331:
340:
527:... the trial was a continuation of the war by the Allies, especially the United States, within the context of its post-war strategy. It was a trial to drag Japan into a subordinate relationship to the United States in order to stop it from again becoming a military threat. In addition to demilitarization, the trial stepped even into the Japanese mentality and labelled the war an inexcusable act of aggression.
621:, and Crow suggests that China and Korea – both of which had suffered under Japanese rule during World War II – viewed the film as "deliberate provocation" in light of Japan's unwillingness to recognise its past human rights abuses. Complaints included that the film whitewashed Tojo's role in the war, or that it justified the actions taken by Japan. Response in Japan was more positive, with
502:, in which the Japanese are portrayed as victims of American vindictiveness and viciousness. This trend, possibly influenced by the economic downturn then in progress, was backed heavily by older Japanese businessmen. By this time, the Tokyo Trial had come to be seen as the source of a loss of Japanese identity and tradition. The academic
31:
628:
Sato, in an interview, stated that the film was meant to "kindle a more nuanced debate about Tojo" rather than the "black and white" depictions which were more common. Tojo's granddaughter, Yuko
Iwanami, stated that the film "challenged the image of her grandfather as a villain" by presenting a truth
486:
depiction of Tojo is highly positive. Rather than the "absolute monster" sometimes depicted in
American films on him, he is depicted as a strong, highly nationalistic, leader who loves his family and wants only to rid Asia of colonial rule. By comparison, the prosecutor Keenan is portrayed as a noisy
549:
premiered on 23 May 1998, in 140 theatres nationwide. It was a commercial success, selling the most tickets of any domestic production released in the first half of the year. Reviews of the film in Japan were generally positive, and included praise for the star's "feverish" acting (from the
487:
and ignorant, yet scheming man. This depiction is based on the argument that Japan's war-time actions were misunderstood, and that these actions were not intended as acts of aggression, but as acts of self-preservation.
574:
608:
followed in May 2011. Liberty
International Entertainment and Cargo Films released a DVD edition of the film in North America on 25 November 2003; this version included subtitles and a picture gallery.
1199:
1035:
1391:
1060:
629:
which had been "erased" after the war. Itō, meanwhile, stated that he "wanted to show how Tojo fought with pride", standing and facing the tribunal on his own.
309:
As the victors are the ones conducting the trials, Tojo and his co-defendants are unable to receive a fair trial, and some of the prosecutions' witnesses give
523:, and the businessman Maeno Tōru blamed a "Tokyo Trial view of history" for the negative view of Japanese history and culture. Futamura quotes Itō as saying:
291:
251:. Although the filmmakers intended the film to open dialogue on Japanese history, it was controversial in China, South Korea, and Japan owing to concerns of
503:
1191:
959:
287:
224:
119:
369:
410:
1386:
384:
1431:
472:
footage, had taken a similarly negative view of the trials and argued that the US had also committed war crimes during the 20th century.
642:
considered enough to release him from "director's jail" – "the limbo in which film directors find themselves after a flop or two."
1421:
1105:
852:
303:
1150:
1174:
1381:
1401:
1278:
1376:
1316:
1308:
1228:
1132:
1087:
1027:
925:
1426:
618:
302:. All twenty-eight plead not guilty, and Tojo charges the Americans with hypocrisy for trying him despite acts such as the
252:
1010:
469:
1396:
1052:
985:
313:. The verdict is ultimately delivered on 12 November 1948: Tojo, together with six of his co-defendants, is to be
1411:
1441:
1300:
508:
415:
398:. The film cost ¥1.5 billion (USD 11 million) to produce, thrice as much as usually spent by the company.
