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marries her, but the witch throws her into a precipice. The witch also tries to make the king kill the Breton cow. However, the cows lead the king to their lost sister, who is restored, and the brothers regain human form. The story was interpreted as a metaphor for devotion to
Brittany and of threats to its existence.
152:
form. It tells the story of a beautiful and virtuous young woman who finds her lost seven brothers, but is then victimised by an evil witch who turns the brothers into cows. One of the cows is a small Breton cow and "the young girl always loved best the Breton one". She is seen by the king who
906:. This text reminded readers of the lesson in "racial vitality" they gave at the International Exhibition in 1937. Political disputes involving the war and nationalist controversies led to the union's closure in 1944. Like much of the
206:
The group's goal was not just to fossilize traditional art and design, but to open the way for artistic plurality in a variety of different disciplines: Architecture; Craft; Design; Literature; Music; Painting; Sculpture.
921:
and in then in other four galleries around
Brittany. The exhibition documented the group's links to Breton nationalism and the extreme-right. However, only a handful of its members were linked to the latter.
57:, this did not refer to the number of members, but to the title of a folk-story. At its height it had fifty members united as the "Unvaniezh Seiz Breur" (Union of the Seven Brothers).
898:, absorbing members of Seiz Breur and a diverse range of Bretons. In the meantime, a manifesto signed by the Seiz Breur announcing the role of Brittany in post-war Europe appeared in
647:
502:
607:
423:
60:
Though predominantly dedicated to the visual arts, the group also included writers, composers and architects. It is recognised today as an initiator of modern
615:
651:
631:
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599:
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623:
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639:
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894:
During the occupation of France, Mordrel and others were involved in setting up collaborationist ventures. 1942 saw the birth of the
173:. It was based on the idea that traditional Breton art, so rich in the past, had become stagnant for some of the following reasons:
100:(1895–1926), played an important role in paving the way for the movement's foundation. Her early work revived the tradition of
850:
192:
Monuments to the fallen of World War One were becoming standardised (chosen from a catalogue of monumental clichés:
132:, and decided to work together at creating a modern form of Breton art, combining the best of the traditional with
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17:
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109:
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8:
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The spread of non-Breton styles encouraged by the influence of the mass media, such as "
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125:
903:
663:
619:
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68:, but its memory has been marred by the association of several of its members with
439:
117:
768:) in which the Seiz Breur members write their theories. The group renames itself
671:
667:
506:
362:
54:
627:
427:
910:, at the end of the war the group collapsed amid accusations of collaboration.
754:
515:
479:
197:
181:" style statues replacing the old-style polychrome wooden statues in churches;
149:
101:
97:
682:
555:
950:
913:
Between 2000 and 2001 an exhibition dedicated to Seiz Breur was shown at the
876:
856:
837:
470:
443:
433:
409:
404:
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366:
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69:
148:(The Seven Brothers), a folk-tale collected and published by Malivel in its
129:
563:
527:
370:
262:
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211:
689:(especially stories of King Arthur and Merlin), or popular themes such as
868:
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419:
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93:
27:
776:
708:
251:
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61:
476:
342:
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200:, in a dubious style badly adapted to local architecture and stone).
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121:
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42:
891:, which declared its support for Germany on the outbreak of war.
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112:. Malivel's work was picked up by the painter and engraver
80:
793:
1937 : Pavillon de la
Bretagne, exposition in Paris.
334:
Cabinet designed by Rene-Yves
Creston for the wedding of
288:
65:
796:
1939 : WWII causes mobilisation of various members.
116:, along with his wife Suzanne Creston and the architect
165:
inflected by the earlier activities in
Brittany of the
801:
Programme de Seiz Breur dans un manifeste en 13 points
161:
The movement arose from ideas broadly similar to the
271:
using different methods of diffusion: from books to
855:One faction within the group, led by the architect
844:
863:had moved from the politically neutral statement
803:(Seiz Breur's manifesto in a 13-point programme).
948:
321:(to make a barricade against 'sulpician' art).
731:The Seiz Breur made a name for themselves at
189:papers replacing traditional costume designs.
