254:
1927:
1903:
466:, a traveling companion exhibit to the book, which began at the UCLA Extension Design Center in Santa Monica, CA on December 6, 1992, then moving to the California African-American Museum in April 1993, before continuing on a nationwide tour. Participating artists included Roland Charles, Nathaniel Bellamy, Don Cropper, Calvin Hicks, James Jeffrey, Mike Jones, Karen Kennedy, Rod Lyons, Willie Middlebrook, and Akili-Casundria Ramsess.
209:. The images, displayed at the Museum of African-American Art and then as a traveling exhibit, were intended to show black life across the spectrum of black social experience, and specifically sought to address what Charles and co-editor Toyomi Igus described as the misrepresentation of black culture in the media. The images in the show drew from communities across Los Angeles county, including Pasadena, Watts, and Beverly Hills.
1915:
270:. Supported by grants and donations, the gallery curated and encouraged black photographers. Charles later said, âL.A. is very rich visually, but most images that are supposed to represent it are not done by people in the community.â Hicks stated that the Black Gallery was âthe first gallery in the black community dedicated to black photography.â
143:) as a child, and lived there until he graduated from high school. He served in the Air Force, and then moved to California in the early 1960s, where he worked in the aerospace industry. After a friend gave him a camera as a gift, he became a full-time freelance photographer in 1971, securing work on music album covers and with gossip reporter
285:
The cooperation among these galleries and the community of black artists in Los
Angeles had given rise to a thriving art scene by the 1970s, and it was into this scene that Charles arrived as a curator in the 1980s. âThe cooperation among the galleries has created a bond, a new kind of spirit and a
227:
Following the Los
Angeles Riots, Charles was active as both a photographer and curator in a number of events and retrospective exhibitions about the event. His photograph "Going to the Dogs" was called âthe most powerful imageâ in the first major show after the event, at the Louis Stern Galleries in
293:
Charles and the other co-founders of the Black
Gallery wanted to foster and promote a range of black creative expression, focused on a nuanced depiction of black life in America that pushed back against stereotypes and visual tropes. Charles told an interviewer: "Growing up in New Orleans, the only
239:.â The show spurred a series of counter-exhibits called âAfrican American Representations of Masculinity,â led by a group of black artists in Los Angeles including Charles. Interviewed by LA Weekly, Charles said that he hoped to humanize black men and dispel fear with his images, and said: "Since
450:, an exhibit of 120 photographs taken on Martin Luther King Day in 1988, at the Museum of African-American Art in Los Angeles, co-curated with Thomas L. Wright, February 1988. Ten photographers were featured including Nathaniel Bellamy, Don Cropper, Calvin Hicks, James Jeffrey and Karen Kennedy.
434:
V.A.R.I.O.U.S. Media INK Visionary
Artists Showcase & Networking Events 1980-1983 Roland Charles exhibited multiple times in this Interactive Artists Showcase at the LA Department of Water and Powerâs theater @ 100 No. Hope Street and at equity waiver theaters all over LA County. His
131:(August 31, 1938 â May 26, 2000) was an African-American photographer and gallerist, best known for co-founding The Black Photographers of California and its associated exhibition space, the Black Gallery, in Los Angeles, among the first institutions by and for black photographers.
435:
participation in bringing a donated projection screen we strapped to the roof of his car was invaluable to the audiences who attended the showcases to be inspired and participate in presenting their art and photography. He was a good friend who just crossed my mind.
273:
The gallery served as an incubator for black photographers, offering workshops and slide sharing, as well as a meeting place and coffee house for other events. Charles and his co-founders were part of a burgeoning group of black gallerists in Los
Angeles, like
297:
In the 1990s, Charles and the Black
Gallery struggled with vandalism, and had windows in their gallery broken many times. This led Charles to initiate a variety of community outreach and school programs aimed at emphasizing the value of art in the community.
490:, a joint exhibit of 25 black artists and Korean-American artists in Koreatown and South Central Los Angeles, co-curated with Julie Sim-Edwards following the 1992 Los Angeles Riots. April 1995. Participating artists included Byong Ok Min and Gary Williams.
407:, a group show at the Mount San Jacinto College Fine Arts Gallery, JanuaryâFebruary 1999. Artists included Cedric Adams, Dale Brockman, Roland Charles, Leah M. Doyle, Juanita Cole Howard, Keba Konte, Dominique Moody, Elliot Pinkney and Rufus Shoddy.
