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355:, backed by the orchestra, leads to a third, expansive, walking theme performed again by the solo pianist; Layton notes that this "looks forward to its counterpart in the Third Piano Concerto: there is no mistaking its slightly flippant character". The recapitulation section is in effect carried entirely by the soloist's notoriously taxing five-minute cadenza, one of the longer and more difficult cadenze in the classical piano repertoire, taking the listener all the way to the movement's climax. Noted in two staves, the piano plays a reprise of its own opening theme. A third staff, which requires the pianist to perform large jumps with both hands frequently, contains the motif from the earlier orchestral accompaniment.
486:(bass drum) march along with moody determination. Trombones sharply pronounce a D, followed by tuba and oboe in a sudden diminuendo. For several bars, the orchestra issues ever waning threats, at the same time making inexorably for the tonic, at which point the piano enters and the music immediately gains force. The march of the introduction continues as the piano modulates into new harmonic territory. There is one moment of respite from this "sarcastically grotesque procession" with the single appearance of "an introverted theme of numbed lyricism". After a restatement of the earlier material, the music ventures into a new lyrical theme in D minor, marked
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chords which, Jaffé suggests, are "reminiscent of the bell-like chords which open the final piece in
Schoenberg's Six Little Piano Pieces, Op. 19" which were composed in homage to Mahler shortly after his death. (Jaffé points out that Prokofiev had introduced Schoenberg's music to Russia by playing the Op. 11 pieces, and suggests that Prokofiev may have known and been inspired by Schoenberg's Op. 19 to use a similar bell motif to commemorate Schmidthof.)
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572:'pursuit' theme", so initiating "not so much a cadenza... but a post-cadential meditation on the 'bell' chords". The orchestra joins in after some time, reintroducing the piano's "lullaby" theme, while the soloist's part still flows across the octaves. The key regularly changes from A minor to C minor and back again, the music becomes ever broader and harder to play. Rhythm and tune then fall into an abrupt
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183:, Prokofiev reconstructed and considerably revised the concerto in 1923; in the process, he made the concerto, in his own words, "less foursquare" and "slightly more complex in its contrapuntal fabric." The finished result, Prokofiev felt, was "so completely rewritten that it might almost be considered No. 4." (
176:. Most of the audience reacted intensely. The concerto's wild temperament left a positive impression on some of the listeners, whereas others were opposed to the jarring and modernistic sound ("To hell with this futurist music!" "What is he doing, making fun of us?" "The cats on the roof make better music!").
500:, before being joined by the orchestra. The tension builds and the music ascends until it reaches a climax, when the opening theme returns with baleful trombones and crashing chords at the top of the piano. The woodwinds bring the intensity back down and the movement ends quietly with a final stroke of wit.
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in the time of a semiquaver. But by then the sprint has transformed into a "fearful pursuit with an obsessively repeated triplet motif overshadowed by the baleful roars of tuba and trombones". Only moments later, the orchestra has reached a halt and the piano, unaccompanied, plays soft but dissonant
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semiquaver accompaniment. The music eventually winds down, with "a despondent-sounding version of the lullaby theme on bassoon abruptly cut off by a sharply articulated and very final sounding cadence from the orchestra". But, as Jaffé notes, "The pianist won't let things rest... but hammers out the
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The scherzo is of an exceptionally strict form considering the piano part. The right and left hand play a stubborn unison, almost 1500 semiquavers each, literally without a moment's pause: Robert Layton describes the soloist in this movement being like "some virtuoso footballer who retains the
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The first movement opens quietly with strings and clarinet playing a two-bar staccato theme which, Prokofiev biographer Daniel Jaffé suggests, "sounds almost like a ground bass passacaglia theme, that musical symbol of implacable fate". The piano takes over, constructing over a left hand
547:), the hands flying apart more or less symmetrically, while the strings throw in a frantic accompaniment of regular staccato eighths. The piano puts a momentary end to its own fury with a barely feasible manoeuvre, both hands jumping up three or four octaves simultaneously and
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It remains one of the most technically formidable piano concertos in the standard repertoire. Prokofiev biographer David Nice noted in 2011, "A decade ago I’d have bet you there were only a dozen pianists in the world who could play
Prokofiev’s Second Piano Concerto properly.
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initiative while the opposing team (the orchestra) all charge after him". At around ten notes a second and with hardly any variations in speed, this movement lasts circa two-and-a-half minutes and is an unusual concentration challenge to the pianist. It displays the
453:.) One fleeting motif, to make a major appearance in the final movement, appears (fig. 39 in the score) in the cellos' part – "a chromatically inflected triplet plus quaver, played twice before tailing off". Unlike the other three movements, it is mainly in
370:, which consists of oscillating triplet semiquaver runs across the upper four octaves of the piano, kept in rhythm by a leaping left-hand crotchet accompaniment. Prokofiev himself describes this as one of the hardest places in the concerto.
