Knowledge

Rodolfo Halffter

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Halffter began to use twelve-tone technique, as the first composer to do so in Mexico, in Tres hojas de album (1953). This was at a time when the technique was becoming mainstream and had already become respected as somewhat
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and participated in music festivals. He published a catalogue of ChĂ vez's music in 1971 for the composer's seventieth birthday and updated it after ChĂ vez's death. Halffter died in Mexico City on October 14, 1987.
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studied music with Galindo and Halffter here before continuing their education at major institutions in the Europe or the United States. In 1946, he became editor of
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gave the premieres of Halffter's Violin Concerto, helping to establish his growing international reputation. He may have participated in the 1954 and 1957
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composer, music critic, and professor with Mexican citizenship (from 1939). He wrote in a style always informed by his early engagement with the
1101:, Ch. 3, Sc. "Contests of 1934: Composing to Earn a Living", ¶15 incl. n68, quoting Halffter's 1934 "Información Musical. Varios conciertos". 529: 1605: 403: 1585: 1610: 1580: 1555: 508:, asymmetric rhythms, and clear melodic writing after Falla, and their neoclassical style has been compared to the musical idiom of 1600: 354: 1504: 1496: 1432: 1424: 1399: 1036: 918: 288:, or Grupo de Madrid, in the 1930s. This group was influenced by Salazar, who encouraged its members to innovate. At the 1419:, ed. Brian Hart. Vol. 5, The Symphonic Repertoire, founding ed. A. Peter Brown. Bloomington: Indiana University Press. 1009:, Ch. 2, Sc. "When Trains Collide: López-Chavarri versus Adolfo Salazar", ¶2; Ch. 2, Sc. "Falla in Valencia, 1925", ¶1. 209:
in 1986, but he died in Mexico City, where he was also recognized. He wrote music in many genres, including for film.
349:. After the Spanish Civil War (1936–1939), Rodolfo chose to leave Francoist Spain for Mexico, as only Mexico and the 617: 1595: 1565: 414: 1550: 885: 528:
The Spanish government honored him with a concert in his later career, and he received further honors from the
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Born in Madrid to a family of musicians, Rodolfo Halffter was the older brother of composer-conductor
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Hess, Carol A. 2023. "The Symphony in Mexico, Central America, and the Spanish-Speaking Caribbean".
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as "the exquisite product of a refined musician". He also worked in the propaganda ministry of the
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He came from a musical family. Though largely self-taught as a composer, he studied Schoenberg's
1457: 628: 486: 435: 147: 904: 370: 260: 1486: 195: 176: 1394:. Music in Context Series, gen. ed. Benedict Taylor. Cambridge: Cambridge University Press. 673: 227: 1545: 1540: 1441: 1464: 362: 8: 1477: 1285: 1283: 1281: 1279: 1277: 1275: 1273: 1271: 1269: 846: 82: 562: 509: 322: 172: 1519: 1266: 1221: 1219: 910: 366: 194:, emigrating to Mexico in 1939. Starting in 1953, he became the first composer to use 1500: 1492: 1428: 1420: 1395: 1104: 943: 895: 786: 533: 255: 191: 157: 1385: 894:
considered the autodidactic approach less fruitful and went to Vienna to study with
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Musical Modernism in Global Perspective: Entangled Histories on a Shared Planet
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reported, Bach, Mozart, and Beethoven were emphasized and opera excluded.
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As a composer, Halffter was largely self-taught and most influenced by
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By comparison, Halffter's younger brother Ernesto was also guided by
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Halffter wrote the majority of his most important works while in the
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He arrived in Mexico in 1939, where he was welcomed by composers
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At the same time, Halffter worked as a music critic at Madrid's
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Academic staff of the National Conservatory of Music of Mexico
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A Light in the Darkness: The Music and Life of JoaquĂ­n Rodrigo
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He returned to Spain beginning in the 1960s and received its
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Spanish people of the Spanish Civil War (Republican faction)
1204: 520:. He maintained the melodic orientation of his prior style. 461:
in Caracas, perhaps placing him in the company of composers
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heritage and gave her children their first music lessons.
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Suárez-Pajares, Javier and Walter Aaron Clark. 2024.
