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397:, recall his time at the revels where, together with his friends, "you had not four such swinge bucklers in the Inns of Court again; and again I say to you we knew where the bon robas were and had the best of them at commandment". Shallow claims to have been nicknamed "Mad Shallow" for his behaviour at the revels, but his colleague, Justice Silence, recalls that he was actually known as "Lusty Shallow".
75:
179:, frustrated at not being named Prince D'Amour, entered the Middle Temple's dining hall and struck the man selected over the head with a club. He was disbarred for a period and the Prince was later suspended after breaking into some barrister's chambers. Sometimes important figures were selected, the Inner Temple in 1561 selected the Royal favourite
486:
The quality of revels seems to have declined in the 17th century. In 1610 the entire "barre" (fellows) of
Lincoln's Inn refused to dance during the revels, on an occasion when judges had been invited to witness the festivities. This embarrassed the inn, who at that time only exempted benchers from
90:
in
England and Wales. In medieval and renaissance times they also served as places of training, residences and entertainment for their members. The inns' members were largely students, poets, translators and the sons of gentry and the majority were below the age of 30. The inns maintained a varied
319:
The revels' audience, being gentlemen, were trained in fencing and dancing and were thought to be especially critical of actors who lacked these skills; performances were often interrupted by interjections from the audience. The students of the inns were regarded as being particularly rowdy and are
458:
and events to be held in his honour that night were cancelled. The amended programme included dances preceding the performance of the play. It was a difficult night for the acting company, their appearance was delayed for hours and the audience were disruptive. The event concluded early the next
65:
with one of his most distinguished audiences in his early career. Several plays were written specifically for the revels and legal scenes in many plays from this era may have been written with this audience in mind. The revels declined in the 17th century and they last appear to have been held in
305:
It is thought that professional playwrights of this era wrote plays specifically with the revels' audience in mind and may have featured legal scenes in the hope of them being selected for a performance. The inns played a key role in providing venues and funding for performances and were a great
183:
as the Prince of the Sophie, but also "Christmas Prince and Master of the Revels". Dudley's revels are said to have been particularly extravagant. At Gray's in 1594 the Prince took part in a grand enthronement procession from his lodgings to the inn's great hall, aping the custom of processions
406:
took place at the Gray's Inn revels on 28 December 1594 and is considered to be one of the best documented events of his life. The 1594–1595 Gray's Inn season was particularly elaborate as the previous three revels had been cancelled. The play formed part of a sequence of events focused on the
258:
were performed later that decade. The performances were usually put on by professional companies, who regarded the revels as a good opportunity to perform before an audience of distinguished personages. In some cases the members of the inns were involved with the production of the plays, often
195:
In general the revels were regarded as a period of extravagant entertainment and wild partying, though the events generally followed a set traditional sequence. Members of the inn who refused to become involved in the events were fined as a punishment. The nature of the revels often varied
188:
379:(c. 1590–1592) showing the arrival of Lucentio at the university in Padua and a reminder from Tranio not to neglect his own pleasure whilst there may have been written by Shakespeare with an audience of law students in mind. In the same play the scene where the pedlar
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of Russia attended a masque at the revels of 1697–1698 and was said to have witnessed "a riotous and revelling
Christmas according to custom". The revels seem to have ceased soon afterwards and the last are thought to have been those of the Inner Temple in 1733.