561:, embark on a new episode. The soloist then plays a wistful theme in D minor similar in character to the first movement's piano opening theme, characterised by Jaffé as a "lullaby" while noting (as does Nestyev) its affinity to
469:), Prokofiev provides a fast-paced, menacing Intermezzo. Layton characterises this movement as "in some ways the most highly characterized of all four movements, with its flashes of sardonic wit and forward-looking harmonies".
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theme which, in the words of Soviet biographer Israel
Nestyev, "suggests a quiet, serious tale in the vein of a romantic legend". This opening theme contains a second idea, a rising scalic theme; as
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in both hands, the piano goes over into a sprint of octave-chords and single notes, jumping manically up and down the keyboard twice a bar. An audible theme is picked out, and during a
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413:. The listener is exposed to the apocalyptic blare of several horns, trombones, trumpets and tuba, which, as Jaffé describes it, "balefully the opening 'fate' theme
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and staccato repetition of the theme, the strings and flutes rush up, bringing the music to the briefest of halts. A moment later the piano goes back to
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Prokofiev premiered the work originally on
September 5, 1913 (August 23 on the calendar used in Russia at that time), performing the solo piano part, at
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has features that clearly postdate the 1921 concerto. Performing as soloist, Prokofiev premiered this "No. 2" in Paris on 8 May 1924 with
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The first and last movements are each around twelve minutes long and constitute some of the most dramatic music in all of
Prokofiev's
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665:(also RCA stereo). Tedd Joselson, then 19 years old, launched his recording career with this work in a 1973 partnership with the
496:. The piano and flutes gracefully glide up and down the upper octaves. Then, the piano repeats the theme by itself, humorous and
432:, ever fading. Pizzicato strings point several more times to the opening theme, the significance of which has now been revealed.
3132:"Prokofiev Piano Concerto No 2; Ravel Piano Concerto Power and brilliance, and enchantment too, from a marvellous young pianist"
271:
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and the sprint sets off anew. It is repeated three more times in total before the piano performs a stormy gallop of triads (
3268:"Rachmaninov: Piano Concerto No. 3; Prokofiev: Piano Concerto No. 2 – Yuja Wang, Gustavo Dudamel – Songs, Reviews, Credits"
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3375:, recorded by Oleg Marshev with South Jutland Symphony Orchestra, conducted by Niklas Willén: Danacord DACOCD 584–585.
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in D minor, an accent on every note, the orchestra announces its return, strings and timpani swelling furiously from
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observes, when it is later taken up by unison strings as "a broad singing melody, one feels that the example of
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3406:, recorded by Nikolai Demidenko with London Philharmonic, conducted by Alexander Lazarev: Hyperion CDA 66858.
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and Don Gabor supervised. Bolet's performance set a standard by which several later recordings were judged:
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delayed learning it, and even
Prokofiev as virtuoso had got into a terrible mess trying to perform it with
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584:, the orchestra still proclaiming the originally wistful piano-theme. This is the only place outside the
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43:, and declared it to be "so completely rewritten that it might almost be considered No. 4." Indeed, its
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had premiered in 1921). He premiered this revised version of the concerto in Paris on May 8, 1924, with
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line of the five "lines" (characters) Prokofiev describes in his own music. (Other such pieces include
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The
Penguin Guide to Recorded Classical Music 2010: The Key Classical Recordings on CD, DVD and SACD
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conducting. It is dedicated to the memory of
Maximilian Schmidthof, a friend of Prokofiev's at the
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2720:; this received more acclaim when reissued in 2009. The recording by Yundi Li with Ozawa and the
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531:). After six bars it settles down in the vicinity of middle C. Running up to an acid semitonal
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Instead of a lyrical slow movement which might have been expected after a scherzo (cf Brahms's
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with the first movement's cadenza alone taking up almost the entire last half of the movement.
55:, who had committed suicide in April 1913 after having written a farewell letter to Prokofiev.
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The first recording of the concerto was made in
November 1953 and released the next year on
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The movement starts with a heavy-footed walking bass theme – directed to be played heavily (
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565:. The bassoons take up the wandering piano-theme, while the piano itself goes over into a
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2973:. Oleg Prokofiev, Christopher Palmer. Boston: Northeastern University Press. p. 61.
