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generative history, the texturation of its successivity: its perceptual potential has been redefined by the collision. As the piece progresses we are continually stumbling across further stages in this catastrophic obstacle race. The energy accumulation and expenditure across and between these confrontational moments is perceived as a form of internalized metronome, and in fact it is a version of this procedure which most clearly fuels the expressive world of
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314:; Cardew enjoyed a prestigious continental reputation, but a poor one in his homeland. Swarsenski said of Ferneyhough: 'I've taken on an English composer who is I think is enormously talented. If this doesn't work, this is the last time'. Ferneyhough continued to struggle, but the aforementioned Royan festival marked a breakthrough for Ferneyhough's career.
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Ferneyhough has been called "the most controversial composer of his generation". "In the same year , the performance of several of his works at the Royan
Festival established Ferneyhough as one of the most brilliant and controversial figures of a new generation of composers". "Brian Ferneyhough may
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The more the internal integrity of a musical event suggests its autonomy, the less the capacity of the "time arrow" to traverse it with impunity; it is "bent" by the contact. By the same token, however, the impact of the time vector "damages" the event-object, thus forcing it to reveal its own
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Ferneyhough has been interested in challenging listenersâ ways of absorbing musical information flow, prompting new kinds of temporal awareness by being presented with musical materials (events, objects, gestures, rhythms, textures) that contain their own sufficient complexity:
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Andrew
Clements, "Friday Review: Opera of the Phantom: Brian Ferneyhough Is the Last Composer You'd Expect to Produce a Stage Work, but the Lifeâand death, and afterlifeâof the Philosopher Walter Benjamin Inspired Him to Write an Opera Like No Other",
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well be one of the most important composers to emerge from the latter half of this century. Simultaneously famous and infamous, he is a controversial figure of world renown, bent on making the most out of music."
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in 1966 was returned, with a suggestion that the oboe part should be scored for clarinet. Whilst
Ferneyhough did find it hard, one source of support came from Hans Swarsenski who saw the same thing happen to
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and other "generative" methods of composing; he prefers instead to use systems only to create material and formal constraints, while their realisation appears to be more spontaneous.
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In 2012 he was awarded an honorary DMus from
Goldsmiths, University of London. In December 2018 he received an honorary degree from the
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His scores make huge technical demands on performers. The compositions have, however, attracted a number of advocates, among them the
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school of composition (indeed, he is often referred to as the "Father of New
Complexity"), characterized by its extension of the
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Duncan, Stuart. "Re-complexifying the
Function(s) of Notation in the Music of Brian Ferneyhough and the 'New Complexity
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Between 1973 and 1986 he taught composition at the
Hochschule fĂŒr Musik Freiburg, Germany, where his students included
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114:; born 16 January 1943) is an English composer. Ferneyhough is typically considered the central figure of the
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849:"one of the most significant achievements in late 20th-century orchestral writing", and also recommended the
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Rhythm in the music of Brian
Ferneyhough, Michael Finnissy, and Arthur Kampela : a guide for performers
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Ferneyhough's initial forays into composition were met with little sympathy in
England. His submission of
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1482:(ed.). "Brian Ferneyhough". Munich: Edition Text+Kritik in Richard Boorberg Verlag, 2008. (in German)
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240:, with whom he became friends during his student days. In 1984 he was given the title Chevalier de l'
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Michael
Finnissy, "Biography", Official Michael Finnissy website. Retrieved on 17 February 2009.
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and, since 1990, has directed an annual mastercourse at the Fondation Royaumont in France.
