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Seiz Breur

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marries her, but the witch throws her into a precipice. The witch also tries to make the king kill the Breton cow. However, the cows lead the king to their lost sister, who is restored, and the brothers regain human form. The story was interpreted as a metaphor for devotion to Brittany and of threats to its existence.
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form. It tells the story of a beautiful and virtuous young woman who finds her lost seven brothers, but is then victimised by an evil witch who turns the brothers into cows. One of the cows is a small Breton cow and "the young girl always loved best the Breton one". She is seen by the king who
906:. This text reminded readers of the lesson in "racial vitality" they gave at the International Exhibition in 1937. Political disputes involving the war and nationalist controversies led to the union's closure in 1944. Like much of the 206:
The group's goal was not just to fossilize traditional art and design, but to open the way for artistic plurality in a variety of different disciplines: Architecture; Craft; Design; Literature; Music; Painting; Sculpture.
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and in then in other four galleries around Brittany. The exhibition documented the group's links to Breton nationalism and the extreme-right. However, only a handful of its members were linked to the latter.
57:, this did not refer to the number of members, but to the title of a folk-story. At its height it had fifty members united as the "Unvaniezh Seiz Breur" (Union of the Seven Brothers). 898:, absorbing members of Seiz Breur and a diverse range of Bretons. In the meantime, a manifesto signed by the Seiz Breur announcing the role of Brittany in post-war Europe appeared in 647: 502: 607: 423: 60:
Though predominantly dedicated to the visual arts, the group also included writers, composers and architects. It is recognised today as an initiator of modern
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During the occupation of France, Mordrel and others were involved in setting up collaborationist ventures. 1942 saw the birth of the
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Monuments to the fallen of World War One were becoming standardised (chosen from a catalogue of monumental clichés:
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The spread of non-Breton styles encouraged by the influence of the mass media, such as "
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Between 2000 and 2001 an exhibition dedicated to Seiz Breur was shown at the
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1937 : Pavillon de la Bretagne, exposition in Paris.
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Cabinet designed by Rene-Yves Creston for the wedding of
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1939 : WWII causes mobilisation of various members.
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inflected by the earlier activities in Brittany of the
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Programme de Seiz Breur dans un manifeste en 13 points
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The movement arose from ideas broadly similar to the
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using different methods of diffusion: from books to