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2716:, a website by Sugi Sorensen, recommended the recording by Gutiérrez with Järvi and the
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3108:"Yundi Li Prokofiev / Ravel Piano Concertos /Piano Concerto No. 2 in G minor CD Review"
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3244:"Classical Net Review – Prokofieff/Rachmaninoff – Piano Concerto #2/Piano Concerto #3"
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The accumulated charge is eventually released in a premature climax (G minor), marked
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where the piano exceeds the older range of seven octaves, jumping two octaves up to B
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and the BBC Symphony
Orchestra in the 1930s, when it had gone out of his fingers."
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3182:"Sergei Prokofiev Piano Concerto No.2 in G minor, op.16 Media Review / Comparison"
1956:
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119:. It consists of four movements lasting some twenty-nine to thirty-seven minutes.
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recommended and regarded it as year‘s most notable, while it is listed in
39:. Prokofiev reconstructed the work in 1923, two years after finishing his
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A long diminuendo of gliding piano rushes brings the volume to a minimum
482:. The music has returned to G minor. Strings, bassoon, tuba, timpani and
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When the original orchestral score was destroyed in a fire following the
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16, in 1912 and completed it the next year. However, that version of the
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2878:"Review: Anna Vinnitskaya recording of Prokofiev Piano Concerto No. 2."
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and reach supreme discord as C sharp minor collides with D minor.
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2740:-winning recording by Kissin, with Ashkenazy now conducting the
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The piano stands aside for eight bars while the strings, still
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3157:"Yundi Li – Prokofiev & Ravel Piano Concertos/Seiji Ozawa"
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but with a repeating pattern seven quavers long (accented as
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68:
3980:
Cantata for the 20th Anniversary of the October Revolution
378:
Audio playback is not supported in your browser. You can
35:
is lost; the score was destroyed in a fire following the
2744:, has received praise, as has that by Wang and Dudamel.
657:(with a bad cut in the first movement; RCA stereo); and
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A decrescendo brings the music back to an almost spooky
613:) from the orchestra starts off the ferocious reprise.
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in the concerto's piano part). Then a ferocious blast (
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4374:
3383:(1996). "Russia after 1917". In Robert Layton (ed.).
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4242:
Three Pieces & Six Pieces & Ten Pieces from
3200:"Strings and Things: Classical's Best and Brightest"
2915:
580:. Trundling chromaticism has the music roll up to a
388:
The last bars before the absolute climax are marked
4314:
Lina and Serge: The Love and Wars of Lina Prokofiev
3293:"Jeu: Georges Schwizgebel's Game Without Frontiers"
245:. Unsourced material may be challenged and removed.
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3218:
424:in which the piano timidly puts forth the second
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4331:Shostakovich v. Twentieth Century-Fox Film Corp.
508:Five octaves above the intermezzo's end note, a
334:accompaniment of breathing undulation a G minor
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395:As both hands move apart, to embrace the piano
3154:
2756:provides the musical score for Swiss animator
3506:
2860:
2858:
2733:The Penguin Guide to Recorded Classical Music
503:
3422:Prokofiev: From Russia to the West 1891–1935
3370:
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3321:
3179:
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2787:
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2783:
1734:USSR Ministry of Culture Symphony Orchestra
1478:USSR Ministry of Culture Symphony Orchestra
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3401:
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512:tirade pounces out of the sky, written in
3868:Sinfonietta in A major (orig. & rev.)
3450:International Music Score Library Project
2966:
2950:
2948:
2946:
2944:
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428:theme, echoes its last notes, repeats it
305:Learn how and when to remove this message
167:
3446:Piano Concerto No. 2, Op. 16 (Prokofiev)
3402:Matthew-Walker, Robert. Booklet note to
3290:
3284:
3044:
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1660:Polish National Radio Symphony Orchestra
576:, no less threatening than the previous
58:
3410:
3016:"Piano Concerto No 2 in G minor, Op 16"
3001:
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2900:
2898:
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328:
321:. They both contain long and developed
63:The work is scored for piano solo, two
4399:
3840:Symphony-Concerto for Cello in E minor
3379:
3222:; Greenfield, Edward; Layton, Robert.
2970:Soviet diary, 1927, and other writings
2954:
2939:
2845:"San Francisco Symphony Program Notes"
3494:
3351:
3072:
2960:
2817:
254:"Piano Concerto No. 2" Prokofiev
4422:Music dedicated to family or friends
3520:
3424:. New Haven: Yale University Press.