366:
and a group of black artists calling themselves the
Coalition for the Survival of Community Arts. The group formed in response New Yorkâs Whitney Museum exhibit âBlack Male: Representations of Masculinity in Contemporary American Artâ curated by
186:
Charles also expressed appreciation for the fundamental craft of photography â in discussing a double-exposed photograph of his daughter dancing in the Los
Angeles Times, he said, âwhen I think of this photograph, I think of poetry in motion.â
261:
The success of the show led
Charles to help found the Black Photographers of California, a nonprofit educational institution for emerging and established African American Photographers. Sponsored by that organization, Charles and co-founders
178:
As a gallerist and photographer, Charles had an appreciation for the mix of utilitarian and fine art photography produced by many black photographers of his era, such as the newspaper photography of prolific black press photographer
506:, a 25-year retrospective of life in a 100-year-old Black rural community, founded in South Louisiana by Charles' great grandfather, Robert Celestin. Bobtown has been exhibited at the Terrebonne Museum and galleries at
689:
for the
History of Arts and The Humanities. The collected archives of the Black Photographers of California, including over 50,000 photographs taken by Charles, are housed at the Tom & Ethel Bradley Center in the
554:
Photographers featured in this book included Cedric Adams, Nathaniel Bellamy, Roland Charles, Don Cropper, Calvin Hicks, James Jeffries, Mike Jones, Rod Lyons, Willie Middlebrook, Akili Casundria Ramsess, and Karen
423:, an exhibit at California State University Northridge, as part of the Pacific Standard Time: Art in L.A., 1945â1980, October 23âDecember 10, 2011. Photographers featured in the exhibit included Roland Charles,
458:, a group show at the Black Gallery, Los Angeles, SeptemberâOctober 1989. Featured photographers included Diana Edwardson, Calvin Hicks, James Jeffrey, Sandra Ramirez, Willie Middlebrook and Roland Charles.
415:, a survey of African-American artists in Los Angeles from the Great Depression to the Present, at Cal State Los Angeles Luckman Gallery and the Craft and Folk Art Museum, Los Angeles, February 2004.
236:
387:, at the Downey Museum of Art in Downey, from ? to March 2, 1997. Cecil Fergerson curated the exhibit. The five artists included Cedric Adams, Roland Charles, Charles Dickson,
498:, a show of photography by and about African American men, curated with Donald Bernard and Willie Robert Middlebrook, at the Watts Towers Arts Center in Los Angeles, MayâJune 1995.
709:
Roland Charles passed of complications from a heart attack. His wife, deBorah Charles, has since curated several exhibits of his work, and published a book of his photographs.
371:. The central question the coalition asked is âCan black American reclaim control of its image?â Sixty-seven artists participated including Roland Charles, Mark Greenfield,
216:
occurred, and the project was amended to include numerous images from that event and its aftermath. âWe were right in the bookâs final selection process when the âepilogueâ
637:, C. Ian White, Pat Ward Williams, Richard Wyatt, and Roland Charles. Charlesâ photograph, Cecil Fergerson, the Community Curator (1994) is featured on the bookâs cover.
1472:
202:, which would feature commissioned photographs from ten local black photographers. The project would, he hoped, "fill the void in the projection of black culture."
482:, a show of photographs by David Lurie, at the Los Angeles Photography Center in April, 1994, and at Cypress College, in Cypress, California, Nov-Dec, 1994.
379:. The exhibition was presented throughout 1995 at the William Grant Still Arts Center, the Museum of African-American Art, and the Watts Towers Arts Center.
1446:
257:
The Black Gallery (1984-1998), dedicated exhibition space for African American photographers, located at 107 Santa Barbara Plaza, Los Angeles, CA.
1977:
682:
1962:
399:, a panel discussion and slideshow at the Getty Center with Roland Charles, Don Cropper, Jack Davis and Bob Douglas, November 11, 1998.
167:. It was a major exhibit featuring seven pioneering California photographers and 40 contemporary ones, including Frank Herman Cloud,
1967:
354:, Roland Charles, Irene Fertik, Claire Henze, Peter Kelly, Christian Morland, and William Reagh documented 25 years in Los Angeles.
1972:
1957:
695:
302:
1123:
805:
1885:
1534:
853:
701:
Interviews that Charles conducted with other Black photographers are also stored in the archives of the Bradley Center.
190:
In 1988, Roland Charles and Thomas L. Wright curated a show at the Museum of African American Art in Los Angeles called
678:
231:
Charlesâ dedication to a fair depiction of black life could be seen in his participation in the controversy around the
156:
1714:
1152:
650:
599:
570:
540:
1524:
294:
images of blacks that I saw were sharecroppers. I didn't know we had a history and culture above and beyond that.â
531:
Life in a Day of Black L.A: the way we see it: L.A.'s Black photographers present a new perspective on their city
232:
160:
253:
1421:
279:
972:
Haro, Guillermina (May 23, 1993). "Exhibit shows the everyday side of black L.A.". Orange County Reister.
