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1111:(Joe Strummer's first band), as well as Kilburn and the High Roads... In addition to the Michigan bands MC5, the Prime Movers, and the Stooges, other pre/proto-punk bands from the American Midwest have also earned their place in the chronicles of history. The vibrant pre-punk scene in Cleveland, Ohio, produced such bands as Pere Ubu and the Electric Eels, which have been highly influential to other bands of the era. On the east coast, and more specifically in New York, bands like Television, the New York Dolls, and the Ramones wreaked musical havoc in their respective neighborhoods.
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punk rock's "ur-text." The Kinks followed in 1964 with hit singles "You Really Got Me" and "All Day and All of the Night," both inspired by "Louie, Louie." In 1965, The Who released "My
Generation," which, according to John Reed, foreshadowed the kind of "cerebral mix of musical ferocity and rebellious posture" that would be representative of the later punk rock of the 1970s.
1108:
and its surrounding areas. These bands, and most certainly the
Stooges, broke down the widely shared illusion that musicians had to be talented. The Stooges' amateurish compositions and inability to correctly play their instruments rendered it fairly irrelevant whether it was the band or the audience who figured up on stage...
1867:
In the heart of New York City's burgeoning artistic scene, The Velvet
Underground, led by Lou Reed and John Cale, were crafting a unique sound that defied categorization. While not as explicitly aggressive as some of their proto-punk counterparts, their experimental approach to music and lyrics made
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Although largely an
American phenomenon, proto-punk can also be found in Britain. In Britain, however, it went under different names, and it is commonly referred to as either glam rock or pub rock. Notable pub rock bands would include Eddie and the Hot Rods, the Stranglers, Dr. Feelgood, the 101er's
1107:
Although Velvet
Underground served as an important influence, proto-punk is largely a term used to describe bands that followed in the wake of the first wave of garage rock. More specifically, it is a label normally reserved for bands such as MC5 and the Stooges that sprung out of Detroit, Michigan,
1331:
Punk rock all goes back to
Ritchie Valens's "La Bamba."Just consider Valens's three-chord mariachi squawk up in the light of "Louie Louie" by the Kingsmen, then consider "Louie Louie" in the light of "You Really Got Me" by the Kinks, then "You Really Got Me" in the light of "No Fun" by the Stooges,
514:
featured fuzztone guitars and blazed the trail for punk rock, influencing the development of a new musical style. Not only did the unconventional sound of proto-punk bands go against what was popular in the mainstream, but the visual styles of many bands were purposely contrasted with more popular,
297:" aesthetic that was later adopted by punk; Smith also commented that one of Donegan's combos "attracted a wild following: men so epicly drunk they'd wet themselves and – very proto-punk, this – their duffel-coats were accessorised with alarm clocks hung round necks." His 1957 British chart-topper "
147:
movement. A retrospective label, the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes. The tendency towards aggressive, simplistic rock songs is a
1350:
In the early 1960s, numerous garage bands sprung up in the United States and United
Kingdom. They mostly played garage rock and beat music-raw, loud, technically awkward, energetic rock. From England came The Kingsmen with their 1963 version of Richard Berry's "Louie Louie," which has been dubbed
950:
in 1974, began playing gigs to a small but fanatical following. The Saints are regarded as a punk band and as being "to
Australia what the Sex Pistols were to Britain and the Ramones to America," while Radio Birdman are regarded as co-founders of punk but have also been designated as proto-punk.
2254:
The rise of The New York Dolls spawned dozens of local bands. Elda
Gentile got The Stilettos together with former Max's waitress, Debbie Harry, and Rick Rivets started gigging with The Brats, while a rash of Dolls copyists like Teenage Lust and The Harlots of 42nd Street threw themselves on the
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The Velvet
Underground's music was marked by its dissonance, experimentation, and unfiltered portrayal of taboo subjects such as drug addiction, sadomasochism, and urban decay. Songs like "Heroin" and "Venus in Furs" explored the darker corners of human existence, challenging societal norms and
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The first and most potent example of glam punk, is the New York Dolls, they are often considered one of the creators of punk rock music in general. Though after the punk explosion in London during the 1970s happened the Dolls were considered "glam" in comparison. Which would lead to them been
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writes: "Lurching speed-freak skiffle played on Christ knows what which sounds nothing remotely like any previous chart-topper: if punk is anything, it might as well be that." Ellis writes: "Forerunners of punk by 20 years, Donegan and the thousands of other skiffle acts that sprang up after
387:
a style of raw, loud and energetic rock music had developed significant scenes in both the United States and United Kingdom. The Kingsmen and the Kinks both came from the UK's garage rock scene, with the former's cover of "Louie Louie" being described by academic Aneta Panek as "punk rock's
2255:
bandwagon and fell belly-up. Aside from Aerosmith, the most significant group of that time to be influenced by The New York Dolls was Kiss. Sure, Kiss wore make-up but by painting their faces like comic book characters or goofy animals, they defused any sexual threat.
996:
Furthermore, the indigenous popular music which functioned this way-and which represented in the same instance a form of localized resistance to the mainstreaming, standardizing drive noted earlier — was the proto-punk more commonly identified as garage
696:
formed in Hamilton, Canada in 1973 and have been called "Canada's first proto-punk band", blending garage rock, krautrock, psychedelia and other influences to produce a sound that was later described as having a "frequent punk snarl."
