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255:. The show was criticized by some for its social and political themes and became "one of most hotly debated Whitney shows ever". Golden later looked back at the show as a "transformative experience" that helped her see how "art and artists can exist in a museum space in a way that is radical and powerful and can create change because of the work."
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I don't think you can say "African
American art" without saying "Thelma Golden." You can't say "contemporary art" without saying "Thelma Golden." You can't say "Harlem" without saying "Thelma Golden." ... There isn't a museum director who has done more for her institution than Thelma has done for
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In 2005, Golden became the Studio Museum's director and chief curator. She adjusted the museum's schedule so that
Wednesdays were devoted to school trips and private events, but Thursdays and Fridays the museum was open into the evening so that a wider range of guests could visit. The museum also
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noted that the show was bringing unusually large black audiences to the museum, but that the artwork left them polarized in their reactions. Despite being initially "critically pummeled", the show's reputation improved in the following years. Within a decade, the
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Some older artists described the show's exploration of stereotypes as "irresponsible" and criticized what they saw as an over-representation of non-black artists. In a rarer positive review, art historian Linda
Nochlin described it in
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Exhibitions that Golden organized for the Studio Museum began to tour internationally to cities including Boston, Houston, Philadelphia, Toronto, and
Chicago. In 2011, the museum awarded a yearlong artist's residency to visual artist
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began to give away postcards of the artists' works to all guests. Its attendance increased 27% in the first decade of Golden's tenure as director, and the museum added more than 2000 new works to its collection.
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named Golden at number 33 on its list of "The 100 Most
Powerful Women In Art". In 2016, Golden won the Audrey Irmas Award for Curatorial Excellence. A representative for the prize,
1116:"As Defiant as Always : Thelma Golden, curator of the L.A.-bound 'Black Male,' has been caught in a firestorm of criticism and protest. It's OK; she can stand the heat"
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s list of the 100 most influential people in the international art world every year from 2003 to 2009 and from 2015 to 2020. From 2017 to 2020, she placed in the top 10.
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in Queens before she became director of the
Whitney Museum's outpost in midtown Manhattan (since closed) in 1991. In 1993, she organized the museum's biennial along with
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as she had been asked to organize the design and plan of the presidential library. Golden served on the
Committee for the Preservation of the White House until 2016.
577:. The New York City's cultural advisory committee invited Golden to serve on their committee in 2015. In 2016, Golden became a member on the board of trustees at the
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credited Golden with having made the Studio Museum "a national institution". Under Golden's leadership, a $ 125 million expansion was begun in 2017. Designed by
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264:(1994–95). This exhibition explored negative stereotypes of black masculinity, including homelessness and criminality. It included artworks by
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in 2006 and married him in 2008. On 11 February 2014, Golden was among the guests invited to the
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conference's 25th anniversary gathering. In 2008, she was a member of the advisory team of the
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123:(born September 22, 1965) is an American art curator, who is the Director and Chief Curator of
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exhibition, resigned from the
Whitney's board of trustees in response to Golden's departure.
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chose her annually as one of the 10 most influential people in the contemporary art world.
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998:"From 125th Street in Harlem, Thelma Golden has changed the face of art all over the U.S."
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resigned from their positions after not being assigned portfolios by new museum director
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The following year, Golden curated a show that would become still more controversial:
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866:"Profiles: The Art of Change: Thelma Golden's Role in Desegregating the Art World"
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as "one of the liveliest and most visually engaging exhibitions" of the season.
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1472:"Four Ways Thelma Golden Might Make Obama's Presidential Library Different"
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in 1980 and earned a B.A. in Art
History and African-American Studies from
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1444:"Art World's Newest Star Makes $ 3 Million Paintings. Is the Crash Next?"
1416:"Curator Thelma Golden Wins Audrey Irmas Award for Curatorial Excellence"
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While with the
Whitney, Golden also organized solo shows of the works of
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1643:"Thelma Golden Knows That Showing Great Art Means Nurturing New Artists"
1353:"Thelma Golden Knows That Showing Great Art Means Nurturing New Artists"
1210:"Shaking Up a Harlem Museum; New Leaders Want New Definitions and Goals"
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Golden was the Special Projects Curator for contemporary art collectors
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In 2009, she presented "How Art Gives Shape to Cultural Change" at the
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Black Male: Representations of Masculinity in Contemporary American Art
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was describing it as "an important show", and two decades later, both
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1615:"LACMA adds three trustees, strengthens entertainment industry ties"
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and Thelma Golden during a tour of the Studio Museum in Harlem, 2011
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As a student, Golden helped put several exhibitions together at the
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1588:"Thelma Goldman Joins NYC Cultural Affairs Committee -artnet News"
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and Eileen Harris Norton from 1998 to 2000. She then joined the
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and the Whitney itself described it as a "landmark exhibition".
