192:, it had "a task of primary importance". Creston made three trips to Brittany to try to establish an effective communication network with England. He also recruited sympathizers. Most importantly, he organised a group to prepare and submit to him detailed plans of the port of St. Nazaire, especially the submarine base that the Germans had arranged for their own use, and particularly those aspects that were vulnerable to bombing. This material was passed to the British in preparation for the
51:
85:(The Seven Brothers), which united dozens of Breton artists and designers in a movement to create a distinctive Breton avant-garde style. Creston participated in the decoration of the Pavilion of Brittany at the Exhibition of Decorative Arts in Paris in 1925. He and Malivel also collaborated on furniture designs shown there. After Malivel's early death in 1926, he became the principal coordinator of Seiz Breur until the end of 1944.
159:
In 1929 Creston became interested in ethnological research, which he pursued while maintaining his activities as an artist. He contributed as an ethnologist to the preservation of Breton heritage, most notably by his systematic cataloguing of Breton regional costumes, which was published posthumously
232:
were active supporters of Nazi
Germany, in the belief that German victory would lead to Breton independence. Even before the fall of France Mordrel and François Debeauvais had set up a Breton government in exile in Germany in 1940. Nevertheless, during his period back in Brittany after 1941 Creston
262:, conducted his research on Breton peasant costumes, and was sent on a mission to Naples and Sicily. At the end of career, he was responsible for reorganizing the ethnology museums in Rennes (
164:. In 1931, he participated in the decoration of the hall of the Merchant Navy at the Colonial Exhibition in Paris. In 1933, he set out for a scientific cruise with
199:
In
February 1941, Creston was arrested as a result of a denunciation and was imprisoned for four months in Paris. On his release, he was compelled to reside in
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Creston's
Resistance activity contrasted markedly with the collaborationism of other Breton nationalists, including colleagues in Seiz Breur. Fellow members
239:, signed with his pseudonym "Halgan". However, in 1944 with the liberation of France, Creston resigned as director of Seiz Breur. He was replaced by
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in 1940, Creston helped to set up one of the first resistance networks, centred at the Musée de l'Homme. According to the
American historian
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259:
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139:, and designed images for nationalist events. In 1929 he created a cabinet as a wedding present for the Breton nationalist leader
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Creston was also associated with the wider Breton nationalist movement. He wrote articles for the Breton nationalist journal
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112:, the first performance of which took place in January 1927. He also assisted in the publication of the art magazines
255:, an organization devoted to the promotion of the Breton language and of progressive and secular values in Brittany.
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172:. His role was to visually document Arctic cultures. In 1936, he became an official Navy artist and joined the
120:. He worked in woodcut, watercolor, oil, and designed earthenware and sculpture. He also illustrated the book
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Martin
Blumenson, Le Réseau du Musée de l'Homme, Éditions Le Seuil, Paris, 1979 Museum.
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203:, under orders to stay away from Paris. He played no further part in the resistance.
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On 5 May 1946, he received the
Certificate of Service signed by Field Marshal
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Résistance et conscience bretonne,1940–1945, l'hermine contre la croix gammée
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Résistance et conscience bretonne - L'hermine contre la croix gammée
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270:(Museum Breton). He ended his career as Director of the Museum of
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After World War II, Creston succeeded Yann Sohier as president of
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illustrated articles for their collaborationist publication
340:, Éditions Yoran Embanner, Fouesnant, octobre 2007, 400 p.
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in Paris, where he headed the department of the Arctic.
92:(1898–1973), he designed the costumes for three plays:
54:
Cabinet designed by
Creston as a wedding present for
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and Paris. In 1923, he was one of the founders with
303:, Éditions Yoran Embanner, Fouesnant, octobre 2007
143:. However, after Debeauvais formed the separatist
88:In 1927, in collaboration with the young sculptor
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260:Centre national de la recherche scientifique
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210:for his work in the service of the allies.
147:in 1931, Creston joined the rival moderate
38:. During World War II he was active in the
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22:(25 October 1898 – 30 May 1964), born
374:Breton Federalist League politicians
26:, was a Breton artist, designer and
369:Breton Autonomist Party politicians
220:Breton nationalism and World War II
65:, Creston studied art there and at
13:
81:and his wife, Suzanne Creston, of
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394:20th-century French male artists
333:, Éditions Skol Vreizh, Morlaix.
320:, Éditions Le Seuil, Paris, 1979
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128:, for which he invented a new
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318:Le Réseau du Musée de l'Homme
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389:20th-century French painters
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404:French mixed-media artists
327:, Éditions Breizh Hor Bro.
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24:René Pierre Joseph Creston
16:French painter (1898–1964)
414:French Resistance members
409:French decorative artists
364:People from Saint-Nazaire
214:Relations with Seiz Breur
149:Breton Federalist League
258:In 1949, he joined the
336:Jean-Jacques Monnier,
299:Jean-Jacques Monnier,
90:Jules-Charles Le Bozec
58:
419:Peintres de la Marine
166:Jean-Baptiste Charcot
145:Breton National Party
104:by Yves Le Moal; and
53:
399:French male painters
96:, by Yann Bayon and
71:École des Beaux-Arts
384:French illustrators
180:Resistance activity
141:François Debeauvais
69:, followed by the
56:François Debeauvais
331:René-Yves Creston
316:Martin Blumenson,
264:Museum of Brittany
208:Bernard Montgomery
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32:Breton nationalist
162:Le Costume Breton
98:Jean-Marie Perrot
40:French Resistance
20:René-Yves Creston
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304:
297:
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236:L'Heure Bretonne
194:St. Nazaire Raid
190:Martin Blumenson
174:Musée de l'Homme
94:Ar C'hornandoned
30:who founded the
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247:After the war
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230:Olier Mordrel
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170:Pourquoi-Pas?
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34:art movement
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28:ethnographer
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359:1964 deaths
354:1898 births
226:Yann Goulet
160:in 1978 as
348:Categories
323:JR Rotte,
278:References
218:See also:
184:After the
137:Breiz Atao
46:Seiz Breur
36:Seiz Breur
155:Ethnology
130:typeface
102:Tog Jani
61:Born in
268:Quimper
253:Ar Falz
67:Ancenis
266:) and
201:Rennes
118:Keltia
114:Kornog
75:Nantes
228:and
116:and
106:Lina
124:by
108:by
73:in
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42:.
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