875:, who had taught and praised him as the successor to 1522:. 1946. "Rodolfo Halffter, el compositor mexicano". 1135: 835:(A. del Rio) for three-part children's chorus (1944) 1247: 1120: 603:Three Movements for string quartet, Op. 28 (1962) 1532: 1045:, Ch. 3, Sc. "Long Live Paris! (1927–1931)", ¶3. 152:, taking additional inspiration from the music 31: and the second or maternal family name is 606:Ocho Tientos for string quartet, Op. 35 (1973) 594:Pastorale for violin and piano, Op. 18 (1940) 537: 530:Real Academia de Bellas Artes de San Fernando 499: 456: 401: 289: 283: 238:. His mother Rosario Escriche ErradĂłn was of 202: 186:Like others in his milieu, he chose to leave 145: 481:on many occasions after 1962. He taught in 296:, Halffter met regularly with artists like 230:. His father Ernest Halffter Hein was from 136:(30 October 1900 – 14 October 1987) was a 48: 1576:Exiles of the Spanish Civil War in Mexico 1458:10.1093/omo/9781561592630.013.90000380286 361:who did so, including composers Salazar, 268:, who he met through the composer-critic 171:. His music has been compared to that of 345:, whereas his brother Ernesto supported 328:, in which he praised JoaquĂ­n Rodrigo's 799:Dos impromptus y divertimento (c. 1931) 389:in Mexico City. He first taught at the 1533: 1379: 1241: 1225: 1144: 1110: 938:music of the time, including that of 1414: 1364: 1289: 1260: 1210: 1175: 1129: 934:Salazar introduced the group to the 829:) for voice and piano, Op. 27 (1925) 282:. He was among the composers of the 1606:20th-century Spanish male musicians 842:) for alto and piano, Op. 15 (1946) 793: 754:, Op. 2 (1928, after Antonio Soler) 13: 1512: 779:Tres hojas de album, Op. 22 (1953) 597:String Quartet, Op. 24 (1957–1958) 504:. They are typified by their mild 14: 1622: 1586:Mexican people of Catalan descent 919:École Normale de Musique de Paris 591:for mixed ensemble, Op. 7a (1935) 565:), Op. 7b, from the ballet (1935) 547: 1611:Twelve-tone and serial composers 1581:Mexican people of German descent 1556:Spanish people of German descent 849:) for chorus, Op. 17 (1947–1953) 581:Piezas for string quartet (1923) 552: 404:Conservatorio Nacional de MĂşsica 1373: 928: 639:, dir. Miguel M. Delgado (1944) 472: 1601:20th-century Spanish musicians 1353:Iglesias and Orrego-Salas 2001 1294:Iglesias and Orrego-Salas 2001 1230:Iglesias and Orrego-Salas 2001 1199:Iglesias and Orrego-Salas 2001 1164:Iglesias and Orrego-Salas 2001 1115:Iglesias and Orrego-Salas 2001 1087:Iglesias and Orrego-Salas 2001 1075:La Correspondencia de Valencia 995:Iglesias and Orrego-Salas 2001 865: 699:Violin Concerto, Op. 11 (1940) 217: 1: 1099:Suárez-Pajares and Clark 2024 1067:Suárez-Pajares and Clark 2024 1055:Suárez-Pajares and Clark 2024 1043:Suárez-Pajares and Clark 2024 1031:Suárez-Pajares and Clark 2024 1019:Suárez-Pajares and Clark 2024 1007:Suárez-Pajares and Clark 2024 853: 584:Giga for guitar, Op. 3 (1930) 446:Ediciones Mexicanas de MĂşsica 331:Zarabanda lejana y Villancico 1465:UK public library membership 1446:Halffter (Escriche), Rodolfo 1417:The Symphony in the Americas 961: 724:for orchestra, Op. 33 (1970) 680: 523: 400:(1939–1940) and then at the 212: 23:, the first or paternal 7: 782:Sonata No. 3, Op. 30 (1967) 776:Sonata No. 2, Op. 20 (1951) 773:Sonata No. 1, Op. 16 (1947) 621:, dir. Edgar Neville (1936) 600:Cello Sonata, Op. 26 (1960) 258:, having read Schoenberg's 10: 1627: 802:Tres piezas, Op. 23 (1954) 575: 391:Escuela Superior de MĂşsica 304:, and he set the poems of 18: 789:(Nocturno), Op. 36 (1973) 664:, dir. Luis Buñuel (1945) 569:La madrugada del panadero 540:Premio Nacional de MĂşsica 538: 500: 451:The same year, violinist 402: 376: 359:Spanish Republican exiles 292:Residencia de Estudiantes 290: 284: 264:. He was also advised by 205:Premio Nacional de MĂşsica 203: 179:and to Falla in its mild 146: 134:Rodolfo Halffter Escriche 111: 89: 71: 47: 40: 1073:'s 1928 "Paul Dukas" in 858: 816: 734: 686:Suite, Op. 1 (1924–1928) 610: 493: 245: 676:, and Guillermo Noriega 410:JoaquĂ­n GutiĂ©rrez Heras 343:Second Spanish Republic 144:aesthetics of Madrid's 1596:20th-century composers 1566:Spanish male composers 1440:Iglesias, Antonio and 881:Eduardo LĂłpez-Chávarri 618:The Lady from TrĂ©velez 487:Santiago de Compostela 457: 226:and uncle of composer 1551:Musicians from Madrid 1408:10.1017/9781009491716 840:Juana InĂ©s de la Cruz 728:Dos ambientes sonoros 702:Tres sonatas de Fray 477:Halffter returned to 421:Federico Ibarra Groth 302:Federico GarcĂ­a Lorca 196:twelve-tone technique 1442:Juan A. Orrego-Salas 730:, Op. 37 (1975–1979) 589:Don Lindo de AlmerĂ­a 559:Don Lindo de AlmerĂ­a 458:Festivales de MĂşsica 357:. He was among many 1478:Julian Lloyd Webber 898:in 1924. Likewise, 847:Miguel de Cervantes 371:MarĂ­a Teresa Prieto 280:El universo gráfico 167:and was advised by 1482:Nelson R. Orringer 1450:Grove Music Online 823:Marinero en tierra 674:JosĂ© Pablo Moncayo 587:Divertimento from 510:Domenico Scarlatti 355:Republican faction 353:had supported the 310:Marinero en tierra 228:CristĂłbal Halffter 190:at the end of the 173:Domenico Scarlatti 1561:Spanish composers 1505:978-1-324-00445-5 1497:978-1-32-400446-2 1480:, ed. and trans. 1463:(subscription or 1433:978-0-253-06753-1 1425:978-0-253-06754-8 1400:978-1-009-49170-9 944:Arnold Schoenberg 896:Arnold Schoenberg 787:Arturo Rubinstein 758:Para la tumba de 629:JosĂ© DĂ­az Morales 534:Academia de Artes 501:Grupo de los Ocho 436:RocĂ­o Sanz QuirĂłs 363:Rosa GarcĂ­a Ascot 285:Grupo de los Ocho 256:Arnold Schoenberg 192:Spanish Civil War 158:Arnold Schoenberg 148:Grupo de los Ocho 131: 130: 1618: 1520:Bal y Gay, JesĂşs 1508: 1490: 1468: 1461: 1436: 1411: 1389: 1368: 1362: 1356: 1350: 1297: 1287: 1264: 1258: 1245: 1239: 1233: 1223: 1214: 1208: 1202: 1196: 1179: 1173: 1167: 1161: 1148: 1142: 1133: 1127: 1118: 1108: 1102: 1096: 1090: 1084: 1078: 1064: 1058: 1052: 1046: 1040: 1034: 1028: 1022: 1016: 1010: 1004: 998: 992: 955: 932: 926: 908: 900:Arturo DĂşo Vital 890:.) By contrast, 889: 869: 845:Tres epitafios ( 794:String orchestra 749: 710:Obertura festiva 662: 636:Michael Strogoff 543: 542: 532:and the Mexican 503: 502: 460: 444:and director of 429: 418: 407: 406: 399: 347:Francisco Franco 339: 326: 295: 294: 287: 286: 224:Ernesto Halffter 208: 207: 151: 150: 96: 83:Kingdom of Spain 52: 42:Rodolfo Halffter 38: 37: 16:Spanish composer 1626: 1625: 1621: 1620: 1619: 1617: 1616: 1615: 1531: 1530: 1529: 1515: 1513:Further reading 1484: 1462: 1383: 1376: 1371: 1363: 1359: 1351: 1300: 1288: 1267: 1259: 1248: 1240: 1236: 1224: 1217: 1213:, 776–777, 786. 