3419:
2889:
2864:
2800:
2421:Deutsches Symphonie-Orchester Berlin
2204:Deutsches Symphonie-Orchester Berlin
939:Апрелевский Завод (Aprelevsky Zavod)
243:adding citations to reliable sources
214:
4407:Piano concertos by Sergei Prokofiev
4136:No. 5 in C major (orig. & rev.)
3315:
2021:Orchestre Symphonique de la Monnaie
348:has not gone altogether unheeded".
13:
3291:Townsend, Emru (August 24, 2006).
3045:Morrison, Bryce (September 2009).
2708:
1770:Frankfurt Radio Symphony Orchestra
435:
14:
4433:
4077:Sonata for Two Violins in C major
3439:
1029:Südwestfunk Orchester Baden-Baden
4384:
4357:
4346:
4345:
3830:Violin Concerto No. 2 in G minor
3825:Violin Concerto No. 1 in D major
2795:The Concerto: A Listener's Guide
2606:Finnish Radio Symphony Orchestra
2346:Simón Bolívar Symphony Orchestra
1953:South Jutland Symphony Orchestra
1138:Leipzig Radio Symphony Orchestra
219:
3371:Jaffé, Daniel. Booklet note to
3330:. National Film Board of Canada
3260:
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3192:
3173:
3148:
3124:
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3038:
3022:. Sugi Sorensen. Archived from
3007:
601:(Prokofiev does not once use a
230:needs additional citations for
3404:Prokofiev Piano Concerto No. 2
3155:Colin Anderson (3 June 2008).
2870:
2837:
2823:
2456:Janáček Philharmonic Orchestra
2275:Orchestre National de Belgique
1438:Orchestre National de Belgique
1:
3465:Online version of Liner Notes
3345:
3322:Schwizgebel, Georges (2006).
3014:Sorensen,Sugi; Choi, Lionel.
2831:"Sergei Prokofiev Foundation"
2807:Naxos.com: online liner notes
2797:, pp. 344–347, Oxford (1998).
2718:Royal Concertgebouw Orchestra
2492:Fort Worth Symphony Orchestra
2166:Bergen Philharmonic Orchestra
1988:Saint Petersburg Philharmonic
1881:London Philharmonic Orchestra
1806:Israel Philharmonic Orchestra
1696:London Philharmonic Orchestra
1360:Moscow Philharmonic Orchestra
1212:Orchestre de Radio Luxembourg
992:USSR State Symphony Orchestra
956:Paris Conservatoire Orchestra
918:USSR Radio Symphony Orchestra
727:Cincinnati Symphony Orchestra
631:Cincinnati Symphony Orchestra
625:: R-199-182. The pianist was
616:
53:Saint Petersburg Conservatory
3845:Cello Concertino in G minor
3676:The Tale of the Stone Flower
2724:in 2007 is widely praised:
1400:Royal Philharmonic Orchestra
844:omits orchestra's exposition
461:Intermezzo: Allegro moderato
375:
7:
4212:Tales of an Old Grandmother
3387:. Oxford University Press.
3373:Prokofiev 5 Piano Concertos
2736:3 Stars. More recently the
210:
10:
4438:
4220:The Love for Three Oranges
4087:Sonata for Solo Cello in C
3567:The Love for Three Oranges
3459:Catalog of Prokofiev works
3415:. Oxford University Press.
3299:. Montreal. Archived from
3180:Rolf Kyburz (8 Sep 2014).
3073:Parry, Tim (August 2009).
2967:Prokofiev, Sergey (1992).
2532:Orchestra of Santa Cecilia
504:Finale: Allegro tempestoso
4340:
4265:
4184:
4108:
4101:
4032:Overture on Hebrew Themes
4024:
3964:
3925:
3860:
3835:Cello Concerto in E minor
3817:
3760:
3753:
3685:
3611:
3537:
3528:
2241:Sydney Symphony Orchestra
2055:Sydney Symphony Orchestra
1916:Sydney Symphony Orchestra
1587:London Symphony Orchestra
1322:London Symphony Orchestra
839:Boston Symphony Orchestra
494:dolce, un poco scherzando
449:and the last movement of
4251:Fantasia on Scheherazade
3588:Betrothal in a Monastery
3411:Nestyev, Israel (1961).
2773:
2644:Lahti Symphony Orchestra
4417:Compositions in G minor
4218:March and Scherzo from
4072:Cello Sonata in C major
4067:Flute Sonata in D major
3602:The Story of a Real Man
3483:, Berlin Philharmonic,
3467:from Recording on Naxos
3385:A Guide to the Concerto
2747:
1622:Concertgebouw Orchestra
676:
380:download the audio file
4082:Sonata for Solo Violin
3352:Jaffé, Daniel (2008).
