38:
182:
as director of recording, traveling the world on the company's behalf, and setting up its US arm before returning to Pathé to take charge of its
European recording activities. He also maintained an occasional recording career, recording "The Departure of the First U.S. Troops for France", again with
153:
in 1899, he recorded "The
Departure of the Troop Ship", with the sounds of "crowds at the quayside, bands playing the troops up the gang-plank, bugles sounding 'All ashore', farewell cries of 'Don’t forget to write', troops singing "Home Sweet Home", which gradually receded in the distance, and the
137:
had
Hunting record a skit, "Cohen at the Telephone". He was paid $ 5 per "round", as pantographic duplication yielded about 100 acceptable duplicates of a cylinder. At the end of the fourth round (recording into 4 machines yielded 16 masters) he saw a man carting 24 recordings of his "Cohen at the
70:, as well as for other companies, and several of his recordings such as "Michael Casey at the Telephone" and "Michael Casey Taking the Census" (both 1892) became famous. In 1893, Hunting recorded the earliest version of the
169:
in
Britain. In 1904, Hunting and Louis Sterling formed the Sterling Record Company, which became the Russell Hunting Record Company Ltd., in London. The company produced Sterling cylinder records and
66:
character named
Michael Casey. The recordings consisted of rapid-fire cross-talk between two characters, with Hunting taking all the parts. From 1892 he recorded the Michael Casey skits for
138:
Telephone" away at the end of the studio. Hunting accused Leeds Talk-O-Phone of attempting to defraud him. The company, according to
Hunting, made good upon being threatened with exposure.
126:
321:
339:
305:
341:
From the
Tinfoil to Stereo: The Acoustic Years of the Recording Industry ... - Walter Walter Leslie Welch, Leah Brodbeck Stenzel Burt - Google Boeken
158:
said that the record influenced her above anything else to make records. While
Hunting was in England, James H. White recorded "Casey" material for
436:
58:
Theatre
Company. He began his recording career around 1891 recording for the New England Phonograph Company. He became famous for his series of
443:
124:
laws. Hunting was found guilty and spent three months in prison. Some of
Hunting's lewd recordings were included on the 2007 compilation
117:
495:
447:
213:
411:
490:
112:
such as Manly Tempest and Willy Fathand. Hunting was identified by his distinctive voice, and a detective working for
264:
349:
249:
370:
96:
with his partner Charles M. Carlson. He also, about this time, recorded a series of indecent recordings, for
324:
Russell Hunting stories #2 1896: obscenity, filth, lasciviousness; the record business discovers smut sells!
187:
462:
publishes a history and catalogue list of Sterling phonograph cylinders in its Reference Series of books.
51:
475:
81:" (Columbia Graphophone Grand, #9649). After that, his popular "Casey" format was often imitated.
241:
234:
453:
416:
171:
55:
485:
480:
421:
8:
338:
Welch, Walter Leslie; Burt, Stenzel; Brodbeck, Leah; Burt, Leah Brodbeck Stenzel (1994).
174:
language instruction records, but went out of business in 1908. Hunting then joined the
159:
97:
134:
431:
345:
245:
166:
113:
101:
84:
In 1896 Hunting founded the first independent magazine for the recording industry,
78:
67:
308:
Russell Hunting stories #1 1894: Mephistopheles in red tights haunts Fred Gaisberg
162:, around 1901. Then, in 1905, John Kaiser became the voice of "Casey" for Edison.
27:
146:
469:
281:
154:
far-away mournful hoot of the steamer whistle." According to Fred Gaisberg,
93:
23:
155:
105:
63:
145:
in 1898, and became recording director of Edison Bell Records. After the
89:
426:
121:
109:
34:. He was described as "the most popular pre-1900 recording artist".
150:
71:
175:
127:
Actionable Offenses: Indecent Phonograph Recordings from the 1890s
37:
142:
59:
30:, and an influential figure in the early years of the recorded
22:(May 8, 1864 – February 20, 1943) was an American comic
459:
240:. Menomonee Falls, Wisconsin: Record Research, Inc. pp.
236:
Pop Memories 1890-1954: The History of American Popular Music
179:
31:
74:
387:
186:
He finally returned to the US in 1940. Hunting died in
183:
sound effects of bands and crowds, in New York in 1917.
16:
American comic entertainer and pioneer sound recordist
458:
The City of London Phonograph and Gramophone Society
337:
227:
225:
233:
54:, and began his career as a dramatic actor in the
467:
267:Survey of Leading Acoustic Era Recording Artists
222:
444:Cylinder Preservation and Digitization Project
373:Russell Hunting day #4: Patriotic recordings
118:New York Society for the Suppression of Vice
133:In 1898, a cylinder record company called
388:"Early Recorded Sounds and Wax Cylinders"
209:
207:
205:
203:
301:
299:
231:
216:Encyclopedia of Recorded Sound, Volume 1
36:
448:University of California, Santa Barbara
468:
454:A few online recordings available here
292:(8–9): 191–192. August–September 1892.