1436:
1406:
947:
1271:
1221:
Genocide, Collective
Violence, and Popular Memory: The Politics of Remembrance in the Twentieth Century
566:
248:
1416:
1053:"Japanese Film Shows Tojo As Hero -- World War Ii Leader Acted In Self-Defense, Movie Studio Claims"
1217:"Photography, National Identity, and the 'Cataract of Times': Wartime Images and the Case of Japan"
235:) as a family man who fought to defend Japan and Asia from Western colonialism but was ultimately
464:
389:
374:
930:[22nd Japan Academy Prize] (in Japanese). Nippon Academy-shō Association. Archived from
651:
577:(Tsugawa) and Best Art Direction (Akira Naitō). It won neither, with Best Actor being taken by
406:
276:
268:
70:
1264:
1216:
30:
1122:
1077:
458:
was not the first film to deal with the tribunal, also known as the "Tokyo Trial". A film by
513:
wrote a book in 1996 which proclaimed the trial to be "the starting point that ruined Japan"
330:
1097:
860:
421:
299:
75:
8:
1371:
1324:
280:
1142:
1166:
1079:
War Crimes
Tribunals and Transitional Justice: The Tokyo Trial and the Nuremberg Legacy
272:
1251:
1224:
1128:
1083:
625:
recording only a single protest, although similar concerns of denialism were echoed.
298:
and tried in front of an international group of judges, including
Australian Justice
395:
109:
589:
459:
402:
348:
295:
232:
65:
931:
638:
247:
was one of the highest-grossing
Japanese films of 1998 and was nominated for two
1256:
1124:
The
Imperial Screen: Japanese Film Culture in the Fifteen Years' War, 1931-1945
1002:
975:
558:
433:
1365:
552:
429:
1288:
617:
International response to the film was highly critical owing to concerns of
494:
is one in a line of
Japanese works from the late 1990s, including the films
440:'s Jonathan Crow, the film's only non-Japanese hero. The film also featured
365:
220:
44:
954:
428:
appeared as
Prosecutor Keenan and Justice Webb, respectively. Indian actor
380:
317:
for his role in the war. This sentence is carried out on 23 December 1948.
240:
134:
1340:
578:
449:
352:
264:
228:
1245:
677:
675:
660:
646:
441:
1332:
1127:. Wisconsin Studies in Film. Madison: University of Wisconsin Press.
809:
672:
663:) and portrayed Tojo (Akira Hoshino) as a gruff and unrepentant man.
656:
587:
and Best Art Direction being won by Katsumi Nakazawa for his work in
583:
445:
425:
80:
902:
622:
437:
279:
begin to try Tojo and other members of the Japanese government for
562:). Crow, however, gave the film two and a half stars out of five.
394:, with editing by Takeo Araki. Music for the film was composed by
892:
890:
379:. This film was co-produced by Kanji Nakagawa and Masao Sato for
314:
310:
236:
887:
339:
243:
1.5 billion and partially funded by a right-wing businessman,
1223:. World Beat Series. Vol. 1. Wilmington, Del: SR Books.
702:
700:
698:
696:
694:
692:
690:
271:, drawing that country into World War II. Four years later,
1141:
833:
797:
687:
681:
924:
815:
605:
601:
785:
1189:
908:
763:
761:
717:
715:
632:
Itō would not direct another feature-length film until
875:
821:
294:
with Class-A war crimes. They are to be prosecuted by
746:
736:
734:
732:
730:
649:
released another film regarding the Tribunal. Titled
575:
Outstanding Performance by an Actor in a Leading Role
1028:"Review: 'International Military Tribunal Far East'"
758:
712:
773:
1050:
896:
727:
219:, is a 1998 Japanese historical drama directed by
468:, had been released in 1983. This film, based on
1392:International Military Tribunal for the Far East
1363:
1286:
436:, the lone dissenting judge – according to
288:International Military Tribunal for the Far East
225:International Military Tribunal for the Far East
1096:
946:
803:
706:
239:by a vengeful United States. Shot at a cost of
206:
1219:. In David E Lorey; William H Beezley (eds.).