447:(who had contributed speeches to the 27 December entertainment) and Francis Davison (who wrote a masque for the revels that year). This was the most prestigious audience that Shakespeare's work had been performed for up to this time. It is thought that the
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The 1594–1595 revels were themed around friendship; as part of this the inns exchanged members for the entertainments in formal ambassadorial-style exchanges. As such the audience for the 28 December performance was particularly distinguished. It included
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and performed at the 1588–1589 revels, is thought to be the only play to be both written and performed by members of an inn in the 16th century and by 1600 almost all plays at the inns were performed by professional companies. The 1634 masque
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was performed. On the latter occasion she returned the next night to present the Prince of
Purpoole with diamonds and rubies. The Lincoln's Inn and Middle Temple performed a revels masque at the royal court to celebrate the wedding of
150:
Written records of the revels do not seem to have been kept, or else have been subsequently lost, however some accounts remain. It is known that the inns appointed "princes of misrule" to lead the revels at each institution. At the
130:. This developed into a more regulated period of revels lasting from Christmas Eve to Candlemas, though there continued to be some variation with revels periods starting earlier or lasting as late as
499:
The revels were revived at the inns in the mid-20th century by Master Hubert Monroe of the Middle Temple and have since provided seasonal entertainment in the form of sketches, songs and jokes.
454:
However, the night of 28 December did not proceed to plan. The hall was overcrowded and fights broke out over the best seats. The ambassador from the Inner Temple left, perhaps in a staged
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morning and was subsequently referred to as the "night of errors". On the following night of the revels a mock trial was held of a "sorceror" accused of causing the failure of the event.
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attended the Middle Temple revels in 1598, a record of these survives and a script from them was performed at the inn in 1998 by the Middle Temple as a celebration of the historic event.
53:. The inns elected a "prince" to lead the festivities and put on a sequence of elaborate entertainments and wild parties. The events included singing, dancing, feasting, the holding of
41:
in London, England. The revels were held annually from the early 15th to the early 18th centuries and were an extension of a general nationwide period of entertainment running from
102:
meaning "to rebel" and refer to a period of entertainment centred on
Christmas. In the medieval era there was a general nationwide period of revelry that lasted from
950:
A Guide to the Inns of Court and
Chancery: With Notices of Their Ancient Discipline, Rules, Orders, and Customs, Readings, Moots, Masques, Revels, and Entertainments
639:
A Guide to the Inns of Court and
Chancery: With Notices of Their Ancient Discipline, Rules, Orders, and Customs, Readings, Moots, Masques, Revels, and Entertainments
622:
A Guide to the Inns of Court and
Chancery: With Notices of Their Ancient Discipline, Rules, Orders, and Customs, Readings, Moots, Masques, Revels, and Entertainments
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the requirement to dance. It is said that the revels at the Middle Temple were regarded as impressive during the reign of
Charles I (1625–1649), though in 1638,
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1733. The inns revived the revels in the mid 20th-century and they now comprise a seasonal offering of entertainment in the form of sketches, songs and jokes.
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in 1580 and the Earl of
Berkeley's men in 1581. Despite this the plays and masques were regarded as the more respectable aspect of the revels.
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depending on the rank of the member. The young students were noted to have taken part in energetic and intimate dances with women, such as the
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246:(the first English-language play on an English subject) performed in January 1562 during Dudley's term as Prince at the Inner Temple;
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temporarily gains the status of a lord may have been a reference to the temporary reigns of the inns' princes during the revels. In
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encouragement to early British actors and playwrights. The close relationship between the companies and the inns is alluded to in
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110:(2 February). This included actions taken around Christmas to upset the traditional order of things, such as the appointment of
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ahead of royal coronations. Dozens of the inn's members played the role of the traditional attendants at such processions.
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369:, the play's theme of friendship may have been inspired by the theme of the 1594 Gray's Inn revels (which centred on a
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selected a "Prince of Purpoole". The selection of the prince was not without controversy, at one time the poet
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114:. The inns are known to have taken part in these festivities since at least the 9th year of the reign of
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at the Middle Temple revels on 2 February 1602, at a time when one of his cousins was a student there.
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The entertainments at the revels often included plays, which came to be known as Inns of Court
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Many of Shakespeare's plays allude to connections with the revels. Proteus, the hero of his
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61:. The revels played an important part in encouraging early English theatre and provided
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attended one revels session at the Inner Temple where she noted the dancing ability of
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social calendar for their members, with entertainments throughout the year centred on
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Ben Jonson and the Inns of Court: The Literary Milieu of Every Man Out of His Humour
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Ben Jonson and the Inns of Court: The Literary Milieu of Every Man Out of His Humour
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remarked that the quality of dancing during the revels was worse than previously.