855:One faction within the group, led by the architect 844: 863:had moved from the politically neutral statement 803:(Seiz Breur's manifesto in a 13-point programme). 948: 321:(to make a barricade against 'sulpician' art). 731:The Seiz Breur made a name for themselves at 189:papers replacing traditional costume designs. 41:was an artistic movement founded in 1923 in 743:1923 : Artistic collaboration started 657: 341: 329: 79: 45:. Although it adopted the symbolic name 26: 14: 949: 775:1929 : Breton art exhibition in 883:victory would bring independence to 735:exhibitions in 1925 and 1937 and at 319:pour faire barrage Ă  l’art sulpicien 84:Ceramics designed by Suzanne Creston 851:Breton nationalism and World War II 505:, promoters of the teaching of the 24: 865:neither red nor white, just Breton 357:Some of the most notable members: 25: 978: 760:1928 : Launch of the review 746:1925 : Participation at the 845:Collaborationism in World War II 806:1940-1944 : Exhibitions in 748:l’Exposition des Arts dĂ©coratifs 707:(Breton religious festivals) or 156: 939:The story of the Seven Brothers 836:1947-1948 : The end, with 375:painter, engraver and novelist 306:producing embroidered banners, 932: 347:Nominoe Triumphant: Tad ar Vro 313:, or clothes and objects with 144:The name they chose refers to 13: 1: 925: 887:. Both became members of the 726: 261:, or new techniques, such as 722:daily rural or maritime life 648:RenĂ© Salmon de la Godelinais 482:, creator of the modern day 257:using new material, such as 106:L'Histoire de notre Bretagne 7: 799:1940 : publication of 10: 983: 848: 772:(Union of Seven Brothers). 349:, a depiction of Nevenoe ( 325: 75: 833:as president of the group 124:artists met in 1923 at a 902:, a newspaper edited by 681:Breton legends, such as 163:Arts and Crafts Movement 840:as the final secretary. 588:RĂ©gis de l'Estourbillon 469:publicist and novelist 139: 104:to illustrate the book 658:Sources of inspiration 395:Jules-Charles Le Bozec 354: 339: 85: 72:and collaborationism. 35: 32:Brittany of the Future 889:Breton National Party 753:1926 : Death of 608:Robert Micheau-Vernez 503:Marc'harid Gourlaouen 450:Jeanne Coroller-Danio 424:Robert Micheau-Vernez 345: 333: 224:stained glass windows 185:patterns copied from 110:Jeanne Coroller-Danio 83: 30: 957:French art movements 353:) by Jeanne Malivel. 120:. These three young 770:Unvaniez Seiz Breur 520:Octave-Louis Aubert 336:François Debeauvais 34:, by Jeanne Malivel 967:Breton nationalism 827:Xavier de Langlais 456:(aka "Kerverziou") 377:Xavier de Langlais 355: 340: 317:Breton character, 86: 36: 915:MusĂ©e de Bretagne 896:Institut celtique 859:and the sculptor 831:RenĂ©-Yves Creston 687:Matter of Britain 584:Christian Le Part 234:, cabinetmaking, 114:RenĂ©-Yves Creston 16:(Redirected from 974: 941: 936: 879:, hoping that a 664:Celtic mythology 652:Gaston SĂ©billeau 632:François Planeix 620:Francis Pellerin 616:Michael O'Farrel 568:Marguerite Houel 484:Flag of Brittany 454:Gwilherm Berthou 338:and Anna Youenou 171:Pont-Aven School 21: 982: 981: 977: 976: 975: 973: 972: 971: 947: 946: 945: 944: 937: 933: 928: 908:Breton movement 853: 847: 814:under the name 790:as the journal. 729: 660: 624:Charles Penther 612:Jacques Motheau 596:Madeleine Lizer 580:Marcel Le Louet 552:Edmond Derrouch 540:Herri Kaouissin 536:Suzanne Creston 507:Breton language 465:Ronan Caouissin 461:Herry Caouissin 363:Paul Ladmirault 328: 159: 142: 78: 55:Breton language 23: 22: 15: 12: 11: 5: 980: 970: 969: 964: 959: 943: 942: 930: 929: 927: 924: 846: 843: 842: 841: 834: 823: 820:Breton harvest 804: 797: 794: 791: 780: 773: 758: 755:Jeanne Malivel 751: 744: 739:'s pavilions. 