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when the king set it up in 1743. By 1755 he had five other modellers working for him, creating the moulds used for the pieces.
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in 1738, where he worked for the king before becoming the chief modeler at the
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in 1759, he moved the whole
Capodimonte factory, including Gricci, to
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1700 – 1770) was an
Italian sculptor. He was trained in his native
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89:. The same team later made the rooms in Spain at the
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Le
Corbellier, 22, 25–26, 29; Munger and Sullivan, 34
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European
Porcelain in The Metropolitan Museum of Art
71:As well as many figure shapes, Gricci designed the
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215:This article about an Italian sculptor is a
156:Sotheby's Concise Encyclopedia of Porcelain
73:Porcelain boudoir of Maria Amalia of Saxony
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181:Munger, Jeffrey, and Sullivan, Elizabeth,
75:, entirely made of porcelain panels in a
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171:Eighteenth-century Italian porcelain
64:the next year, setting it up as the
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51:Capodimonte porcelain manufactory
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85:(1757–59), but now moved to the
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219:. You can help Knowledge by
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276:Italian emigrants to Spain
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176:Metropolitan Museum of Art
56:When his employer became
158:, 1990, Conran Octopus.
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91:Royal Palace of Aranjuez
266:Sculptors from Florence
104:Gricci died in Madrid.
296:Italian sculptor stubs
271:Italian male sculptors
168:Le Corbellier, Clare,
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26:, modelled by Gricci,
28:Capodimonte porcelain
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58:Charles III of Spain
93:(1763–65) and the
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146:References
101:(1770s).
99:in Madrid
174:, 1985,
43:Florence
154:, ed.,
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62:Madrid
47:Naples
108:Notes
95:main
217:stub
187:ISBN
160:ISBN
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37:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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