396:" the following year, which was one of the earliest songs to make use of significant electric guitar distortion and was immediately influential for this reason. In the following years, this raw sound was being adopted by other
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pushing artistic boundaries. Their connection to the counterculture and the burgeoning punk scene of New York City positioned them as artistic provocateurs whose influence would be felt far beyond their contemporaries.
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Other more obscure groups from around this time such as Hollywood Brats, the Jook, Milk 'N' Cookies, Jet, and others can be heard on the compilation "Glitterbest: 20 Pre Punk 'n' Glam Terrace Stompers".
226:
of the time", most of the time combined with a sound which was "primitive and stripped-down, even when it wasn't aggressive, and its production was usually just as unpolished". In contrast, in the book
859:
scene, which was mostly based around London. Influenced by Detroit proto-punk, this style made use of stripped down, back to its basics, rock music similar to punk, and was fronted by groups including
592:, formed in 1969 and disbanded in 1975, mixed garage, psychedelic rock and folk; the band's first two albums were withdrawn from public sale after their lyrics were described in Mark Anderson's book
1133:
When Woody Guthrie emblazoned "This Machine Kills Fascists" across the top of his guitar in the '40s and belted out tunes such as "All You Fascists Bound to Lose," he became the first punk rocker.
192:
had used the influence of these groups to form a distinct prototypical punk sound. In the following years, this sound spread both domestically and internationally, leading to the formation of the
359:", due to the song's simplistic three chord song structure and the aggressive vocals relative to the time. He places it first in a lineage of influential tracks, which over time developed punk:
907:). By 1976, pub rock had ultimately declined in popularity. At the same time as pub rock, the influence of the New York Dolls had spread to London, where a wave of glam punk bands, including
271:
in the 1950s as a popular music movement is comparable to punk, in that skiffle similarly "stripped music to its core", with its simplistic instrumental setup that " out a clear
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231:(2010), it is defined as a specific sound which included simplistic instrumental work and amateurish compositions. The book cites this style as being pioneered in
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also "inspired many future punks with its simple, crunchy guitar riffs, its outrageous sense of style, and its artists' willingness to sing with
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them trailblazers of punk's avant-garde edge. Their 1967 debut album, "The Velvet Underground & Nico," remains a landmark in rock history.
808:
stated were "the most important of all protopunk bands after the Stooges ". Their style was adopted by a number of New York bands, including
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844:. The Detroit proto-punk sound also spread to Cleveland Ohio by the middle of the decade, where influential proto-punk bands including
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then "No Fun" in the light of "Blitzkrieg Bop" by the Ramones, and finally note that "Blitzkrieg Bop" sounds a lot like "La Bamba."
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garage rock bands, inspired mainly by the Stooges and MC5, came even closer to the sound that would soon be called "punk": in
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guide defined it as "never a cohesive movement" but as "a certain provocative sensibility that didn't fit the prevailing
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and the earlier garage rock genre, with the sound then spreading to the United Kingdom, New York and Cleveland, Ohio.
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also presaged the style of bands that would become known as the archetypal figures of proto-punk, other examples are
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472:"anticipated" punk; the latter have likewise been cited as examples of proto-punk and the Sonics' 1965 debut album
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in August. The sound of these albums influenced a wave of subsequent bands in Michigan, which notably included
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264:. Beginning in the 1930s and becoming popular in the 1940s, Guthrie is often known as one of the first punks.
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One of the earliest influences on both punk rock music and the punk subculture as a whole is folk musician
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875:. Many of the early British punk scene's musician began their careers in pub rock acts, including
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Bangs, Lester (1981). "Protopunk: The Garage Bands". In Anthony De Curtis; James Henke (eds.).
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Bangs, Lester (1981). "Protopunk: The Garage Bands". In Anthony De Curtis; James Henke (eds.).
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built on Bowie's presentation concepts, while moving conceptually in the direction that would
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to violate industry regulations, with their "spirit... taken up again by the punk movement."
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has been attributed by critic Michael Hann to the "toughest, angriest garage rockers" such as
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2470:"The Essential Radio Birdman: 1974–1978 – Radio Birdman – Songs, Reviews, Credits – AllMusic"
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made artifice and exaggeration central elements, that were later picked up by punk acts. The
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Kristiansen, Lars J.; Blaney, Joseph R.; Simonds, Brent K.; Chidester, Philip J. (2010).
860:
820:, and subsequently was the catalyst for the city's early punk rock scene, which included
775:
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503:
487:
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201:
2420:"The Most Primitive Band in the World – The Saints – Songs, Reviews, Credits – AllMusic"
798:, merged Detroit's specific proto-punk sound with elements of glam rock, pioneering the
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Unterberger, Richie (2002). "British Punk". In Bogdanov, Vladimmir; Woodstra, Chris;
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1125:"Dropkick Murphys on "Proto-Punk" Woody Guthrie, Who Wrote "Shipping Up to Boston""
884:
813:
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309:
1998:"Doctors of Madness: The punk band before punk, that predicted Trump before Trump"
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490:(who writer Gath Cartwright states were "embraced by the punks" due to covers by
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in 1964, later being called "the world's first punk band" in Zona de Obras' book
356:
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signal, and as the skiffle explosion proved, anyone could and did", according to
157:
2316:"Pub Rock Helped Pave the Way for British Punk, but What the Hell is "Pub Rock""
2208:"11 bands influenced by New York Dolls, from Social Distortion to Guns N' Roses"
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This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk
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Debut albums by two key US proto-punk bands were released in 1969, both from
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take on rock, which incorporated dissonance and taboo lyrical topics such as
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as "an early template for punk rock". The raw sound and outsider attitude of
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Bands anticipating the forthcoming movement were appearing as far afield as
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Alchemy of Punk: Transmutation, Subversion, and Poetry in Punk Avant-Gardes
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360:
348:
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165:
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From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World
611:
spawned a number of bands that have been considered proto-punk, including
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Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality
1662:"60s psych-rockers the Electric Prunes: 'We couldn't sit around stoned!'"
