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903:: the sung tone maintains the pitch unaltered; the spoken tone does indicate it, but immediately abandons it again by falling or rising. But the performer must take great care not to lapse into a singsong speech pattern. That is absolutely not intended. The goal is certainly not at all realistic, natural speech. On the contrary, the difference between ordinary speech and speech that collaborates in a musical form must be made plain. But it should not call singing to mind, either.
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690:) comprises seven people. The piece is his opus 21, contains 21 poems, and was begun on March 12, 1912. Other key numbers in the work are 3 and 13: each poem consists of 13 lines (two four-line verses followed by a five-line verse), while the first line of each poem occurs three times (being repeated as lines 7 and 13).
911:
The performer's task here is at no time to derive the mood and character or the individual pieces from the meaning of the words, but always solely from the music. To the extent that the tonepainterly representation of the events and feelings in the text were of importance to the composer, it will be
445:
When she appeared in a
Pierrot costume, her painted, frightened face framed by a ruff, her aging ankles in white stockings, she was greeted by an ominous murmur from the audience. One could not help admiring her courage, as she went on from poem to poem, disregarding the hissing, booing and
446:
insulting invective shouted at her and
Schoenberg. There were also fanatical ovations from the young generation, but the majority were outraged. A well-known virtuoso, his face purple with rage, shouted: "Shoot him. Shoot him," meaning Schoenberg, not the poor, undaunted Pierrot.
1478:, and continued to concertize with a varied classical and contemporary repertory. This group performed works arranged for these instruments and commissioned new works especially to take advantage of this ensemble's instrumental colors, up until it disbanded in 1987.
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The instrumental combinations (including doublings) vary between most movements. The entire ensemble is used only in Nos. 6, 11, 14, 15 (end), 16, 18, 19 (end), 20, and 21. Musicologist Alan Lessem states about the work that "on the whole instrumental
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of 4 + 4 + 5 lines, with the first two lines of the first stanza (1,2) repeated as the last two lines of the second stanza (7,8), and line 1 additionally repeated (13) to close the third stanza and the poem. The first poem is shown below.
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Theatre in Berlin. This interpretation of the work included gender diversity, castration scenes and dildos, as well as a female to male transgender
Pierrot. LaBruce subsequently filmed this adaptation as the 2014 theatrical film
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Arnold
Schoenberg himself made test recordings of the music with a group of Los Angeles musicians, nearly all European immigrants, from September 24 to 26, 1940. These recordings were eventually released on LP by
1407:
conducting. According to the singer in a 2004 interview, "Kent Nagano wanted to make a recording of it, but I really felt that I would be invading the territory of people who sing this for a lifetime [
450:
There was some criticism of blasphemy in the texts, to which
Schoenberg responded, "If they were musical, not a single one would give a damn about the words. Instead, they would go away whistling the tunes."
333:
The piece was premiered at the Berlin
Choralion-Saal on October 16, 1912, with Albertine Zehme as the vocalist. A typical performance lasts about 35 to 40 minutes. The American premiere took place at the
912:
found in the music anyway. Wherever the performer fails to find it, he must resist adding something that the composer did not intend. If he did so, he would not be adding, but subtracting.
324:
with standard doublings and in this case with the addition of a vocalist – is an important ensemble in 20th- and 21st-century classical music and is referred to as a
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365:
The work originated in a commission by
Albertine Zehme, a former actress, for a cycle for voice and piano, setting a series of poems by the Belgian writer
1959:
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284:. Schoenberg had previously used a combination of spoken text with instrumental accompaniment, called "melodrama", in the summer-wind narrative of the
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2008:
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adhering to the rhythm as precisely as if he were singing; that is, with no more freedom than he would allow himself if it were sung melody;
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tend to become fuller as the work progresses" and that, in general, "the piano is the leading protagonist of the melodramas."
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1952:
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433:, some in the audience were whistling and laughing, but in the end "it was an unqualified success". According to eyewitness
373:. Zehme had previously performed a 'melodrama' by composer Otto Vrieslander based on the translated poems. But, according to
2199:
Pierrot lunaire: Albert Giraud, Otto Erich
Hartleben, Arnold Schoenberg: a collection of musicological and literary studies.
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literally "speaking voice" or "spoken voice" in German, often used for vocal performance even closer to speech than
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31:
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2116:
Argentino, Joe. 2012. "Serialism and Neo-Riemannian Theory: Transformations and
Hexatonic Cycles in Schoenberg's
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1988:
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Over the years, other groups have continued to use this instrumentation professionally (current groups include
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dress) gave the premiere at the Berlin
Choralion-Saal on October 16, 1912. Reaction was mixed. According to
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Schoenberg began work on March 12 and completed the piece on July 9, 1912, having expanded the forces to an
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is used throughout the piece, Schoenberg also occasionally indicates that certain passages are to be sung (
290:, which was a fashionable musical style popular at the end of the nineteenth century. Though the music is
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2003:
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266:. The work is written for reciter (voice-type unspecified in the score, but traditionally performed by a
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Gillespie, Jeffrey L. 1992. "Motivic Transformations and Networks in Schoenberg's 'Nacht' from
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Björk is Icelandic. "For a lifetime" is probably a second-language error for "all their lives."