41:was an artistic movement founded in 1923 in
743:1923 : Artistic collaboration started
657:
341:
329:
79:
45:. Although it adopted the symbolic name
26:
14:
949:
775:1929 : Breton art exhibition in
883:victory would bring independence to
735:exhibitions in 1925 and 1937 and at
319:pour faire barrage à l’art sulpicien
84:Ceramics designed by Suzanne Creston
851:Breton nationalism and World War II
505:, promoters of the teaching of the
24:
865:neither red nor white, just Breton
357:Some of the most notable members:
25:
978:
760:1928 : Launch of the review
746:1925 : Participation at the
845:Collaborationism in World War II
806:1940-1944 : Exhibitions in
748:l’Exposition des Arts décoratifs
707:(Breton religious festivals) or
156:
939:The story of the Seven Brothers
836:1947-1948 : The end, with
375:painter, engraver and novelist
306:producing embroidered banners,
932:
347:Nominoe Triumphant: Tad ar Vro
313:, or clothes and objects with
144:The name they chose refers to
13:
1:
925:
887:. Both became members of the
726:
261:, or new techniques, such as
722:daily rural or maritime life
648:René Salmon de la Godelinais
482:, creator of the modern day
257:using new material, such as
106:L'Histoire de notre Bretagne
7:
799:1940 : publication of
10:
983:
848:
772:(Union of Seven Brothers).
349:, a depiction of Nevenoe (
325:
75:
833:as president of the group
124:artists met in 1923 at a
902:, a newspaper edited by
681:Breton legends, such as
163:Arts and Crafts Movement
840:as the final secretary.
588:RĂ©gis de l'Estourbillon
469:publicist and novelist
139:
104:to illustrate the book
658:Sources of inspiration
395:Jules-Charles Le Bozec
354:
339:
85:
72:and collaborationism.
35:
32:Brittany of the Future
889:Breton National Party
753:1926 : Death of
608:Robert Micheau-Vernez
503:Marc'harid Gourlaouen
450:Jeanne Coroller-Danio
424:Robert Micheau-Vernez
345:
333:
224:stained glass windows
185:patterns copied from
110:Jeanne Coroller-Danio
83:
30:
957:French art movements
353:) by Jeanne Malivel.
120:. These three young
770:Unvaniez Seiz Breur
520:Octave-Louis Aubert
336:François Debeauvais
34:, by Jeanne Malivel
967:Breton nationalism
827:Xavier de Langlais
456:(aka "Kerverziou")
377:Xavier de Langlais
355:
340:
317:Breton character,
86:
36:
915:Musée de Bretagne
896:Institut celtique
859:and the sculptor
831:René-Yves Creston
687:Matter of Britain
584:Christian Le Part
234:, cabinetmaking,
114:René-Yves Creston
16:(Redirected from
974:
941:
936:
879:, hoping that a
664:Celtic mythology
652:Gaston SĂ©billeau
632:François Planeix
620:Francis Pellerin
616:Michael O'Farrel
568:Marguerite Houel
484:Flag of Brittany
454:Gwilherm Berthou
338:and Anna Youenou
171:Pont-Aven School
21:
982:
981:
977:
976:
975:
973:
972:
971:
947:
946:
945:
944:
937:
933:
928:
908:Breton movement
853:
847:
814:under the name
790:as the journal.
729:
660:
624:Charles Penther
612:Jacques Motheau
596:Madeleine Lizer
580:Marcel Le Louet
552:Edmond Derrouch
540:Herri Kaouissin
536:Suzanne Creston
507:Breton language
465:Ronan Caouissin
461:Herry Caouissin
363:Paul Ladmirault
328:
159:
142:
78:
55:Breton language
23:
22:
15:
12:
11:
5:
980:
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943:
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930:
929:
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846:
843:
842:
841:
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820:Breton harvest
804:
797:
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791:
780:
773:
758:
755:Jeanne Malivel
751:
744:
739:'s pavilions.