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One of the earliest written uses of the term "punk rock" was by critic
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Five Years Ahead of My Time: Garage Rock from the 1950s to the Present
1954:
Five Years Ahead of My Time: Garage Rock from the 1950s to the Present
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Screaming for Change: Articulating a Unifying Philosophy of Punk Rock
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The immediate predecessor to British punk was the early to mid–1970s
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All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul
651:
accents (not to mention the idiosyncratic images of David Bowie and
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1926:"Louder than War Interview: Luke Haines Says (New York in the 70s)"
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2445:"(I'm) Stranded – The Saints – Songs, Reviews, Credits – AllMusic"
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in the United States, who had scored a major hit with their song "
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2395:"Keith Cameron explores the history of the Australian punk scene"
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have been called "Britain's first proto-punk band." According to
518:
Musically distinct from most other punk predecessors, New York's
401:
268:
232:
181:
1595:"The 5: Proto-Punk Bands of the 60's and 70's – The Interrobang"
3797:
3534:
3280:
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339:
as one of the most influential songs on the development of punk
301:" has been referred to as "the first punk No. 1"; Tom Ewing of
1147:"The life and times of Woody Guthrie – the world's first punk"
554:
all snake back to the four Velvet Underground studio albums".
538:
stated that "The roots of underground and experimental music,
3875:
2283:"From Link Wray to New York Dolls: Who really invented punk?"
392:". Under the influence of "Louie Louie", the Kinks released "
2890:
2685:"Goth So White? Black Representation in the Post-Punk Scene"
930:(formed in 1973) recalled the raw live sound of the British
522:
were not aggressive, instead influencing punk through their
449:" in 1966. While garage bands varied in style, the label of
312:' wrested control from the establishment, democratizing the
1173:"Tom Morello keeps punk-rock spirit of Woody Guthrie alive"
681:
427:
423:
2775:
Lipstick Traces: A Secret History of the Twentieth Century
1470:"A Meaty, Beaty, Big and Bouncy Interview with Dave Marsh"
1260:"Aidan Smith: Punk was daring but Donegan got there first"
4017:
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1910:
Anderson, Mark. "Zuno keisatsu" in Buckley, Sandra (ed.)
1885:"The Velvet Underground: As influential as The Beatles?"
1647:"The Electric Prunes: Then Came The Dawn - album review"
1317:
The Rolling Stone Illustrated History of Rock & Roll
1039:
The Rolling Stone Illustrated History of Rock & Roll
1030:
790:, the latter a pioneering but commercially unsuccessful
1011:"Deathmatch: Which Is Better, Pub Rock or Garage Rock?"
1970:
1089:
673:
writer Simon Reynolds identified as "prophes punk".
441:
who used it in 1970 to describe the garage rock group
2589:
False Prophet: Field Notes from the Punk Underground
2495:"Radio Birdman – Biography & History – AllMusic"
2148:
1626:
1449:
1437:
Watts, Jonathan; Collyns, Dan (September 14, 2012).
1319:(Second ed.). Picador Books. pp. 357–361.
1041:(Second ed.). Picador Books. pp. 357–361.
738:(bottom) influenced the majority of early punk bands
515:
polished aesthetics found in more well known bands.
1387:"Proto-punk: 10 records that paved the way for '76"
2846:
2820:
2355:
2129:"The Stooges – Biography, Albums, Streaming Links"
1912:The Encyclopedia of Contemporary Japanese Culture.
794:proto-punk group. Formed in New York in 1971, the
143:from the 1960s to mid-1970s that foreshadowed the
2309:
2307:
2305:
2268:"Ruby and the Rednecks at the Mercer Arts Center"
1200:"Billy Bragg Discusses Woody Guthrie's Punk Side"
934:, who had made a notorious tour of Australia and
594:The Encyclopedia of Contemporary Japanese Culture
4086:
3957:
2592:. Middletown, Conn.: Wesleyan University Press.
2568:Punk Rock: So What?: The Cultural Legacy of Punk
2154:
2155:Milliken, Christie; Anderson, Steve F. (2021).
571:
2378:sfn error: no target: CITEREFUnterberger2000 (
2302:
2161:. Indiana University Press. pp. 265–267.
1761:"The Chocolate Watchband 'This Is My Voice' -"
1565:
1234:"Lonnie Donegan and the Birth of British Rock"
1008:
979:
680:, West Germany, where "punk before punk" band
565:
562:In Japan, the anti-establishment Zunō Keisatsu
3616:
2906:
1356:
160:", which set in motion a wave of influential
1436:
2867:
2841:
2802:Stranded: Rock and Roll for a Desert Island
2373:
2180:
2178:
1775:
1540:"The Sonics | Biography & History"
573:
3623:
3609:
2913:
2899:
1659:
1568:"The Monks | Biography & History"
1365:"Were The Kinks the first-ever punk band?"
1064:
1062:
1060:
1058:
2876:(3rd ed.). San Francisco: Backbeat.
