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775:. During his lifetime Pisanello was best known for his medals. He has been copied many times in later generations. The medalist art declined when it deviated from the art of Pisanello. Before him, the few medals made were struck like minted coins. Pisanello, on the other hand, melted his medals the same as a bronze
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because of its perfection of this very fine panel, shows most animals in profile or defined poses with miniature-like delicacy. The story in this small painting (egg tempera on wood) is probably only a pretext for showing "noble" animals (horses, hunting dogs, stag, bear...) and the noblest creature
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Pisanello influenced many of his contemporaries, but he did not create his own school. His genius shone briefly and after his death, he was quickly forgotten in the rise of the humanistic and classical culture of the
Renaissance. He is now considered the last and most magnificent artist of the
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and the republic of Venice. Pisanello was in Mantua with
Gianfancresco Gonzaga. They decided to play a part in the capture of Verona. Consequently, the Venetian government called him a rebel and threatened him with a stiff sentence. Only an intercession by a powerful friend could preserve him.
783:(made by the painter Pisano). In his view, the portraits in his medals equal the portraits in his paintings. He even adds allegories at the reverse of his medals, such as the unicorn in the Cecilia Gonzaga medal, underlying the noble character of the princess.
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Pisanello's life is somewhat shrouded in mystery. He was born between 1380 and 1395 and died between 1450 and 1455 (probably between 14 July and 8 October 1455). He was a native of Pisa but spent his early years in San
Vigilio sul Lago in the territory of
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with its many horses. Pisanello's love of drawing horses probably finds its origin in this relationship; but as there is so much unknown of his life, this attribution by Vasari is not reliable and may only be a legend.
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from whom he acquired his refined, delicate, detailed style. Pisanello also acquired from him a taste for precious materials and beautiful fabrics that can be found in his later paintings. The frescoes in the
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Pisanello stayed again in Verona in 1424. However, according to some scholars, he painted frescoes about hunting and fishing and jousts in Pavia the same year. These were commissioned by the Duke of Milan
833:, where he enjoyed great repute at the Aragon court. The poet Porcellio even wrote an ode in his honour. He may have lived five or six years longer, but there is no more mention of him in the records.
586:. It had to be restored after water seepage badly damaged the fresco at the end of the 19th century. He prepared for this painting with a large number of drawings, many of which are on display in the
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was unfinished. Pisanello completed the frescoes of his former master between 1431 and 1432. All these frescoes were destroyed when the basilica was rebuilt in the 17th century by
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Pisanello travelled to several
Italian cities and was introduced to a number of courts. He stayed for a while in Florence. In this period he painted two important portraits:
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After a stay in Milan between 1440 and 1441, Pisanello went back to
Ferrara in 1441. There he painted his acclaimed portrait of Lionello d'Este, now on display at the
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1317:, a collection catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Pisanello (see index)
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in Berlin has a pale sketch of this fresco, drawn by
Borromini. While in Rome, he became more and more influenced by the classical style of
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708:. He was the first to reinvent the genre as we still understand it today: a portrait on the front and a symbolic feat on the reverse.
760:, the earliest portrait medal of post-classical times. He also made some drawings with portraits of the emperor and his retinue (
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Pisanello was one of the greatest medalists of all time, perhaps the greatest ever, as evidenced by art historians such as
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in San Fermo, Verona. It was used to embellish the funeral monument of Nicolò di
Brenzoni by the Florentine sculptor
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Back in Mantua with the
Gonzagas between 1424 and 1426, Pisanello painted one of his important surviving works: the
39:
697:
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Gill, Joseph. Personalities of the
Council of Florence and Other Essays. Oxford University Press (Oxford, 1964).
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style. On the other hand, he may also be considered as one of the first leaders of the
Renaissance movement.
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From 1435, Pisanello became more and more interested in portraiture and medal making. He was introduced to
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in large murals, elegant portraits, small easel pictures, and many brilliant drawings such as those in the
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in the first half of the 15th century, and he can claim to have originated this important genre.
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and Chicago), suggesting he had a commission for a painting or fresco for the Este residence.
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Brenzoni Raffaello - Pisanello, Pittore - exhibition catalog Florence, 1953 (in Italian)
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779:, clearly showing the work of a painter and a modeller. He even signed his medals with
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When Gentile da Fabriano died in Rome between August and October 1427, his work at the
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at Venice, on which they worked together, have perished as well as the frescoes in the
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London: National Gallery Company, 2001. xi + 264 pp. 286 illus., many in colour.
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and praised by humanists of his time, who compared him to such illustrious names as
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Callan G. "A Renaissance Depicture of Nature: Pisanello at the National Gallery",
425:, author of the painted equestrian monument of Niccolò da Tolentino (1456) in the
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Un velo di silenzio : trenta capolavori visti da un grande storico dell'arte
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A medal showing the profile of Pisanello (1443), attributed to Antonio Marescotti
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Between 1415 and 1420, Pisanello was the assistant of the renowned painter and
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813:, London) probably dated from the same period. The impressive fresco cycle
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479:. This might show that Pisanello was also a pupil of the latter in Verona.
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368:. He was probably given his early training by a Veronese painter (perhaps
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Pisanello had many of his works wrongly ascribed to other artists such as
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1116:. Vol. 21 (11th ed.). Cambridge University Press. p. 649.
