2007-09-26). 2473: 2436: 2394: 2365: 2327: 2306: 2240: 2222: 2160: 1836: 1742:Lyrics by Paul Francis Webster 4865:Films directed by Anthony Mann 4835:English-language Italian films 4599:Tomb of El Cid and Doña Jimena 3270:"El Cid (United States, 1961)" 3160:"Cinema: A Round Table of One" 3089:. January 8, 1964. p. 37. 3085:"All-Time Top Film Grossers". 2817:"Miklós Rózsa's El Cid (1961)" 2815:Brausam, Joseph (April 2010). 2604:. November 2, 1960. p. 11 2169:"Interviews with Anthony Mann" 2104:Werba, Hank (April 27, 1960). 1965: 1915: 1897: 1819:List of historical drama films 1814:List of American films of 1961 1642:Best Director – Motion Picture 1096:was an Italian co-production, 866:The first writer assigned was 807:Rodrigo Díaz de Vivar, the Cid 724: 547:as Don Rodrigo Díaz de Vivar, 1: 4905:Films set in the 11th century 4727: 4712: 4674: 4659: 4646: 4633: 3669:. University of Texas Press. 3204:– via Internet Archive. 3148:– via Internet Archive. 3140:. December 6, 1961. p. 6 3102:"Spectacle of 'El Cid' Opens" 3074:– via Internet Archive. 3066:. January 9, 1963. p. 13 3060:"Big Rental Pictures of 1962" 2638:– via Internet Archive. 2612:– via Internet Archive. 2218:– via Internet Archive. 2189:– via Internet Archive. 1824: 1553:Best Actress – International 1243: 1221: 1111:only on the Italian prints. 775:to film sequences inside the 719: 4920:Films scored by Miklós Rózsa 4830:1960s English-language films 4381:The Fall of the Roman Empire 3985:The Fall of the Roman Empire 3268:Berardinelli, James (1993). 2210:. August 31, 1960. p. 5 1923:"Allied Artists New Beef Up" 1587:Cinema Writers Circle Awards 1448: 1385:During its 1993 re-release, 1334:opened his review writing, " 1238: 912:Felix Rodriguez de la Fuente 773:Francoist Spanish government 7: 4890:American biographical films 2568:– via Newspapers.com. 1807: 1738:(The Falcon and the Dove)" 1635:Best Motion Picture – Drama 1543:Best Actor – International 1523:(The Falcon and the Dove)" 873:Two days prior to filming, 193:Samuel Bronston Productions 10: 4971: 4925:Italian biographical films 4685:Crónica particular del Cid 2030:Allen Smith, Gary (2015). 1775:Thessaloniki Film Festival 1484:Best Art Direction – Color 1175: 1041:was filmed on location in 989: 921: 861: 761:namesake production studio 239:December 6, 1961 4935:Films adapted into comics 4855:American historical films 4695: 4620: 4585: 4576:Diego Fernández of Oviedo 4570:García Ramírez of Navarre 4538: 4517: 4465: 4447: 4076: 3931: 3805:10.1080/01439680601177155 3707:Heston, Charlton (1995). 3684:Heston, Charlton (1979). 2932:The Monthly Film Bulletin 2915:– via Google Books. 2374:Sophia Loren: A Biography 1905:"Bronston Pix Collective" 1763: 1760: 1754: 1749: 1714: 1711: 1706: 1681: 1668: 1633: 1628: 1623: 1618: 1593: 1560: 1539: 1534: 1496: 1477: 1472: 934:in the province of Cuenca 464:King Ferdinand of Castile 289: 281: 273: 263: 253: 230: 205: 180: 170: 160: 150: 94: 84: 76: 50: 40: 34:Theatrical release poster 26: 21: 4860:Italian historical films 4840:1960s biographical films 4497:Battle of Almenar (1082) 3776:Rosendorf, Neal (2000). 3665:Gordon, Bernard (1999). 2187:10.1093/screen/10.4-5.32 1073: 838:was nearly delayed when 805:had compared himself to 446:army. Two of the emirs, 4781:(animated series, 1980) 4738:Crónica popular del Cid 3604:Barzman, Norma (2003). 