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206:. The length of the vibrating portion of the reed determines its pitch and is regulated by means of a wire passing through the socket, the other end pressing on the reed at the proper distance. The resonators in the regal are not intended to reinforce the vibrations of the beating reed or of its overtones (as in the reed pipes of the organ), but merely to form an attachment to keep the reed in place without interfering with its function. A common compass was C/E--c′′′ (four octaves, with a
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252:(1636) states that the word was applied at that time to the vox humana stop. According to Praetorius, the reed stops of pipe organs required constant tuning; he emphasized the fact that the pitch of the stop fell in summer and rose in winter. The pitch of the other stops rose in summer and fell in winter.
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because it could be separated into sections and folded up like a book, was also mentioned by the same writer, who stated that these little instruments had an unpleasantly harsh tone due to their tiny resonators, which were not quite an inch long. He states that they were first made in
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Harley MS 1415, fol. 200 seq.), in which no fewer than thirteen pairs of single and five pairs of double regals are mentioned (although at that period, "pair" referred to a single instrument).
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in the bass), though this was by no means standardized. Most regals were placed on a table to be played, and required two people—one to play the instrument, and another to pump the bellows.
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Because of civil wars and the ravages of time, very few antique regals survive. They were often mentioned in wills and inventories, such as the list of
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Drawings of the reeds of regals and other reed pipes, as well as of the instrument itself, are given by
Praetorius (pl. iv., xxxviii.).
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228:(1618) mentions a larger regal used in the court orchestras of some of the German princes, more like a
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353:"Al Milanese", from the Castell-Arquato Manuscript, and an unknown piece, Performed by Ulrich Metzner
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In
England and France, the word "regal" was sometimes applied to reed stops on the organ;
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scored for the regals in his operas, and the instrument was described and illustrated by
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467:. Vol. 23 (11th ed.). Cambridge University Press. pp. 35–36.
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from the historical keyboard collection at the Museum of Fine Arts, Boston
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from the AEIOU Culture
Information System; includes images and sound files
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Centre
Nationale de Ressources Textuelles et Lexicales -
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182:. The name "regal" was also sometimes given to the reed
135:, a specific type of regal from the territories of the
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293:The regal may be seen as the ancestor of the
279:in 1536. In England, as late as the reign of
374:Excerpt from "Variations on Est-ce Mars" by
186:of a pipe organ, and more especially to the
101:Regal made in 1988 after an instrument made
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66:Learn how and when to remove this message
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29:This article includes a list of general
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198:The sound of the regal is produced by
491:Regal by George Voll, 1575, Nuremberg
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386:Problems playing these files? See
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35:it lacks sufficient corresponding
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495:The Metropolitan Museum of Art
451:Schlesinger, Kathleen (1911).
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137:Polish–Lithuanian Commonwealth
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120:Early Baroque Casket regal (
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378:, performed by Ashtar MoĂŻra
110:Germanisches Nationalmuseum
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217:Bible Regal c. 1800, from
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520:Early musical instruments
376:Jan Pieterszoon Sweelinck
170:, furnished with beating
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464:Encyclopædia Britannica
50:more precise citations.
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166:) is a small portable
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360:Sound of a regal stop
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162:(from Middle French
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265:Claudio Monteverdi
226:Michael Praetorius
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152:musical instrument
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93:Abbey, Switzerland
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269:Sebastian Virdung
221:Museum, Edinburgh
219:St. Cecilias Hall
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234:Bible regal
180:Renaissance
133: 1640
112:, Nuremberg
106: 1600
87: 1600
48:introducing
504:Categories
438:References
388:media help
313:, and the
311:concertina
303:squeezebox
299:reed organ
281:George III
257:Henry VIII
204:resonators
188:vox humana
91:Frauenfeld
31:references
445:Das Regal
315:BandoneĂłn
307:accordion
295:harmonium
271:in 1511,
239:Nuremberg
250:Mersenne
243:Augsburg
461:(ed.).
194:History
176:bellows
160:regalle
108:in the
89:, from
82:Regal,
44:improve
411:régale
309:, the
297:, the
190:stop.
164:régale
145:Warsaw
122:Polish
33:, but
457:. In
396:Notes
321:Media
200:brass
184:stops
172:reeds
168:organ
156:regal
241:and
150:The
493:in
158:or
143:in
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