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In 1422, Pisanello was reported to be in Mantua in the service of young
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Degenhart, Bernhard. 1973. "Pisanello in Mantua." Pantheon 31:364-411
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between 1433 and 1438. His fresco masterpiece from this period is
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courtly style of the Gothic art in the 15th century, called the
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475:. The style is a blend of the styles of Gentile da Fabriano and
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Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs
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The Virgin and Child with Saint George and Saint Anthony Abbot
468:, is signed by "Antonius Pisanus". It is tentatively dated at
411:. He continued to work for the Gonzaga family till the 1440s.
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Richter, George Martin (August 1929). "Pisanello Studies I".
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A Corpus of Italian Medals of the Renaissance before Cellini
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Pisanello's drawings are generally prized as jewels of the
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Specimens of Pisanello's work as a painter still exist in
285:(Louvre). He is the most important commemorative portrait
250:, was one of the most distinguished painters of the early
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From December 1448 until the end of his life he lived in
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The Gonzaga of Mantua and Pisanello's Arthurian Frescoes
421:, states that Pisanello also worked in the workshop of
550:, Vienna (but the attribution is still contested) and
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In 1438, a war broke out between the ruler of Milan
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Pisanello thus became the inventor of the fields of
1184:, Volume 9, Number 3, June 2002, pp. 7–9(3);
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871:). Many of his drawings can now be found at the
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651:by Pisanello, who saw him at Ferrara in 1438.
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1237:Pisanello: Painter to the Renaissance Court.
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487:. There is no trace of these frescoes left.
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568:Saint George and the Princess of Trebizond
620:of the medal by Antonio Pisano (obverse).
69:Learn how and when to remove this message
1321:Antonio Pisanello paintings and drawings
1276:Zeri, Federico; Dolcetta, Marco (1999).
1206:The Burlington Magazine for Connoisseurs
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32:This article includes a list of general
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277:Pisanello is known for his resplendent
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1258:, USA; new edition (January 2, 1996);
752:negotiated with the Byzantine Emperor
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1310:"Antonio Pisanello and Janet Whittle"
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756:. On this occasion, Pisanello struck
400:and the palaces of Mantua and Pavia.
758:a commemorative medal of the emperor
258:. He was acclaimed by poets such as
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821:, Mantua probably dates from 1447.
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1387:Portrait of Sigismund of Luxemburg
695:, Marquess of Ferrara. His famous
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1455:Madonna and Child with Two Saints
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324:. He stood in high esteem in the
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1143:"Italian painter Antonio Pisano"
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1280:(in Italian). Milano: Rizzoli.
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745:of all: the hunting courtier.
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398:Basilica of St. John Lateran
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1529:Italian painters of animals
1425:The Vision of Saint Eustace
1410:Portrait of Leonello d'Este
1196:Hill, George Francis 1930.
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661:The Vision of Saint Eustace
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236:Antonio di Puccio Pisano
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1256:Oxford University Press
1252:Grove Dictionary of Art
1113:Encyclopædia Britannica
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53:more precise citations.
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1212:(317): 58–61+64–66.
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885:International Gothic
781:Opus Pisani pictoris
605:Ludovico III Gonzaga
457:Madonna of the Quail
450:(detail with horse).
435:Battle of San Romano
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976:Studies of Horses
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59:October 2018
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1514:1455 deaths
1509:1395 births
1487: 1438
1463: 1445
1418: 1441
1380: 1420
1249:Turner, J.
1174:(in French)
1159:Benezit E.
618:Electrotype
518:Renaissance
473: 1420
386:illuminator
51:introducing
1503:Categories
1225:Luke Syson
1154:References
825:Later life
777:low-relief
558:, Genoa).
370:Altichiero
351:Early life
332:families.
272:Praxiteles
230: – c.
34:references
1364:Paintings
1357:Pisanello
879:, Paris.
721:Malatesta
681:Innocence
590:, Paris.
578:) at the
287:medallist
221:Pisanello
205:Signature
149:Education
113:1380/1395
85:Pisanello
1296:42999505
1018:See also
609:Margrave
536:Nobility
380:Training
279:frescoes
234:), born
191:Movement
163:Painting
988:Monkeys
940:Lapwing
891:Gallery
855:Pistoia
817:in the
713:Gonzaga
685:Unicorn
326:Gonzaga
306:Ferrara
298:Vatican
268:Phidias
264:Cimabue
167:frescos
47:improve
1473:Medals
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1218:863983
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952:Hoopoe
928:Falcon
877:Louvre
851:Verona
847:Venice
837:Legacy
831:Naples
762:Louvre
613:Mantua
563:Verona
512:. The
492:fresco
466:Verona
366:Verona
322:Naples
318:Rimini
310:Mantua
302:Verona
294:Venice
138:Naples
36:, but
1214:JSTOR
1074:Notes
1000:Camel
916:Stork
524:Style
520:art.
314:Milan
171:medal
1292:OCLC
1282:ISBN
1260:ISBN
1241:ISBN
1227:and
1168:ISBN
1012:Boar
867:and
843:Rome
717:Este
683:and
343:and
330:Este
328:and
270:and
254:and
128:Died
117:Pisa
103:Born
611:of
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246:by
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