3566:"Dell Four Color #1259" 3253:"How To Lose Friends". 2757:Canutt & Drake 1979 1769:Best Production Design 1740:Music by Miklós Rózsa; 1525:Music by Miklós Rózsa; 1368:magazine described it: 1117:Cantigas de Santa Maria 1070:remaining in the film. 743:(1959). The country of 538: 413: 4845:1960s historical films 4389:The Heroes of Telemark 4285:The Glenn Miller Story 4114:Strangers in the Night 3820:Rózsa, Miklós (1982). 3749:Preston, Paul (1994). 3650:. Walker and Company. 3627:. Palgrave MacMillan. 3623:Burt, Richard (2008). 3134:"Film Reviews: El Cid" 3034:The Hollywood Reporter 2624:"New York Sound Track" 2335:The Making of 'El Cid' 1378: 1362:New York Supreme Court 1193:Carthay Circle Theatre 999: 935: 777:Royal Palace of Madrid 587:(sister of Alfonso VI) 332:in the title role and 4940:Films shot in Almería 4915:Films based on El Cid 4797:(animated film, 2003) 4301:Strategic Air Command 4154:Strange Impersonation 3583:Dell Four Color #1259 3570:Grand Comics Database 2947:"'El Cid's' Handlers" 2883:Aberth, John (2012). 1792:Comic book adaptation 1381:Retrospective reviews 1370: 1191:and premiered at the 997: 929: 836:principal photography 426:has summoned all the 377:principal photography 322:Rodrigo Díaz de Vivar 293:$ 26.6 million(US/CA) 4950:1960s American films 4900:Films shot in Madrid 4850:Allied Artists films 4723:Mocedades de Rodrigo 4629:Carmen Campidoctoris 4595:(cultural itinerary) 4309:The Man from Laramie 3730:Martin, Mel (2007). 2380:. pp. 161–162. 2378:Simon & Schuster 1976:. December 23, 1955. 1758:Best Costume Design 1661:Special Merit Award 1529:Paul Francis Webster 1409:Richard Christiansen 1258:Contemporary reviews 1136:Paul Francis Webster 1122:Alfonso X of Castile 1089:Mutiny on the Bounty 949:El Cantar de mio Cid 908:Ramón Menéndez Pidal 504:tells the elder son 492:demands the city of 197:Dear Film Produzione 4955:1960s Italian films 4910:Films set in Africa 4875:American epic films 4786:Rodrigue et Chimène 4778:Ruy, the Little Cid 4749:(tragicomedy, 1637) 4485:Battle of Golpejera 4130:Two O'Clock Courage 4122:The Great Flamarion 4090:Moonlight in Havana 3753:Franco: A Biography 3734:. BearManor Media. 3541:"2008 IFMCA Awards" 2759:, pp. 198–200. 2687:, pp. 248–249. 2433:, pp. 239–241. 2303:, pp. 306–313. 2276:, pp. 242–245. 2204:"'Cid's' Near-Skid" 1844:Juan Menéndez Pidal 1625:Golden Globe Awards 1024:second-unit filming 914:also helped to use 737:to film the biopic 658:(nephew of Rodrigo) 320:knight and warlord 4930:Italian epic films 4895:Films set in Spain 4794:El Cid: The Legend 4726:(cantar de gesta, 4621:Historical sources 4558:Cristina Rodríguez 4479:Battle of Llantada 4186:He Walked By Night 4138:Sing Your Way Home 4068:Films directed by 3923:Films produced by 3782:Harvard University 3331:"Mann of the Hour" 3194:Harrison's Reports 3107:The New York Times 2554:Valley Times Today 1879:The New York Times 1875:"'Reign in Spain'" 1761:Veniero Colasanti 1720:Top Musical Score 1675:Golden Reel Awards 1594:Best Foreign Film 1358:breach of contract 1324:Harrison's Reports 1268:The New York Times 1067:Christopher Rhodes 1022:. Simultaneously, 1000: 936: 894:Bertrand Tavernier 749:Jose Maria Areilza 735:United States Navy 729:In 1955, producer 703:as Mother Superior 680:Christopher Rhodes 627:Andrew Cruickshank 617:(Emir of Valencia) 607:(Emir of Zaragoza) 525:Battle of Sagrajas 408:Best Original Song 