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Rosser, Peter. "Brian Ferneyhough and the 'Avant-Garde Experience': Benjaminian Tropes in
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Department of Music. Between 1978 and 1994 Ferneyhough was a composition lecturer at the
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for sixteen solo voices (3S, Mez, 4A, 4T, 2Bar, 2B), percussion and electronics (1974)
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1075:"Brian Ferneyhough to receive honorary doctorate from Royal Birmingham Conservatoire"
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for fl, ob, 2cl, bn, hn, tpt, trb, euphonium, 1perc, pf, 2vn, va, vc, db (1982) (
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festival. In many of these events he was paired with fellow British composer,
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1045:(Updated 22 October 2008), edited by Deane Root (accessed 9 September 2012)
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cover: Brian Ferneyhough in conversation with Molly Sheridan, 22 July 2005
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for lifetime achievement. In 2009 he was appointed foreign member of the
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Toop, Richard. "'Prima le Parole...' (On the Sketches for Ferneyhough's
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2119:
1441:. Luisa Castellani (voice); FĂ©lix Renggli (fl); Ernesto Molinari (cl);
1724:; (film by Colin Still, cello: Neil Heyde, electronics: Paul Archbold)
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for chorus (SATB), 3 clarinets, violin, piano and percussion (2000) (
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1445:, c. Giorgio Bernasconi, Zsolt Nagy, Emilio Pomarico. ACCORD 205772.
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Brian Ferneyhough - Unity Capsule for solo flute (1976) (with score)
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From here, Ferneyhough became closely associated with the so-called
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external links, and converting useful links where appropriate into
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for two pianos and two orchestras with five conductors (1969-1971)
1467:
Developing an Interpretive Context: Learning Brian Ferneyhough's
329:). Ferneyhough's actual compositional approach, however, rejects
1492:. Neue Folge (in German) (140). MĂŒnchen: Edition Text + Kritik.
1191:". The Ensemble Sospeso New York website (accessed 31 May 2011).
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for solo viola, obbligato percussion and six instruments (1996)
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94:
106:
100:
1211:". Monday Evening Concerts website (accessed 31 May 2011).
216:, the first of several pieces for solo flute, as well as
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Composer Brian Ferneyhough wins 2007 Siemens Music Prize
909:(8 December 2002). "Ferneyhough (pronounced FUR-nee-ho)"
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Multicursal Labyrinths in the Work of Brian Ferneyhough
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by Lucy Thraves, Rhinegold Publishing, 26 November 2018
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Between 1987 and 1999 he was Professor of Music at the
1149:", Musicweb-International.com (accessed 18 June 2011).
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for his contribution to contemporary classical music.
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Search Journal for New Music and Culture; Summer 2010
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Search Journal for New Music and Culture; Summer 2009
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Info at Brian Ferneyhough's publisher, Edition Peters
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by Felipe Ribeiro, James Correa, Catarina Domenici (
1636:â includes biography, works and selected discography
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movement. Ferneyhough has taught composition at the
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Academic staff of the Hochschule fĂŒr Musik Freiburg
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Brian Ferneyhough wins 2007 Siemens Prize for Music
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940:
325:tendency towards formalization (particularly as in
251:. His graduate students at UCSD included composers
162:in 1968 and moved to mainland Europe to study with
130:and is a regular lecturer in the summer courses at
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683:for fifteen wind instruments and percussion (1986)
615:for solo piano (2011â13), part of Nicolas Hodges'
534:for singing cellist and live electronics (1973â76)
437:, and based on the life of the German philosopher
1807:
1741:"Brian Ferneyhough (biography, works, resources)"
1722:Electric Chair Music / Time & Motion Study II
1579:may not follow Knowledge's policies or guidelines
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1338:Ph.D. Thesis, City University of New York, 2003.
2226:Chevaliers of the Ordre des Arts et des Lettres
1640:Info at Stanford University Department of Music
965:
931:
689:for solo clarinet and chamber ensemble (1988) (
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1421:. Disques Montaigne MO 7 82029. Ferneyhough:
919:Pronouncing Dictionary of Music and Musicians
737:for quarter-tone guitar and vibraphone (2008)
228:were given; the former piece being awarded a
1486:Tadday, Ulrich (2008). "Brian Ferneyhough".
1136:", Classical Source (accessed 19 June 2011).
1003:
1001:
671:for soprano and chamber ensemble (1982â1985)
146:and received formal musical training at the
1275:The Collected Writings of Brian Ferneyhough
659:(inspired by the "Carceri d'Invenzione" by
449:
134:. He has resided in California since 1987.