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1966:
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The melody given in notation in the vocal part (with a few specially indicated exceptions) is
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is among Schoenberg's most celebrated and frequently performed works. Its instrumentation –
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Roig-FrancolĂ, Miguel A. 2001. "A Theory of Pitch-Class-Set Extension in Atonal Music".
1707:"The Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered"
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1559:
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Lott, R. Allen (1983). "'New Music for New Ears': The International Composers' Guild".
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but does not sustain the pitches, allowing them to drop or rise, in the manner of
369:. The verses had been first published in 1884 and later translated into German by
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887:, taking the prescribed pitches carefully into account. He accomplishes this by:
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1995:
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342:, New York, on 4 February 1923 as part of a series of concerts organised by the
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Weytjens, Stephan. 2004. “Text as a Crutch in Schoenberg's Pierrot Lunaire?”.
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Delaere, Mark, Jan Herman editors. Leuven, Belgium: Éditions Peeters: 109-24.
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Music and Text in the Works of Arnold Schoenberg: The Critical Years, 1908–22
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1999:
1967:
Pierrot lunaire in Studio and in Broadcast: Sprechstimme, Tempo and Character
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Kozinn, Allan. "World Premieres, Sure, but Room for Older New Music Too,"
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intended to be sung. The performer has the task of transforming it into a
27:
Musical setting by Arnold Schoenberg of 21 selected poems by Albert Giraud
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2140:"The Journey of the Song Cycle: From 'The Iliad' to 'American Idiot
1800:"Tried and still brilliant: Mary Nessinger sings "Pierrot lunaire""
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Furthermore, the following should be said about the performance:
875:. Schoenberg describes the technique in a foreword to the score:
854:
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267:
243:
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Neighbour, Oliver W. 2001. "Schoenberg, Arnold (Franz Walter)".
2278:
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750:
407:
313:
232:("Three times Seven Poems from Albert Giraud's 'Pierrot lunaire
1960:"The Test Pressings of Schoenberg Conducting Pierrot lunaire"
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consists of three groups of seven poems. In the first group,
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385:
321:
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2077:, with a new preface. Chicago: University of Chicago Press.
1428:, Chamber Music Northwest, and Sequitur at venues including
229:
Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire"
76:
Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire"
1361:
467:
1474:, who formed in 1965 as "The Pierrot Players" to perform
1409:
1395:, known for her interest in avant-garde music, performed
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471:
2153:
Lambert, Philip. 2000. "On Contextual Transformations".
1420:
The American mezzo-soprano Mary Nessinger has performed
1937:
Performing the Sprechstimme in Schoenberg's Masterpiece
1497:) and have built a large repertoire for the ensemble.
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Members of the Conservatory Society Concert Orchestra
1376:. Another jazz singer who has performed the piece is
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in 1949, and reissued in 1974 on the Odyssey label.
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is a style in which the vocalist uses the specified
1861:
1372:in 1974. Her version was nominated for a classical
2267:Luna Nova New Music Ensemble: Arnold Schoenberg's
895:being precisely aware of the difference between a
853:settings of the text, with their echoes of German
1774:"Music Review; Stravinsky and Schoenberg: A Gulf"
984:, piano; Leonard Posella, flute and piccolo; and
425:After forty rehearsals, Schoenberg and Zehme (in
2829:
2177:Metzer, David. 1994. "The New York Reception of
2104:Schoenberg – Pierrot lunaire: an Atonal Landmark
1455:
948:Notable recordings of this composition include:
2043:The New Grove Dictionary of Music and Musicians
2009:The New Grove Dictionary of Music and Musicians
1971:Journal of the Society of Musicology in Ireland
1413:]." Only small recorded excerpts (possibly
1931:Bryn-Julson, Phyllis, and Paul Mathews. 2009.
838:
686:throughout the work, while the ensemble (with
2310:
2057:Puffett, Kathryn. 2006. "Structural Imagery:
1683:, literally "spoken song" or "spoken singing"
1535:Journal of the American Musicological Society
824:Becomes intoxicated with the sacred beverage;
819:Is poured down in waves by the moon at night.
806:Is poured down in waves by the moon at night,
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1417:) of her performance have become available.
793:Das Haupt und taumelnd saugt und schlĂĽrft er
254:. It is a setting of 21 selected poems from
1424:extensively with organizations such as the
2317:
2303:
2281:, Austrian ensemble for contemporary music
830:The wine that one drinks with one's eyes.
60:
2848:Compositions that use extended techniques
2465:Concerto for String Quartet and Orchestra
2429:Begleitungsmusik zu einer Lichtspielscene
2253:International Music Score Library Project
1797:
1771:
980:, violin and viola; Stefan Auber, cello;
828:His head, and, staggering, sucks and sips
490:; and in the third of his return home to
2843:Atonal compositions by Arnold Schoenberg
2181:: The 1923 Premiere and Its Aftermath".
928:is indicated with small x's through the
817:The wine that one drinks with one's eyes
804:The wine that one drinks with one's eyes
759:
353:
1994:
1867:
1740:
1594:
1426:Chamber Music Society of Lincoln Center
784:Giesst Nachts der Mond in Wogen nieder.
771:Giesst Nachts der Mond in Wogen nieder,
761:1. Mondestrunken (Drunk with Moonlight)
437:, the sister of the premiere's pianist
246:" or "Pierrot in the Moonlight"), is a
14:
2830:
1700:
1698:
2324:
2298:
2106:April 1, 2000 accessed July 23, 2006.