263:
1635:
Hastings, Deborah (May 1, 1995). "L.A. riots anniversary stresses the positive". Orange County Register.
1893:
180:
172:
1598:
Knaff, Devorah (November 18, 1991). "Exploring South Africa's Shades of Gray". Orange County Register.
1181:
779:
301:
The Black Gallery closed in 1998 and its archives were donated to the Tom and Ethel Bradley Center at
1687:
1662:
1609:
1395:
1368:
1342:
1305:
1279:
1253:
1232:
1207:
1097:
1068:
1013:
984:
947:
914:
885:
750:
511:
1735:
Pleasant, Betty (June 7, 2000). "Services Set for Roland Charles; Noted Photographer and Curator".
323:
213:
1753:
613:
Sixteen profiles and images from noted Black artists including Ernie Barnes, Lavialle Campbell,
195:
42:
334:, a group exhibit at the Louis Stern Galleries in Beverly Hills, California, in October 1992.
139:
Roland Charles was born in Louisiana in 1938. He moved to a community known as Bobtown (near
1952:
1947:
1907:
1737:
1805:
8:
1473:"Pacific Standard Time - Identity and Affirmation: Post War African American Photography"
1857:
1779:
614:
507:
474:, a group exhibit at the Museum of African-American Art in Los Angeles in August, 1993.
388:
266:, Donald Bernard, and Gil Garner started the Black Gallery in Santa Barbara Plaza, now
205:
In 1992, to coincide with the release of the book, Charles organized an exhibit called
198:
of that year. After the success of this exhibit, Charles embarked on a book project,
1831:
1530:
859:
849:
656:
646:
605:
595:
576:
566:
546:
536:
376:
372:
241:
326:, Bob Douglas and Roland Charles at the M. Hanks Gallery in Los Angeles, March 1991.
1919:
140:
668:
written by jazz singer and songwriter Dee Dee McNeil with photographs by Charles.
363:
1926:
691:
622:
313:
Charles's photographs were included in several local and national exhibitions.
267:
1558:
863:
550:
282:, who are credited with the first major gallery run by and for black artists.
1941:
1497:
1043:
660:
618:
609:
580:
368:
351:
350:, a group exhibit at the Los Angeles Central Library in 1994. Photographs by
843:
686:
535:, University of California, Los Angeles. Center for Afro-American Studies,
428:
342:, a group show at the Korean Cultural Center, Los Angeles, in January 1996.
275:
168:
144:
726:
Charles, Roland (October 1997). "Bobtown: The legacy of Robert Celestin".
1931:
665:
634:
626:
424:
61:
630:
592:
Resistance, Dignity, and Pride: African American Artists in Los Angeles
237:
Black Male: Representations of Masculinity in Contemporary American Art
194:, which displayed 120 photographs taken by black photographers on
1447:"Identity and Affirmation: Post War African-American Photography"
523:
Charlesâ photographs were published in several books, including:
420:
Identity & Affirmation: Post-War African-American Photography
319:
Jazz Photography: M. Hanks Gallery Celebrates Black History Month
479:
After Apartheid: In Search of a Black Middle Class: South Africa
1331:"O. C. Art Museums". Orange County Register. January 17, 1997.
1124:"Photographer, gallery founder chronicled black life in L.A."
1153:"How a Trio of Black-Owned Galleries Changed the Art World"
1146:
1144:
1091:
1089:
845:
No crystal stair: African-Americans in the City of Angels
745:
743:
741:
677:
Charlesâs photographs are included in collections at the
1208:"Owner of Vandalized Gallery Fights Back with Education"
1141:
1715:"Another Way of Picturing Black Men (extensive review)"
1086:
1037:
1035:
1033:
1007:
1005:
886:"Collection Honors Chronicler of African American Life"
165:
The Tradition Continues: California Black Photographers
798:
738:
157:
California Museum of Afro-American History and Culture
1891:
427:, Jack Davis, Bob Douglas, Joe Flowers, Maxie Floyd,
331:âWhat Happenedâ in L.A.: Civil Disturbance: L.A. 1992
207:
Life in a Day of Black Los Angeles: The Way We See It
1804:
Peattie, Beth; Acklin, Trinity (November 28, 2023).
1175:
1173:
1030:
1002:
1806:"Bobtown: Robert Celestin and a Louisiana Township"
384:
Five African-American Artists Working In L.A. Today
985:"A Look at Blacks in L.A. Through Different Prism"
908:
906:
837:
835:
833:
831:
829:
827:
155:In November 1983, Charles organized a show at the
1170:
1939:
175:, Jack Davis, Fred Cooper, and Howard Morehead.
