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264:. In 2018, he founded the Saman Samadi Quintet, bringing together alumni from the Manhattan School of Music. He also led two other ensembles based in New York City: the Apām Napāt Trio and the Aži Trio. In recognition of his contributions to the performing arts, particularly as an experimental music improviser, the New York Foundation for the Arts (NYFA) awarded him an Artist Diploma in 2015. Samadi has served as a faculty member at the Music School of New York City and the Piano School of NYC. Samadi has served as the Editorial Officer for the Wolfson Research Event at Cambridge and actively participates in reviews for reputable journals, including the Journal for Artistic Research.
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257:. Samadi directed the Concentus Orchestra from 2006 to 2009, an ensemble composed of musicians from the Tehran Music Conservatory and the University of Tehran. He received recognition by winning the first prize at the 2012 Counterpoint-Italy International Composition Competition. In 2014, his work was selected for premiere at the New York City Electroacoustic Music Festival.
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Saman Samadi's compositional repertoire includes orchestral, chamber, solo, and electroacoustic pieces, which have gained international exposure through performances across various regions, including the Middle East, the Far East, Europe, and the United States. His research is centered on
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contemporary
Western art music and Persian classical music, with a particular emphasis on advancing novel compositional approaches and musical experimentalism. He integrates creative practices with scholarly pursuits in cultural studies, (ethno)musicology, theory, and philosophy.
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under the supervision of
Richard Causton and Peter McMurray. His academic achievements were recognized and supported through his appointment as a Dr Grantham Scholar. Samadi founded and led the
152:. His work employs microtonal modes derived from Persian classical music, creating a unique pitch space with heterophonic textures, polyrhythms, and polymeters.
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233:, a renowned institution for mathematical prodigies in Iran, where he obtained a degree in Mathematics and Physics. He continued his studies in
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Samadi, Saman, 'Becoming
Persian Music: A Poststructuralist Approach to Composition' (Apollo - University of Cambridge Repository), 2023.
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275:. During his time at Cambridge, Samadi served as President of the Wolfson College Music Society and academic supervisor at the
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439:, An electroacoustic album including sixteen pieces – piano, reeds, buchla – Samadis’ Records Released: February 27, 2016
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Samadi's compositional approach, characterized by a melding of complexity and expressivity, draws inspiration from
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scores, thus creating a multi-dimensional experience that echoes with philosophical and poetic qualities.
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793:, for Alto, Baritone, Choir, and Orchestra — 2007 Duet for Horn and Piano, for Horn and Piano — 2007
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As a scholar, Samadis research interests span a wide spectrum of interdisciplinary areas, including
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249:. He earned a Bachelor of Arts in Music Performance and a Master of Arts in Composition from the
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529:, An electroacoustic album including nine pieces, Samadis’ Records Released: February 23, 2015
370:, An electroacoustic album including five pieces – Samadis’ Records Released: November 7, 2016
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Research
Catalogue - an international database for artistic research
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From 2013 to 2020, Samadi actively participated in New York City's
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405:, Works for Saxophone – Samadis’ Records Released: April 1, 2016
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Samadi conducted his doctoral research from 2020 to 2023 at the
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Shattering in Seven Pieces for Dream and
Wedding and Death
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596:), for Dozaleh, Piano, Tape and Live Electronics (2014)
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863:The New York City Electroacoustic Music Festival
853:Cambridge University Experimental Music Ensemble
273:Cambridge University Experimental Music Ensemble
43:but its sources remain unclear because it lacks
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745:, for Violin and Symphony Orchestra — 2011
303:, for wind quintet and fixed media — 2021
226:, and performance practice of new music.
74:Learn how and when to remove this message
943:Academics of the University of Cambridge
358:, for Violin and Electronics — 2015–2019
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229:Saman Samadi began his education at
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90:Samadi in Cambridge, England, 2023.
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832:Open Researcher and Contributor ID
624:, for Electronics and video (2011)
618:, for Electronics and video (2012)
616:Magnapinna in Abdomen of a Newborn
295:Avec Boulez, Mallarmé, et Foucault
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349:Ahunavaiti Gāthā no.1, stanza III
908:20th-century classical composers
903:21st-century classical composers
868:New York Foundation for the Arts
803:A Piece for Violin and Orchestra
791:Is This the World We Created...?
344:Ahunavaiti Gāthā no.1, stanza II
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235:Philosophy and Critical Thinking
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364:, Saxophone Quartet No.2 — 2017
339:Ahunavaiti Gāthā no.1, stanza I
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733:, for Chamber Orchestra — 2012
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883:New Complexity – Think:Listen
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277:Faculty of Music at Cambridge
245:at the Orpheus Institute and
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749:Symphony in Three Movements
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923:Male classical composers
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262:experimental music scene
239:University of Queensland
29:This article includes a
721:, for Violin duo — 2012
425:, for Saxophone Quartet
315:, for Piano Trio — 2021
269:University of Cambridge
134:Persian Classical music
106:University of Cambridge
58:more precise citations.
848:Saman Samadi's website
799:, for Orchestra — 2007
709:, for Orchestra — 2013
630:Microtonal Piano Solos
208:continental philosophy
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429:Before Your Very Eyes
413:, for Tenor Saxophone
321:, for Ensemble — 2020
297:, for ensemble — 2022
150:postmodern philosophy
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878:The Journal of Music
331:The Gāthās for Piano
251:University of Tehran
212:Deleuze and Guattari
781:, for Guitar — 2007
157:Persian calligraphy
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763:, for Piano — 2008
757:, for Piano — 2008
727:, for Piano — 2012
715:, for Piano — 2013
540:Shattered Mourning
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255:Alireza Mashayekhi
224:experimental music
204:conceptual history
155:Samadi reimagines
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31:list of references
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858:Steinway Teachers
247:Leuven University
243:Artistic Research
176:poststructuralism
122:Brian Ferneyhough
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50:Please help
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898:1984 births
701:Persia 1909
678:Deprivation
570:Dashtestani
480:Verethragna
333:— 2018–2019
188:linguistics
172:composition
146:visual arts
56:introducing
892:Categories
822:References
809:Two Nights
658:Perception
594:Palm Plate
550:Desolation
500:Hauruuatāt
490:Apām Napāt
465:Ariyāramna
437:Apām Napāt
216:complexity
192:aesthetics
161:Augenmusik
755:Impromptu
725:La Nausée
713:Gulhannai
673:Existence
565:Dissident
545:Injustice
470:Vivanhant
381:Berceuses
368:Nostalgia
196:modernism
180:semiotics
112:Biography
785:Camisado
773:Sonatina
683:Magnetic
648:Sisyphus
643:Solitude
535:Frenzied
411:Chamrosh
403:Chamrosh
313:Vāyuvēra
184:identity
142:language
102:composer
555:Ramkali
495:Anahita
376:Ghorbat
237:at the
52:improve
815:Sheyda
805:— 2007
797:Nausea
743:Bazzad
695:Teryan
668:Satire
663:Madman
653:Annica
638:Oracle
622:U-Turn
582:U-Turn
575:Satori
560:Zenith
520:Mithra
515:Zahhak
241:, and
148:, and
138:poetry
600:Amiri
505:Ahura
485:Yasna
475:Haoma
455:Daeva
231:NODET
37:, or
761:Wine
707:Panj
510:Manu
460:Yima
450:Asha
396:Hura
386:Vāyu
356:Mira
198:and
737:Paj
325:Aša
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