1973:2:69–91. (accessed October 29, 2008).
1939:. Lanham, Maryland: Scarecrow Press.
1704:
943:
789:Berauscht sich an dem heilgen Tranke,
745:of the old French type with a double
682:, also makes great use of seven-note
1892:Riley, Paul. "High-flying Quality,"
1772:Griffiths, Paul (January 16, 1998).
1741:unknown, Björk (September 8, 2004).
1531:
1330:Twentieth Century Classics Ensemble
822:The poet, urged on by his devotions,
815:Float numberless through the waters!
795:Den Wein, den man mit Augen trinkt.
787:Der Dichter, den die Andacht treibt,
780:Durchschwimmen ohne Zahl die Fluten!
741:The poetry is a German version of a
2233:Two Clowns: Pierrot Meets Petrushka
2090:Verklärte Nacht and Pierrot lunaire
1695:
1525:
1466:The quintet of instruments used in
857:, bring the poems vividly to life.
782:Den Wein, den man mit Augen trinkt,
769:Den Wein, den man mit Augen trinkt,
298:, which he did not use until 1921.
24:
2858:Chamber music by Arnold Schoenberg
2110:
1856:Berlin International Film Festival
1798:McQuillen, James (February 2012).
826:Enraptured, he turns toward heaven
678:Schoenberg, who was fascinated by
294:, it does not employ Schoenberg's
25:
2879:
2735:Arnold Schönberg Complete Edition
2205:
693:
66:Self-portrait by Schoenberg, 1910
2868:Songs with instrumental ensemble
2863:Song cycles by Arnold Schoenberg
2801:
2800:
2227:
2218:
1907:"Uusinta Publishing Company Ltd"
773:Und eine Springflut ĂĽberschwemmt
270:) who delivers the poems in the
32:Pierrot lunaire (disambiguation)
1899:
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2235:, 3:50, IsraeliChambrProject,
1998:(2001). "Fires of London". In
1983:. Cambridge University Press.
1831:. The New Yorker. October 2007
1705:Byron, Avior (February 2006).
1655:
1646:
1637:
1588:
1579:
1570:
1516:
1507:
1443:directed a performance at the
1068:Contemporary Chamber Ensemble
749:. Each poem consists of three
494:, with his past haunting him.
344:International Composers' Guild
13:
1:
2642:Das Buch der hängenden Gärten
2279:Pierrot Lunaire Ensemble Wien
1925:
1470:became the core ensemble for
1456:Legacy as a standard ensemble
988:, clarinet and bass clarinet
791:Gen Himmel wendet er verzĂĽckt
778:GelĂĽste schauerlich und sĂĽss,
496:
262:as translated into German by
236:"), commonly known simply as
2853:Compositions with a narrator
2046:, second edition, edited by
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706:uses a variety of classical
454:
358:The ensemble that premiered
7:
2187:78, no. 4 (Winter): 669–99.
2150:: Vol. 1: No. 2, Article 3.
2138:Gingerich, Katrina (2012).
1981:Schoenberg: Pierrot lunaire
1761:– via The New Yorker.
1227:New York New Music Ensemble
808:And a spring tide overflows
10:
2884:
2527:Sechs kleine KlavierstĂĽcke
2159:38, no. 1 (Winter): 45–76.
2088:Schoenberg, Arnold. 1994.
2031:Hazlewood, Charles. 2006.
1713:. Society for Music Theory
1459:
1432:and Weill Recital Hall at
1303:Ensemble InterContemporain
1123:Ensemble InterContemporain
1038:Columbia Chamber Ensemble
813:Lusts, thrilling and sweet
710:and techniques, including
498:
349:
29:
2798:
2726:
2681:
2612:
2564:
2507:
2474:
2445:
2416:Five Pieces for Orchestra
2392:
2341:
2332:
2226:
2217:
2212:
2156:Perspectives of New Music
2067:60, no. 237 (July): 2–22.
1601:The Kindness of Strangers
616:
557:
499:
209:Karl Essberger (clarinet)
201:
193:
185:
174:16 October 1912
170:
165:
151:
143:
135:
127:
117:
101:
91:
81:
71:
59:
48:
41:
2422:Variations for Orchestra
2272:, study guide featuring
2037:. BBC Radio 3 (June 24).
2012:(2nd ed.). London:
1965:Byron, Avior. 2006–07. "
1500:
767:
627:
280:by a small instrumental
207:Hans W. de Vries (flute)
2719:(Relatives by marriage)
2262:Arnold Schönberg center
2192:College Music Symposium
1962:. accessed May 1, 2008.
1483:Da Capo Chamber Players
1278:Cremona Musica Insieme
568:
211:Jakob Malinjak (violin)
205:Albertine Zehme (voice)
2766:Second Viennese School
2660:
2650:
2640:
2630:
2620:
2602:A Survivor from Warsaw
2582:
2572:
2551:
2535:
2525:
2515:
2488:
2436:Chamber Symphony No. 2
2410:Chamber Symphony No. 1
2400:
2379:
2369:
2359:
2349:
2274:a complete performance
2092:. Dover Publications.
1743:"About Pierre lunaire"
922:
534:(A Pallid Washerwoman)
512:(Drunk with Moonlight)
448:
362:
260:cycle of the same name
242:, Op. 21 ("Moonstruck
139:About 35 to 40 minutes
2790:Twelve-tone technique
2671:Four Orchestral Songs
2402:Pelleas und Melisande
2184:The Musical Quarterly
1606:New York Review Books
974:Erika Stiedry-Wagner
877:
775:Den stillen Horizont.
