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218:. The monument consists of three 10-foot high, triple-sided concrete pillars featuring a portrait of Lindsay at his desk. When viewers move closer, they see that the large image of Lindsay is made up of 104 smaller tiles that contain additional images of Lindsay with his family, staff, and other public figures, including
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In
Williams Accused/Blowtorched/Padlock work she is able to create a direct view and message through her use of text and visual aid alongside the original image of the torture. Williams enlarges certain aspects of the original image and encases them in an old window frame- like border to bring the
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Williams has explained her intent in the work and how that relates to the title of the piece: “I force the viewer to look at what is really going on by dissecting the important body of information and by directing with text what the viewer should notice: the tied hands (accused), the scarred back
194:(blowtorch), and the lock, chain, and tree (padlock).” Art historian Dora Apel has argued that in including the text of her own response to the image, Williams "attempts to define for the viewer the relationship between violence, spectacle, and public representation."
88:(born 1948) is an African-American photographer whose work often engages with the complexities of race, gender, and history. In addition to her smaller-scale photographs and installations, she has designed three public artworks in Los Angeles.
242:, Williams created circular images that mimic the camera angles in the film. The photo-etched images are on black granite and can be seen on the upper and lower entrance plaza floors of the
543:"Monument in the Image of 'the Emperor' : Tribute: A huge artwork honors the late Gilbert Lindsay, who was a powerful player on the City Council for 27 years"
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magazine in 1937 and not attributed to a specific photographer), surrounded by text expressing the artist's reaction to this image.
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in Los
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Williams was part of the Photo-Active
Feminist Visiting Artists 1998–99 Series, sponsored by the
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and Women's
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viewer to a truly witness what is happening in the photograph.
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Williams' daughter, Janaya
Williams, is a radio producer at
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Imagery of
Lynching: Black Men, White Women, and the Mob
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to present their work to students and the community.
177:In 1992, Williams published the exhibition catalog
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152:University of Michigan School of Art and Design
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127:a large-scale collaborative exhibition by the
249:In 2003, Williams created the public artwork
432:. Berkeley: University of California Press.
622:Florida State University: Department of Art
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457:. Philadelphia: The Goldie Paley Gallery.
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123:has been included in exhibitions such as
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232:. Inspired by the finale dance scene of
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206:in Los Angeles. In 1995, she designed
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208:The Emperor of the Great 9th District
107:One of Williams’ best known works is
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720:21st-century African-American women
643:"The 'All Things Considered' Staff"
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424:Burgess Fuller, Diana, ed. (2002).
378:. Oxford: Oxford University Press.
285:, where she has worked since 2000.
269:and as a visiting professor at the
265:Williams has taught photography at
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346:"Pat W Williams Curriculum Vitae"
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97:Maryland Institute College of Art
70:Maryland Institute College of Art
685:Florida State University faculty
541:Gordon, Larry (March 31, 1995).
202:Williams has also created three
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568:"Pat Ward Williams: Starbursts"
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148:National Endowment for the Arts
93:Moore College of Art and Design
64:Moore College of Art and Design
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374:Twentieth-Century American Art
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1:
476:msmart8 (November 21, 2017).
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271:University of Hawaii at Manoa
230:Hollywood and Highland Center
216:Los Angeles Convention Center
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670:American women photographers
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527:. Rutgers University Press.
478:"Accused/Blowtorch/Padlock"
453:Williams, Pat Ward (1992).
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95:(1982) and an MFA from the
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404:New Museum Digital Archive
91:Williams holds a BFA from
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121:Accused/Blowtorch/Padlock
109:Accused/Blowtorch/Padlock
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37:Pat Ward Williams in 2014
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710:American women academics
323:. University of Michigan
283:Florida State University
166:, Kathy Constantinides,
593:"Everyday People, 2003"
275:Technikon Witwatersrand
133:Studio Museum in Harlem
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79:Photography, public art
700:American photographers
220:Martin Luther King Jr.
172:University of Michigan
141:San Jose Museum of Art
645:. NPR. April 20, 2015
482:Afterlives of Slavery
295:National Public Radio
16:American photographer
370:Doss, Erika (2002).
224:Williams’ 2001 work
618:"Pat Ward Williams"
519:Apel, Dora (2004).
400:"Pat Ward Williams"
321:Women's Studies 483
317:"Pat Ward Williams"
297:in Washington, DC.
255:Lake metro station
547:Los Angeles Times
439:978-0-520-23065-1
385:978-0-19-284239-8
281:. She teaches at
214:installed at the
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705:1948 births
168:Wendy Ewald
51:Nationality
664:Categories
463:B0006EX8U4
301:References
226:Starbursts
198:Public art
129:New Museum
627:March 13,
602:March 13,
577:March 13,
552:March 13,
409:March 13,
355:March 13,
327:March 13,
267:UC Irvine
59:Education
597:LA Metro
497:cite web
289:Personal
261:Teaching
253:for the
150:and the
99:(1987).
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487:May 12,
139:at the
572:CRA/LA
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185:Themes
277:, in
239:Dames
68:MFA,
62:BFA,
651:2019
629:2014
604:2014
579:2014
554:2014
503:link
489:2021
459:ASIN
434:ISBN
411:2014
380:ISBN
357:2014
329:2014
273:and
114:Life
103:Work
46:1948
43:Born
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