3112:MusicWeb International
2742:Philharmonia Orchestra
2129:Philharmonia Orchestra
1248:Philadelphia Orchestra
1174:Nürnberger Symphoniker
801:Philharmonia Orchestra
667:Philadelphia Orchestra
592:just one single time.
168:Premiere and reception
4293:Mstislav Rostropovich
4001:Seven, They Are Seven
3987:Flourish, Mighty Land
2309:New York Philharmonic
901:NYPO Special Editions
881:New York Philharmonic
763:New York Philharmonic
467:Second Piano Concerto
59:Movements and scoring
4052:String Quartet No. 2
4047:String Quartet No. 1
3531:List of compositions
3420:Nice, David (2003).
3303:on December 18, 2009
3161:The Classical Source
1286:Gewandhaus Orchestra
329:Andantino—Allegretto
239:improve this article
185:Piano Concerto No. 3
161:: Allegro tempestoso
41:Piano Concerto No. 3
21:Piano Concerto No. 2
4062:Violin Sonata No. 2
4057:Violin Sonata No. 1
3955:The Queen of Spades
3356:. London: Phaidon.
3026:on 30 November 2010
2758:Georges Schwizgebel
2722:Berlin Philharmonic
2699:Deutsche Grammophon
2681:Mariinsky Orchestra
2570:Mariinsky Orchestra
2367:Deutsche Grammophon
2113:Deutsche Grammophon
2092:Berlin Philharmonic
1550:Berlin Philharmonic
1512:Slovak Philharmonic
1460:Deutsche Grammophon
682:
199:wouldn’t touch it,
19:set to work on his
4303:Prokofiev (crater)
4298:Nikolai Myaskovsky
4288:Sviatoslav Richter
4226:Three Pieces from
4192:Toccata in D minor
4037:Quintet in G minor
3994:On Guard for Peace
3902:Peter and the Wolf
3693:No. 1 in D major (
3455:The Prokofiev Page
3205:The New York Times
3080:BBC Music Magazine
3020:The Prokofiev Page
2883:BBC Music Magazine
2727:The New York Times
2714:The Prokofiev Page
1064:Czech Philharmonic
1013:Brilliant Classics
681:
451:Piano Sonata No. 7
447:Toccata in D minor
189:Serge Koussevitzky
181:Russian Revolution
49:Serge Koussevitzky
37:Russian Revolution
4412:1913 compositions
4372:
4371:
4283:George Balanchine
4261:
4260:
4205:Visions fugitives
4176:
4008:Songs of Our Days
3941:Ivan the Terrible
3856:
3855:
3848:
3809:
3363:978-0-7148-4774-0
3297:Frames per Second
3186:Rolf’s Music Blog
3106:Michael Cookson.
2706:
2705:
1307:EMI Pathé Marconi
623:Remington Records
384:
315:
314:
307:
289:
4429:
4389:
4388:
4387:
4380:
4361:
4349:
4348:
4278:Sergei Diaghilev
4266:Related articles
4236:Romeo and Juliet
4234:Ten Pieces from
4174:
4168:No. 9 in C major
4162:
4161:
4151:
4150:
4141:No. 6 in A major
4131:No. 4 in C minor
4126:No. 3 in A minor
4121:No. 2 in D minor
4116:No. 1 in F minor
4106:
4105:
4092:
4091:
3973:Alexander Nevsky
3934:Alexander Nevsky
3888:Russian Overture
3861:Orchestral works
3846:
3807:
3801:No. 5 in G major
3794:
3793:
3784:No. 3 in C major
3779:No. 2 in G minor
3773:
3772:
3758:
3757:
3744:
3743:
3733:
3732:
3722:
3721:
3712:No. 4 in C major
3707:No. 3 in C minor
3702:No. 2 in D minor
3662:Romeo and Juliet
3522:Sergei Prokofiev
3515:
3508:
3501:
3492:
3491:
3473:
3448:: Scores at the
3435:
3416:
3407:
3398:
3376:
3367:
3354:Sergey Prokofiev
3339:
3338:
3336:
3335:
3319:
3313:
3312:
3310:
3308:
3288:
3282:
3281:
3279:
3278:
3264:
3258:
3257:
3255:
3254:
3240:
3234:
3233:
3216:
3210:
3209:
3196:
3190:
3189:
3177:
3171:
3170:
3168:
3167:
3152:
3146:
3145:
3143:
3142:
3128:
3122:
3121:
3119:
3118:
3103:
3097:
3096:
3094:
3092:
3087:on 19 March 2012
3083:. Archived from
3070:
3064:
3063:
3061:
3059:
3042:
3036:
3035:
3033:
3031:
3011:
3005:
2999:
2993:
2992:
2964:
2958:
2952:
2937:
2931:
2925:
2919:
2913:
2911:Jaffé (Danacord)
2908:
2887:
2874:
2868:
2862:
2853:
2852:
2847:. Archived from
2841:
2835:
2834:
2827:
2821:
2815:
2809:
2804:
2798:
2789:
2556:08256 46009 091
2384:BBC Philharmonic
2007:Northern Flowers
784:Music & Arts
683:
680:
673:(again on RCA).