1192:"'Lost Crime Senko (Lost Crime — Flash)'"
1165:
839:
636:in 2010, a crime film which Mark Schilling of
516:
200:
1272:
227:of 1946–48, depicts Japanese prime minister
1279:
1265:
974:
827:
29:
1025:
767:
612:
351:(left) portrayed Japanese Prime Minister
304:atomic bombings of Hiroshima and Nagasaki
275:, and a victorious United States and its
1075:
881:
791:
752:
556:) and the quality of the sets (from the
541:
533:
1000:
740:
1364:
1317:Female Prisoner Scorpion: Beast Stable
1214:
1013:from the original on 25 September 2019
721:
1309:Female Convict Scorpion: Jailhouse 41
1260:
1387:World War II war crimes trials films
1120:
1108:from the original on 25 January 2015
779:
490:The historian Peter High notes that
13:
1432:Cultural depictions of Hideki Tojo
1202:from the original on 11 March 2016
655:, it focused on the Chinese judge
14:
1453:
1239:
1177:from the original on 13 June 2022
1153:from the original on 13 June 2022
1063:from the original on 3 March 2016
1038:from the original on 4 March 2016
980:[Pride: Moment of Fate].
952:[Pride: Moment of Fate].
263:In 1941, prime minister of Japan
1051:Fackler, Martin (7 April 1998).
988:from the original on 9 June 2014
962:from the original on 24 May 2013
383:. Cinematography was handled by
338:
329:
290:is convened in 1946 and charges
1190:Schilling, Mark (2 July 2010).
845:
1422:Films scored by Michiru Ōshima
1402:Films about capital punishment
1301:Female Prisoner #701: Scorpion
917:
682:AllMovie, Pride: Cast and Crew
645:In 2006, the Chinese director
573:received two nominations, for
1:
1377:1990s Japanese-language films
1098:"New Movie Makes Tojo A Hero"
1026:Elley, Derek (26 July 2006).
816:JAA, 22nd Japan Academy Prize
666:
604:in December 1998. A Region 2
569:ceremony held in March 1999,
320:
1382:Films directed by Shunya Itō
600:was given a home release in
7:
1427:Japanese World War II films
909:Schilling, Lost Crime Senko
269:attack on the United States
207:
10:
1458:
1295:
1076:Futamura, Madoka (2008).
517:
475:
223:. The film, based on the
216:Pride: The Fateful Moment
208:Puraido: Unmei no Shunkan
201:
183:
175:
165:
141:
125:
115:
105:
97:
89:
58:
50:
40:
28:
23:
1397:Japanese war drama films
976:
948:
926:
470:US Department of Defense
1121:High, Peter B. (2003).
1082:. New York: Routledge.
634:Lost Crime – Flash
258:
1215:Thomas, Julia (2002).
1143:"Pride: Cast and Crew"
897:Fackler, Japanese Film
619:historical revisionism
613:Controversy and legacy
539:
1412:1990s war drama films
542:Release and reception
525:
150:23 May 1998
1442:1990s Japanese films
448:, Gitan Ōtsuru, and
253:historical denialism
249:Japan Academy Prizes
1325:To Trap a Kidnapper
863:on 30 December 2001
857:Liberty Interactive
804:Kinema Junpo, Pride
707:CBS News, New Movie
567:Japan Academy Prize
405:as Hideki Tojo and
1437:Film controversies
1407:Toei Company films
1287:Films directed by
840:AllMovie, Releases
420:. American actors
18:1998 Japanese film
1359:
1358:
1230:978-0-415-42673-2
1167:"Pride: Releases"
1134:978-0-299-18130-7
1089:978-0-415-42673-2
1057:The Seattle Times
794:, pp. 97–98.
401:The film starred
191:
190:
1449:
1417:1998 drama films
1281:
1274:
1267:
1258:
1257:
1234:
1211:
1209:
1207:
1186:
1184:
1182:
1162:
1160:
1158:
1138:
1117:
1115:
1113:
1093:
1072:
1070:
1068:
1047:
1045:
1043:
1022:
1020:
1018:
1001:Crow, Jonathan.