1800:
1786:
1278:. Amsterdam: Harwood Academic Publishers.
901:A Music So Demanding That It Sets You Free
597:Opus Contra Naturam, for Solo Piano (2000)
29:
1615:Learn how and when to remove this message
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154:from 1966 to 1967, where he studied with
2281:Alumni of the Birmingham School of Music
1762:) is being considered for deletion. See
941:Annie Darlin Gordon (19 November 2012).
263:. For the 2007â08 academic year, he was
1301:University of Illinois Urbana-Champaign
1232:
1032:
1030:
1010:"Brian Ferneyhough: Complete Biography"
2231:Members of the Academy of Arts, Berlin
2168:
1377:Brian Ferneyhough â Collected Writings
1292:
1238:"A guide to Brian Ferneyhough's music"
1220:
872:Brian Ferneyhough by Brian Ferneyhough
699:for violin and chamber ensemble (1992)
637:for solo voices and ensemble (1972â75)
507:
307:Society for the Promotion of New Music
296:
2261:Ernst von Siemens Music Prize winners
1781:
2211:Alumni of the Royal Academy of Music
1559:
1534:. "Connections and Constellations".
1027:
798:
705:for oboe and 9 solo strings (1996) (
2276:21st-century British male musicians
2271:20th-century British male musicians
1688:An Interview with Brian Ferneyhough
1385:Ferneyhough: String Quartet No. 4;
603:for two guitars (2004), five pieces
249:University of California, San Diego
124:University of California, San Diego
13:
1528:32, no. 1 (Winter, 1994): 154â175.
1476:32, no. 1 (Winter, 1994): 132â153.
1365:. New Series (203): 45â48, 50â52.
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278:In 2007, Ferneyhough received the
14:
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1766:to help reach a consensus. âș
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1547:and the Semantics of Modernism".
1517:28, no. 2 (Summer, 1990): 52â100.
1352:48, no. 1 (Winter 2010): 136â172.
1007:
444:
2251:English male classical composers
2196:21st-century classical composers
2191:20th-century classical composers
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1459:48, no. 2 (Summer 2010):114â151.
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747:
193:, Joël Bons (winner of the 2021
84:
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1101:
1080:
864:
479:Fourth String Quartet (1989â90)
412:, Mark Knoop, Geoffrey Morris,
2256:20th-century English composers
2201:21st-century British composers
1551:37, no. 2 (Summer 1999): 1â22.
1540:144, no. 1883 (Summer): 23â32.
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291:Royal Birmingham Conservatoire
284:Royal Swedish Academy of Music
232:, the latter performed at the
158:. Ferneyhough was awarded the
1:
1809:Ernst von Siemens Music Prize
1751:
1182:Brian Ferneyhough, Solo Works
886:
677:for flute and ensemble (1985)
424:, and EXAUDI Vocal Ensemble.
280:Ernst von Siemens Music Prize
242:Ordre des Arts et des Lettres
166:in Amsterdam, and later with
120:Hochschule fĂŒr Musik Freiburg
1705:The Experience of Complexity
1401:with Brenda Mitchell (sop);
1379:, edited by James Boros and
1359:(January 1998). "Review: ".
794:
467:Second String Quartet (1980)
212:of 1974 saw the premiere of
80:Brian John Peter Ferneyhough
7:
2186:English classical composers
1202:Brian Ferneyhough, composer
1147:Ferneyhough â Chamber works
861:, and the string quartets.
731:for large ensemble (2007â8)
623:For non-orchestral ensemble
528:for bass clarinet (1971â77)
497:Sixth String Quartet (2010)
482:Fifth String Quartet (2006)
476:Third String Quartet (1987)
10:
2297:
1522:Carceri d'invenzione IâIII
1293:Feller, Ross Alan (1994).