728:
725:
724:
723:
720:
698:
696:Breton history
693:
679:
674:
659:
656:
592:Dorig Le Voyer
572:Germaine Jouan
544:René Kaouissin
524:André Batillat
516:Georges Arnoux
510:
509:
497:schoolmasters
495:
493:Dorig Le Voyer
487:
480:Morvan Marchal
473:
467:
457:
446:
436:
430:
418:illustrators
416:
407:
401:
391:Francis Renaud
379:
373:
327:
324:
323:
322:
304:
269:
255:
204:
203:
198:Gallic rooster
190:
158:
155:
150:Gallo language
141:
138:
102:wood engraving
98:Jeanne Malivel
77:
74:
51:seven brothers
9:
6:
4:
3:
2:
979:
968:
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901:
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890:
886:
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878:
877:collaboration
874:
870:
866:
862:
858:
857:Olier Mordrel
852:
839:
838:Raffig Tullou
835:
832:
828:
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629:
625:
621:
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613:
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605:
601:
597:
593:
589:
585:
581:
577:
576:Roger Kervran
573:
569:
565:
561:
557:
553:
549:
545:
541:
537:
533:
532:Yvette Brelet
529:
525:
521:
517:
513:
508:
504:
500:
496:
494:
491:
490:string player
488:
486:(Gwenn ha Du)
485:
481:
478:
475:professor of
474:
472:
471:Youenn Drezen
468:
466:
462:
458:
455:
451:
447:
445:
444:Olier Mordrel
441:
440:James Bouillé
437:
435:
434:Joseph Savina
431:
429:
425:
421:
417:
415:
411:
410:haute couture
408:
406:
405:Georges Robin
402:
400:
399:Raffig Tullou
396:
392:
388:
384:
380:
378:
374:
372:
368:
367:Jef Le Penven
364:
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359:
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225:
221:
217:
213:
210:
209:
208:
202:
199:
195:
191:
188:
184:
180:
179:Saint Sulpice
176:
175:
174:
172:
168:
164:
157:Early history
154:
151:
147:
146:Ar Seiz Breur
137:
135:
131:
127:
123:
119:
118:James Bouillé
115:
111:
107:
103:
99:
95:
91:
82:
73:
71:
70:Nazi ideology
67:
63:
58:
56:
52:
48:
44:
40:
33:
29:
19:
18:Ar Seiz Breur
934:
912:
899:
893:
867:to outright
864:
854:
825:1944 :
819:
816:Eost Breiziz
800:
787:
783:
782:1931 :
769:
765:
761:
747:
730:
666:, including
640:Georges Rual
628:Pierre PĂ©ron
600:Édouard Mahé
564:Jean Guinard
548:Reun Kreston
528:Yves Berthou
514:
511:
428:Pierre PĂ©ron
371:Paul Le Flem
356:
346:
318:
263:photocollage
248:illustration
212:wood carving
205:
201:
160:
145:
143:
133:
105:
87:
59:
50:
46:
38:
37:
31:
904:Yann Fouéré
900:La Bretagne
869:nationalism
861:Yann Goulet
709:pilgrimages
683:Brocéliande
644:René Salaün
636:Yann Robert
604:Jean Mazuet
556:Fañch Elies
499:Yann Sohier
438:architects
432:woodworker
420:Xavier Haas
387:Yann Goulet
383:Jean Freour
167:Synthetists
134:avant-garde
94:illustrator
962:Breton art
951:Categories
926:References
849:See also:
777:Douarnenez
727:Chronology
403:embroider
381:sculptors
361:composers
311:statuettes
299:, mugs or
252:typography
236:embroidery
183:needlework
130:Le Folgoët
49:, meaning
47:seiz breur
39:Seiz Breur
829:replaces
786:replaces
477:fine arts
293:furniture
285:jewellery
281:calendars
273:postcards
228:sculpture
220:stoneware
885:Brittany
750:in Paris
737:Brittany
733:Parisian
701:religion
677:Druidism
459:editors
448:writers
414:Val Riou
412:stylist
315:liturgic
297:cushions
259:concrete
232:ironwork
187:Parisian
136:styles.
90:designer
88:A young
64:-Breton
43:Brittany
873:fascism
766:Western
719:heroes.
705:Pardons
560:Abeozen
351:Nominoe
326:Members
301:posters
254:, etc.,
240:weaving
216:faience
169:of the
76:Origins
53:in the
919:Rennes
881:German
808:Rennes
788:Kornog
784:Keltia
762:Kornog
717:Celtic
715:, and
713:saints
685:, the
501:, and
277:stamps
275:, via
267:cinema
244:fresco
126:Pardon
122:Breton
812:Paris
691:Ankou
672:Irish
668:Welsh
308:delft
196:, or
194:Poilu
62:Celto
875:and
670:and
512:and
463:and
442:and
426:and
397:and
369:and
289:toys
140:Name
92:and
917:in
810:or
602:,
562:),
265:or
128:in
108:by
66:art
953::
871:,
822:).
711:,
703::
654:.
650:,
646:,
642:,
638:,
634:,
630:,
626:,
622:,
618:,
614:,
610:,
606:,
598:,
594:,
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586:,
582:,
578:,
574:,
570:,
566:,
554:,
550:,
546:,
542:,
538:,
534:,
530:,
526:,
522:,
518:,
452:,
422:,
393:,
389:,
385:,
365:,
295:,
291:,
287:,
283:,
279:,
250:,
246:,
242:,
238:,
230:,
226:,
222:,
218:,
214:,
96:,
818:(
779:.
764:(
757:.
558:(
303:.
20:)
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