200:
364:
315:
296:
258:
13:
412:New York Times 1896 arrest article
116:, the founder of the newly formed
14:
507:
405:
496:People from West Roxbury, Boston
165:Hunting also recorded skits for
380:
331:
274:
269:, Sam Houston State University
1:
193:
190:, in 1943 at the age of 78.
188:Westchester County, New York
45:
7:
120:arrested him for violating
52:West Roxbury, Massachusetts
10:
512:
491:Pioneer recording artists
390:. Tinfoil.com. 1996-08-31
218:, CRC Press, 2004, p.511
20:Russell Dinsmore Hunting
432:Russell Hunting Company
377:. Retrieved 21 May 2013
328:. Retrieved 21 May 2013
271:. Retrieved 18 May 2013
232:Whitburn, Joel (1986).
149:became involved in the
282:"A Noted Record Maker"
214:Frank Hoffmann (ed.),
42:
427:Cylinder of the Month
312:Retrieved 21 May 2013
40:
371:Sound of the Hound,
322:Sound of the Hound,
306:Sound of the Hound,
141:Hunting traveled to
417:Archeophone Records
265:Frank W. Hoffmann,
440:cylinder recording
135:Leeds Talk-O-Phone
62:sketches about an
43:
102:amusement arcades
503:
438:Casey at the Bat
399:
398:
396:
395:
384:
378:
368:
362:
361:
359:
358:
335:
329:
319:
313:
303:
294:
293:
278:
272:
262:
256:
255:
239:
229:
220:
211:
114:Anthony Comstock
79:Casey at the Bat
68:Columbia Records
511:
510:
506:
505:
504:
502:
501:
500:
476:Sound recording
466:
465:
408:
403:
402:
393:
391:
386:
385:
381:
369:
365:
356:
354:
352:
336:
332:
320:
316:
304:
297:
280:
279:
275:
263:
259:
252:
230:
223:
212:
201:
196:
88:, and set up a
50:He was born in
48:
41:Hunting in 1892
28:sound recordist
17:
12:
11:
5:
509:
499:
498:
493:
488:
483:
478:
464:
463:
456:
451:
434:
429:
424:
422:Concentric Net
419:
414:
407:
406:External links
404:
401:
400:
379:
375:, 17 June 2011
363:
350:
330:
326:, 15 June 2011
314:
310:, 14 June 2011
295:
273:
257:
250:
221:
198:
197:
195:
192:
160:Edison Records
147:United Kingdom
47:
44:
32:music industry
15:
9:
6:
4:
3:
2:
508:
497:
494:
492:
489:
487:
484:
482:
479:
477:
474:
473:
471:
461:
457:
455:
452:
449:
445:
441:
439:
435:
433:
430:
428:
425:
423:
420:
418:
415:
413:
410:
409:
389:
383:
376:
374:
367:
353:
351:9780813013176
347:
343:
342:
334:
327:
325:
318:
311:
309:
302:
300:
291:
287:
283:
277:
270:
268:
261:
253:
251:0-89820-083-0
247:
243:
238:
237:
228:
226:
219:
217:
210:
208:
206:
204:
199:
191:
189:
184:
181:
177:
173:
168:
163:
161:
157:
152:
148:
144:
139:
136:
131:
129:
128:
123:
119:
115:
111:
107:
103:
99:
95:
91:
87:
82:
80:
76:
73:
69:
65:
61:
57:
53:
39:
35:
33:
29:
25:
21:
437:
392:. Retrieved
382:
372:
366:
355:. Retrieved
340:
333:
323:
317:
307:
289:
285:
276:
266:
260:
235:
215:
185:
164:
156:Nellie Melba
140:
132:
125:
106:Coney Island
85:
83:
49:
19:
18:
486:1943 deaths
481:1864 births
442:, from the
178:company in
172:Linguaphone
24:entertainer
470:Categories
394:2013-05-04
357:2013-05-04
194:References
110:pseudonyms
90:phonograph
86:Phonoscope
26:, pioneer
286:Phonogram
167:Zonophone
122:obscenity
46:Biography
450:Library.
151:Boer War
108:, using
94:New York
92:shop in
72:baseball
446:at the
143:England
98:saloons
348:
248:
60:comedy
56:Boston
460:CLPGS
180:Paris
176:Pathé
64:Irish
346:ISBN
246:ISBN
100:and
75:poem
242:221
104:on
472::
344:.
298:^
288:.
284:.
244:.
224:^
202:^
130:.
397:.
360:.
290:2
254:.
77:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.