400:Best Art Direction 369:Spanish government 336:as El Cid's wife 4885:War romance films 4812: 4811: 4805:(TV series, 2020) 4765:(sculpture, 1927) 4741:(biography, 1498) 4704:Cantar de mio Cid 4688:(biography, 1512) 4670:Historia Roderici 4502:Battle of Morella 4407: 4406: 4349:God's Little Acre 4317:The Last Frontier 4261:Bend of the River 4192: 4146:The Bamboo Blonde 4035: 4034: 3977:55 Days at Peking 3945:A Walk in the Sun 3768:978-0-465-02515-2 3741:978-1-593-93129-2 3699:978-0-671-83016-8 3676:978-0-292-72827-1 3634:978-0-230-60125-3 3615:978-1-560-25617-5 3483:"14th DGA Awards" 3221:Los Angeles Times 3002:The Seattle Times 2900:978-1-135-25726-2 2726:Los Angeles Times 2656:Los Angeles Times 2518:"DVD and Conquer" 2453:. Part I, p. 23. 2451:Los Angeles Times 2387:978-0-684-80273-2 2350:, pp. 75–76. 2320:Cahiers du Cinéma 2291:, pp. 73–75. 2260:978-0-520209-08-4 2148:. Part II, p. 9. 2146:Los Angeles Times 2091:, pp. 91–92. 2047:978-1-476-60418-3 1962:, pp. 90–91. 1789: 1788: 1734:"Love Theme From 1715:Top Action Drama 1519:"Love Theme From 1489:Veniero Colasanti 1459:Date of ceremony 1435:review aggregator 1331:Los Angeles Times 1253:Critical response 1197:Rank Organization 1154:Veniero Colasanti 1151:Costume designers 1005:Cinecittà Studios 930:Filming near the 918:and other birds. 597:(King of Castile) 424:Almoravid dynasty 297: 296: 223: 217: 4962: 4762:El Cid Campeador 4732: 4729: 4717: 4716: 1140–1207 4714: 4679: 4678: 1181–1190 4676: 4664: 4661: 4651: 4648: 4638: 4635: 4508:Battle of Bairén 4434: 4427: 4420: 4411: 4410: 4397:A Dandy in Aspic 4190: 4098:Nobody's Darling 4062: 4055: 4048: 4039: 4038: 3917: 3910: 3903: 3894: 3893: 3839: 3827: 3816: 3785: 3772: 3756: 3745: 3726: 3714: 3703: 3692:. Pocket Books. 3691: 3680: 3661: 3649: 3638: 3619: 3608:. Nation Books. 3590: 3580: 3574: 3573: 3562: 3556: 3555: 3553: 3551: 3533: 3527: 3526: 3524: 3522: 3506: 3500: 3499: 3497: 3495: 3479: 3473: 3472: 3470: 3468: 3463: 3455: 3449: 3448: 3446: 3444: 3425: 3419: 3418: 3416: 3414: 3391: 3385: 3384: 3382: 3380: 3361: 3355: 3354: 3352: 3350: 3326: 3320: 3319: 3317: 3315: 3295: 3289: 3288: 3286: 3285: 3265: 3259: 3258: 3250: 3244: 3243: 3242: 3236: 3234: 3232: 3212: 3206: 3205: 3203: 3201: 3186: 3180: 3179: 3177: 3175: 3156: 3150: 3149: 3147: 3145: 3130: 3124: 3123: 3121: 3119: 3097: 3091: 3090: 3082: 3076: 3075: 3073: 3071: 3056: 3050: 3049: 3047: 3045: 3025: 3019: 3018: 3016: 3014: 2992: 2986: 2985: 2983: 2981: 2961: 2955: 2954: 2943: 2937: 2936: 2923: 2917: 2916: 2914: 2912: 2880: 2871: 2865: 2859: 2853: 2847: 2846: 2844: 2842: 2836: 2821: 2812: 2799: 2793: 2784: 2778: 2772: 2766: 2760: 2754: 2748: 2742: 2736: 2735: 2733: 2718: 2712: 2706: 2700: 2694: 2688: 2682: 2676: 2670: 2664: 2663: 2653: 2646: 2640: 2639: 2637: 2635: 2620: 2614: 2613: 2611: 2609: 2594: 2585: 2579: 2570: 2569: 2567: 2565: 2551: 2543: 2537: 2536: 2534: 2533: 2513: 2504: 2503: 2501: 2499: 2485: 2477: 2471: 2465: 2459: 2458: 2448: 2440: 2434: 2428: 2422: 2421: 2419: 2417: 2398: 2392: 2391: 2369: 2363: 2357: 2351: 2345: 2339: 2338: 2331: 2325: 2324: 2310: 2304: 2298: 2292: 2286: 2277: 2271: 2265: 2264: 2244: 2238: 2237: 2226: 2220: 2219: 2217: 2215: 2200: 2191: 2190: 2164: 2158: 2157: 2143: 2135: 2126: 2125: 2122:Internet Archive 2119: 2117: 2112:. pp. 3, 17 2101: 2092: 2086: 2080: 2074: 2068: 2067: 2061: 2059: 2036:(2nd ed.). 