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awarded Golden the J. Paul Getty Medal in 2008. Its president,
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was appointed at the same time as the museum's new director.
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from 1988 to 1998. She was the visual arts director at the
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was particularly noted for helping to establish the term "
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Black Romantic: The Figurative Impulse in Contemporary Art
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People associated with the Whitney Museum of American Art
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840:"Studio Museum in Harlem Unveils Design for Expansion"
457:" and for helping to launch the careers of LA artists
435:(2007–08). She championed the work of artists such as
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At the museum, Golden organized exhibitions including
1688:"The Anti-Power Couple: Duro Olowu and Thelma Golden"
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415:(2002); harlemworld: Metropolis as Metaphor (2004);
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184:. Her decision to become a curator was inspired by
707:"Thelma Golden: Steering the Studio Museum Ahead"
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586:Committee for the Preservation of the White House
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219:among other tasks. She also worked under curator
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1173:"From the Archives: Linda Nochlin on Black Male"
549:Golden serves on the Graduate Committee at the
542:. She then co-curated the traveling exhibition
144:From 1991 to 1998, Golden was a curator at the
1056:"How a Curator Temporarily Turns Into a Judge"
344:. In November 1998, Golden and fellow curator
231:Golden's first curatorial position was at the
205:Dorothy C. Miller: With an Eye to American Art
1728:"The 100 Most Powerful Women In Art: Part II"
1715:Office of the First Lady of the United States
1500:"Thelma Golden | The Studio Museum in Harlem"
874:. Vol. 100, no. 1. pp. 50–61.
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1712:Expected Attendees at Tonight's State Dinner
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1528:"How art gives shape to cultural change"
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1087:"Black Images Stir Up Strong Emotions"
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1142:Richardson, Lynda (May 1, 2001).
1054:Zimmer, William (April 7, 1996).
705:Smith, Jennifer (July 17, 2015).
73:Museum director and chief curator
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1301:Lubow, Arthur (April 11, 1999).
838:Pogrebin, Robin (July 6, 2015).
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1670:"Thelma Golden" Modern Painter
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958:"Questionnaire: Thelma Golden"
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634:Notable awards and recognition
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146:Whitney Museum of American Art
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125:The Studio Museum in Harlem
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1303:"The Curse of the Whitney"
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182:Metropolitan Museum of Art
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544:Glenn Ligon: Some Changes
164:Thelma Golden grew up in
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1672:. EBSCOhost. p. 42.
763:"Post-Black, Old Black."
739:Biography: Thelma Golden
160:Early life and education
21:Thelma Golden (softball)
1836:American women curators
1449:The Wall Street Journal
1388:The Wall Street Journal
766:African American Review
711:The Wall Street Journal
488:In 2017, MoMA director
475:Njideka Akunyili Crosby
445:Njideka Akunyili Crosby
433:Kori Newkirk: 1997–2007
374:Studio Museum in Harlem
364:Studio Museum in Harlem
233:Studio Museum in Harlem
203:, including one called
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447:. Her 2001 exhibition
213:Dorothy Canning Miller
1826:American art curators
1668:Siegal, Nina (2017).
1121:The Los Angeles Times
1002:The Los Angeles Times
768:41.4 (2007): 625-640.
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135:. From 2017 to 2020,
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1508:. September 25, 2017
964:. September 30, 2014
565:in New York and the
266:Jean-Michel Basquiat
19:For other uses, see
1851:Henry Crown Fellows
748:August 1, 2012, at
666:Golden appeared on
651:J. Paul Getty Trust
350:Maxwell L. Anderson
270:Robert Mapplethorpe
241:Jamaica Arts Center
1736:. October 19, 2014
1692:The New York Times
1594:. October 27, 2015
1559:The New York Times
1307:The New York Times
1273:The New York Times
1245:. January 20, 2015
1214:The New York Times
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1091:The New York Times
1060:The New York Times
1033:The New York Times
938:. February 3, 2010
906:The New York Times
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382:Lowery Stokes Sims
315:The New York Times
186:Lowery Stokes Sims
178:New Lincoln School
154:Lowery Stokes Sims
41:September 22, 1965
1764:. August 12, 2020
1619:Los Angeles Times
1505:The Studio Museum
1235:"Looking Back at
787:. August 12, 2020
743:Frieze Foundation
624:François Hollande
494:Adjaye Associates
352:. Philanthropist
346:Elisabeth Sussman
245:Elisabeth Sussman
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