1261:
768:for large orchestra (2006)
719:The Doctrine of Similarity
462:Sonatas for String Quartet
148:Birmingham School of Music
2241:Pupils of Lennox Berkeley
1815:
1743:(in French and English).
1549:Perspectives of New Music
1526:Perspectives of New Music
1515:Perspectives of New Music
1474:Perspectives of New Music
1472:" (Subscription access).
1456:Perspectives of New Music
1349:Perspectives of New Music
783:(1999â2004), libretto by
641:Time and Motion Study III
494:for string quartet (2008)
488:for string quartet (2007)
226:Time and Motion Study III
185:, Alessandro Melchiorre,
67:
59:
37:
28:
21:
2266:String quartet composers
2216:Harvard University staff
1856:Dietrich Fischer-Dieskau
1764:templates for discussion
1652:Living Composers Project
1039:, "Ferneyhough, Brian",
772:
743:for 6 instruments (2012)
681:Carceri d'Invenzione III
532:Time and Motion Study II
450:Works for string quartet
142:Ferneyhough was born in
53:Coventry, United Kingdom
2206:Musicians from Coventry
1645:2 November 2013 at the
1509:. "Brian Ferneyhough's
1439:Carceri d'Invezione III
1132:27 January 2011 at the
874:. Paris: L'Age d'homme
675:Carceri d'Invenzione II
668:Etudes Transcendantales
580:for percussion (1991) (
526:Time and Motion Study I
273:DarmstÀdter Ferienkurse
160:Mendelssohn Scholarship
137:
132:DarmstÀdter Ferienkurse
2246:Pupils of Ton de Leeuw
982:. 2013. Archived from
647:Carceri d'Invenzione I
631:for wind sextet (1967)
574:for double bass (1989)
520:Cassandra's Dream Song
348:
214:Cassandra's Dream Song
152:Royal Academy of Music
2078:Pierre-Laurent Aimard
1892:Karlheinz Stockhausen
1832:Mstislav Rostropovich
1543:Williams, Alastair. "
1443:Ensemble Contrechamps
1431:On Stellar Magnitudes
1236:(10 September 2012).
1207:21 March 2012 at the
1123:Richard Whitehouse, "
1096:Boros & Toop 1995
943:"Brian Ferneyhough's
899:Matthias Kriesberg, "
847:La Terre est un Homme
760:La Terre est un Homme
661:Giambattista Piranesi
609:for alto flute (2009)
540:for solo flute (1976)
433:, with a libretto by
376:Massimiliano Damerini
364:Ensemble Contrechamps
358:, the members of the
339:
71:Composer and Lecturer
2221:Microtonal composers
2066:Christoph Eschenbach
1988:Nikolaus Harnoncourt
1928:H. C. Robbins Landon
1585:improve this article
945:Cassandra Dream Song
870:Ferneyhough, Brian.
851:Carceri d'Invenzione
762:for orchestra (1979)
456:First String Quartet
179:Joël-François Durand
1946:Harrison Birtwistle
1838:Herbert von Karajan
1597:footnote references
1407:Stefano Scodanibbio
1187:6 July 2008 at the
976:"Brian Ferneyhough"
953:on 15 February 2013
787:, premiered at the
590:for violin (1999) (
552:for guitar (1989) (
522:for flute (1970â71)
508:Selected solo works
486:Dum transisset IâIV
366:, Ensemble Exposé,
297:Style and technique
261:Stanford University
128:Stanford University
2024:Anne-Sophie Mutter
1982:Reinhold Brinkmann
1874:Witold LutosĆawski
1707:by Larson Powell (
1511:Lemma-Icon-Epigram
1391:Trittico per G. S.
1042:Grove Music Online
1014:Edition-Peters.com
986:on 1 November 2013
924:5 May 2010 at the
906:The New York Times
855:Lemma-Icon-Epigram
814:. You can help by
741:Liber Scintillarum
588:Unsichtbare Farben
544:Lemma-Icon-Epigram
399:Friedrich Gauwerky
327:integral serialism
269:Harvard University
265:visiting professor
230:Koussevitzky Prize
2129:
2128:
2018:Brian Ferneyhough
1958:Helmut Lachenmann
1916:Hans Werner Henze
1898:Leonard Bernstein
1769:Brian Ferneyhough
1625:
1624:
1617:
1537:The Musical Times
1499:978-3-88377-918-8
1387:Kurze Schatten II
1330:Bortz, Graziela.