2027: 2014: 2008: 2002: 1996: 1990: 1984: 1978: 1977: 1969: 1963: 1957: 1951: 1950: 1940: 1931: 1930: 1919: 1913: 1912: 1901: 1895: 1894: 1892: 1890: 1870: 1847: 1840: 1751:Nastro d'Argento 1453: 1452: 1424:, reviewing for 1350:Idlewild airport 1297:Super-Technirama 1289:and, naturally, 1229:audio commentary 1098:Mario Nascimbene 969:Elizabeth Taylor 890:Pierre Corneille 868:Fredric M. Frank 840:Cesáreo González 828:Fredric M. Frank 803:Francisco Franco 757:Washington, D.C. 668:Tullio Carminati 373:Francisco Franco 342:Fredric M. Frank 312:and produced by 246: 244: 221: 215: 80:Fredric M. Frank 63:Fredric M. Frank 31: 19: 18: 4970: 4969: 4965: 4964: 4963: 4961: 4960: 4959: 4815: 4814: 4813: 4808: 4730: 4715: 4709:cantar de gesta 4691: 4677: 4662: 4649: 4636: 4616: 4581: 4578:(father-in-law) 4564:María Rodríguez 4552:Diego Rodríguez 4534: 4513: 4491:Battle of Cabra 4473:Battle of Graus 4461: 4443: 4438: 4408: 4403: 4357:Man of the West 4293:The Far Country 4253:The Tall Target 4245:Devil's Doorway 4213:Border Incident 4205:Reign of Terror 4072: 4066: 4036: 4031: 3953:John Paul Jones 3927: 3925:Samuel Bronston 3921: 3869:Rotten Tomatoes 3848: 3843: 3842: 3836: 3828:. Midas Books. 3769: 3742: 3723: 3700: 3677: 3658: 3635: 3616: 3593: 3581: 3577: 3564: 3563: 3559: 3549: 3547: 3534: 3530: 3520: 3518: 3507: 3503: 3493: 3491: 3481: 3480: 3476: 3466: 3464: 3461: 3457: 3456: 3452: 3442: 3440: 3427: 3426: 3422: 3412: 3410: 3393: 3392: 3388: 3378: 3376: 3369:Rotten Tomatoes 3365:"El Cid (1961)" 3363: 3362: 3358: 3348: 3346: 3327: 3323: 3313: 3311: 3304:Chicago Tribune 3296: 3292: 3283: 3281: 3266: 3262: 3252: 3251: 3247: 3237: 3230: 3228: 3213: 3209: 3199: 3197: 3188: 3187: 3183: 3173: 3171: 3158: 3157: 3153: 3143: 3141: 3132: 3131: 3127: 3117: 3115: 3098: 3094: 3084: 3083: 3079: 3069: 3067: 3058: 3057: 3053: 3043: 3041: 3026: 3022: 3012: 3010: 2993: 2989: 2979: 2977: 2962: 2958: 2945: 2944: 2940: 2925: 2924: 2920: 2910: 2908: 2901: 2893:. p. 107. 2881: 2874: 2866: 2862: 2854: 2850: 2840: 2838: 2834: 2819: 2813: 2802: 2794: 2787: 2779: 2775: 2767: 2763: 2755: 2751: 2743: 2739: 2720: 2719: 2715: 2707: 2703: 2695: 2691: 2683: 2679: 2671: 2667: 2648: 2647: 2643: 2633: 2631: 2622: 2621: 2617: 2607: 2605: 2596: 2595: 2588: 2580: 2573: 2563: 2561: 2544: 2540: 2531: 2529: 2514: 2507: 2497: 2495: 2478: 2474: 2466: 2462: 2441: 2437: 2429: 2425: 2415: 2413: 2408:. 7 July 2008. 2400: 2399: 2395: 2388: 2370: 2366: 2358: 2354: 2346: 2342: 2333: 2332: 2328: 2311: 2307: 2299: 2295: 2287: 2280: 2272: 2268: 2261: 2245: 2241: 2228: 2227: 2223: 2213: 2211: 2202: 2201: 2194: 2165: 2161: 2136: 2129: 2115: 2113: 2102: 2095: 2087: 2083: 2075: 2071: 2057: 2055: 2048: 2028: 2017: 2009: 2005: 1997: 1993: 1985: 1981: 1971: 1970: 1966: 1958: 1954: 1941: 1934: 1921: 1920: 1916: 1903: 1902: 1898: 1888: 1886: 1871: 1860: 1851: 1850: 1841: 1837: 1827: 1810: 1794: 1782:Honorary Award 1741: 1739: 1665:Samuel Bronston 1547:Charlton Heston 1526: 1524: 1451: 1439:Rotten Tomatoes 1422:Richard Corliss 1414:Chicago Tribune 1387:Martin Scorsese 1383: 1263:Bosley Crowther 1260: 1255: 1246: 1241: 1224: 1216:Martin Scorsese 1178: 1148: 1076: 1063:Belmonte Castle 1032:Guadarrama Pass 992: 939:Charlton Heston 932:Belmonte Castle 924: 864: 852:Milton Sperling 816:In April 1960, 781:John Paul Jones 740:John Paul Jones 731:Samuel Bronston 727: 722: 713:Franco Fantasia 701:Barbara