1802:
1606:
1604:
915:, coalesced by the middle of the decade.
418:. In South America, the garage rock band
355:' 1958 version of the Mexican folk song "
156:' 1958 version of the Mexican folk song "
2335:
2313:
2175:
2015:
1995:
1981:sfn error: no target: CITEREFLaing1985 (
1923:
1904:
1736:"The Chocolate Watch Band - Ace Records"
1439:"Where did punk begin? A cinema in Peru"
1413:"Live Wires: The Stones Captured In '66"
1282:
1280:
1227:
1225:
323:
267:In the United Kingdom, the emergence of
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2710:
2392:
2233:
2049:"All about Simply Saucer: 00: Timeline"
1781:
1537:
1362:
1348:. Logos Verlag Berlin. pp. 54–55.
1055:
432:Spanish Dictionary of Punk and Hardcore
14:
4087:
2818:
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2280:
2184:
1860:
1660:Cartwright, Garth (December 8, 2021).
1601:
1455:
1410:
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1144:
496:Wayne County & the Electric Chairs
468:states that bands like the Sonics and
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2522:
1976:
1951:
1945:
1863:Punk: Loud Guitars, Louder Statements
1808:
1722:"Mayo Thompson Pays off Corky's Debt"
1693:
1644:
1632:
1521:"Mayo Thompson Pays Off Corky's Debt"
1384:
1314:
1286:
1277:
1257:
1231:
1222:
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293:embodied a "dangerous and daring and
3630:
2647:"Timeline of African American Music"
2606:
2543:
2361:
2236:The New York Dolls Too Much Too Soon
2075:"Sonic Unyon Records :: Simply"
1498:
1492:
1363:Starkey, Arun (September 16, 2021).
1122:
2336:Atkinson, Mike (January 21, 2010).
2205:
1411:Draper, Jason (December 17, 2015).
1289:"Lonnie Donegan - "Cumberland Gap""
1170:
1009:Pell, Nicholas (January 26, 2012).
946:, co-founded by Detroit expatriate
24:
2827:. London and New York: Continuum.
2704:
2487:
2099:
1788:. University of California Press.
1614:. Treblezine.com. November 5, 2015
603:counter-cultural scene centred on
443:Question Mark & the Mysterians
25:
4131:
3510:Animal rights and punk subculture
2021:
1467:
1343:
4067:
4066:
2393:Cameron, Keith (July 20, 2007).
2314:Bealmear, Bart (July 15, 2020).
1996:Reynolds, Simon (May 19, 2017).
1914:Taylor & Francis, 2009, p588
1645:Canty, Ian (December 19, 2021).
1612:"10 Essential Proto-punk tracks"
1385:Spice, Anton (August 31, 2016).
1287:Ewing, Tom (November 19, 2003).
720:
709:
684:formed in 1971, building on the
3495:List of punk compilation albums
2823:The A to X of Alternative Music
2516:
2462:
2437:
2412:
2386:
2329:
2274:
2260:
2227:
2199:
2185:Sfetcu, Nicolae (May 7, 2014).
2121:
2093:
2067:
2041:
1989:
1917:
1882:
1876:
1854:
1829:
1753:
1728:
1714:
1687:
1653:
1638:
1587:
1559:
1531:
1513:
1499:Hann, Michael (July 30, 2014).
1461:
1430:
1378:
1337:
1308:
1258:Smith, Aidan (April 30, 2017).
1251:
1206:. July 10, 1998. Archived from
1123:Bear, John (November 1, 2022).
1105:. Lexington Books. p. 11.
510:" from 1966 by the garage band
279:writer Ian Ellis. According to
2666:"Detroit Punk History Archive"
2607:Lola, Edward (July 24, 2019).
2338:"Give pub rock another chance"
2158:Reclaiming Popular Documentary
1924:Ironside, Gus (May 21, 2014).
1192:
1164:
1138:
1116:
1002:
973:
351:traced the origins of punk to
152:have traced to as far back as
98:History of the punk subculture
13:
1:
2920:
2281:Taylor, Tom (July 28, 2021).
1501:"10 of the best: garage punk"
1145:Taylor, Tom (July 14, 2023).
966:
842:Richard Hell and the Voidoids
255:
211:
2778:. Cambridge, Massachusetts:
2730:Buckley, Peter, ed. (2003).
688:tradition of groups such as
7:
3500:List of punk rock festivals
2628:"The History Of Proto-Punk"
2192:described as "Glam-Punk"...
1232:Ellis, Ian (May 10, 2006).
984:. Psychology. p. 213.
954:
572:
345:Protopunk: the Garage Bands
289:, popular skiffle musician
10:
4136:
3756:Christian alternative rock
3454:Second wave punk musicians
2849:Music USA: The Rough Guide
2715:. New York: St. Martin's.
2547:Punk Rock: An Oral History
2529:. London: Reaktion Books.
2102:"Cyborgs Revisited Review"
1956:. London: Reaktion Books.
1809:Abbey, Eric James (2015).
893:Kilburn and the High Roads
700:
250:
4062:
3994:
3710:
3638:
3487:
3449:First wave punk musicians
3441:
3329:
3258:
2958:
2928:
2713:Ramones: An American Band
1815:. McFarland. p. 79.
1171:Kot, Greg (May 9, 2012).