1888:on the African American Visual Artists Database
1661:Cheevers, Jack; Schoch, Deborah (May 1, 1995).
1115:
976:
903:
824:
594:, The Regents of the University of California,
495:African American Representations of Masculinity
439:
1660:
683:Schomburg Center for Research in Black Culture
560:
359:African American Representation of Masculinity
1803:
1559:"Camera Focuses on the Positive Side of Life"
1422:"Calvin Hicks, LA artist-photographer was 71"
640:
584:Selected photographs by Charles are included.
563:The Black Female Body: A Photographic History
1730:
1728:
941:
939:
937:
935:
527:
362:, a group exhibition organized by curator
1812:. California State University, Northridge
1041:
774:
772:
751:"Roland Charles; Photographed Black Life"
641:Charles, Roland; McNeil, Dee Dee (2009),
621:, Willie Middlebrook, John Outterbridge,
561:Willis, Deborah; Williams, Carla (2002),
16:African-American photographer (1938-2000)
1754:"Guide to the Roland Charles Collection"
1734:
1725:
1634:
1419:
982:
932:
589:
252:
212:As Charles was finalizing the book, the
1855:
1751:
1098:"Gallery Captures Spirit of Black Life"
725:
696:California State University, Northridge
308:
303:California State University, Northridge
1940:
1712:
1529:. New York : Garland. p. 6.
1393:
1150:
1121:
1011:
912:
769:
528:Charles, Roland; Igus, Toyomi (1992),
503:Bobtown: The Legacy of Robert Celestin
447:A Day in the Life of Black Los Angeles
192:A Day in the Life of Black Los Angeles
150:
1978:20th-century African-American artists
1856:Griffin, Cynthia E. (June 17, 2009).
1597:
1205:
1182:"7-Gallery Walking Tour of Black Art"
1179:
1095:
883:
1610:"University and Community Galleries"
1556:
1206:Aubry, Erin J. (December 18, 1994).
1096:Aubry, Erin J. (November 13, 1994).
1042:Hernandez, Sandra (April 27, 1995).
983:Boyarsky, Bill (December 11, 1992).
971:
945:
322:, a group exhibit of photographs by
248:
183:, whom Charles was acquainted with.
1963:20th-century American photographers
1396:"A Chronicle of Race, Rage, Ritual"
1394:Knight, Christopher (17 Feb 2004).
1233:"Black Photographers of California"
1122:Nelson, Valerie J. (June 1, 2012).
1069:"Black Photographers of California"
13:
913:Libman, Gary (February 18, 1988).
841:
679:California African American Museum
431:, Bob Moore, and Charles Williams.
396:Black Photographers of Los Angeles
14:
1989:
1879:
1522:
1180:Sorey, Michelle (July 10, 1985).
1012:Kandel, Susan (October 5, 1992).
946:Snow, Shauna (December 5, 1992).
884:Leovy, Jill (November 10, 1996).
1925:
1913:
1901:
1470:
1420:Roderick, Kevin (May 23, 2012).
1151:Miller, M. H. (April 13, 2020).
1968:American fine art photographers
1849:
1824:
1797:
1772:
1745:
1706:
1680:
1654:
1639:
1628:
1602:
1591:
1576:
1550:
1516:
1490:
1464:
1439:
1413:
1387:
1361:
1335:
1324:
1298:
1272:
1246:
1225:
1199:
1061:
848:. Doubleday. pp. 187â188.
518:
455:Nudes: Classic & Conceptual
286:camaraderie,â Charles told the
245:, weâve had an image problem."
1973:Photographers from Los Angeles
1958:African-American photographers
1713:Kandel, Susan (May 25, 1995).
965:
877:
719:
672:
471:Crossing L.A.: The Visual Arts
134:
1:
712:
1760:. California Digital Library
1758:Online Archive of California
440:Selected exhibits as curator
404:Contemplating the Millennium
7:
1752:Peattie, Elizabeth (2023).
1557:Snow, Shauna (5 Dec 1992).
1477:www.pacificstandardtime.org
757:. May 29, 2000. p. 168
625:, Elliot Pinkney, Ramsess,
565:, Temple University Press,
463:Life in a Day of Black L.A.
200:Life in a Day of Black L.A.
10:
1994:
1526:Black arts annual 1989/90
1014:""What Happened" in L.A."