670:(O Ancient Fragrance)
532:Eine blasse Wäscherin
443:
357:
296:twelve-tone technique
189:Berlin Choralion-Saal
2756:Developing variation
2484:(Opp. 7, 10, 30, 37)
2381:Von heute auf morgen
2335:List of compositions
2260:of the score at the
2162:Lessem, Alan. 1979.
2054:. London: Macmillan.
2014:Macmillan Publishers
1896:, September 1, 2007.
1883:, November 23, 2006.
1829:Goings On About Town
1692:Schoenberg 1994, 54.
1670:Schoenberg 1994, 56.
1643:Quoted in Hazlewood.
1598:(January 22, 2019).
1247:Phyllis Bryn-Julson
1223:Phyllis Bryn-Julson
1150:Schoenberg Ensemble
698:Though written in a
478:; in the second, of
371:Otto Erich Hartleben
264:Otto Erich Hartleben
30:For other uses, see
2818:!Authority control
2761:Expressionist music
2361:Die glĂĽckliche Hand
2291:, LiederNet Archive
1711:Music Theory Online
1493:contemporary group
1472:The Fires of London
1380:, who sang it with
1313:Deutsche Grammophon
1261:RCA Victor Red Seal
810:The silent horizon.
582:(Prayer to Pierrot)
2553:Zwei KlavierstĂĽcke
2537:FĂĽnf KlavierstĂĽcke
2517:Drei KlavierstĂĽcke
1881:The New York Times
1778:The New York Times
1585:Quoted in Winiarz.
966:Year of recording
944:Notable recordings
917:Arnold Schoenberg
396:in A (doubling on
363:
2838:1912 compositions
2826:
2825:
2812:
2811:
2326:Arnold Schoenberg
2242:
2241:
2148:Musical Offerings
2083:978-0-226-72643-4
2075:Arnold Schoenberg
2034:Discovering Music
2023:978-1-56159-239-5
1953:978-0-8108-6225-8
1945:978-0-8108-6205-0
1935:Pierrot lunaire:
1825:"Classical Music"
1753:on March 31, 2016
1350:
1349:
1298:Christine Schäfer
1154:Reinbert de Leeuw
1034:Bethany Beardslee
992:Arnold Schoenberg
982:Edward Steuermann
932:of notes. Though
836:
835:
676:
675:
439:Eduard Steuermann
400:and clarinet in B
375:Eduard Steuermann
252:Arnold Schoenberg
225:
224:
219:Eduard Steuermann
197:Arnold Schoenberg
54:Arnold Schoenberg
16:(Redirected from
2875:
2815:
2814:
2804:
2803:
2772:Schönberg Family
2665:
2655:
2645:
2635:
2625:
2587:
2584:Die Jakobsleiter
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2520:
2493:
2405:
2384:
2374:
2364:
2354:
2319:
2312:
2305:
2296:
2295:
2251:: Scores at the
2231:
2230:
2222:
2210:
2209:
2143:
2027:
1977:Dunsby, Jonathan
1919:
1918:
1913:. Archived from
1903:
1897:
1890:
1884:
1877:
1871:
1865:
1859:
1847:
1841:
1840:
1838:
1836:
1821:
1815:
1814:
1812:
1810:
1804:Oregon ArtsWatch
1795:
1789:
1788:
1786:
1784:
1769:
1763:
1762:
1760:
1758:
1749:. Archived from
1738:
1732:
1729:
1723:
1722:
1720:
1718:
1702:
1693:
1690:
1684:
1677:
1671:
1668:
1662:
1661:Dunsby 1992, 24.
1659:
1653:
1652:Dunsby 1992, 23.
1650:
1644:
1641:
1635:
1634:
1632:
1630:
1592:
1586:
1583:
1577:
1576:Dunsby 1992, 22.
1574:
1568:
1567:
1529:
1523:
1520:
1514:
1511:
1487:eighth blackbird
1462:Pierrot ensemble
1430:Alice Tully Hall
1401:Verbier Festival
1355:Columbia Records
1281:Pietro Antonini
1184:Caprice records
1175:Sonanza Ensemble
997:Columbia Records
951:
950:
920:
757:
756:
580:Gebet an Pierrot
497:
405:
404:
327:Pierrot ensemble
235:
181:
179:
156:Pierrot ensemble
64:
39:
38:
21:
2883:
2882:
2878:
2877:
2876:
2874:
2873:
2872:
2828:
2827:
2813:
2808:
2794:
2722:
2702:(Grandchildren)
2677:
2662:Pierrot lunaire
2608:
2560:
2545:Suite for Piano
2503:
2490:Verklärte Nacht
2482:String quartets
2470:
2453:Violin Concerto
2441:
2388:
2337:
2328:
2323:
2287:Pierrot lunaire
2269:Pierrot lunaire
2247:Pierrot lunaire
2228:
2213:External videos
2208:
2179:Pierrot lunaire
2141:
2129:Pierrot lunaire
2113:
2111:Further reading
2102:Winiarz, John.
