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88:(c. 1700–1770), the main modeller, and nearly five tons of porcelain paste. Since the paste, the main artists, and the fleur-de-lys factory mark, were all used by both factories, distinguishing between their products from the years around the move can be very difficult. The factory continued to make
270:
came to Madrid, along with three shipments containing the necessary equipment and special paste, to establish a factory to produce royal porcelain in Madrid. Gaetano
Schepers was in charge of the factory and ten Spanish artists were also associated with the manufacturing. The porcelain's quality was
513:
489:
123:
The factory concentrated on figurines, especially of classical subjects, but also made tablewares and decorative vessels such as vases and pots. Porcelain rooms were installed at three royal palaces. Initially Gricci's style remained similar to the elegant
337:, who was threatened with a counter-offensive, gave orders to burn the building and the factory ceased production. It has been suggested that the decision to destroy the factory was influenced by commercial rivalry as well as its strategic importance.
471:
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191:. This was designed by Carlo Schepers in the 1770s, and cost 256,958 reales. Both these had walls largely of plain white plaques, over which lay a network of coloured elements in a medium to high
435:
348:, who moved the Buen Retiro workshops and warehouses to La Moncloa. Sureda became director again in 1821. All of the employees of the destroyed factory were re-employed in the new one.
235:
The factory was founded in 1760 on a site in the Buen Retiro park which at that time was the private gardens of a royal palace on the outskirts of Madrid. It was an initiative of
222:, meaning that they made separately as thin pieces, and stuck to the main blue body before firing. The plaques are framed like paintings; they were made between 1790 and 1795.
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was again
Neoclassical, but with a very different appearance. The walls were almost entirely covered by 234 plaques in the style and technique of
183:, which he made and installed between 1763 and 1765, at a cost of 571,555 Spanish reales. The factory made another room, rather smaller and in a
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internationally recognized, and its manufacturing techniques were kept a state secret. Buen Retiro porcelain was one of the products that drove
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Apart from the porcelain rooms, covered above, a fine collection of porcelain from the factory is on display in the
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The year 1803 marked a transition in the factory management from the
Italian board of directors to the Spanish-born
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Prior to becoming King of Spain, Charles reigned as King of Naples and Sicily. A similar factory, the
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750:
The Rough Guide to Madrid
Collections of the National Gallery of Art, National Gallery of Art (U.S.)
143:, again taking such moulds and equipment as survived, and the employees. This operated until 1849.
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279:. There were other factories in the Madrid area producing luxuries such as tapestries, glass etc.
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Neoclassical covered vases, between 1784 and 1795, 18 3/4 in. (47.6 cm) high.
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In 1817, the factory was re-established on a new site in Madrid, becoming the
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became dominant, which remained the case throughout the life of the factory.
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310:. During his career, Sureda directed several royal factories, including the
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Porcelana del Buen Retiro at Centro
Virtual Cervantes, Instituto Cervantes
329:
The occupying French forces were driven out of Madrid in 1812, during the
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101:
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1224:
Buildings and structures in Spain demolished during the
Peninsular War
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80:
in 1760, after its founder there had inherited the
Spanish throne as
48:
203:
107:
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One of a pair of
Allegorical Figure Groups of the Arts and Virtues
246:
28:
151:
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Spanish
Paintings of the Fifteenth through Nineteenth Centuries
368:. Several other European and American museums display pieces.
267:
215:
192:
125:
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24:
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Former monument to victims of the attack against
Alfonso XIII
239:, who succeeded to the Spanish throne in 1759, and his wife,
52:
604:"Sala de Porcelana de la Casita del Príncipe de El Escorial"
84:. He took the equipment and about 40 key workers, including
1142:
Project of Filippo Juvarra for the Royal Palace of Madrid
627:
The Volume 2 of The Grove Encyclopedia of Decorative Arts
210:, with a "Wedgwood blue" ground and the design in white
43:; "Royal Buen Retiro Porcelain Factory"; alternatively,
708:
706:
704:
128:
of his Naples works, but soon the newly-fashionable
668:Brown, Jonathan; Mann, Richard G. (29 March 1991).
861:
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179:), and was soon asked to make another one at the
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364:has a display, and some pieces are shown in the
1219:Demolished buildings and structures in Madrid
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588:
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716:Antiguas boticas españolas y sus recipientes
661:
1204:Buildings and structures demolished in 1812
891:Atalaya de la Villa and Atalaya de la Corte
793:Sotheby's Concise Encyclopedia of Porcelain
169:Porcelain boudoir of Maria Amalia of Saxony
854:
840:
585:
667:
159:, designed by Carlo Schepers in the 1770s
45:Real Fábrica de Porcelana del Buen Retiro
1239:Arthur Wellesley, 1st Duke of Wellington
1214:Defunct manufacturing companies of Spain
630:. Oxford University Press. p. 118.
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286:
245:
150:
106:
18:
1209:Manufacturing companies based in Madrid
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195:, made up of plant motifs and figures.
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559:Real Fábrica de Cristales de La Granja
543:The early form of the factory mark, a
324:Real Fábrica de Cristales de La Granja
835:
808:Eighteenth-century Italian porcelain
676:. Oxford University Press. pp.
547:(upside down, from the writing-set).
970:Convento de la Natividad y San José
960:Convento de los Agustinos Recoletos
896:Iglesia gótico-mudéjar de Humanejos
362:Museo Nacional de Artes Decorativas
13:
1158:List of missing landmarks in Spain
1060:Palacio del Marqués de Portugalete
713:Vicente González, José de (2009).