997:
995:
993:
971:
969:
967:
943:
941:
939:
927:第22回日本アカデミー賞優秀作品
912:
906:
900:
894:
885:
879:
873:
872:
870:
868:
859:. Archived from
849:
843:
837:
831:
825:
819:
813:
807:
801:
795:
789:
783:
777:
771:
765:
756:
750:
744:
738:
725:
719:
710:
704:
685:
679:
590:Begging for Love
537:
522:
520:
519:
512:
504:Keiichirō Kobori
485:
460:Masaki Kobayashi
419:
403:Masahiko Tsugawa
393:
378:
364:was directed by
349:Masahiko Tsugawa
342:
333:
300:Sir William Webb
296:Joseph B. Keenan
273:Japan surrenders
233:Masahiko Tsugawa
213:, also known as
212:
210:
204:
203:
157:
155:
66:Masahiko Tsugawa
33:
21:
20:
1457:
1456:
1452:
1451:
1450:
1448:
1447:
1446:
1362:
1361:
1360:
1355:
1291:
1285:
1242:
1237:
1231:
1205:
1203:
1196:The Japan Times
1180:
1178:
1156:
1154:
1135:
1111:
1109:
1104:. 15 May 1998.
1090:
1066:
1064:
1041:
1039:
1016:
1014:
991:
989:
984:(in Japanese).
978:
965:
963:
958:(in Japanese).
950:
937:
935:
934:on 14 July 2014
928:
920:
915:
907:
903:
895:
888:
880:
876:
866:
864:
851:
850:
846:
838:
834:
826:
822:
814:
810:
802:
798:
790:
786:
782:, p. xxvi.
778:
774:
766:
759:
751:
747:
739:
728:
720:
713:
705:
688:
680:
673:
669:
652:The Tokyo Trial
639:The Japan Times
615:
544:
538:
531:
514:
506:
496:Tower of Lilies
483:
478:
413:
387:
372:
368:and written by
359:
358:
357:
356:
345:
344:
343:
335:
334:
323:
311:false testimony
261:
198:
168:
161:
153:
151:
144:
137:
130:
128:
85:
36:
19:
12:
11:
5:
1455:
1445:
1444:
1439:
1434:
1429:
1424:
1419:
1414:
1409:
1404:
1399:
1394:
1389:
1384:
1379:
1374:
1357:
1356:
1354:
1353:
1345:
1337:
1329:
1321:
1313:
1305:
1296:
1293:
1292:
1284:
1283:
1276:
1269:
1261:
1255:
1254:
1241:
1240:External links
1238:
1236:
1235:
1229:
1212:
1187:
1163:
1139:
1133:
1118:
1094:
1088:
1073:
1048:
1023:
1003:"Pride (1998)"
998:
972:
944:
921:
919:
916:
914:
913:
901:
886:
874:
844:
832:
828:Tsutaya, Pride
820:
808:
796:
784:
772:
757:
745:
726:
724:, p. 256.
