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412:, who considered them to provide the basis for a revived Breton style in art. Creston collaborated with Malivel on a number of works and in the pair set up Seiz Breur, which quickly grew in influence. The title of the movement was derived from a folk story about seven brothers ("seiz Breur" in Breton) collected and published by Malivel.
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Born in 1895 in Loudéac to a family of traders, her secondary studies in Rennes at the
Institution de l’Immaculée Conception, included art courses by Louise Gicquel (1876–1956), who noticed her talent. In 1915, during the First World War, she became a nurse at Loudéac military hospital. The following
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Jeanne
Malivel was an important figure who contributed to the renewal of wood engraving in Brittany. She drew inspiration from Irish art and the
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Content in this edit is translated from the existing Breton
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Knowledge article at ]; see its history for attribution.
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Jeanne
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She revived the art of woodblock printing in her illustrations for the Breton nationalist book
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designer and illustrator who inspired the Breton nationalist art movement
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in 1922. These illustrations were influenced by the earlier
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year, Malivel entered the Académie Julian in Paris.
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602:La gravure sur bois en Bretagne, 1850-2000
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