1114:(8 July 2005):11.
1086:Toop 2002, p. 139
832:
831:
785:Charles Bernstein
572:Trittico per G.S.
550:Kurze Schatten II
435:Charles Bernstein
199:Hans-Ola Ericsson
187:Giulio Castagnoli
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23:Brian Ferneyhough
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2096:Tabea Zimmermann
2090:Rebecca Saunders
2012:Daniel Barenboim
1952:Maurizio Pollini
1826:Olivier Messiaen
1820:Benjamin Britten
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687:La Chute dâIcare
601:no time (at all)
546:for piano (1982)
516:for organ (1970)
407:
395:Mats Scheidegger
393:, Arne DeForce,
392:
356:ELISION Ensemble
312:Cornelius Cardew
238:Michael Finnissy
195:Grawemeyer Award
126:; he teaches at
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2114:George Benjamin
2048:Friedrich Cerha
2042:Aribert Reimann
2006:Henri Dutilleux
1970:Arditti Quartet
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1647:Wayback Machine
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1573:This article's
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1325:Further reading
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439:Walter Benjamin
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352:Arditti Quartet
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253:Chaya Czernowin
175:Toshio Hosokawa
156:Lennox Berkeley
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2213:
2208:
2203:
2198:
2193:
2188:
2183:
2178:
2163:
2162:
2150:
2127:
2126:
2124:
2123:
2117:
2111:
2105:
2099:
2093:
2087:
2081:
2075:
2069:
2063:
2057:
2054:Mariss Jansons
2051:
2045:
2039:
2036:Michael Gielen
2033:
2027:
2021:
2015:
2009:
2003:
2000:Alfred Brendel
1997:
1991:
1985:
1979:
1976:Mauricio Kagel
1973:
1967:
1961:
1955:
1949:
1943:
1940:Claudio Abbado
1937:
1931:
1925:
1922:Heinz Holliger
1919:
1913:
1907:
1904:Peter Schreier
1901:
1895:
1889:
1886:Andrés Segovia
1883:
1880:Yehudi Menuhin
1877:
1871:
1865:
1862:Elliott Carter
1859:
1853:
1847:
1841:
1835:
1829:
1823:
1816:
1813:
1812:
1805:
1804:
1797:
1790:
1782:
1776:
1775:
1749:
1737:
1726:
1725:
1713:
1712:
1696:
1695:
1685:
1677:video excerpts
1667:
1655:
1654:
1649:
1637:
1623:
1622:
1577:external links
1572:
1570:
1563:
1557:
1556:External links
1554:
1553:
1552:
1541:
1529:
1518:
1504:
1498:
1489:Musik-Konzepte
1483:
1480:Tadday, Ulrich
1477:
1463:Schick, Steven
1460:
1447:
1411:Irvine Arditti
1353:
1340:
1326:
1323:
1322:
1321:
1299:(DMA thesis).