711:
686:
670:
668:
665:
614:
611:
559:Sankei Shimbun
543:
540:
529:
477:
474:
434:Radhabinod Pal
396:Michiru Ōshima
347:
346:
337:
336:
328:
327:
326:
325:
324:
322:
319:
292:28 individuals
260:
257:
189:
188:
185:
181:
180:
177:
173:
172:
169:
166:
163:
162:
160:
159:
147:
145:
142:
139:
138:
133:
131:
126:
123:
122:
117:
116:Backgrounds by
113:
112:
110:Michiru Ōshima
107:
103:
102:
99:
95:
94:
91:
90:Cinematography
87:
86:
84:
83:
78:
73:
68:
62:
60:
56:
55:
52:
48:
47:
42:
38:
37:
34:
26:
25:
17:
9:
6:
4:
3:
2:
1454:
1443:
1440:
1438:
1435:
1433:
1430:
1428:
1425:
1423:
1420:
1418:
1415:
1413:
1410:
1408:
1405:
1403:
1400:
1398:
1395:
1393:
1390:
1388:
1385:
1383:
1380:
1378:
1375:
1373:
1370:
1369:
1367:
1351:
1350:
1346:
1343:
1342:
1338:
1335:
1334:
1330:
1327:
1326:
1322:
1319:
1318:
1314:
1311:
1310:
1306:
1303:
1302:
1298:
1297:
1294:
1290:
1282:
1277:
1275:
1270:
1268:
1263:
1262:
1259:
1253:
1249:
1248:
1244:
1243:
1232:
1226:
1222:
1218:
1213:
1201:
1197:
1193:
1188:
1176:
1172:
1168:
1164:
1152:
1148:
1144:
1140:
1136:
1130:
1126:
1125:
1119:
1107:
1103:
1099:
1095:
1091:
1085:
1081:
1080:
1074:
1062:
1058:
1054:
1049:
1037:
1033:
1029:
1024:
1012:
1008:
1004:
999:
987:
983:
979:
973:
961:
957:
956:
951:
945:
933:
929:
923:
922:
910:
905:
898:
893:
891:
884:, p. 98.
883:
882:Futamura 2008
878:
862:
858:
854:
848:
841:
836:
829:
824:
817:
812:
805:
800:
793:
792:Futamura 2008
788:
781:
776:
769:
768:Elley, Review
764:
762:
755:, p. 81.
754:
753:Futamura 2008
749:
742:
737:
735:
733:
731:
723:
718:
716:
708:
703:
701:
699:
697:
695:
693:
691:
683:
678:
676:
671:
664:
662:
658:
654:
653:
648:
643:
641:
640:
635:
630:
626:
624:
620:
610:
607:
603:
599:
594:
592:
591:
586:
585:
580:
576:
572:
568:
563:
561:
560:
555:
554:
553:Asahi Shimbun
548:
536:, p. 98)
535:
534:Futamura 2008
532:Shunya Itō, (
528:
524:
510:
505:
501:
497:
493:
488:
482:
473:
471:
467:
466:
461:
457:
453:
451:
447:
443:
439:
435:
431:
430:Suresh Oberoi
427:
423:
417:
412:
409:as his wife,
408:
404:
399:
397:
391:
386:
382:
376:
371:
370:Hiroo Matsuda
367:
363:
354:
350:
341:
332:
318:
316:
312:
307:
305:
301:
297:
293:
289:
284:
282:
278:
274:
270:
266:
256:
254:
250:
246:
242:
238:
234:
230:
226:
222:
218:
217:
209:
197:
196:
186:
182:
178:
174:
170:
164:
149:
148:
146:
140:
136:
132:
124:
121:
118:
114:
111:
108:
104:
100:
96:
92:
88:
82:
79:
77:
74:
72:
69:
67:
64:
63:
61:
57:
54:Hiroo Matsuda
53:
49:
46:
43:
39:
32:
27:
22:
16:
1348:
1347:
1339:
1331:
1323:
1315:
1307:
1299:
1246:
1220:
1204:. Retrieved
1195:
1179:. Retrieved
1170:
1155:. Retrieved
1146:
1123:
1110:. Retrieved
1101:
1078:
1065:. Retrieved
1056:
1040:. Retrieved
1031:
1015:. Retrieved
1006:
990:. Retrieved
981:
964:. Retrieved
955:Kinema Junpo
953:
936:. Retrieved