948:"The Camera as Equalizer"
512:Nicholls State University
347:Los Angeles: Then and Now
118:
110:
100:Rosa Parks in Los Angeles
85:
77:
69:
50:
28:
21:
1471:Time, Pacific Standard.
1306:"Continuing Exhibitions"
1254:"Continuing Exhibitions"
704:
643:Haiku in my Neighborhood
122:Daughter, Roshawn Hawley
1836:csun.edu/bradley-center
1784:csun.edu/bradley-center
1663:"Remembering the Riots"
1073:csun.edu/bradley-center
590:Von Blum, Paul (2004),
104:Brixton Station, London
1862:Our Weekly Los Angeles
1646:"Collaborate Effort".
1044:"Response to the Call"
258:
196:Martin Luther King Day
43:New Orleans, Louisiana
1648:The Los Angeles Times
1585:The Los Angeles Times
276:Dale and Alonzo Davis
256:
1738:Los Angeles Sentinel
1504:. September 10, 1989
1284:San Pedro News-Pilot
645:, M. Hanks Gallery,
309:Selected exhibitions
220:,â Charles told the
812:. December 11, 1983
786:. February 25, 1995
391:and Elliot Pinkney.
151:Photographic career
1810:Peek in the Stacks
1587:. August 26, 1993.
1375:. January 25, 1999
1349:. November 8, 1998
1157:The New York Times
915:"Images from L.A."
692:University Library
615:Varnette Honeywood
508:Dillard University
389:Varnette Honeywood
259:
64:, California, U.S.
1719:Los Angeles Times
1692:Los Angeles Times
1667:Los Angeles Times
1614:Los Angeles Times
1563:Los Angeles Times
1536:978-0-8240-6099-2
1502:Los Angeles Times
1400:Los Angeles Times
1373:Los Angeles Times
1347:Los Angeles Times
1343:"Lectures/Events"
1286:. January 5, 1996
1212:Los Angeles Times
1186:Los Angeles Times
1127:Los Angeles Times
1102:Los Angeles Times
1017:Los Angeles Times
989:Los Angeles Times
952:Los Angeles Times
918:Los Angeles Times
890:Los Angeles Times
855:978-0-385-47411-5
810:Los Angeles Times
784:Los Angeles Times
755:Los Angeles Times
377:Pat Ward Williams
373:John Outterbridge
249:The Black Gallery
242:Birth of a Nation
214:Los Angeles Riots
126:
125:
1985:
1930:
1929:
1918:
1917:
1916:
1906:
1905:
1904:
1897:
1873:
1872:
1870:
1868:
1858:"Roland Charles"
1853:
1847:
1846:
1844:
1842:
1832:"Oral Histories"
1828:
1822:
1821:
1819:
1817:
1801:
1795:
1794:
1792:
1790:
1780:"Roland Charles"
1776:
1770:
1769:
1767:
1765:
1749:
1743:
1742:
1732:
1723:
1722:
1710:
1704:
1703:
1701:
1699:
1684:
1678:
1677:
1675:
1673:
1658:
1652:
1651:
1643:
1637:
1636:
1632:
1626:
1625:
1623:
1621:
1606:
1600:
1599:
1595:
1589:
1588:
1580:
1574:
1573:
1571:
1569:
1554:
1548:
1547:
1545:
1543:
1520:
1514:
1513:
1511:
1509:
1494:
1488:
1487:
1485:
1483:
1468:
1462:
1461:
1459:
1457:
1443:
1437:
1436:
1434:
1432:
1417:
1411:
1410:
1408:
1406:
1391:
1385:
1384:
1382:
1380:
1365:
1359:
1358:
1356:
1354:
1339:
1333:
1332:
1328:
1322:
1321:
1319:
1317:
1302:
1296:
1295:
1293:
1291:
1276:
1270:
1269:
1267:
1265:
1250:
1244:
1243:
1241:
1239:
1229:
1223:
1222:
1220:
1218:
1203:
1197:
1196:
1194:
1192:
1177:
1168:
1167:
1165:
1163:
1148:
1139:
1138:
1136:
1134:
1119:
1113:
1112:
1110:
1108:
1093:
1084:
1083:
1081:
1079:
1065:
1059:
1058:
1056:
1054:
1039:
1028:
1027:
1025:
1023:
1009:
1000:
999:
997:
995:
980:
974:
973:
969:
963:
962:
960:
958:
943:
930:
929:
927:
925:
910:
901:
900:
898:
896:
881:
875:
874:
872:
870:
842:George, Lynell.