1290:
1284:
1268:Boros, James;
1263:
1260:
1257:
1256:
1225:
1213:
1193:
1173:
1151:
1145:Gavin Dixon, "
1138:
1116:
1100:
1088:
1079:
1067:
1056:
1047:
1026:
997:
964:
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830:
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792:
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774:
771:
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769:
763:
757:
754:Firecycle Beta
749:
746:
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738:
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726:
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710:
700:
694:
684:
678:
672:
664:
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632:
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621:
620:
619:
610:
607:Sisyphus Redux
604:
598:
595:
585:
575:
569:
547:
541:
535:
529:
523:
517:
509:
506:
505:
504:
498:
495:
489:
483:
480:
477:
474:
468:
465:
459:
451:
448:
446:
445:Selected works
443:
422:Harry Sparnaay
410:Nicolas Hodges
368:Armand Angster
360:Nieuw Ensemble
319:New Complexity
298:
295:
257:Mark Applebaum
234:Donaueschingen
210:Royan Festival
203:Rodney Sharman
191:Kaija Saariaho
139:
136:
116:New Complexity
73:
72:
69:
65:
64:
61:
57:
56:
51:
39:
35:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
2293:
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2259:
2257:
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2249:
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2239:
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2232:
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2222:
2219:
2217:
2214:
2212:
2209:
2207:
2204:
2202:
2199:
2197:
2194:
2192:
2189:
2187:
2184:
2182:
2181:Living people
2179:
2177:
2174:
2173:
2171:
2161:
2151:
2149:
2139:
2138:
2135:
2121:
2118:
2115:
2112:
2109:
2108:Olga Neuwirth
2106:
2103:
2100:
2097:
2094:
2091:
2088:
2085:
2082:
2079:
2076:
2073:
2070:
2067:
2064:
2061:
2058:
2055:
2052:
2049:
2046:
2043:
2040:
2037:
2034:
2031:
2028:
2025:
2022:
2019:
2016:
2013:
2010:
2007:
2004:
2001:
1998:
1995:
1994:Wolfgang Rihm
1992:
1989:
1986:
1983:
1980:
1977:
1974:
1971:
1968:
1965:
1964:György Kurtåg
1962:
1959:
1956:
1953:
1950:
1947:
1944:
1941:
1938:
1935:
1934:György Ligeti
1932:
1929:
1926:
1923:
1920:
1917:
1914:
1911:
1910:Luciano Berio
1908:
1905:
1902:
1899:
1896:
1893:
1890:
1887:
1884:
1881:
1878:
1875:
1872:
1869:
1866:
1863:
1860:
1857:
1854:
1851:
1850:Pierre Boulez
1848:
1845:
1844:Rudolf Serkin
1842:
1839:
1836:
1833:
1830:
1827:
1824:
1821:
1818:
1817:
1814:
1810:
1803:
1798:
1796:
1791:
1789:
1784:
1783:
1780:
1774:
1770:
1765:
1761:
1760:
1755:
1750:
1746:
1742:
1738:
1736:
1733:
1732:
1731:
1730:
1723:
1720:
1719:
1718:
1717:
1710:
1706:
1703:
1702:
1701:
1700:
1693:
1689:
1686:
1684:
1683:
1678:
1674:
1672:
1668:
1665:
1662:
1661:
1660:
1659:
1653:
1650:
1648:
1644:
1641:
1638:
1635:
1632:
1631:
1630:
1629:
1619:
1616:
1608:
1598:
1594:
1593:inappropriate
1590:
1586:
1580:
1578:
1571:
1562:
1561:
1550:
1546:
1542:
1539:
1538:
1533:
1530:
1527:
1523:
1519:
1516:
1512:
1508:
1507:Toop, Richard
1505:
1501:
1495:
1491:
1490:
1484:
1481:
1478:
1475:
1471:
1470:
1469:Bone Alphabet
1464:
1461:
1458:
1457:
1452:
1448:
1446:
1444:
1438:
1435:Superscriptio
1434:
1430:
1426:
1422:
1420:
1419:Jonathan Nott
1416:
1415:ASKO Ensemble
1412:
1408:
1404:
1400:
1394:
1390:
1386:
1382:
1378:
1372:
1368:
1364:
1363:
1358:
1354:
1351:
1350:
1341:
1339:
1335:
1334:
1329:
1328:
1318:
1314:
1310:
1306:
1302:
1298:
1297:
1291:
1287:
1285:9783718655762
1281:
1277:
1276:
1271:
1270:Toop, Richard
1266:
1265:
1245:
1244:
1239:
1235:
1229:
1222:
1217:
1210:
1206:
1203:
1197:
1190:
1186:
1183:
1177:
1163:
1162:
1155:
1148:
1142:
1135:
1131:
1128:
1127:
1120:
1113:
1112:
1104:
1098:, p. 45.
