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43:
332:, with composers, performers, conductors, teachers, and instrument manufacturers being obliged to join in order to pursue or continue a career in music. Membership could be denied on grounds of race or politics. Dozens of composers, songwriters, lyricists, and musicians were ruined or forced into exile because for one reason or another (often political or racial) they did not adhere to or comply with the RMK's standards. The career, for instance, of popular operetta composer
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in
November 1933. Strauss's motivations in accepting the post were largely to protect his Jewish daughter-in-law and Jewish grandchildren, and to preserve and conduct the music of banned composers like Mahler, Debussy, and Mendelssohn. He was dismissed from the post in June 1935, when a letter to his
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and the like — and legitimize the claimed world supremacy of
Germany culturally. These composers and their music were re-interpreted ideologically to extol German virtues and cultural identity. The Nazis highly censored what was considered
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was appointed president after
Strauss's dismissal. For much of his tenure as president, Raabe was not the sole leader regarding musical culture in the Reich: In 1936 Goebbels appointed Heinz Drewes, then general music director of
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Music and composers who did not fall into the RMK's definition of "good German music" were deprecated and then banned. The
Institute proscribed various great composers of the past, including the Jewish-by-birth composers
386:, to head a department of music in the Propaganda Ministry, resulting in confused and tangled roles. Raabe tried to resign in 1938, but his resignation was not accepted, and he served until the end of the Reich in 1945.
354:(Reich Culture Institute) basically controlled the RMK, titular presidents and vice-presidents were appointed; in the beginning, this was largely for the sake of the Music Institute's public relations and prestige.
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253:(Degenerate Music) including compositions written by Jews, Jewish sympathizers, and political opponents, as well as atonal and expressionist compositions.
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1935 Reichsmusikkammer decree to the Berlin musician Werner
Liebenthal dictating the immediate cessation of his professional activity
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was appointed vice-president of the
Institute in 1933. However, he refused to adhere to the ban on Hindemith's
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was also banned. And composers whose music had ever been considered sexually suggestive or savage, such as
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The
Institute's primary goals were to extol and promote "good German music” — specifically that of
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The sound of hope: Music as solace, resistance and salvation during the holocaust and world war II
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was destroyed by the
Institute when it promoted boycotts of his music and finally banned it.
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was appointed vice-president upon Furtwängler's resignation. He resigned in 1941.
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between 1933 and 1945. It promoted "good German music" which was composed by
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was associated with various Jewish bandleaders and composers such as
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and
Propaganda Ministry are discussed by Michael Kater in his book,
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and seen as consistent with Nazi ideals, while suppressing other,
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The
Twisted Muse: Musicians and Their Music in the Third Reich
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were seen as degenerate and proscribed. Jazz was labelled
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and the like, were denounced as "degenerate" and banned.
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Censorship & cultural regulation in the modern age
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in his office. In the background, Goebbels' assistant
506:"Black History and Germany - Afro-German Glossary"
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578:The entangled roles of Drewes and Raabe in the
170:Ministry of Public Enlightenment and Propaganda
600:"Reichskulturkammer and Reichsmusikkammer"
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200:, and it operated until the fall of the
27:Music regulating company in Nazi Germany
641:Government agencies established in 1933
562:Richard Strauss: Man, Musician, Enigma.
523:Levi, Erik (2004). Beate MĂĽller (ed.).
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172:that regulated the music industry in
646:Organizations disestablished in 1945
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362:Because of his international fame,
60:has a meeting with State Secretary
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610:"Degenerate" Music in Nazi Germany
404:, and resigned in 1934 condemning
348:and other high-level Nazis in the
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661:1945 disestablishments in Germany
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529:. Amsterdam: Rodopi. p. 76.
328:also functioned as a musicians'
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656:1933 establishments in Germany
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456:Reich Music Examination Office
309:. Also proscribed were Jewish
73:Statutory corporation overview
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136:Reich Minister of Propaganda
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567:Cambridge University Press
617:at Guide to the Holocaust
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480:Brown, Kellie D. (2020).
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651:German words and phrases
198:Reich Chamber of Culture
604:Music and the Holocaust
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148:Reich Chamber of Music
31:Reich Chamber of Music
444:Music in Nazi Germany
297:("Negro Music"), and
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166:statutory corporation
636:German music history
289:Jazz and swing music
164:which operated as a
125:Minister responsible
429:Cultural Bolshevism
396:Wilhelm Furtwängler
394:Renowned conductor
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615:"Degenerate" Music
371:Jewish librettist
351:Reichskulturkammer
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182:"degenerate" music
168:controlled by the
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580:Reichsmusikkammer
536:978-90-420-0988-2
491:978-1-4766-7056-0
368:Reichsmusikkammer
326:Reichsmusikkammer
184:, which included
162:government agency
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153:Reichsmusikkammer
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18:Reichsmusikkammer
16:(Redirected from
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512:. 20 June 2011.
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115:Wilhelmplatz
111:Headquarters
105:Nazi Germany
101:Jurisdiction
62:Walther Funk
565:Cambridge:
379:Peter Raabe
334:Leon Jessel
299:swing music
269:, and also
263:Mendelssohn
625:Categories
467:References
461:Swing Kids
450:Negermusik
303:Artie Shaw
294:Negermusik
283:Stravinsky
275:Alban Berg
267:Schoenberg
66:Karl Hanke
510:About.com
384:Altenburg
358:President
344:Although
340:Personnel
279:Hindemith
222:Beethoven
208:Functions
204:in 1945.
93:Dissolved
559:(1999).
418:See also
246:Bruckner
160:) was a
271:Debussy
83: (
533:
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265:, and
259:Mahler
242:Brahms
234:Mozart
226:Wagner
178:Aryans
119:Berlin
78:Formed
330:guild
238:Haydn
544:2010
531:ISBN
486:ISBN
324:The
317:and
305:and
230:Bach
190:jazz
146:The
96:1945
85:1933
81:1933
158:RMK
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