839:
822:
821:
819:
817:
802:
796:
795:
793:
791:
776:
767:
766:
764:
762:
747:
736:
735:
723:
663:
612:
583:
553:
412:Fade (1990-2003)
280:Brockman Gallery
233:Whitney Museumâs
141:Houma, Louisiana
88:
57:
38:
36:
19:
18:
1993:
1992:
1988:
1987:
1986:
1984:
1983:
1982:
1938:
1937:
1936:
1924:
1914:
1912:
1902:
1900:
1892:
1882:
1877:
1876:
1866:
1864:
1854:
1850:
1840:
1838:
1830:
1829:
1825:
1815:
1813:
1802:
1798:
1788:
1786:
1778:
1777:
1773:
1763:
1761:
1750:
1746:
1733:
1726:
1711:
1707:
1697:
1695:
1686:
1685:
1681:
1671:
1669:
1659:
1655:
1645:
1644:
1640:
1633:
1629:
1619:
1617:
1608:
1607:
1603:
1596:
1592:
1582:
1581:
1577:
1567:
1565:
1555:
1551:
1541:
1539:
1537:
1523:Bogle, Donald.
1521:
1517:
1507:
1505:
1496:
1495:
1491:
1481:
1479:
1469:
1465:
1455:
1453:
1445:
1444:
1440:
1430:
1428:
1418:
1414:
1404:
1402:
1392:
1388:
1378:
1376:
1367:
1366:
1362:
1352:
1350:
1341:
1340:
1336:
1330:
1329:
1325:
1315:
1313:
1312:. July 17, 1994
1304:
1303:
1299:
1289:
1287:
1278:
1277:
1273:
1263:
1261:
1260:. March 7, 1991
1252:
1251:
1247:
1237:
1235:
1231:
1230:
1226:
1216:
1214:
1204:
1200:
1190:
1188:
1178:
1171:
1161:
1159:
1149:
1142:
1132:
1130:
1120:
1116:
1106:
1104:
1094:
1087:
1077:
1075:
1067:
1066:
1062:
1052:
1050:
1040:
1031:
1021:
1019:
1010:
1003:
993:
991:
981:
977:
970:
966:
956:
954:
944:
933:
923:
921:
911:
904:
894:
892:
882:
878:
868:
866:
856:
840:
825:
815:
813:
806:"Calendar: Art"
804:
803:
799:
789:
787:
778:
777:
770:
760:
758:
749:
748:
739:
724:
720:
715:
707:
675:
653:
602:
573:
543:
521:
442:
364:Cecil Fergerson
311:
251:
228:Beverly Hills.
161:Exposition Park
153:
137:
114:deBorah Charles
96:Railroad Tracks
86:
65:
59:
55:
46:
40:
39:August 31, 1938
34:
32:
24:
17:
12:
11:
5:
1991:
1981:
1980:
1975:
1970:
1965:
1960:
1955:
1950:
1935:
1934:
1922:
1910:
1890:
1889:
1886:Roland Charles
1881:
1880:External links
1878:
1875:
1874:
1848:
1823:
1796:
1771:
1744:
1724:
1705:
1679:
1653:
1650:. 16 Apr 1995.
1638:
1627:
1601:
1590:
1575:
1549:
1535:
1515:
1489:
1463:
1438:
1412:
1386:
1360:
1334:
1323:
1297:
1280:"Art Listings"
1271:
1245:
1224:
1198:
1169:
1140:
1114:
1085:
1060:
1029:
1001:
975:
964:
931:
902:
876:
854:
823:
797:
768:
737:
728:The New Crisis
717:
716:
714:
711:
706:
703:
674:
671:
670:
669:
651:
638:
623:William Pajaud
600:
586:
585:
571:
557:
556:
541:
520:
517:
516:
515:
499:
491:
487:Collaborations
483:
475:
467:
459:
451:
441:
438:
437:
436:
432:
416:
408:
400:
392:
380:
355:
343:
335:
327:
310:
307:
268:Marlton Square
250:
247:
152:
149:
136:
133:
129:Roland Charles
124:
123:
120:
116:
115:
112:
108:
107:
89:
83:
82:
79:
78:Known for
75:
74:
71:
67:
66:
60:
58:(aged 61)
52:
48:
47:
41:
30:
26:
25:
23:Roland Charles
22:
15:
9:
6:
4:
3:
2:
1990:
1979:
1976:
1974:
1971:
1969:
1966:
1964:
1961:
1959:
1956:
1954:
1951:
1949:
1946:
1945:
1943:
1933:
1928:
1923:
1921:
1911:
1909:
1908:United States
1899:
1898:
1895:
1887:
1884:
1883:
1863:
1859:
1852:
1837:
1833:
1827:
1811:
1807:
1800:
1785:
1781:
1775:
1759:
1755:
1748:
1740:
1739:
1731:
1729:
1720:
1716:
1709:
1694:. May 7, 1995
1693:
1689:
1688:"Photography"
1683:
1668:
1664:
1657:
1649:
1642:
1631:
1615:
1611:
1605:
1594:
1586:
1579:
1564:
1560:
1553:
1538:
1532:
1528:
1527:
1519:
1503:
1499:
1493:
1478:
1474:
1467:
1452:
1448:
1442:
1427:
1423:
1416:
1401:
1397:
1390:
1374:
1370:
1364:
1348:
1344:
1338:
1327:
1311:
1307:
1301:
1285:
1281:
1275:
1259:
1255:
1249:
1234:
1228:
1213:
1209:
1202:
1187:
1183:
1176:
1174:
1158:
1154:
1147:
1145:
1128:
1125:
1118:
1103:
1099:
1092:
1090:
1074:
1070:
1064:
1049:
1045:
1038:
1036:
1034:
1018:
1015:
1008:
1006:
990:
986:
979:
968:
953:
949:
942:
940:
938:
936:
919:
916:
909:
907:
891:
887:
880:
865:
861:
857:
851:
847:
846:
838:
836:
834:
832:
830:
828:
811:
807:
801:
785:
781:
775:
773:
756:
752:
746:
744:
742:
733:
729:
722:
718:
710:
702:
699:
697:
693:
688:
684:
680:
667:
662:
658:
654:
652:9780982181010
648:
644:
639:
636:
632:
628:
624:
620:
619:Samella Lewis
616:
611:
607:
603:
601:9780934934466
597:
593:
588:
587:
582:
578:
574:
572:9781566399289
568:
564:
559:
558:
552:
548:
544:
542:9780934934398
538:
534:
532:
526:
525:
524:
513:
509:
505:
504:
500:
497:
496:
492:
489:
488:
484:
481:
480:
476:
473:
472:
468:
465:
464:
460:
457:
456:
452:
449:
448:
444:
443:
433:
430:
426:
422:
421:
417:
414:
413:
409:
406:
405:
401:
398:
397:
393:
390:
386:
385:
381:
378:
374:
370:
369:Thelma Golden
365:
361:
360:
356:
353:
352:Laura Aguilar
349:
348:
344:
341:
340:
336:
333:
332:
328:
325:
321:
320:
316:
315:
314:
306:
304:
299:
295:
291:
289:
283:
281:
277:
271:
269:
265:
255:
246:
244:
243:
238:
234:
229:
225:
223:
219:
215:
210:
208:
203:
201:
197:
193:
188:
184:
182:
176:
174:
170:
166:
162:
158:
148:
146:
142:
132:
130:
121:
117:
113:
109:
105:
101:
97:
93:
92:The Shine Man
90:
84:
80:
76:
72:
68:
63:
53:
49:
44:
31:
27:
20:
1865:. Retrieved
1861:
1851:
1839:. Retrieved
1835:
1826:
1816:November 29,
1814:. Retrieved
1809:
1799:
1787:. Retrieved
1783:
1774:
1762:. Retrieved
1757:
1747:
1736:
1718:
1708:
1696:. Retrieved
1691:
1682:
1670:. Retrieved
1666:
1656:
1647:
1641:
1630:
1618:. Retrieved
1616:. 3 Apr 1994
1613:
1604:
1593:
1584:
1583:"Openings".