1097:
1092:
1083:
1076:
1071:
1065:
1060:
1051:
1044:
1043:
1038:
1033:
1031:
1015:
1011:
1004:
1002:
985:
981:
977:
971:
969:
952:
948:
946:
937:
935:
927:
923:
920:
915:
908:
907:
902:
896:
892:
881:
877:
873:
869:
868:
862:
860:
856:
852:
848:
844:
840:
839:
826:
817:
813:
810:This section
808:
805:
801:
800:
790:
786:
782:
781:
777:
776:
767:
766:Plötzlichkeit
764:
761:
758:
755:
752:
751:
748:For orchestra
742:
739:
736:
735:Renvoi/Shards
733:
730:
727:
724:
720:
717:
714:
711:
708:
704:
701:
698:
695:
692:
688:
685:
682:
679:
676:
673:
670:
669:
665:
662:
656:
652:
648:
645:
642:
639:
636:
633:
630:
627:
626:
618:
614:
611:
608:
605:
602:
599:
596:
593:
589:
586:
583:
579:
578:Bone Alphabet
576:
573:
570:
567:
563:
559:
555:
551:
548:
545:
542:
539:
538:Unity Capsule
536:
533:
530:
527:
524:
521:
518:
515:
514:Sieben Sterne
512:
511:
502:
499:
496:
493:
490:
487:
484:
481:
478:
475:
472:
469:
466:
463:
460:
457:
454:
453:
442:
440:
436:
432:
431:
425:
423:
419:
415:
411:
405:
400:
396:
390:
386:
382:
377:
373:
369:
365:
361:
357:
353:
347:
345:
338:
334:
332:
328:
324:
320:
315:
313:
308:
304:
294:
292:
287:
285:
281:
276:
274:
270:
266:
262:
258:
254:
250:
245:
243:
239:
235:
231:
227:
223:
219:
215:
211:
206:
204:
200:
196:
192:
188:
184:
183:Roger Redgate
180:
176:
171:
169:
165:
161:
157:
153:
149:
145:
135:
133:
129:
125:
121:
117:
111:
81:
77:
70:
68:Occupation(s)
66:
62:
58:
54:
49:(age 81)
40:
36:
32:
27:
20:
2017:
1868:Gidon Kremer
1757:
1728:
1727:
1715:
1714:
1698:
1697:
1680:
1670:
1657:
1656:
1628:Biographical
1627:
1626:
1611:
1602:
1587:by removing
1574:
1548:
1535:
1525:
1521:
1514:
1510:
1487:
1473:
1468:
1454:
1450:
1440:
1436:
1432:
1428:
1424:
1396:
1392:
1388:
1384:
1381:Richard Toop
1376:
1360:
1347:
1331:
1295:
1274:
1247:. Retrieved
1243:The Guardian
1241:
1234:Service, Tom
1228:
1223:, p. 1.
1216:
1196:
1176:
1165:, retrieved
1160:
1154:
1141:
1125:
1119:
1111:The Guardian
1109:
1103:
1091:
1082:
1070:
1059:
1050:
1040:
1037:Richard Toop
1017:. Retrieved
1013:
988:. Retrieved
984:the original
979:
955:. Retrieved
951:the original
944:
928:"FUR-nih-ho"
914:
904:
895:
871:
865:Bibliography
858:
854:
850:
846:
838:The Guardian
836:
833:
823:January 2013
820:
816:adding to it
811:
778:
765:
759:
753:
740:
734:
729:Chronos-Aion
728:
723:score sample
718:
712:
707:score sample
702:
696:
691:program note
686:
680:
674:
666:
655:score sample
646:
640:
634:
628:
612:
606:
600:
592:score sample
587:
582:score sample
577:
571:
566:score sample
549:
543:
537:
531:
525:
519:
513:
500:
491:
485:
470:
461:
455:
428:
426:
349:
343:
340:
335:
316:
302:
300:
288:
277:
246:
225:
221:
218:Missa Brevis
217:
213:
207:
172:
164:Ton de Leeuw
141:
79:
78:
76:
2176:1943 births
2084:Beat Furrer
2072:Per NÞrgÄrd
2060:Peter GĂŒlke
2030:Klaus Huber
1752:âč The
1682:NewMusicBox
1671:NewMusicBox
1451:Funérailles
1413:(vln) with
1221:Feller 1994
843:Tom Service
427:His opera,
418:Carl Rosman
402: [
379: [
372:James Avery
168:Klaus Huber
60:Nationality
2170:Categories
2120:Unsuk Chin
1658:Interviews
1423:Prometheus
1309:2142/19574
1126:Shadowtime
990:25 January
957:25 January
887:References
780:Shadowtime
629:Prometheus
471:Adagissimo
430:Shadowtime
303:Coloratura
170:in Basel.