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attended a performance at Gray's Inn in 1565 and another in 1595 at which the
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212:. The revels attracted an audience of well-connected people of high rank.
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taking on acting parts. There was also some involvement in playwriting:
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were a traditional period of merrymaking and entertainment held at the
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The Records of the Honorable Society of Lincoln's Inn: 1586≠1660
982:"Satirical expectations: Shakespeare's Inns of Court audiences"
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Shakespeare's England: Life in Elizabethan & Jacobean Times
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A 19th-century depiction of the Justices Shallow and Silence
106:(also known as All Hallows Eve or Halloween, 31 October) to
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may have seen the latter as he adapted it for a subplot in
267:(a short performance including music, acting and dancing),
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it was the "Prince D'Amour" (French for "Prince of Love");
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118:(c. 1431) when Lincoln's Inn decreed four revel events on
49:(2 February), though in some years they lasted as late as
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this man was known as the "Prince of the Sophie" (the
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Actes des congrès de la Société française Shakespeare
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The Life of William Shakespeare: A Critical Biography
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The Life of William Shakespeare: A Critical Biography
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The Life of William Shakespeare: A Critical Biography
818:
The Life of William Shakespeare: A Critical Biography
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The Life of William Shakespeare: A Critical Biography
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The Life of William Shakespeare: A Critical Biography
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was the most expensive ever put on, costing £21,000.
86:are a group of four professional associations for
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320:known to have got into fights with actors from
200:, and exuberant singing whilst the more senior
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146:Interior of the medieval hall of Lincoln's Inn
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204:had more formal, traditional dances and sang
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659:. University of North Carolina. p. 145.
539:. Associated University Presse. p. 69.
415:(7 February 1595) with a performance of the
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208:. Other entertainments included feasts and
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676:. University of North Carolina. p. 65.
536:Neoclassical Tragedy in Elizabethan England
159:being a term used to refer to the ruler of
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975:. Canadian Writing Research Collaboratory.
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931:. Lincoln's Inn. 1898. p. xxviii.
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78:Depiction of a medieval boy bishop
16:Seasonal entertainment for lawyers
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642:. Butterworths. pp. 121–123.
625:. Butterworths. pp. 114–115.
57:and the performance of plays and
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980:Watson, Jackie (12 March 2015).
670:Baker, Christopher Paul (1974).
653:Baker, Christopher Paul (1974).
443:, the philosopher and scientist
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389:(c. 1596-99) Shakespeare has a
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787:. History Press. p. 160.
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599:"Revelry in the Inns of Court"
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341:Frederick V of the Palatinate
271:for the 1561–1562 revels and
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953:. Butterworths. p. 128.
760:. PAUL KURITZ. p. 185.
435:, the lawyer and playwright
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533:Norland, Howard B. (2009).
362:The Two Gentlemen of Verona
313:Every Man out of His Humour
220:, whom she later appointed
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126:(30 April), Candlemas and
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288:The Misfortunes of Arthur
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409:Twelve Days of Christmas
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403:The Comedy of Errors
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299:The Triumph of Peace
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277:William Shakespeare
122:, the feast day of
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373:). The scene in
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273:The Supposes
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153:Inner Temple
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347:Shakespeare
326:Elizabeth I
214:Elizabeth I
210:mock trials
177:John Davies
138:Description
112:boy bishops
55:mock trials
1187:Categories
1130:Strand Inn
1126:Staple Inn
1118:Lyon's Inn
1056:Gray's Inn
503:References
308:Ben Jonson
173:Gray's Inn
93:feast days
88:barristers
70:Background
39:barristers
1004:2271-6424
441:John Lyly
238:tragedies
108:Candlemas
100:rebellare
47:Candlemas
243:Gorboduc
202:benchers
198:galliard
116:Henry VI
1145:Related
1122:New Inn
1080:Defunct
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157:Sophy
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