643:Shura Cherkassky
612:
606:
600:
570:
560:
530:
524:
523:
522:
491:
412:
406:
400:
363:
310:
303:
299:
296:
290:
288:
247:
223:
215:
17:Sergei Prokofiev
4437:
4436:
4432:
4431:
4430:
4428:
4427:
4426:
4397:
4396:
4395:
4391:Classical music
4385:
4383:
4375:
4373:
4368:
4336:
4257:
4180:
4159:
4158:
4148:
4147:
4097:
4089:
4088:
4020:
3960:
3948:Lieutenant Kijé
3921:
3909:Pushkin Waltzes
3852:
3813:
3791:
3790:
3770:
3769:
3749:
3741:
3740:
3730:
3729:
3719:
3718:
3681:
3607:
3574:The Fiery Angel
3533:
3524:
3519:
3471:
3442:
3432:
3395:
3364:
3348:
3343:
3342:
3333:
3331:
3320:
3316:
3306:
3304:
3289:
3285:
3276:
3274:
3266:
3265:
3261:
3252:
3250:
3242:
3241:
3237:
3217:
3213:
3198:
3197:
3193:
3178:
3174:
3165:
3163:
3153:
3149:
3140:
3138:
3130:
3129:
3125:
3116:
3114:
3104:
3100:
3090:
3088:
3071:
3067:
3057:
3055:
3043:
3039:
3029:
3027:
3012:
3008:
3000:
2996:
2981:
2965:
2961:
2953:
2940:
2932:
2928:
2920:
2916:
2909:
2890:
2886:, February 2011
2875:
2871:
2863:
2856:
2843:
2842:
2838:
2829:
2828:
2824:
2816:
2812:
2805:
2801:
2790:
2781:
2776:
2752:The concerto's
2750:
2711:
2709:Recommendations
2295:Off The Records
1844:Kirov Orchestra
841:
679:
619:
608:
602:
596:
591:
566:
556:
526:
521:
516:
515:
514:
513:
506:
487:
463:
438:
436:Scherzo: Vivace
408:
402:
396:
386:
385:
383:
359:
331:
319:piano concertos
311:
300:
294:
291:
248:
246:
236:
224:
213:
170:
163:(10–11 minutes)
132:(10–12 minutes)
61:
12:
11:
5:
4435:
4425:
4424:
4419:
4414:
4409:
4394:
4393:
4370:
4369:
4367:
4366:
4354:
4341:
4338:
4337:
4335:
4334:
4327:
4325:Oleg Prokofiev
4322:
4320:Mira Mendelson
4317:
4310:
4308:Lina Prokofiev
4305:
4300:
4295:
4290:
4285:
4280:
4275:
4273:Ballets Russes
4269:
4267:
4263:
4262:
4259:
4258:
4256:
4255:
4247:
4239:
4231:
4223:
4215:
4208:
4201:
4194:
4188:
4186:
4182:
4181:
4179:
4178:
4170:
4165:
4154:
4143:
4138:
4133:
4128:
4123:
4118:
4112:
4110:
4103:
4099:
4098:
4096:
4095:
4084:
4079:
4074:
4069:
4064:
4059:
4054:
4049:
4044:
4042:Divertissement
4039:
4034:
4028:
4026:
4022:
4021:
4019:
4018:
4011:
4004:
3997:
3990:
3983:
3976:
3968:
3966:
3962:
3961:
3959:
3958:
3951:
3944:
3937:
3929:
3927:
3923:
3922:
3920:
3919:
3912:
3905:
3898:
3891:
3884:
3881:Symphonic Song
3877:
3870:
3864:
3862:
3858:
3857:
3854:
3853:
3851:
3850:
3842:
3837:
3832:
3827:
3821:
3819:
3815:
3814:
3812:
3811:
3803:
3798:
3786:
3781:
3776:
3764:
3762:
3755:
3751:
3750:
3748:
3747:
3736:
3725:
3714:
3709:
3704:
3699:
3689:
3687:
3683:
3682:
3680:
3679:
3672:
3665:
3658:
3655:On the Dnieper
3651:
3644:
3641:Le pas d'acier
3637:
3630:
3623:
3615:
3613:
3609:
3608:
3606:
3605:
3598:
3591:
3584:
3577:
3570:
3563:
3556:
3549:
3541:
3539:
3535:
3534:
3529:
3526:
3525:
3518:
3517:
3510:
3503:
3495:
3489:
3488:
3468:
3462:
3452:
3441:
3440:External links
3438:
3437:
3436:
3430:
3417:
3408:
3399:
3393:
3381:Layton, Robert
3377:
3368:
3362:
3347:
3344:
3341:
3340:
3314:
3283:
3259:
3235:
3232:. p. 575.