45:1943-01-16
2148:Biography
1666:(SOSPESO)
1664:Interview
1589:excessive
1357:Pace, Ian
795:Reception
703:Allgebrah
501:Silentium
344:Mnemosyne
331:serialism
323:modernist
1754:template
1699:Articles
1643:Archived
1605:May 2022
1317:34051107
1205:Archived
1185:Archived
1130:Archived
922:Archived
882:(French)
880:21274317
853:pieces,
713:Incipits
651:analysis
562:analysis
558:analysis
492:Exordium
414:Ian Pace
150:and the
144:Coventry
122:and the
2134:Portals
1756:below (
1679:, from
1583:Please
1575:use of
1405:(gtr);
1395:Terrain
1262:Sources
1249:5 March
1167:3 March
947:(1970)"
859:Terrain
845:called
697:Terrain
635:Transit
305:to the
267:at the
222:Transit
63:British
43: (
2122:(2024)
2116:(2023)
2110:(2022)
2104:(2021)
2098:(2020)
2092:(2019)
2086:(2018)
2080:(2017)
2074:(2016)
2068:(2015)
2062:(2014)
2056:(2013)
2050:(2012)
2044:(2011)
2038:(2010)
2032:(2009)
2026:(2008)
2020:(2007)
2014:(2005)
2008:(2004)
2002:(2004)
1996:(2002)
1990:(2002)
1984:(2001)
1978:(2000)
1972:(1999)
1966:(1998)
1960:(1997)
1954:(1996)
1948:(1995)
1942:(1994)
1936:(1993)
1930:(1992)
1924:(1991)
1918:(1990)
1912:(1989)
1906:(1988)
1900:(1987)
1894:(1986)
1888:(1985)
1882:(1984)
1876:(1983)
1870:(1982)
1864:(1981)
1858:(1980)
1852:(1979)
1846:(1978)
1840:(1977)
1834:(1976)
1828:(1975)
1822:(1974)
1773:Curlie
1759:Curlie
1545:Adorno
1496:
1409:(db);
1371:946283
1369:
1315:
1282:
1019:21 May
878:
503:(2014)
473:(1983)
464:(1967)
458:(1963)
201:, and
1745:IRCAM
1729:Other
1716:Films
1417:, c.
1367:JSTOR
1362:Tempo
773:Opera
613:Quirl
554:essay
406:]
391:]
1524:)".
1494:ISBN
1313:OCLC
1280:ISBN
1251:2021
1169:2022
1021:2020
992:2013
959:2013
876:OCLC
255:and
224:and
208:The
138:Life
38:Born
1771:at
1591:or
1513:".
1465:. "
1453:".
1346:".
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1393:;
1389:;
1383:.
1336:.
1311:.
1303:.
1240:.
1029:^
1012:.
1000:^
978:.
967:^
933:^
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857:,
653:,
564:,
560:,
556:,
420:,
416:,
408:,
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387:;
385:ru
383:;
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568:)
110:/
104:h
101:i
98:n
92:f
89:Ë
86:/
82:(
47:)
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