Everest 621:Michael Hordern 545:Charlton Heston 541: 510:Princess Urraca 416: 330:Charlton Heston 314:Samuel Bronston 268: 256: 249: 242: 240: 233: 226: 216:(United States) 201: 200: 185: 183: 165:Robert Lawrence 146: 102:Charlton Heston 89:Samuel Bronston 72: 36: 17: 12: 11: 5: 4968: 4958: 4957: 4952: 4947: 4942: 4937: 4932: 4927: 4922: 4917: 4912: 4907: 4902: 4897: 4892: 4887: 4882: 4880:War epic films 4877: 4872: 4867: 4862: 4857: 4852: 4847: 4842: 4837: 4832: 4827: 4810: 4809: 4807: 4806: 4798: 4790: 4782: 4774: 4766: 4758: 4750: 4742: 4734: 4719: 4699: 4697: 4693: 4692: 4690: 4689: 4681: 4666: 4653: 4640: 4624: 4622: 4618: 4617: 4615: 4614: 4608: 4602: 4596: 4593:Camino del Cid 4589: 4587: 4583: 4582: 4580: 4579: 4573: 4567: 4561: 4555: 4549: 4542: 4540: 4536: 4535: 4533: 4532: 4527: 4521: 4519: 4515: 4514: 4512: 4511: 4505: 4499: 4494: 4488: 4482: 4476: 4469: 4467: 4463: 4462: 4460: 4459: 4451: 4449: 4445: 4444: 4437: 4436: 4429: 4422: 4414: 4405: 4404: 4402: 4401: 4393: 4385: 4377: 4369: 4361: 4353: 4345: 4337: 4329: 4321: 4313: 4305: 4297: 4289: 4281: 4273: 4269:The Naked Spur 4265: 4257: 4249: 4241: 4233: 4229:Winchester '73 4225: 4217: 4209: 4201: 4193: 4182: 4174: 4166: 4158: 4150: 4142: 4134: 4126: 4118: 4110: 4102: 4094: 4086: 4077: 4074: 4073: 4065: 4064: 4057: 4050: 4042: 4033: 4032: 4030: 4029: 4021: 4013: 4005: 3997: 3989: 3981: 3973: 3965: 3957: 3949: 3941: 3932: 3929: 3928: 3920: 3919: 3912: 3905: 3897: 3891: 3890: 3882: 3871: 3860: 3847: 3846:External links 3844: 3841: 3840: 3834: 3817: 3786: 3780:(PhD thesis). 3773: 3767: 3746: 3740: 3727: 3721: 3704: 3698: 3681: 3675: 3662: 3656: 3639: 3633: 3620: 3614: 3600: 3599: 3598: 3597: 3592: 3591: 3575: 3557: 3528: 3501: 3474: 3450: 3420: 3386: 3356: 3321: 3290: 3260: 3245: 3207: 3181: 3151: 3125: 3110:. p. 49. 3092: 3077: 3051: 3020: 2987: 2956: 2938: 2918: 2899: 2872: 2870:, p. 183. 2860: 2858:, p. 182. 2848: 2800: 2798:, p. 181. 2785: 2773: 2771:, p. 256. 2761: 2749: 2737: 2713: 2711:, p. 253. 2701: 2699:, p. 251. 2689: 2677: 2675:, p. 248. 2665: 2641: 2615: 2586: 2584:, p. 244. 2571: 2556:. p. 15. 2538: 2505: 2472: 2470:, p. 245. 2460: 2435: 2423: 2406:Diario de León 2393: 2386: 2364: 2362:, p. 122. 2352: 2340: 2326: 2305: 2293: 2278: 2266: 2259: 2239: 2221: 2192: 2159: 2154:Newspapers.com 2127: 2093: 2089:Rosendorf 2007 2081: 2069: 2046: 2040:. p. 76. 2015: 2013:, p. 260. 2011:Rosendorf 2000 2003: 1999:Rosendorf 2007 1991: 1987:Rosendorf 2007 1979: 1964: 1960:Rosendorf 2007 1952: 1949:. p. A84. 1932: 1914: 1896: 1881:. p. X5. 1857: 1856: 1855: 1849: 1848: 1834: 1833: 1832: 1831: 1826: 1823: 1822: 1821: 1816: 1809: 1806: 1805: 1804: 1793: 1790: 1787: 1786: 1783: 1780: 1777: 1771: 1770: 1766: 1765: 1762: 1759: 1756: 1753: 1747: 1746: 1743: 1732: 1728: 1727: 1724: 1721: 1717: 1716: 1713: 1710: 1704: 1703: 1700: 1695: 1692: 1686: 1685: 1680: 1677: 1671: 1670: 1667: 1662: 1658: 1657: 1654: 1648: 1647: 1644: 1638: 1637: 1632: 1627: 1621: 1620: 1617: 1612: 1607: 1602: 1596: 1595: 1592: 1589: 1583: 1582: 1580:Robert Krasker 1577: 1572: 1569: 1563: 1562: 1559: 1554: 1550: 1549: 1544: 1541: 1538: 1532: 1531: 1517: 1511: 1510: 1505: 1499: 1498: 1495: 1486: 1481: 1476: 1474:Academy Awards 1470: 1469: 1466: 1463: 1460: 1457: 1450: 1447: 1382: 1379: 1259: 1256: 1254: 1251: 1245: 1242: 1240: 1237: 1223: 1220: 1185:Warner Theatre 1177: 1174: 1147: 