802:genre. A 2022 article by
566:
412:on their 1966 live album
243:, who were influenced by
94:
89:
82:
77:
58:
39:
34:
4110:American styles of music
4039:Independent record label
2870:Erlewine, Stephen Thomas
2853:. London: Rough Guides.
2780:Harvard University Press
2751:Heylin, Clinton (1993).
2736:. London: Rough Guides.
1700:. Black Dog Publishing.
961:List of proto-punk bands
599:In the early 1970s, the
557:
534:. A 2014 article by the
458:the 13th Floor Elevators
415:Got Live If You Want It!
383:" (1969). By the 1960s,
319:
174:the 13th Floor Elevators
4120:British styles of music
2733:The Rough Guide to Rock
2586:Taylor, Steven (2003).
1782:Waksman, Steve (2009).
982:American Youth Cultures
980:Campbell, Neil (2004).
776:their self-titled album
2819:Taylor, Steve (2004).
2772:Marcus, Greil (1989).
2670:detroitpunkarchive.com
2234:Antonia, Nina (2003).
1837:"Detroit Punk Archive"
869:Eddie and the Hot Rods
520:the Velvet Underground
340:
245:the Velvet Underground
200:in the United States,
148:trend critics such as
27:Subgenre of rock music
3590:Timeline of punk rock
3520:Death of Brian Deneke
3130:Progressive metalcore
2711:Bessman, Jim (1993).
2613:edwardlola.medium.com
2565:Sabin, Roger (2002).
818:Ruby and the Rednecks
530:, drug addiction and
327:
180:. By the late 1960s,
3917:New wave of new wave
3416:Scottish Gaelic punk
2523:Bovey, Seth (2019).
2270:. September 3, 2018.
1952:Bovey, Seth (2019).
1861:Hustle, Jac (2023).
1841:Detroit Punk Archive
1566:Richie Unterberger.
1151:faroutmagazine.co.uk
918:A new generation of
625:Edgar Broughton Band
229:Screaming for Change
4002:Alternative Airplay
3972:Neue Deutsche Härte
3830:Paisley Underground
3722:Alternative country
3458:List of punk bands
2843:Unterberger, Richie
2804:. New York: Knopf.
2757:. London: Penguin.
2691:. November 30, 2017
2544:Robb, John (2012).
2055:on January 19, 2012
1763:. November 28, 2018
1724:. January 13, 2020.
1694:Young, Rob (2006).
1527:. January 13, 2020.
504:Chocolate Watchband
488:the Electric Prunes
475:Here Are The Sonics
347:, music journalist
3584:List of punk films
3479:Women in punk rock
3002:Christian hardcore
2609:"Punk Before Punk"
1480:on August 18, 2007
938:in 1965, while in
665:Doctors of Madness
508:Psychotic Reaction
506:. The hit single "
482:garage bands like
410:the Rolling Stones
341:
335:" was credited by
4115:Rock music genres
4082:
4081:
4029:Independent music
3990:
3989:
3959:Alternative metal
3932:Post-punk revival
3866:Latin alternative
3734:Alternative dance
3598:
3597:
3515:Conservative Punk
3442:People and groups
3125:Melodic metalcore
3068:Beatdown hardcore
2578:978-1-134-69905-6
2557:978-1-60486-005-4
2536:978-1-789-14065-1
2213:Alternative Press
2168:978-0-253-05690-0
2081:on April 15, 2012
1979:, pp. 24–26.
1963:978-1-789-14065-1
1822:978-0-7864-5125-8
1795:978-0-520-94388-9
1707:978-1-904772-47-7
1391:The Vinyl Factory
1210:on March 21, 2024
903:) and Flip City (
805:Alternative Press
774:, premiered with
763:Kick Out the Jams
635:; contemporaries
404:on their single "
394:You Really Got Me
373:You Really Got Me
333:You Really Got Me
316:in the process."
130:
129:
40:Stylistic origins
16:(Redirected from
4127:
4100:Punk rock genres
4070:
4069:
3955:
3954:
3859:Industrial metal
3632:Alternative rock
3625:
3618:
3611:
3602:
3601:
3488:Related articles
3266:Alternative rock
3088:Melodic hardcore
3078:Digital hardcore
3073:Crossover thrash
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2651:carnegiehall.org
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2374:Unterberger 2000
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2097:
2091:
2090:
2088:
2086:
2077:. Archived from
2071:
2065:
2064:
2062:
2060:
2051:. Archived from
2045:
2039:
2038:
2036:
2034:
2019:
2013:
2012:
2010:
2008:
1993:
1987:
1986:
1974:
1968:
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1740:acerecords.co.uk
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1598:
1597:. July 24, 2013.
1591:
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1535:
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1476:. Archived from
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1000:
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977:
885:Richard Dudanski
792:African-American
766:in January, and
724:
713:
591:
589:
587:
584:
581:
578:
575:
569:
568:
398:British Invasion
310:Rock Island Line
273:anyone-can-do-it
204:in England, and
164:bands including
59:Derivative forms
32:
31:
21:
4135:
4134:
4130:
4129:
4128:
4126:
4125:
4124:
4085:
4084:
4083:
4078:
4058:
3986:
3953:
3888:Neo-psychedelia
3854:Industrial rock
3713:
3706:
3634:
3629:
3599:
3594:
3560:Punk literature
3555:Punk visual art
3550:Punk ideologies
3540:Punk subculture
3483:
3474:Punk filmmakers
3437:
3325:
3254:
3223:Punk pathetique
2960:
2954:
2924:
2919:
2884:
2861:
2835:
2812:
2790:
2765:
2744:
2723:
2707:
2705:Further reading
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2193:
2187:The Music Sound
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2032:
2030:
2022:Neate, Wilson.