3211:
3208:. 30 Nov 2007.
3191:
3172:
3147:
3123:
3098:
3065:
3037:
3006:
2994:
2979:
2959:
2938:
2934:Matthew-Walker
2926:
2914:
2888:
2869:
2854:
2851:on 2007-09-27.
2836:
2822:
2810:
2799:
2778:
2777:
2775:
2772:
2762:animated short
2749:
2746:
2710:
2707:
2704:
2703:
2700:
2697:
2694:
2691:
2688:
2685:
2682:
2679:
2674:
2670:
2669:
2668:BIS-2381 SACD
2666:
2663:
2660:
2657:
2654:
2651:
2646:
2641:
2636:
2632:
2631:
2628:
2625:
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2529:
2524:
2520:
2519:
2516:
2514:Harmonia Mundi
2511:
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2505:
2502:
2499:
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2489:
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2479:
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2473:
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2242:
2239:
2234:
2230:
2229:
2226:
2223:
2220:
2217:
2214:
2211:
2206:
2201:
2196:
2192:
2191:
2190:BIS-1820 SACD
2188:
2185:
2182:
2179:
2176:
2173:
2168:
2163:
2158:
2154:
2153:
2150:
2147:
2144:
2141:
2138:
2135:
2130:
2127:
2122:
2118:
2117:
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2111:
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2033:
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2027:
2022:
2019:
2016:
2012:
2011:
2008:
2005:
2002:
1999:
1996:
1993:
1990:
1985:
1982:
1978:
1977:
1974:
1971:
1968:
1965:
1962:
1959:
1954:
1951:
1946:
1942:
1941:
1938:
1935:
1932:
1929:
1926:
1923:
1918:
1913:
1910:
1906:
1905:
1902:
1899:
1896:
1893:
1890:
1887:
1882:
1879:
1874:
1870:
1869:
1866:
1863:
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1857:
1854:
1851:
1846:
1841:
1836:
1832:
1831:
1828:
1825:
1822:
1819:
1816:
1813:
1808:
1803:
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1753:
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1747:
1744:
1741:
1739:Rozhdestvensky
1736:
1731:
1726:
1722:
1721:
1718:
1715:
1712:
1709:
1706:
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1698:
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1576:
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1569:
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1560:
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1552:
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1534:
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1522:
1519:
1514:
1509:
1506:
1502:
1501:
1500:С10-23893-006
1498:
1495:
1492:
1489:
1486:
1483:
1482:Rozhdestvensky
1480:
1475:
1470:
1466:
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1462:
1457:
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1397:
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997:Rozhdestvensky
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734:
729:
724:
719:
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714:
711:
708:
705:
702:
699:
696:
693:
690:
687:
678:
675:
671:Eugene Ormandy
669:and conductor
663:René Leibowitz
659:Malcolm Frager
651:Nicole Henriot
647:Herbert Menges
618:
615:
589:
517:
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4240:
4238:
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4232:
4230:
4229:
4228:War and Peace
4224:
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4213:
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4207:
4206:
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4200:
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4142:
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4117:
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4107:
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4050:
4048:
4045:
4043:
4040:
4038:
4035:
4033:
4030:
4029:
4027:
4025:Chamber music
4023:
4017:
4016:
4012:
4010:
4009:
4005:
4003:
4002:
3998:
3996:
3995:
3991:
3989:
3988:
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3977:
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3924:
3918:
3917:
3913:
3911:
3910:
3906:
3904:
3903:
3899:
3897:
3896:
3895:The Year 1941
3892:
3890:
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3698:
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3666:
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3472:Video (32:06)
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2876:Nice, David.
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2792:Steinberg, M.