1146:Costume design 1144: 1132:Felipe Pedrell 1127:Llibre Vermell 1120:, compiled by 1102:Jules Massenet 1075: 1072: 991: 988: 984:Geneviève Page 923: 920: 901:Bernard Gordon 863: 860: 856:Robert Haggiag 726: 723: 721: 718: 717: 716: 710: 707:Nerio Bernardi 704: 698: 689: 686:Carlo Giustini 683: 677: 671: 665: 659: 652:Massimo Serato 649: 647:King Ferdinand 640: 630: 624: 618: 608: 601:Douglas Wilmer 598: 588: 581:Geneviève Page 578: 576:García Ordóñez 569: 560: 551: 540: 537: 502:Prince Alfonso 490:King of Aragon 415: 412: 396:Academy Awards 381:Robert Haggiag 354:Bernard Gordon 295: 294: 291: 287: 286: 283: 279: 278: 275: 271: 270: 265: 261: 260: 257: 254: 251: 250: 248: 247: 236: 234: 231: 228: 227: 225: 224: 218: 213:Allied Artists 209: 207: 206:Distributed by 203: 202: 199: 198: 195: 189: 188: 186: 181: 178: 177: 172: 168: 167: 162: 158: 157: 155:Robert Krasker 152: 151:Cinematography 148: 147: 145: 144: 139: 137:Massimo Serato 134: 129: 124: 119: 117:Geneviève Page 114: 109: 104: 98: 96: 92: 91: 86: 82: 81: 78: 74: 73: 71: 70: 65: 60: 54: 52: 48: 47: 42: 38: 37: 32: 24: 23: 15: 9: 6: 4: 3: 2: 4967: 4956: 4953: 4951: 4948: 4946: 4943: 4941: 4938: 4936: 4933: 4931: 4928: 4926: 4923: 4921: 4918: 4916: 4913: 4911: 4908: 4906: 4903: 4901: 4898: 4896: 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4876: 4873: 4871: 4868: 4866: 4863: 4861: 4858: 4856: 4853: 4851: 4848: 4846: 4843: 4841: 4838: 4836: 4833: 4831: 4828: 4826: 4823: 4822: 4820: 4804: 4803: 4799: 4796: 4795: 4791: 4789:(opera, 1993) 4788: 4787: 4783: 4780: 4779: 4775: 4772: 4771: 4767: 4764: 4763: 4759: 4757:(opera, 1885) 4756: 4755: 4751: 4748: 4747: 4743: 4740: 4739: 4735: 4725: 4724: 4720: 4710: 4706: 4705: 4701: 4700: 4698: 4694: 4687: 4686: 4682: 4672: 4671: 4667: 4657: 4654: 4644: 4641: 4631: 4630: 4626: 4625: 4623: 4619: 4612: 4611:Vivar del Cid 4609: 4606: 4603: 4600: 4597: 4594: 4591: 4590: 4588: 4584: 4577: 4574: 4571: 4568: 4565: 4562: 4559: 4556: 4553: 4550: 4547: 4544: 4543: 4541: 4537: 4531: 4528: 4526: 4523: 4522: 4520: 4516: 4509: 4506: 4503: 4500: 4498: 4495: 4492: 4489: 4486: 4483: 4480: 4477: 4474: 4471: 4470: 4468: 4464: 4457: 4453: 4452: 4450: 4446: 4442: 4435: 4430: 4428: 4423: 4421: 4416: 4415: 4412: 4399: 4398: 4394: 4391: 4390: 4386: 4383: 4382: 4378: 4375: 4374: 4370: 4367: 4366: 4362: 4359: 4358: 4354: 4351: 4350: 4346: 4343: 4342: 4338: 4335: 4334: 4330: 4327: 4326: 4322: 4319: 4318: 4314: 4311: 4310: 4306: 4303: 4302: 4298: 4295: 4294: 4290: 4287: 4286: 4282: 4279: 4278: 4274: 4271: 4270: 4266: 4263: 4262: 4258: 4255: 4254: 4250: 4247: 4246: 4242: 4239: 4238: 4234: 4231: 4230: 4226: 4223: 4222: 4218: 4215: 4214: 4210: 4207: 4206: 4202: 4199: 4198: 4194: 4188: 4187: 4183: 4180: 4179: 4175: 4172: 4171: 4167: 4164: 4163: 4159: 4156: 4155: 4151: 4148: 4147: 4143: 4140: 4139: 4135: 4132: 4131: 4127: 4124: 4123: 4119: 4116: 4115: 4111: 4108: 4107: 4103: 4100: 4099: 4095: 4092: 4091: 4087: 4084: 4083: 4079: 4078: 4075: 4071: 4063: 4058: 4056: 4051: 4049: 4044: 4043: 4040: 4027: 4026: 4022: 4019: 4018: 4014: 4011: 4010: 4009:Dr. Coppelius 4006: 4003: 4002: 4001:Savage Pampas 3998: 3995: 3994: 3990: 3987: 3986: 3982: 3979: 3978: 3974: 3971: 3970: 3966: 3963: 3962: 3961:King of Kings 3958: 3955: 3954: 3950: 3947: 3946: 3942: 3939: 3938: 3934: 3933: 3930: 3926: 3918: 3913: 3911: 3906: 3904: 3899: 3898: 3895: 3888: 3887: 3883: 3881: 3877: 3876: 3872: 3870: 3866: 3865: 3861: 3859: 3855: 3854: 3850: 3849: 3837: 3835:0-85936-209-4 3831: 3826: 3825: 3818: 3814: 3810: 3806: 3802: 3799:(1): 77–109. 