932:the original
904:
877:
865:. Retrieved
861:the original
856:
847:
835:
823:
811:
799:
787:
775:
748:
650:
644:
637:
633:
631:
627:
616:
597:
595:
588:
582:
570:
565:At the 22nd
564:
557:
551:
546:
545:
526:
500:Wings of God
499:
495:
491:
489:
480:
479:
463:
455:
454:
422:Scott Wilson
407:Ayumi Ishida
400:
381:Toei Company
361:
360:
308:
285:
262:
244:
215:
214:
194:
193:
192:
167:Running time
158: (Japan)
143:Release date
135:Toei Company
76:Scott Wilson
71:Ayumi Ishida
35:US DVD cover
15:
1341:Gray Sunset
918:Works cited
741:Crow, Pride
722:Thomas 2002
659:(played by
579:Akira Emoto
518:日本をダメにした出発点
507: [
465:Tokyo Trial
450:Anupam Kher
414: [
388: [
373: [
353:Hideki Tōjō
265:Hideki Tojo
231:(played by
229:Hideki Tojo
202:プライド 運命の瞬間;
171:161 minutes
120:Akira Naitō
101:Takeo Araki
41:Directed by
1372:1998 films
1366:Categories
1289:Shunya Itō
977:プライド 運命の瞬間
949:プライド 運命の瞬間
667:References
661:Damian Lau
647:Gao Qunshu
596:In Japan,
442:Eiji Okuda
385:Yudai Kato
366:Shunya Itō
321:Production
281:war crimes
267:orders an
221:Shunya Itō
154:1998-05-23
127:Production
93:Yudai Kato
51:Written by
45:Shunya Itō
1333:Hakujasho
780:High 2003
657:Mei Ju-ao
584:Dr. Akagi
462:, titled
446:Naho Toda
426:Ronny Cox
98:Edited by
81:Ronny Cox
1200:Archived
1175:Archived
1173:. Rovi.
1171:AllMovie
1151:Archived
1149:. Rovi.
1147:AllMovie
1106:Archived
1102:CBS News
1061:Archived
1036:Archived
1011:Archived
1009:. Rovi.
1007:AllMovie
986:Archived
960:Archived
623:CBS News
530:—
438:AllMovie
187:Japanese
184:Language
106:Music by
59:Starring
1032:Variety
982:Tsutaya
853:"PRIDE"
432:played
411:Katsuko
176:Country
152: (
129:company
1352:(1998)
1344:(1985)
1336:(1983)
1328:(1982)
1320:(1973)
1312:(1972)
1304:(1972)
1227:
1206:9 June
1181:8 June
1157:8 June
1131:
1112:9 June
1086:
1067:9 June
1042:9 June
1017:8 June
992:9 June
966:8 June
938:4 June
867:20 May
484:'s
476:Themes
315:hanged
277:allies
237:hanged
1349:Pride
1247:Pride
598:Pride
571:Pride
547:Pride
511:]
492:Pride
481:Pride
456:Pride
418:]
392:]
377:]
362:Pride
245:Pride
195:Pride
179:Japan
24:Pride
1252:IMDb
1225:ISBN
1208:2014
1183:2014
1159:2014
1129:ISBN
1114:2014
1084:ISBN
1069:2014
1044:2014
1019:2014
994:2014
968:2014
940:2014
869:2019
581:for
498:and
424:and
286:The
259:Plot
1250:at
606:DVD
602:VHS
1368::
1198:.
1194:.
1169:.
1145:.
1100:.
1059:.
1055:.
1034:.
1030:.
1005:.
889:^
855:.
760:^
729:^
714:^
689:^
674:^
593:.
509:ja
452:.
444:,
416:ja
390:ja
375:ja
306:.
283:.
255:.
205:,
1280:e
1273:t
1266:v
1233:.
1210:.
1185:.
1161:.
1137:.
1116:.
1092:.
1071:.
1046:.
1021:.
996:.
970:.
942:.
911:.
899:.
871:.
842:.
830:.
818:.
806:.
770:.
743:.
709:.
684:.
521:)
515:(
355:.
241:¥
211:)
199:(
156:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.