2020:
2016:
2006:
2004:
1994:
1990:
1980:
1975:
1971:
1964:
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1946:
1936:
1934:
1931:Louder Than War
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1474:RockCritics.com
1466:
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1443:Theguardian.com
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1178:Chicago Tribune
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909:Hollywood Brats
742:
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633:Third World War
585:
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400:acts including
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4054:Outsider music
4051:
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3998:
3996:
3995:Related topics
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3259:Related genres
3256:
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2997:Christian punk
2994:
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2959:Subgenres and
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2800:, ed. (1979).
2794:
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2248:
2242:. p. 70.
2226:
2206:Stegall, Tim.
2198:
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2014:
1988:
1969:
1962:
1944:
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1686:
1652:
1637:
1635:, p. 159.
1625:
1600:
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1558:
1530:
1512:
1491:
1468:Woods, Scott.
1460:
1448:
1429:
1403:
1377:
1355:
1344:Panek, Aneta.
1336:
1325:
1307:
1294:Freaky Trigger
1276:
1250:
1221:
1191:
1163:
1137:
1115:
1088:
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1029:
1001:
990:
971:
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956:
953:
905:Elvis Costello
796:New York Dolls
730:Detroit bands
729:
728:
719:
718:
717:
708:
707:
706:
705:
704:
702:
699:
657:Ziggy Stardust
637:Crushed Butler
605:Ladbroke Grove
601:UK underground
559:
556:
353:Ritchie Valens
321:
318:
304:Freaky Trigger
299:Cumberland Gap
295:do-it-yourself
291:Lonnie Donegan
257:
254:
252:
249:
224:counterculture
213:
210:
208:in Australia.
194:New York Dolls
154:Ritchie Valens
128:
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3825:Dunedin Sound
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3714:fusion genres
3709:
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3694:
3691:
3689:
3686:
3684:
3681:
3679:
3676:
3672:
3669:
3667:
3666:Post-hardcore
3664:
3663:
3662:
3661:Hardcore punk
3659:
3657:
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3649:
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3575:Straight edge
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3423:United States
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3357:List of bands
3355:
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3229:
3226:
3224:
3221:
3219:
3216:
3214:
3211:
3209:
3206:
3204:
3203:Post-hardcore
3201:
3197:
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3103:Electronicore
3101:
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3091:
3089:
3086:
3084:
3081:
3079:
3076:
3074:
3071:
3069:
3066:
3065:
3064:
3063:Hardcore punk
3061:
3059:
3056:
3052:
3049:
3047:
3044:
3042:
3039:
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3034:
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2999:
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2979:
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2971:
2970:
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2965:
2963:
2961:fusion genres
2957:
2947:
2944:
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2939:
2938:
2937:
2934:
2933:
2931:
2927:
2923:
2916:
2911:
2909:
2904:
2902:
2897:
2896:
2893:
2885:
2883:0-87930-653-X
2879:
2875:
2871:
2866:
2862:
2860:1-85828-421-X
2856:
2851:
2850:
2844:
2840:
2836:
2834:0-8264-8217-1
2830:
2825:
2824:
2817:
2813:
2811:0-394-73827-6
2807:
2803:
2799:
2798:Marcus, Greil
2795:
2791:
2789:0-674-53581-2
2785:
2781:
2777:
2776:
2770:
2766:
2764:0-14017-970-4
2760:
2756:
2755:
2749:
2745:
2743:1-85828-201-2
2739:
2735:
2734:
2728:
2724:
2722:0-312-09369-1
2718:
2714:
2709:
2708:
2690:
2689:post-punk.com
2686:
2682:
2671:
2667:
2663:
2652:
2648:
2644:
2633:
2632:giantdrag.org
2629:
2625:
2614:
2610:
2605:
2601:
2599:0-8195-6668-3
2595:
2591:
2590:
2584:
2580:
2574:
2571:. Routledge.
2570:
2569:
2563:
2559:
2553:
2549:
2548:
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2528:
2527:
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2465:
2450:
2446:
2440:
2425:
2421:
2415:
2400:
2396:
2389:
2381:
2376:, p. 18.
2375:
2370:
2364:, p. 51.
2363:
2358:
2343:
2339:
2332:
2317:
2310:
2308:
2306:
2290:
2289:
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2277:
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2256:
2251:
2245:
2241:
2240:Omnibus Press
2237:
2230:
2215:
2214:
2209:
2202:
2195:
2188:
2181:
2179:
2170:
2164:
2160:
2159:
2151:
2140:September 25,
2136:
2135:
2130:
2124:
2109:
2108:
2103:
2100:Sendra, Tim.
2096:
2080:
2076:
2070:
2054:
2050:
2044:
2029:
2028:Trouser Press
2025:
2018:
2003:
1999:
1992:
1984:
1978:
1973:
1965:
1959:
1955:
1948:
1933:
1932:
1927:
1920:
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1699:
1698:
1690:
1675:
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1667:
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1656:
1648:
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1634:
1629:
1618:September 24,
1613:
1607:
1605:
1596:
1590:
1575:
1574:
1569:
1562:
1547:
1546:
1541:
1538:Mark Deming.
