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Visual Arts Award, the Getty's Mid-Career Visual Arts
Fellowship (2006), Anonymous was a Woman (2003), COLA Mid-Career Artistic Fellowship (2003), Banff Centre for the Arts Senior Artist Award (2000) and New Media Institute Residency (1999), and the National Endowment for the Arts Special Exhibitions
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was a photographic project that revolved around the city of Dubai and its vast city construction projects. The work as a whole examines the politics and economics of such extreme constructed environments. Samaras explores the idea of Dubai being a city that is of the future, yet placed in the
Arabian
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Artists and
Writers grant that took her to Antarctica for parts of two years between 2005 and 2007. The premise of Samaras's project was to document the extreme environment and how it affected the surrounding architecture as time passed. In these photos one sees how the ice and harsh environment
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Samaras has showed her works in museums and galleries across the globe in both solo exhibitions and group shows. Some of her most notable shows include the
California Museum of Photography (2011), the New Mexico Museum of Art (2001), Tauranga Museum (2009), the Japanese National American Museum
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repeatedly consume the human-made structures in the area, forcing people . to constantly rebuild as buildings made decades ago become buried under layers of snow and ice. Samaras's works from
Antarctica reflect a deadpan approach that avoids prompting emotional responses in the viewers.
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Connie
Samaras' artistic career as a photographer and videographer has focused on feminism (specifically second wave), culture, technology, sexuality and gender studies, science, and both man-made and natural environments. She is a full professor at the
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Connie
Samaras has received many prestigious awards and grants throughout her career. These include the Andy Warhol Foundation Grant (2011), the National Science Foundation Artist and Writers grant, a
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desert, an area with a long history. The photos of stark buildings almost entirely devoid of life give the photographs a dysotopian science-fictional feel.
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was a photographic project that focused on various cities across the United States, especially on urban forms of surveillance and technological presence.
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198:(2008), and the Tijuana V International Biennial of Standards (2008). Her large-scale photographs of Las Vegas were included in the 2001 book
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is a Los
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Connie
Samaras V.A.L.I.S (vast active living intelligence system)
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and tools are available to assist in formatting, such as
304:The Scholar and the Feminist Online: Gender on Ice
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286:(ink, mylar, black and white photos, 1986-1989)
466:http://creative-capital.org/projects/view/728
278:A Partial Correction ...Voyager Space Probes
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318:Terminals: The Cultural Production of Death
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53:and maintains a consistent citation style.
415:Connie Samaras: After the American Century
393:After the American Century Connie Samaras
95:Learn how and when to remove this message
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292:(standard video production still, 1989)
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262:(archival inkjet prints, 1990–present)
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325:Whitewalls: A Journal of Language Art
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268:(archival inkjet prints, 2003-2005)
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516:Eastern Michigan University alumni
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323:"Abduction, a wretch like me",
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309:"Dream, September 10, 2001",
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230:Major works
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85:August 2022
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