1578:
1566:. Retrieved
1562:
1552:
1540:. Retrieved
1525:
1518:
1506:. Retrieved
1501:
1492:
1480:. Retrieved
1476:
1466:
1454:. Retrieved
1450:
1441:
1429:. Retrieved
1425:
1415:
1403:. Retrieved
1399:
1389:
1377:. Retrieved
1372:
1363:
1351:. Retrieved
1346:
1337:
1326:
1314:. Retrieved
1309:
1300:
1288:. Retrieved
1283:
1274:
1262:. Retrieved
1257:
1248:
1236:. Retrieved
1227:
1215:. Retrieved
1211:
1201:
1189:. Retrieved
1185:
1160:. Retrieved
1156:
1131:. Retrieved
1129:. p. 26
1126:
1117:
1105:. Retrieved
1101:
1076:. Retrieved
1072:
1063:
1051:. Retrieved
1047:
1020:. Retrieved
1016:
992:. Retrieved
988:
978:
967:
955:. Retrieved
951:
922:. Retrieved
917:
893:. Retrieved
889:
879:
867:. Retrieved
844:
814:. Retrieved
809:
800:
788:. Retrieved
783:
759:. Retrieved
754:
731:
727:
721:
708:
700:
687:Getty Center
676:
642:
591:
562:
530:
529:
522:
519:Bibliography
502:
501:
494:
493:
486:
485:
478:
477:
470:
469:
462:
461:
454:
453:
446:
445:
429:Calvin Hicks
419:
418:
411:
410:
403:
402:
395:
394:
383:
382:
358:
357:
346:
345:
339:Human Breath
338:
337:
330:
329:
318:
317:
312:
300:
296:
292:
287:
284:
272:
264:Calvin Hicks
260:
240:
235:1995 show, â
230:
226:
221:
217:
211:
206:
204:
199:
191:
189:
185:
177:
169:Vera Jackson
164:
154:
145:Rona Barrett
138:
128:
127:
103:
99:
95:
91:
87:Notable work
56:(2000-05-26)
54:May 26, 2000
1953:2000 deaths
1948:1938 births
1867:October 17,
1841:October 17,
1789:October 17,
1698:October 17,
1672:October 17,
1620:October 17,
1568:October 11,
1542:October 11,
1508:October 11,
1482:October 11,
1456:October 11,
1431:October 11,
1405:October 17,
1379:October 17,
1353:October 17,
1316:October 17,
1290:October 17,
1264:October 17,
1238:October 17,
1217:October 17,
1191:October 17,
1162:October 17,
1133:October 17,
1107:October 17,
1078:October 17,
1053:October 17,
1022:October 17,
994:October 17,
957:October 17,
924:October 17,
920:. p. 1
895:October 17,
869:October 17,
816:October 17,
790:October 17,
761:October 17,
734:(2): 47â49.
673:Collections
666:haiku poems
635:Alison Saar
627:Sandra Rowe
425:Guy Crowder
181:Harry Adams
173:Harry Adams
135:Early years
81:Photography
70:Nationality
62:Los Angeles
1942:Categories
1498:"Openings"
1426:LAObserved
1369:"Exhibits"
864:1020190475
713:References
685:, and The
631:Betye Saar
551:1001920718
288:L.A. Times
222:L.A. Times
35:1938-08-31
1920:Biography
1764:August 8,
1310:LA Weekly
1258:LA Weekly
1048:LA Weekly
780:"Gallery"
661:665178915
610:760404532
581:919982354
324:Ray Avery
290:in 1985.
163:, called
1451:csun.edu
555:Kennedy.
218:happened
119:Children
102:(1983),
98:(1974),
94:(1968),
73:American
1894:Portals
1533:
862:
852:
681:, The
659:
649:
608:
598:
579:
569:
549:
539:
375:, and
111:Spouse
106:(1993)
45:, U.S.
705:Death
1932:arts
1869:2020
1843:2020
1818:2023
1791:2020
1766:2023
1700:2020
1674:2020
1622:2020
1570:2020
1544:2020
1531:ISBN
1510:2020
1484:2020
1458:2020
1433:2020
1407:2020
1381:2020
1355:2020
1318:2020
1292:2020
1266:2020
1240:2020
1219:2020
1193:2020
1164:2020
1135:2020
1109:2020
1080:2020
1055:2020
1024:2020
996:2020
959:2020
926:2020
897:2020
871:2020
860:OCLC
850:ISBN
818:2020
792:2020
763:2020
657:OCLC
647:ISBN
606:OCLC
596:ISBN
577:OCLC
567:ISBN
547:OCLC
537:ISBN
510:and
51:Died
29:Born
732:104
694:at
664:50
278:of
159:in
1944::
1860:.
1834:.
1808:.
1782:.
1756:.
1727:^
1717:.
1690:.
1665:.
1612:.
1561:.
1500:.
1475:.
1449:.
1424:.
1398:.
1371:.
1345:.
1308:.
1282:.
1256:.
1210:.
1184:.
1172:^
1155:.
1143:^
1100:.
1088:^
1071:.
1046:.
1032:^
1004:^
987:.
950:.
934:^
905:^
888:.
858:.
826:^
808:.
782:.
771:^
753:.
740:^
730:.
698:.
655:,
633:,
629:,
617:,
604:,
575:,
545:,
305:.
224:.
171:,
147:.
1896::
1871:.
1845:.
1820:.
1793:.
1768:.
1741:.
1721:.
1702:.
1676:.
1624:.
1572:.
1546:.
1512:.
1486:.
1460:.
1435:.
1409:.
1383:.
1357:.
1320:.
1294:.
1268:.
1242:.
1221:.
1195:.
1166:.
1137:.
1111:.
1082:.
1057:.
1026:.
998:.
961:.
928:.
899:.
873:.
820:.
794:.
765:.
533:.
514:.
37:)
33:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