3798: 3794: 3793: 3787: 3783: 3779: 3774: 3770: 3764: 3760: 3755: 3754: 3747: 3743: 3737: 3733: 3728: 3724: 3722:0-684-80394-1 3718: 3713: 3712: 3705: 3701: 3695: 3690: 3689: 3682: 3678: 3672: 3668: 3663: 3659: 3657:0-8027-0613-4 3653: 3648: 3647: 3640: 3636: 3630: 3626: 3621: 3617: 3611: 3607: 3602: 3601: 3595: 3594: 3588: 3584: 3579: 3571: 3567: 3561: 3546: 3542: 3538: 3532: 3517: 3516: 3511: 3505: 3490: 3489: 3484: 3478: 3460: 3454: 3438: 3434: 3430: 3424: 3408: 3404: 3400: 3396: 3390: 3374: 3370: 3366: 3360: 3344: 3340: 3336: 3332: 3325: 3309: 3305: 3301: 3294: 3279: 3275: 3271: 3264: 3256: 3249: 3241: 3226: 3223:. p. 3. 3222: 3218: 3211: 3195: 3191: 3185: 3169: 3165: 3161: 3155: 3139: 3135: 3129: 3113: 3109: 3108: 3103: 3096: 3088: 3081: 3065: 3061: 3055: 3039: 3035: 3031: 3024: 3008: 3004: 3003: 2998: 2991: 2975: 2971: 2967: 2960: 2952: 2948: 2942: 2934: 2933: 2928: 2922: 2906: 2902: 2896: 2892: 2888: 2887: 2879: 2877: 2869: 2864: 2857: 2852: 2833: 2829: 2825: 2818: 2811: 2809: 2807: 2805: 2797: 2792: 2790: 2783:, p. 78. 2782: 2777: 2770: 2765: 2758: 2753: 2747:, p. 79. 2746: 2741: 2732: 2727: 2723: 2717: 2710: 2705: 2698: 2693: 2686: 2681: 2674: 2669: 2661: 2657: 2652: 2645: 2629: 2625: 2619: 2603: 2599: 2593: 2591: 2583: 2578: 2576: 2559: 2555: 2550: 2542: 2527: 2523: 2519: 2512: 2510: 2493: 2490:. p. 8. 2489: 2484: 2476: 2469: 2464: 2456: 2452: 2447: 2439: 2432: 2427: 2411: 2407: 2403: 2397: 2389: 2383: 2379: 2375: 2368: 2361: 2356: 2349: 2344: 2336: 2330: 2322: 2321: 2316: 2309: 2302: 2297: 2290: 2285: 2283: 2275: 2270: 2262: 2256: 2252: 2251: 2243: 2235: 2231: 2225: 2209: 2205: 2199: 2197: 2188: 2184: 2180: 2176: 2175: 2170: 2163: 2155: 2151: 2147: 2142: 2134: 2132: 2123: 2111: 2107: 2100: 2098: 2090: 2085: 2078: 2073: 2065: 2053: 2049: 2043: 2039: 2035: 2034: 2026: 2024: 2022: 2020: 2012: 2007: 2001:, p. 90. 2000: 1995: 1989:, p. 89. 1988: 1983: 1975: 1968: 1961: 1956: 1948: 1947: 1939: 1937: 1928: 1924: 1918: 1910: 1906: 1900: 1884: 1880: 1876: 1869: 1867: 1865: 1863: 1858: 1853: 1852: 1845: 1839: 1835: 1829: 1828: 1820: 1817: 1815: 1812: 1811: 1802: 1799: 1796: 1795: 1785:Anthony Mann 1784: 1781: 1778: 1776: 1773: 1772: 1768: 1767: 1757: 1752: 1748: 1744: 1737: 1733: 1730: 1729: 1725: 1723:Miklós Rózsa 1722: 1719: 1718: 1709: 1708:Laurel Awards 1705: 1701: 1699: 1696: 1693: 1691: 1688: 1687: 1684: 1678: 1676: 1673: 1672: 1666: 1663: 1660: 1659: 1656:Miklós Rózsa 1655: 1653: 1650: 1649: 1646:Anthony Mann 1645: 1643: 1640: 1639: 1636: 1631: 1630:March 5, 1962 1626: 1622: 1616: 1613: 1611: 1608: 1606: 1603: 1601: 1598: 1597: 1590: 1588: 1585: 1584: 1581: 1578: 1576: 1573: 1570: 1568: 1565: 1564: 1558: 1555: 1552: 1551: 1548: 1545: 1542: 1537: 1533: 1530: 1522: 1518: 1516: 1513: 1512: 1509: 1506: 1504: 1501: 1500: 1494: 1490: 1487: 1485: 1482: 1480: 1479:April 9, 1962 1475: 1471: 1467: 1464: 1461: 1458: 1455: 1454: 1446: 1444: 1440: 1436: 1431: 1427: 1423: 1419: 1416: 1415: 1410: 1405: 1400: 1396: 1392: 1388: 1377: 1375: 1369: 1367: 1363: 1359: 1354: 1351: 1347: 1346: 1341: 1337: 1333: 1332: 1326: 1325: 1320: 1318: 1314: 1310: 1309: 1304: 1303: 1298: 1294: 1293: 1288: 1287: 1286:Helen of Troy 1282: 1281: 1276: 1275: 1270: 