2059:Pierrot lunaire
2024:
1928:
1923:
1922:
1911:www.uusinta.com
1905:
1904:
1900:
1891:
1887:
1878:
1874:
1866:
1862:
1851:Pierrot lunaire
1848:
1844:
1834:
1832:
1823:
1822:
1818:
1808:
1806:
1796:
1792:
1782:
1780:
1770:
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1716:
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1696:
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1647:
1642:
1638:
1628:
1626:
1616:
1593:
1589:
1584:
1580:
1575:
1571:
1530:
1526:
1522:Dunsby 1992, 2.
1521:
1517:
1513:Neighbour 2001.
1512:
1508:
1503:
1495:Uusinta Lunaire
1476:Pierrot lunaire
1468:Pierrot lunaire
1464:
1458:
1450:Pierrot lunaire
1439:In March 2011,
1422:Pierrot lunaire
1397:Pierrot lunaire
1370:Pierrot lunaire
1251:Ensemble Modern
1072:Arthur Weisberg
1010:Helga Pilarczyk
963:Record company
946:
921:
916:
906:
851:expressionistic
847:
832:
829:
827:
825:
823:
821:
820:
818:
816:
814:
812:
811:
809:
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797:
794:
792:
790:
788:
786:
785:
783:
781:
779:
777:
776:
774:
772:
770:
704:Pierrot lunaire
696:
649:(The Moon Spot)
553:(The Sick Moon)
551:Der kranke Mond
460:Pierrot lunaire
457:
402:
401:
360:Pierrot lunaire
352:
302:Pierrot lunaire
239:Pierrot lunaire
233:
217:
212:
210:
208:
206:
177:
175:
111:Pierrot lunaire
67:
43:Pierrot lunaire
35:
28:
23:
22:
18:Pierrot Lunaire
15:
12:
11:
5:
2881:
2871:
2870:
2865:
2860:
2855:
2850:
2845:
2840:
2824:
2823:
2820:
2819:
2810:
2809:
2799:
2796:
2795:
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2792:
2787:
2782:
2775:
2768:
2763:
2758:
2753:
2748:
2743:
2738:
2730:
2728:
2724:
2723:
2721:
2720:
2714:
2712:Rudolf Kolisch
2709:
2703:
2697:
2692:
2685:
2683:
2679:
2678:
2676:
2675:
2667:
2657:
2647:
2637:
2627:
2616:
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2610:
2609:
2607:
2606:
2598:
2589:
2579:
2568:
2566:
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2559:
2558:
2548:
2542:
2532:
2522:
2511:
2509:
2505:
2504:
2502:
2501:
2495:
2485:
2478:
2476:
2472:
2471:
2469:
2468:
2462:
2459:Piano Concerto
2456:
2449:
2447:
2443:
2442:
2440:
2439:
2433:
2425:
2419:
2413:
2407:
2396:
2394:
2390:
2389:
2387:
2386:
2376:
2371:Moses und Aron
2366:
2356:
2345:
2343:
2339:
2338:
2333:
2330:
2329:
2322:
2321:
2314:
2307:
2299:
2293:
2292:
2282:
2276:
2264:
2255:
2240:
2239:
2237:Morgan Library
2224:
2223:
2215:
2214:
2207:
2206:External links
2204:
2203:
2202:
2195:
2188:
2175:
2160:
2151:
2136:
2125:
2112:
2109:
2108:
2107:
2100:
2086:
2071:Rosen, Charles
2068:
2055:
2038:
2029:
2022:
2000:Sadie, Stanley
1992:
1974:
1963:
1958:Byron, Avior.
1956:
1927:
1924:
1921:
1920:
1917:on 2004-10-16.
1898:
1885:
1872:
1860:
1842:
1816:
1790:
1764:
1733:
1724:
1694:
1685:
1672:
1663:
1654:
1645:
1636:
1614:
1608:. p. 58.
1596:Viertel, Salka
1587:
1578:
1569:
1548:10.2307/831066
1542:(2): 266–286.