1209: 1205: 1197: 1182: 1174: 1170: 1162: 1151: 1143: 1136: 1128: 1121: 1109: 1105: 1097: 1093: 1085: 1081: 1065: 1061: 1053: 1049: 1041: 1037: 1029: 1025: 1017: 1013: 1005: 1001: 993: 968: 964: 959: 958: 933: 929: 911:JoaquĂ­n Rodrigo 902: 892:Roberto Gerhard 883: 877:Manuel de Falla 870: 866: 861: 856: 819: 812:, Op. 41 (1978) 796: 770:, Op. 13 (1944) 768:Antonio Machado 743: 737: 718:, Op. 25 (1959) 712:, Op. 21 (1952) 690:Preludio atonal 683: 656: 625:CristĂłbal ColĂłn 613: 578: 555: 550: 526: 496: 475: 423: 412: 393: 379: 367:JesĂşs Bal y Gay 333: 320: 266:Manuel de Falla 248: 220: 215: 188:Francoist Spain 169:Manuel de Falla 127: 107: 98: 94: 85: 76: 75:30 October 1900 67: 61:of Halffter in 43: 36: 17: 12: 11: 5: 1624: 1614: 1613: 1608: 1603: 1598: 1593: 1588: 1583: 1578: 1573: 1568: 1563: 1558: 1553: 1548: 1543: 1528: 1527: 1526:1(3): 141–146. 1524:Nuestra mĂşsica 1516: 1514: 1511: 1510: 1509: 1469: 1437: 1412: 1375: 1372: 1370: 1369: 1367:, 751, 780n63. 1357: 1298: 1265: 1246: 1234: 1215: 1203: 1180: 1168: 1149: 1134: 1119: 1103: 1091: 1079: 1059: 1047: 1035: 1023: 1011: 999: 965: 963: 960: 957: 956: 940:Claude Debussy 927: 873:Adolfo Salazar 863: 862: 860: 857: 855: 852: 851: 850: 843: 836: 830: 827:Rafael Alberti 818: 815: 814: 813: 803: 800: 795: 792: 791: 790: 783: 780: 777: 774: 771: 764: 755: 736: 733: 732: 731: 725: 719: 713: 707: 700: 697: 687: 682: 679: 678: 677: 665: 650: 643:Entre hermanos 640: 632: 622: 612: 609: 608: 607: 604: 601: 598: 595: 592: 585: 582: 577: 574: 573: 572: 566: 554: 551: 549: 548:Selected music 546: 525: 522: 495: 492: 474: 471: 467:RenĂ© Leibowitz 453:Samuel Dushkin 441:Nuestra mĂşsica 408:for 30 years. 378: 375: 306:Rafael Alberti 270:Adolfo Salazar 252:Claude Debussy 247: 244: 219: 216: 214: 211: 154:Claude Debussy 129: 128: 126: 125: 122: 119: 115: 113: 109: 108: 99: 97:(aged 86) 93:4 October 1987 91: 87: 86: 77: 73: 69: 68: 53: 45: 44: 41: 15: 9: 6: 4: 3: 2: 1623: 1612: 1609: 1607: 1604: 1602: 1599: 1597: 1594: 1592: 1589: 1587: 1584: 1582: 1579: 1577: 1574: 1572: 1569: 1567: 1564: 1562: 1559: 1557: 1554: 1552: 1549: 1547: 1544: 1542: 1539: 1538: 1536: 1525: 1521: 1518: 1517: 1506: 1502: 1498: 1494: 1488: 1483: 1479: 1475: 1470: 1466: 1459: 1455: 1451: 1447: 1443: 1438: 1434: 1430: 1426: 1422: 1418: 1413: 1409: 1405: 1401: 1397: 1393: 1387: 1382: 1378: 1377: 1366: 1361: 1354: 1349: 1347: 1345: 1343: 1341: 1339: 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671: 670: 666: 663: 660: 655: 654:Los olvidados 651: 648: 644: 641: 638: 637: 633: 630: 626: 623: 620: 619: 615: 614: 605: 602: 599: 596: 593: 590: 586: 583: 580: 579: 570: 567: 564: 563:JosĂ© BergamĂ­n 560: 557: 556: 553:Ballet suites 545: 541: 535: 531: 521: 519: 513: 511: 507: 491: 488: 484: 480: 470: 468: 464: 463:Roque Cordero 459: 454: 449: 447: 443: 442: 437: 433: 432:Mario Lavista 427: 422: 416: 411: 405: 397: 392: 388: 384: 383:Carlos Chávez 374: 372: 368: 364: 360: 356: 352: 348: 344: 340: 337: 332: 327: 324: 319: 313: 311: 307: 303: 299: 298:Salvador DalĂ­ 293: 281: 277: 276: 271: 267: 263: 262: 261:Harmonielehre 257: 253: 243: 241: 237: 233: 229: 225: 210: 206: 199: 197: 193: 189: 184: 182: 178: 177:neoclassicism 174: 170: 166: 