728: 725: 724: 723: 720: 698: 696:Breton history 693: 679: 674: 659: 656: 592:Dorig Le Voyer 572:Germaine Jouan 544:RenĂ© Kaouissin 524:AndrĂ© Batillat 516:Georges Arnoux 510: 509: 497:schoolmasters 495: 493:Dorig Le Voyer 487: 480:Morvan Marchal 473: 467: 457: 446: 436: 430: 418:illustrators 416: 407: 401: 391:Francis Renaud 379: 373: 327: 324: 323: 322: 304: 269: 255: 204: 203: 198:Gallic rooster 190: 158: 155: 150:Gallo language 141: 138: 102:wood engraving 98:Jeanne Malivel 77: 74: 51:seven brothers 9: 6: 4: 3: 2: 979: 968: 965: 963: 960: 958: 955: 954: 952: 940: 935: 931: 923: 920: 916: 911: 909: 905: 901: 897: 892: 890: 886: 882: 878: 877:collaboration 874: 870: 866: 862: 858: 857:Olier Mordrel 852: 839: 838:Raffig Tullou 835: 832: 828: 824: 821: 817: 813: 809: 805: 802: 798: 795: 792: 789: 785: 781: 778: 774: 771: 767: 763: 759: 756: 752: 749: 745: 742: 741: 740: 738: 734: 721: 718: 714: 710: 706: 702: 699: 697: 694: 692: 688: 684: 680: 678: 675: 673: 669: 665: 662: 661: 655: 653: 649: 645: 641: 637: 633: 629: 625: 621: 617: 613: 609: 605: 601: 597: 593: 589: 585: 581: 577: 576:Roger Kervran 573: 569: 565: 561: 557: 553: 549: 545: 541: 537: 533: 532:Yvette Brelet 529: 525: 521: 517: 513: 508: 504: 500: 496: 494: 491: 490:string player 488: 486:(Gwenn ha Du) 485: 481: 478: 475:professor of 474: 472: 471:Youenn Drezen 468: 466: 462: 458: 455: 451: 447: 445: 444:Olier Mordrel 441: 440:James BouillĂ© 437: 435: 434:Joseph Savina 431: 429: 425: 421: 417: 415: 411: 410:haute couture 408: 406: 405:Georges Robin 402: 400: 399:Raffig Tullou 396: 392: 388: 384: 380: 378: 374: 372: 368: 367:Jef Le Penven 364: 360: 359: 358: 352: 348: 344: 337: 332: 320: 316: 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636:Yann Robert 604:Jean Mazuet 556:Fañch Elies 499:Yann Sohier 438:architects 432:woodworker 420:Xavier Haas 387:Yann Goulet 383:Jean Freour 167:Synthetists 134:avant-garde 94:illustrator 962:Breton art 951:Categories 926:References 849:See also: 777:Douarnenez 727:Chronology 403:embroider 381:sculptors 361:composers 311:statuettes 299:, mugs or 252:typography 236:embroidery 183:needlework 130:Le FolgoĂ«t 49:, meaning 47:seiz breur 39:Seiz Breur 829:replaces 786:replaces 477:fine arts 293:furniture 285:jewellery 281:calendars 273:postcards 228:sculpture 220:stoneware 885:Brittany 750:in Paris 737:Brittany 733:Parisian 701:religion 677:Druidism 459:editors 448:writers 414:Val Riou 412:stylist 315:liturgic 297:cushions 259:concrete 232:ironwork 187:Parisian 136:styles. 90:designer 88:A young 64:-Breton 43:Brittany 873:fascism 766:Western 719:heroes. 705:Pardons 560:Abeozen 351:Nominoe 326:Members 301:posters 254:, etc., 240:weaving 216:faience 169:of the 76:Origins 53:in the 919:Rennes 881:German 808:Rennes 788:Kornog 784:Keltia 762:Kornog 717:Celtic 715:, and 713:saints 685:, the 501:, and 277:stamps 275:, via 267:cinema 244:fresco 126:Pardon 122:Breton 812:Paris 691:Ankou 672:Irish 668:Welsh 308:delft 196:, or 194:Poilu 62:Celto 875:and 670:and 512:and 463:and 442:and 426:and 397:and 369:and 289:toys 140:Name 92:and 917:in 810:or 602:, 562:), 265:or 128:in 108:by 66:art 953:: 871:, 822:). 711:, 703:: 654:. 650:, 646:, 642:, 638:, 634:, 630:, 626:, 622:, 618:, 614:, 610:, 606:, 598:, 594:, 590:, 586:, 582:, 578:, 574:, 570:, 566:, 554:, 550:, 546:, 542:, 538:, 534:, 530:, 526:, 522:, 518:, 452:, 422:, 393:, 389:, 385:, 365:, 295:, 291:, 287:, 283:, 279:, 250:, 246:, 242:, 238:, 230:, 226:, 222:, 218:, 214:, 96:, 818:( 779:. 764:( 757:. 558:( 303:. 20:)

Index

Ar Seiz Breur

Brittany
Breton language
Celto
art
Nazi ideology

designer
illustrator
Jeanne Malivel
wood engraving
Jeanne Coroller-Danio
René-Yves Creston
James Bouillé
Breton
Pardon
Le Folgoët
Gallo language
Arts and Crafts Movement
Synthetists
Pont-Aven School
Saint Sulpice
needlework
Parisian
Poilu
Gallic rooster
wood carving
faience
stoneware

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