1524:
1515:
1505:
1504:
1502:
1499:
1460:Main article:
1457:
1454:
1445:Hebbel am Ufer
1382:Norrbotten NEO
1378:Sofia Jernberg
1348:
1347:
1344:
1341:
1336:
1331:
1328:
1322:
1321:
1318:
1315:
1310:
1305:
1300:
1294:
1293:
1290:
1287:
1282:
1279:
1276:
1270:
1269:
1266:
1263:
1258:
1253:
1248:
1244:
1243:
1240:
1237:
1236:GM Recordings
1234:
1229:
1224:
1220:
1219:
1216:
1213:
1208:
1203:
1198:
1192:
1191:
1188:
1185:
1182:
1177:
1172:
1171:Maria Höglind
1168:
1167:
1164:
1161:
1156:
1151:
1148:
1146:Barbara Sukowa
1142:
1141:
1138:
1135:
1130:
1125:
1120:
1114:
1113:
1110:
1107:
1102:
1097:
1092:
1086:
1085:
1082:
1079:
1074:
1069:
1066:
1060:
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1056:
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1036:
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1029:
1026:
1023:
1020:
1015:
1012:
1006:
1005:
1002:
999:
994:
989:
978:Rudolf Kolisch
975:
971:
970:
967:
964:
961:
958:
955:
945:
942:
924:In the score,
914:
905:
904:
893:
889:
846:
837:
834:
833:
802:
800:
798:
764:
763:
695:
694:Music and text
692:
674:
673:
672:
671:
665:
664:(Journey Home)
655:
650:
644:
638:
632:
631:(Homesickness)
626:
623:
622:
615:
614:
613:
607:
601:
600:(Gallows Song)
595:
589:
583:
577:
567:
564:
563:
556:
555:
554:
548:
543:
535:
529:
523:
513:
506:
505:
456:
453:
384:consisting of
351:
348:
223:
222:
203:
199:
198:
195:
191:
190:
187:
183:
182:
172:
168:
167:
163:
162:
153:
149:
148:
145:
141:
140:
137:
133:
132:
129:
125:
124:
119:
115:
114:
103:
99:
98:
96:Free atonality
93:
89:
88:
85:
79:
78:
73:
69:
68:
65:
57:
56:
46:
45:
26:
9:
6:
4:
3:
2:
2880:
2869:
2866:
2864:
2861:
2859:
2856:
2854:
2851:
2849:
2846:
2844:
2841:
2839:
2836:
2835:
2833:
2822:
2821:
2817:
2816:
2807:
2797:
2791:
2788:
2786:
2783:
2781:
2780:
2776:
2774:
2773:
2769:
2767:
2764:
2762:
2759:
2757:
2754:
2752:
2749:
2747:
2744:
2742:
2739:
2737:
2736:
2732:
2731:
2729:
2725:
2718:
2715:
2713:
2710:
2708:(Grandnephew)
2707:
2706:Claude-Michel
2704:
2701:
2698:
2696:
2693:
2691:(Second wife)
2690:
2687:
2686:
2684:
2680:
2673:
2672:
2668:
2664:
2663:
2658:
2654:
2653:
2648:
2644:
2643:
2638:
2634:
2633:
2628:
2624:
2623:
2618:
2617:
2615:
2611:
2604:
2603:
2599:
2596:
2595:
2594:Genesis Suite
2590:
2586:
2585:
2580:
2576:
2575:
2570:
2569:
2567:
2563:
2555:
2554:
2549:
2546:
2543:
2539:
2538:
2533:
2529:
2528:
2523:
2519:
2518:
2513:
2512:
2510:
2506:
2499:
2496:
2492:
2491:
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2483:
2480:
2479:
2477:
2473:
2466:
2463:
2460:
2457:
2454:
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2450:
2448:
2444:
2437:
2434:
2431:
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2426:
2423:
2420:
2417:
2414:
2411:
2408:
2404:
2403:
2398:
2397:
2395:
2391:
2383:
2382:
2377:
2373:
2372:
2367:
2363:
2362:
2357:
2353:
2352:
2347:
2346:
2344:
2340:
2336:
2331:
2327:
2320:
2315:
2313:
2308:
2306:
2301:
2300:
2297:
2290:
2288:
2283:
2280:
2277:
2275:
2271:
2270:
2265:
2263:
2259:
2256:
2254:
2250:
2248:
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2238:
2234:
2225:
2221:
2216:
2211:
2200:
2196:
2193:
2189:
2186:
2185:
2180:
2176:
2173:
2169:
2165:
2161:
2158:
2157:
2152:
2149:
2145:
2137:
2134:
2130:
2126:
2123:
2119:
2115:
2114:
2105:
2101:
2099:
2098:0-486-27885-9
2095:
2091:
2087:
2084:
2080:
2076:
2072:
2069:
2066:
2065:
2060:
2056:
2053:
2049:
2048:Stanley Sadie
2045:
2044:
2039:
2036:
2035:
2030:
2025:
2019:
2015:
2011:
2010:
2005:
2004:Tyrrell, John
2001:
1997:
1996:Goodwin, Noël
1993:
1990:
1986:
1982:
1978:
1975:
1972:
1968:
1964:
1961:
1957:
1954:
1950:
1946:
1942:
1938:
1934:
1930:
1929:
1916:
1912:
1908:
1902:
1895:
1889:
1882:
1876:
1869:
1864:
1857:
1853:
1852:
1846:
1830:
1826:
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1794:
1779:
1775:
1768:
1752:
1748:
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1712:
1708:
1701:
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1689:
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1676:
1667:
1658:
1649:
1640:
1625:
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1597:
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1582:
1573:
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1528:
1519:
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1498:
1496:
1492:
1488:
1484:
1479:
1477:
1473:
1469:
1463:
1453:
1451:
1446:
1442:
1441:Bruce LaBruce
1437:
1435:
1434:Carnegie Hall
1431:
1427:
1423:
1418:
1416:
1412:
1411:
1406:
1402:
1398:
1394:
1390:
1385:
1383:
1379:
1375:
1371:
1367:
1363:
1358:
1356:
1340:
1335:
1327:
1323:
1314:
1309:
1308:Pierre Boulez
1304:
1299:
1295:
1286:
1275:
1271:
1262:
1257:
1252:
1245:
1233:
1228:
1221:
1212:
1207:
1202:
1201:Nash Ensemble
1197:
1193:
1181:
1176:
1169:
1160:
1155:
1147:
1143:
1134:
1129:
1128:Pierre Boulez
1124:
1119:
1118:Yvonne Minton
1115:
1106:
1101:
1100:Elgar Howarth
1096:
1095:Nash Ensemble
1091:
1087:
1078:
1073:
1065:
1064:Jan DeGaetani
1061:
1052:
1048:
1043:
1035:
1031:
1019:
1018:Pierre Boulez
1011:
1007:
998:
993:
987:
983:
979:
972:
952:
949:
941:
939:
935:
931:
927:
919:
913:
909:
902:
898:
894:
891:
890:
888:
886:
885:speech melody
882:
876:
874:
870:
866:
862:
861:
856:
852:
845:
841:
831:
801:
799:
796:
766:
765:
762:
758:
755:
752:
748:
744:
739:
737:
731:
729:
725:
721:
717:
713:
709:
705:
701:
700:freely atonal
691:
689:
685:
681:
669:
666:
663:
661:
656:
654:
651:
648:
647:Der Mondfleck
645:
642:
639:
636:
633:
630:
625:
624:
621:
618:
617:
612:(The Crosses)
611:
608:
605:
602:
599:
596:
593:
590:
587:
584:
581:
578:
575:
573:
566:
565:
562:
559:
558:
552:
549:
547:
544:
542:
540:
536:
533:
530:
527:
524:
521:
517:
514:
511:
510:Mondestrunken
508:
507:
504:
501:
500:
495:
493:
489:
485:
481:
477:
473:
469:
465:
461:
452:
447:
442:
440:
436:
435:Salka Viertel
432:
428:
423:
421:
417:
413:
410:(doubling on
409:
399:
398:bass clarinet
395:
391:
388:(doubling on
387:
383:
378:
376:
372:
368:
367:Albert Giraud
361:
356:
347:
345:
341:
337:
331:
329:
328:
323:
319:
315:
311:
307:
303:
299:
297:
293:
289:
288:
283:
279:
275:
274:
269:
265:
261:
257:
256:Albert Giraud
253:
249:
245:
241:
240:
231:
230:
220:
215:
204:
200:
196:
192:
188:
184:
173:
169:
164:
161:
157:
154:
150:
146:
142:
138:
134:
130:
126:
123:
120:
116:
113:
112:
107:
106:Albert Giraud
104:
100:
97:
94:
90:
86:
84:
80:
77:
74:
70:
63:
58:
55:
51:
47:
44:
40:
37:
33:
19:
2779:Sprechstimme
2777:
2770:
2733:
2669:
2661:
2652:Herzgewächse
2622:Zwei Gesänge
2600:
2592:
2574:Gurre-Lieder
2508:Instrumental
2498:Wind Quintet
2427:
2286:
2268:
2246:
2198:
2191:
2182:
2178:
2163:
2154:
2147:
2132:
2128:
2121:
2118:Modern Psalm
2117:
2089:
2074:
2062:
2061:Revisited".
2058:
2052:John Tyrrell
2041:
2032:
2007:
1980:
1970:
1936:
1932:
1915:the original
1910:
1901:
1894:BBC Magazine
1893:
1888:
1880:
1875:
1868:Goodwin 2001
1863:
1850:
1845:
1833:. Retrieved
1828:
1819:
1807:. Retrieved
1803:
1793:
1781:. Retrieved
1777:
1767:
1755:. Retrieved
1751:the original
1746:
1736:
1727:
1715:. Retrieved
1710:
1688:
1681:Sprechgesang
1680:
1675:
1666:
1657:
1648:
1639:
1627:. Retrieved
1604:. New York:
1600:
1590:
1581:
1572:
1539:
1533:
1527:
1518:
1509:
1480:
1475:
1467:
1465:
1449:
1438:
1421:
1419:
1408:
1399:at the 1996
1396:
1386:
1374:Grammy Award
1369:
1359:
1351:
1334:Robert Craft
1256:Peter Eötvös
1232:Robert Black
1206:Simon Rattle
1196:Jane Manning
1159:Koch Schwann
1105:RCA Red Seal
1042:Robert Craft
986:Kalman Bloch
947:
937:
934:Sprechstimme
933:
926:Sprechstimme
925:
923:
918:
910:
907:
900:
896:
884:
880:
878:
860:Sprechstimme
858:
849:The atonal,
848:
844:Sprechgesang
843:
840:Sprechstimme
839:
803:
768:
760:
740:
732:
728:counterpoint
703:
697:
677:
668:O Alter Duft
667:
657:
652:
646:
640:
634:
628:
619:
609:
603:
597:
591:
585:
579:
569:
560:
550:
545:
537:
531:
525:
515:
509:
502:
459:
458:
449:
444:
431:Anton Webern
424:
379:
364:
359:
336:Klaw Theatre
332:
325:
301:
300:
287:Gurre-Lieder
285:
273:Sprechstimme
272:
238:
237:
228:
227:
226:
214:Hans Kindler
109:
75:
42:
36:
2695:Eric Randol
2632:Vier Lieder
2591:Prelude to
2578:(1900–1911)
2446:Concertante
1405:Kent Nagano
1180:Jan Risberg
901:spoken tone
726:, and free
724:passacaglia
658:Heimfahrt (
637:(Foul Play)
606:(Beheading)
604:Enthauptung
572:Passacaglia
528:(The Dandy)
278:accompanied
2832:Categories
2717:Luigi Nono
2393:Orchestral
2258:Manuscript
2172:0835709949
2124:26:123–58.
2120:Op. 50c".