1269: 1264: 1250: 1236: 1234: 1233:Bill Bronston 1230: 1219: 1217: 1213: 1212:Miramax Films 1208: 1206: 1202: 1198: 1194: 1190: 1189:New York City 1186: 1182: 1173: 1171: 1167: 1163: 1159: 1155: 1152: 1143: 1139: 1137: 1133: 1129: 1128: 1123: 1119: 1118: 1112: 1109: 1108: 1103: 1099: 1095: 1091: 1090: 1085: 1084:King of Kings 1081: 1071: 1068: 1064: 1059: 1057: 1053: 1052:pick-up shots 1048: 1044: 1040: 1035: 1033: 1029: 1028:Yakima Canutt 1025: 1021: 1017: 1012: 1010: 1006: 996: 987: 985: 981: 980:Hurd Hatfield 976: 972: 970: 966: 962: 958: 957:Jeanne Moreau 953: 951: 950: 944: 940: 933: 928: 919: 917: 913: 909: 904: 902: 897: 895: 891: 887: 886: 880: 876: 871: 869: 859: 857: 853: 849: 845: 844:Anthony Quinn 841: 837: 833: 829: 825: 821: 820: 814: 812: 808: 804: 800: 799:King of Kings 796: 792: 791: 790:King of Kings 786: 782: 778: 774: 770: 766: 762: 758: 754: 750: 746: 742: 741: 736: 732: 714: 711: 708: 705: 702: 699: 697: 693: 690: 687: 684: 682:as Don Martín 681: 678: 675: 672: 669: 666: 663: 662:Hurd Hatfield 660: 657: 653: 650: 648: 644: 641: 638: 634: 631: 628: 625: 622: 619: 616: 612: 609: 606: 602: 599: 596: 592: 589: 586: 582: 579: 577: 573: 570: 568: 564: 561: 559: 555: 552: 550: 546: 543: 542: 536: 532: 528: 526: 521: 517: 513: 511: 507: 506:Prince Sancho 503: 498: 495: 491: 486: 484: 480: 479:Count Ordóñez 475: 473: 469: 465: 461: 457: 453: 449: 445: 441: 436: 433: 429: 425: 421: 411: 409: 405: 401: 397: 392: 388: 386: 382: 378: 374: 370: 366: 362: 357: 355: 351: 347: 346:Philip Yordan 343: 339: 335: 331: 327: 323: 319: 315: 311: 307: 303: 302: 292: 288: 285:$ 7–9 million 284: 280: 276: 272: 269:United States 266: 262: 258: 252: 238: 237: 235: 229: 219: 214: 211: 210: 208: 204: 196: 194: 191: 190: 187: 179: 176: 173: 169: 166: 163: 159: 156: 153: 149: 143: 140: 138: 135: 133: 132:Hurd Hatfield 130: 128: 125: 123: 120: 118: 115: 113: 110: 108: 105: 103: 100: 99: 97: 93: 90: 87: 83: 79: 75: 69: 66: 64: 61: 59: 58:Philip Yordan 56: 55: 53: 51:Screenplay by 49: 46: 43: 39: 35: 30: 25: 20: 4800: 4792: 4784: 4776: 4773:(film, 1961) 4769: 4768: 4760: 4752: 4744: 4736: 4721: 4702: 4683: 4673:(chronicle, 4668: 4658:(historian, 4645:(historian, 4632:(epic poem, 4627: 4613:(birthplace) 4395: 4387: 4379: 4372: 4371: 4363: 4355: 4347: 4341:The Tin Star 4339: 4331: 4323: 4315: 4307: 4299: 4291: 4283: 4275: 4267: 4259: 4251: 4243: 4235: 4227: 4219: 4211: 4203: 4195: 4191:(uncredited) 4184: 4176: 4168: 4160: 4152: 4144: 4136: 4128: 4120: 4112: 4104: 4096: 4088: 4082:Dr. Broadway 4080: 4070:Anthony Mann 4025:Fort Saganne 4023: 4015: 4007: 3999: 3993:Circus World 3991: 3983: 3975: 3968: 3967: 3959: 3951: 3943: 3935: 3884: 3874: 3863: 3852: 3823: 3796: 3790: 3777: 3752: 3731: 3711:In the Arena 3710: 3687: 3666: 3645: 3624: 3605: 3596:Bibliography 3587:the original 3578: 3560: 3548:. 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Index


Theatrical release poster
Anthony Mann
Philip Yordan
Fredric M. Frank
Ben Barzman
Samuel Bronston
Charlton Heston
Sophia Loren
Raf Vallone
Geneviève Page
John Fraser
Gary Raymond
Hurd Hatfield
Massimo Serato
Herbert Lom
Robert Krasker
Robert Lawrence
Miklós Rózsa
Samuel Bronston Productions
Allied Artists
epic
Anthony Mann
Samuel Bronston
Castilian
Rodrigo Díaz de Vivar
al-sidi
Charlton Heston
Sophia Loren
Doña Jimena

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