165:Harmonielehre 161: 159: 155: 149: 143: 139: 135: 123: 120: 117: 116: 114: 110: 106: 102: 92: 88: 84: 80: 74: 70: 66: 65: 60: 56: 51: 46: 39: 34: 30: 26: 22: 1523: 1473: 1449: 1416: 1391: 1381:Heile, Björn 1374:Bibliography 1360: 1237: 1206: 1171: 1106: 1094: 1082: 1074: 1071:Manuel Ponce 1062: 1050: 1038: 1026: 1014: 1002: 930: 923:Manuel Ponce 921:, where, as 867: 832: 822: 808:en memoriam 805: 757: 727: 721: 715: 709: 689: 667: 652: 642: 634: 624: 616: 588: 568: 558: 527: 514: 506:polytonality 497: 476: 473:Later career 450: 445: 439: 387:Blas Galindo 380: 351:Soviet Union 329: 316: 314: 309: 308:to music in 279: 273: 259: 249: 221: 200: 185: 181:polytonality 164: 162: 133: 132: 121:music critic 95:(1987-10-04) 62: 32: 28: 21:Spanish name 1546:1987 deaths 1541:1900 births 1485: [ 1384: [ 1244:, 100, 102. 1178:, 752, 761. 952:BĂ©la BartĂłk 936:avant-garde 903: [ 884: [ 766:Homenaje a 752:El Escorial 744: [ 741:Dos sonatas 722:Diferencias 657: [ 518:antifascist 424: [ 413: [ 394: [ 334: [ 321: [ 218:Early years 198:in Mexico. 112:Occupations 101:Mexico City 1535:Categories 1242:Heile 2024 1226:Heile 2024 1145:Heile 2024 1111:Heile 2024 915:Paul Dukas 854:References 716:Tripartita 647:RamĂłn PeĂłn 232:Königsberg 59:caricature 1467:required) 1444:. 2001. " 1365:Hess 2023 1355:, §Works. 1296:, §Works. 1290:Hess 2023 1261:Hess 2023 1211:Hess 2023 1176:Hess 2023 1130:Hess 2023 962:Citations 785:Homenaje 681:Orchestra 524:Reception 213:Biography 142:modernist 124:professor 1390:. 2024. 118:Composer 57:'s 1928 33:Escriche 29:Halffter 19:In this 1499:(ebk). 1476:, fwd. 1427:(ebk). 1402:(hbk). 1292:, 739; 1228:, 100; 1117:, ¶1–2. 1113:, 100; 1089:, ¶1–2. 917:at the 833:La nuez 645:, dir. 627:, dir. 576:Chamber 483:Granada 240:Catalan 236:Germany 175:in its 138:Spanish 55:Bagaria 25:surname 1507:(hbk). 1503:  1495:  1435:(hbk). 1431:  1423:  1398:  1263:, 739. 1147:, 100. 1132:, 741. 1077:27(4). 950:, and 806:ElegĂ­a 763:(1937) 706:(1951) 696:(1933) 669:RaĂ­ces 649:(1945) 631:(1943) 434:, and 377:Mexico 369:, and 318:La Voz 275:El Sol 105:Mexico 79:Madrid 64:El Sol 1489:] 1388:] 1232:, ¶3. 1201:, ¶3. 1166:, ¶2. 997:, ¶1. 907:] 888:] 859:Notes 817:Vocal 760:Lenin 748:] 735:Piano 694:ArbĂłs 661:] 611:Films 494:Music 479:Spain 428:] 417:] 398:] 338:] 325:] 246:Spain 1501:ISBN 1493:ISBN 1429:ISBN 1421:ISBN 1396:ISBN 909:and 485:and 465:and 385:and 300:and 278:and 254:and 156:and 90:Died 72:Born 1454:doi 1448:". 1404:doi 750:de 27:is 1537:: 1487:es 1386:et 1301:^ 1268:^ 1249:^ 1218:^ 1183:^ 1152:^ 1137:^ 1122:^ 969:^ 946:, 942:, 905:es 886:es 746:es 659:es 512:. 469:. 448:. 430:, 426:es 419:, 415:es 396:es 373:. 365:, 336:es 323:es 312:. 234:, 183:. 160:. 103:, 81:, 1460:. 1456:: 1410:. 1406:: 954:. 825:( 561:( 35:.

Index

Spanish name
surname
Bagaria's 1928 caricature of Halffter in El Sol
Bagaria
caricature
El Sol
Madrid
Kingdom of Spain
Mexico City
Mexico
Spanish
modernist
Grupo de los Ocho
Claude Debussy
Arnold Schoenberg
Manuel de Falla
Domenico Scarlatti
neoclassicism
polytonality
Francoist Spain
Spanish Civil War
twelve-tone technique
Premio Nacional de MĂşsica
Ernesto Halffter
CristĂłbal Halffter
Königsberg
Germany
Catalan
Claude Debussy
Arnold Schoenberg

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