1534:
1526:
1525:Texas Monthly
1522:
1516:
1508:
1507:
1502:
1495:
1479:
1475:
1471:
1464:
1458:, p. 16.
1457:
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1407:
1392:
1388:
1381:
1366:
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1328:
1326:0-679-73728-6
1322:
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1119:
1112:
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1097:
1095:
1093:
1081:September 25,
1077:
1076:
1071:
1065:
1063:
1061:
1059:
1050:
1048:0-679-73728-6
1044:
1040:
1033:
1018:
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1005:
998:
993:
987:
983:
976:
972:
962:
959:
958:
952:
949:
945:
944:Radio Birdman
941:
937:
933:
932:Pretty Things
929:
925:
921:
916:
914:
910:
906:
902:
898:
894:
890:
886:
882:
878:
874:
873:Count Bishops
870:
866:
862:
858:
853:
851:
850:Electric Eels
847:
843:
839:
835:
831:
827:
826:Talking Heads
823:
819:
815:
811:
810:the Stilettos
807:
806:
801:
797:
793:
789:
785:
781:
777:
773:
769:
765:
764:
759:
755:
751:
747:
746:Metro Detroit
737:
733:
723:
712:
698:
695:
694:Simply Saucer
691:
687:
683:
679:
674:
672:
671:
666:
662:
658:
655:)". With his
654:
650:
646:
642:
638:
634:
630:
626:
622:
618:
614:
610:
606:
602:
597:
595:
588:
555:
553:
549:
545:
541:
537:
533:
532:sadomasochism
529:
525:
521:
516:
513:
509:
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501:
497:
493:
489:
485:
481:
477:
476:
471:
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459:
455:
454:
448:
444:
440:
435:
433:
429:
425:
421:
417:
416:
411:
408:" (1965) and
407:
406:My Generation
403:
399:
395:
391:
386:
382:
378:
375:" (1964) and
374:
370:
366:
362:
358:
354:
350:
346:
338:
334:
331:' 1964 song "
330:
326:
317:
315:
311:
306:
305:
300:
296:
292:
288:
287:
282:
278:
274:
270:
265:
263:
262:Woody Guthrie
248:
246:
242:
238:
234:
230:
225:
221:
220:
209:
207:
203:
199:
198:Electric Eels
195:
191:
187:
183:
179:
175:
171:
167:
163:
159:
155:
151:
146:
142:
138:
134:
124:
121:
119:
118:rock and roll
116:
114:
111:
109:
106:
104:
101:
99:
96:
95:
93:
88:
85:
81:
78:Fusion genres
76:
71:
68:
66:
63:
62:
61:
57:
52:
49:
47:
44:
43:
42:
38:
33:
30:
19:
4071:
4049:Lollapalooza
4024:Campus radio
4016:
3949:Slacker rock
3766:Dark cabaret
3761:College rock
3744:Post-Britpop
3687:
3570:Puntala-rock
3545:Punk fashion
3316:Thrash metal
3113:Nintendocore
2968:Anarcho-punk
2940:
2873:
2848:
2822:
2801:
2774:
2753:
2732:
2712:
2693:. Retrieved
2688:
2673:. Retrieved
2669:
2654:. Retrieved
2650:
2635:. Retrieved
2631:
2616:. Retrieved
2612:
2588:
2567:
2550:. PM Press.
2546:
2525:
2517:Bibliography
2502:. Retrieved
2498:
2489:
2477:. Retrieved
2473:
2464:
2452:. Retrieved
2448:
2439:
2427:. Retrieved
2423:
2414:
2402:. Retrieved
2399:the Guardian
2398:
2388:
2369:
2357:
2345:. Retrieved
2342:the Guardian
2341:
2331:
2319:. Retrieved
2292:. Retrieved
2286:
2276:
2262:
2253:
2235:
2229:
2217:. Retrieved
2211:
2201:
2190:
2186:
2157:
2150:
2138:. Retrieved
2132:
2123:
2113:November 30,
2111:. Retrieved
2105:
2095:
2083:. Retrieved
2079:the original
2069:
2057:. Retrieved
2053:the original
2043:
2031:. Retrieved
2027:
2017:
2005:. Retrieved
2002:the Guardian
2001:
1991:
1972:
1953:
1947:
1935:. Retrieved
1929:
1919:
1911:
1906:
1894:. Retrieved
1888:
1878:
1866:
1862:
1856:
1844:. Retrieved
1840:
1831:
1811:
1804:
1784:
1777:
1765:. Retrieved
1755:
1743:. Retrieved
1739:
1730:
1716:
1696:
1689:
1677:. Retrieved
1666:The Guardian
1665:
1655:
1640:
1628:
1616:. Retrieved
1589:
1577:. Retrieved
1571:
1561:
1549:. Retrieved
1543:
1533:
1524:
1515:
1506:The Guardian
1504:
1494:
1484:February 19,
1482:. Retrieved
1478:the original
1473:
1463:
1451:
1442:
1432:
1420:. Retrieved
1416:
1406:
1394:. Retrieved
1390:
1380:
1368:. Retrieved
1358:
1349:
1345:
1339:
1330:
1316:
1310:
1298:. Retrieved
1292:
1267:. Retrieved
1264:The Scotsman
1263:
1253:
1241:. Retrieved
1237:
1212:. Retrieved
1208:the original
1194:
1182:. Retrieved
1176:
1166:
1154:. Retrieved
1150:
1140:
1132:
1129:westword.com
1128:
1118:
1106:
1102:
1079:. Retrieved
1073:
1070:"Proto-Punk"
1038:
1032:
1020:. Retrieved
1014:
1004:
995:
981:
975:
917:
881:Joe Strummer
861:Dr. Feelgood
854:
803:
761:
743:
675:
670:The Guardian
668:
640:
617:Pink Fairies
613:the Deviants
598:
593:
583:Brain Police
561:
517:
473:
465:
452:
436:
431:
413:
361:the Kingsmen
349:Lester Bangs
344:
343:In his Book
342:
337:Lester Bangs
302:
286:The Scotsman
284:
266:
259:
228:
217:
215:
202:Dr. Feelgood
166:the Kingsmen
150:Lester Bangs
136:
132:
131:
90:Other topics
29:
4105:Garage rock
4044:Lo-fi music
3803:Post-grunge
3786:Wizard rock
3751:Chamber pop
3698:Gothic rock
3411:Celtic punk
3379:Netherlands
3311:Speed metal
3271:Gothic rock
3245:Street punk
3208:Psychobilly
3179:Street punk
3164:Latino punk
3159:Horror punk
3083:Krishnacore
3058:Garage punk
3046:Celtic punk
2936:Garage rock
2085:December 1,
2059:December 1,
2033:January 11,
1896:January 10,
1883:Kot, Greg.