582:Battie, 104–105; Le Corbellier, 29
320:Real Fábrica de Loza de la Moncloa
292:Prometheus modelling Man from clay
146:
14:
1250:
1065:Palacio del Marqués de Casa Riera
955:Noviciado de la Compañía de Jesús
920:Antigüa Real Armería de Felipe II
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815:, (fully available online as PDF)
1199:Companies disestablished in 1812
950:Palacio del Marqués de Alcañices
536:
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275:royal policy during the Spanish
200:Casita del Principe, El Escorial
135:The building was damaged in the
96:; some pieces made were in fact
92:until 1803, when it switched to
72:The factory began by moving the
1189:Ceramics manufacturers of Spain
1184:1812 disestablishments in Spain
886:Some of the Romanesque churches
650:She was a member of the Wettin
465:Bouquet of flowers, before 1783
282:
230:
940:Convento de San Felipe el Real
767:
644:
597:
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453:Tureen with sealife, 1771-1784
351:
175:near Naples (now moved to the
61:Parque del Buen Retiro, Madrid
1:
1194:Companies established in 1760
782:
753:. Rough Guides. p. 118.
59:. It was located in Madrid's
1179:1760 establishments in Spain
1009:Real Fábrica del Buen Retiro
874:Founded before the Habsburgs
719:. tresCtres. pp. 391–.
656:porcelain factory at Meissen
37:Real Fábrica del Buen Retiro
7:
1229:Industrial history of Spain
1028:Built from the 19th century
965:Convento del Carmen Calzado
552:
417:Writing set, 1760s or 1770s
358:Museo de Historia de Madrid
342:Royal Factory of La Moncloa
141:Royal Factory of La Moncloa
100:, an English style of fine
10:
1255:
1075:Palacio del Duque de Arión
1045:Palacio del Duque de Úceda
813:Metropolitan Museum of Art
371:
308:Bartolome Sureda y Miserol
225:
1150:
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1027:
1019:Fountain de La Mariblanca
1014:Monte de Piedad de Madrid
988:
975:Fountain de la Abundancia
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624:Campbell, Gordon (2006).
608:with pages of images here
260:Porcellana di Capodimonte
254:, centre, beyond the lake
51:manufacturing factory in
16:Spanish porcelain factory
1004:Convento de San Norberto
795:, 1990, Conran Octopus.
654:who had established the
569:
429:Child with grapes, 1770s
218:. These were applied as
980:Fountain of the Harpies
945:Iglesia del Buen Suceso
935:Convento de Santo Tomás
915:Palacio del Buen Retiro
881:Royal Alcázar of Madrid
747:Baskett, Simon (2003).
805:Le Corbellier, Clare,
564:Royal Tapestry Factory
303:
255:
241:Maria Amalia of Saxony
198:The room at the small
160:
155:Porcelain room in the
120:
111:Porcelain room in the
66:Fuente del Ángel Caído
33:
1050:Fiesta Alegre fronton
999:Palacio de La Moncloa
312:Real Fábrica de Paños
290:
249:
177:Palace of Capodimonte
154:
110:
74:Capodimonte porcelain
22:
1234:Charles III of Spain
863:Demolished landmarks
277:Age of Enlightenment
189:Palacio Real, Madrid
187:style, for the main
167:porcelain room, the
157:Palacio Real, Madrid
94:hard-paste porcelain
90:soft paste porcelain
250:The factory in the
237:Carlos III of Spain
82:Carlos III of Spain
63:on a site near the
1119:Walls of Philip IV
1114:Walls of Philip II
930:Torre de la Parada
652:Electors of Saxony
304:
256:
181:Palace of Aranjuez
163:Gricci had made a
161:
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113:Palace of Aranjuez
39:(popularly called
34:
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1109:Walls del Arrabal
989:Built during the
905:Built during the
726:978-84-92727-03-2
687:978-0-521-40107-4
525:biscuit porcelain
300:biscuit porcelain
296:Esteban de Ágreda
212:biscuit porcelain
173:Palace of Portici
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1124:Puerta de Atocha
1055:Palacio de Xifré
1035:Quinta del Sordo
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147:Porcelain rooms
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86:Giuseppe Gricci
55:, owned by the
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344:, founded by
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57:King of Spain
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1099:Muslim Walls
1008:
828:(in Spanish)
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732:16 September
730:. Retrieved
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693:16 September
691:. Retrieved
671:
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599:
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545:fleur-de-lys
477:
385:
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302:, 1803-1808.
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283:19th century
273:mercantilist
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231:18th century
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185:Neoclassical
162:
134:
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44:
40:
36:
35:
23:
774:Other sides
594:Battie, 104
483:, 1790-1795
352:Collections
316:Guadalajara
165:chinoiserie
119:, 1763-1765
102:earthenware
1173:Categories
1090:City Walls
801:1850292515
783:References
529:Jasperware
335:Wellington
322:, and the
208:jasperware
907:Habsburgs
521:symposium
403:Harlequin
171:, at the
98:creamware
49:porcelain
811:, 1985,
553:See also
478:Pan and
387:Endymion
204:Wedgwood
47:) was a
41:La China
32:, 1760s.
1135:Related
791:, ed.,
405:, 1760s
390:, 1760s
372:Gallery
360:. The
264:Italian
226:History
214:in low
29:Marsyas
867:Madrid
799:
757:
723:
684:
634:
318:, the
268:Naples
220:sprigs
216:relief
193:relief
126:Rococo
117:Gricci
78:Naples
25:Apollo
1151:Other
570:Notes
523:, in
480:Ceres
294:, by
115:, by
53:Spain
797:ISBN
755:ISBN
734:2012
721:ISBN
695:2012
682:ISBN
632:ISBN
27:and
865:in
680:–.
314:in
206:'s
104:.
1175::
703:^
678:14
614:^
587:^
326:.
298:,
243:.
855:e
848:t
841:v
763:.
736:.
697:.
658:.
640:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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