1989:0521387159
1926:References
1757:30 January
1717:August 16,
1624:1033794884
1615:1681372754
1366:Cleo Laine
1326:Anja Silja
1090:Cleo Laine
960:Conductor
680:numerology
635:Gemeinheit
620:Part Three
610:Die Kreuze
598:Galgenlied
594:(Red Mass)
592:Rote Messe
202:Performers
178:1912-10-16
72:Full title
2751:Atonality
2588:(1917–22)
2375:(1930–32)
2351:Erwartung
2194:41:57–90.
1835:August 2,
1809:August 2,
1783:August 2,
1556:0003-0139
1389:avant-pop
1368:recorded
1285:Nuova Era
1274:Karin Ott
957:Ensemble
897:sung tone
688:conductor
660:Barcarole
541:de Chopin
526:Der Dandy
520:Columbine
516:Colombine
488:blasphemy
466:sings of
455:Structure
427:Columbine
248:melodrama
194:Conductor
144:Movements
50:Melodrama
2806:Category
2785:Students
2674:, Op. 22
2666:, Op. 21
2656:, Op. 20
2646:, Op. 15
2605:, Op. 46
2597:, Op. 44
2557:, Op. 33
2547:, Op. 25
2541:, Op. 23
2531:, Op. 19
2521:, Op. 11
2500:, Op. 26
2461:, Op. 42
2455:, Op. 36
2438:, Op. 38
2432:, Op. 34
2424:, Op. 31
2418:, Op. 16
2385:, Op. 32
2365:, Op. 18
2355:, Op. 17
2249:, Op. 21
2135:6:34–65.
2133:Intégral
2122:Intégral
2073:. 1996.
2006:(eds.).
1979:. 1992.
1955:(ebook).
1747:Bjorkish
1489:and the
1415:bootlegs
1133:Columbia
1077:Nonesuch
1047:Columbia
938:gesungen
915:—
736:textures
653:Serenade
643:(Parody)
561:Part Two
503:Part One
480:violence
476:religion
403:♭
394:clarinet
382:ensemble
340:Broadway
310:clarinet
282:ensemble
186:Location
166:Premiere
136:Duration
128:Composed
118:Language
2727:Related
2700:Marlena
2689:Gertrud
2636:, Op. 2
2626:, Op. 1
2494:, Op. 4
2475:Chamber
2412:, Op. 9
2406:, Op. 5
1947:(pbk);
1854:at the
1491:Finnish
1364:singer
1211:Chandos
1140:LP, CD
1084:LP, CD
1028:LP, CD
969:Format
869:pitches
865:rhythms
855:cabaret
751:stanzas
747:refrain
743:rondeau
702:style,
641:Parodie
629:Heimweh
588:(Theft)
576:(Night)
570:Nacht (
546:Madonna
492:Bergamo
464:Pierrot
390:piccolo
350:History
268:soprano
244:Pierrot
221:(piano)
216:(cello)
176: (
160:reciter
152:Scoring
2682:Family
2565:Choral
2467:(1933)
2170:
2096:
2081:
2020:
1987:
1951:
1943:
1933:Inside
1629:1 July
1622:
1612:
1564:831066
1562:
1554:
954:Voice
899:and a
873:speech
684:motifs
486:, and
418:, and
408:violin
320:, and
314:violin
292:atonal
276:style
122:German
2746:6-Z44
2613:Vocal
2342:Opera
2064:Tempo
1560:JSTOR
1501:Notes
1403:with
1393:Björk
1391:star
1343:1999
1339:Naxos
1317:1997
1289:1994
1265:1993
1239:1992
1215:1991
1187:1990
1163:1988
1137:1977
1109:1974
1081:1970
1055:1963
1025:1961
1022:Ades
1001:1940
930:stems
720:rondo
716:fugue
712:canon
708:forms
539:Valse
484:crime
420:piano
416:cello
412:viola
386:flute
338:, on
322:piano
318:cello
306:flute
158:plus
92:Style
2741:6-20
2168:ISBN
2094:ISBN
2079:ISBN
2050:and
2018:ISBN
1985:ISBN
1949:ISBN
1941:ISBN
1837:2018
1811:2018
1785:2018
1759:2019
1719:2011
1631:2022
1620:OCLC
1610:ISBN
1552:ISSN
1387:The
1362:jazz
1360:The
867:and
586:Raub
474:and
468:love
171:Date
131:1912
102:Text
83:Opus
2131:".
1969:".
1544:doi
1410:sic
1384:.
1346:CD
1320:CD
1292:CD
1268:CD
1242:CD
1218:CD
1190:CD
1166:CD
1112:LP
1058:LP
1051:CBS
1004:LP
940:).
881:not
472:sex
414:),
406:),
392:),
258:'s
250:by
108:'s
52:by
2834::
2166:.
2146:,
2016:.
2002:;
1909:.
1827:.
1802:.
1776:.
1745:.
1709:.
1697:^
1618:.
1558:.
1550:.
1540:36
1538:.
1485:,
1452:.
1436:.
1049:/
842:/
730:.
722:,
718:,
714:,
482:,
470:,
441:,
422:.
346:.
330:.
316:,
312:,
308:,
147:21
87:21
2318:e
2311:t
2304:v
2289:"
2285:"
2174:.
2144:"
2142:'
2085:.
2028:‎
2026:.
1991:.
1870:.
1858:.
1839:.
1813:.
1787:.
1721:.
1633:.
1566:.
1546::
662:)
574:)
522:)
518:(
234:'
180:)
34:.
20:)
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