1697:Rough Trade
1456:Taylor 2003
936:New Zealand
834:the Ramones
830:Patti Smith
768:the Stooges
736:the Stooges
661:David Bowie
629:Stack Waddy
609:West London
544:alternative
528:urban decay
524:avant-garde
500:Red Crayola
480:psychedelic
385:garage rock
377:the Stooges
365:Louie Louie
281:Aidan Smith
237:the Stooges
186:the Stooges
162:garage rock
70:garage punk
46:Garage rock
4095:Proto-punk
4089:Categories
3967:Funk metal
3942:Post-metal
3927:Pagan rock
3883:Mangue bit
3871:Madchester
3820:Jangle pop
3815:Indie folk
3810:Indie rock
3712:Styles and
3688:Proto-punk
3683:Noise rock
3671:Riot grrrl
3656:Avant-punk
3646:Jangle pop
3639:Precursors
3580:Punk films
3433:Yugoslavia
3427:California
3330:By country
3321:Visual kei
3296:Noise rock
3286:Industrial
3213:Punk blues
3196:Skate punk
3152:Thrashcore
3142:Riot grrrl
3051:Gypsy punk
3014:Dance-punk
2990:Avant-punk
2973:Crust punk
2941:Proto-punk
2929:Precursors
2321:January 9,
2249:0711996032
2219:January 5,
1977:Laing 1985
1633:Sabin 2002
1370:January 9,
1238:PopMatters
991:0415971977
967:References
928:the Saints
920:Australian
889:Tymon Dogg
877:the 101ers
822:Television
734:(top) and
678:Düsseldorf
653:Roxy Music
512:Count Five
492:the Damned
462:the Sonics
439:Dave Marsh
422:formed in
420:Los Saicos
367:" (1963);
277:PopMatters
256:Influences
212:Definition
206:the Saints
178:the Sonics
141:rock music
133:Proto-punk
113:punk blues
35:Proto-punk
18:Proto punk
4034:Indie pop
3982:Rap metal
3937:Post-rock
3922:Noise pop
3903:Blackgaze
3893:Dream pop
3837:Math rock
3781:Geek rock
3693:Post-punk
3651:Punk rock
3565:Punk zine
3525:DIY ethic
3505:Afro-punk
3399:Trallpunk
3337:Australia
3301:Post-punk
3250:Surf punk
3218:Punk jazz
3169:Nazi punk
3147:Taqwacore
3137:Queercore
3108:Crunkcore
3098:Deathcore
3093:Metalcore
3041:Anti-folk
3036:Folk punk
2946:Glam punk
2922:Punk rock
2504:March 28,
2479:March 28,
2454:March 28,
2429:March 28,
2404:March 28,
2362:Robb 2012
2347:March 28,
2007:March 28,
1767:April 27,
1745:April 27,
1679:April 27,
1674:0261-3077
1579:April 12,
1551:April 12,
1422:March 24,
1417:uDiscover
1396:March 26,
1214:March 21,
1184:March 21,
1156:March 21,
1022:August 1,
1016:LA Weekly
948:Deniz Tek
901:Nick Cash
865:Tyla Gang
814:the Brats
800:glam punk
784:the Punks
772:Ann Arbor
760:released
686:krautrock
659:persona,
645:glam rock
548:post-punk
484:the Seeds
470:the Monks
369:the Kinks
329:The Kinks
170:the Kinks
145:punk rock
137:protopunk
123:post-punk
108:hard rock
103:acid rock
84:Glam punk
65:Punk rock
4073:Category
3977:Nu metal
3898:Shoegaze
3847:Slowcore
3842:New rave
3771:Dolewave
3678:New wave
3394:Könsrock
3291:New wave
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3120:Mathcore
3019:Egg punk
2985:Art punk
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2499:AllMusic
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780:the Dogs
750:Michigan
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552:art-punk
546:, punk,
466:AllMusic
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357:La Bamba
314:industry
219:AllMusic
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3739:Britpop
3530:Moshing
3369:Germany
3352:Estonia
3233:Emo rap
3029:Emo rap
3009:Cowpunk
2695:May 22,
2675:May 22,
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2618:May 22,
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