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2010:NFPMA 09 019
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1386:С10-17139-40
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1088:SUA ST 50551
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942:ГОСТ 5289-56
941:
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688:
685:
684:
674:
672:
668:
664:
660:
656:
655:Charles Munch
652:
648:
644:
640:
639:Laszlo Halasz
636:
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583:
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356:
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349:
347:
343:
342:Robert Layton
339:
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309:
306:
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287:
284:
280:
277:
273:
270:
266:
263:
259:
256: –
255:
251:
250:Find sources:
244:
240:
234:
233:
228:This article
226:
222:
217:
216:
208:
206:
202:
198:
192:
190:
186:
182:
177:
175:
162:
160:
156:
154:(6–8 minutes)
153:
151:
146:
144:(2–3 minutes)
143:
142:
138:
134:
131:
130:
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122:
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102:
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78:
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56:
54:
50:
46:
45:orchestration
42:
38:
34:
30:
26:
22:
18:
4356:
4344:
4329:
4312:
4249:
4243:
4235:
4227:
4219:
4210:
4203:
4196:
4175:(unfinished)
4013:
4006:
3999:
3992:
3985:
3978:
3971:
3953:
3946:
3939:
3932:
3914:
3907:
3900:
3893:
3886:
3879:
3874:Summer Night
3872:
3847:(unfinished)
3808:(unfinished)
3778:
3694:
3674:
3667:
3660:
3653:
3648:Prodigal Son
3646:
3639:
3632:
3625:
3618:
3600:
3593:
3586:
3581:Semyon Kotko
3579:
3572:
3565:
3558:
3551:
3544:
3421:
3412:
3403:
3384:
3372:
3353:
3332:. Retrieved
3325:
3317:
3305:. Retrieved
3301:the original
3296:
3286:
3275:. Retrieved
3271:
3262:
3251:. Retrieved
3247:
3238:
3224:
3214:
3203:
3194:
3185:
3175:
3164:. Retrieved
3160:
3150:
3139:. Retrieved
3126:
3115:. Retrieved
3111:
3101:
3089:. Retrieved
3085:the original
3078:
3068:
3056:. Retrieved
3050:
3040:
3028:. Retrieved
3024:the original
3019:
3009:
3002:Nestyev 1961
2997:
2969:
2962:
2929:
2922:Nestyev 1961
2917:
2881:
2872:
2867:, p. 94
2849:the original
2839:
2825:
2813:
2802:
2794:
2765:
2751:
2731:
2725:
2713:
2712:
2649:Slobodeniouk
2497:Harth-Bedoya
2329:Apple iTunes
2075:ABC Classics
1937:ABC Classics
1720:BBCL 4092-2
843:
649:(HMV mono);
635:Thor Johnson
620:
609:
603:
597:
594:
585:
581:
577:
573:
567:
557:
554:
548:
544:
540:
536:
533:acciaccatura
527:
518:
509:
507:
497:
493:
488:
483:
479:
473:
471:
464:
454:
442:
439:
429:
425:
421:
419:
414:
409:
403:
397:
394:
389:
387:
365:
360:
357:
352:
350:
335:
332:
316:
301:
292:
282:
275:
268:
261:
249:
237:Please help
232:verification
229:
193:
191:conducting.
178:
171:
157:
148:Intermezzo:
147:
135:
123:
62:
20:
15:
4102:Piano music
3965:Vocal music
3916:Waltz Suite
3797:(left-hand)
3695:"Classical"
3620:Ala i Lolli
3560:The Gambler
3485:Paavo Järvi
3457:(including
3220:March, Ivan
2955:Layton 1996
2518:HMU 807631
2408:CHAN 10802
2262:EXCL-00044
2199:Vinnitskaya
2041:Fuga Libera
1976:DACOCD 585
1717:BBC Legends
1101:Boston S.O.
768:Mitropoulos
633:was led by
627:Jorge Bolet
346:Rachmaninov
4401:Categories
4244:Cinderella
4157:No. 8 in B
4146:No. 7 in B
3926:Film music
3789:No. 4 in B
3768:No. 1 in D
3739:No. 7 in C
3728:No. 6 in E
3717:No. 5 in B
3686:Symphonies
3669:Cinderella
3346:References
3334:2009-10-04
3307:October 4,
3277:2016-02-19
3253:2016-02-19
3166:2023-12-22
3141:2023-12-22
3136:Gramophone
3117:2023-12-22
3052:Gramophone
3030:31 October
2818:Jaffé 2008
2702:483 533-1
2630:ODE 12882
2487:Kholodenko
2370:479 130-4
2152:2-64536-2
2116:477 659-3
2078:476 433-1
1940:454 975-2
1904:CDA 66858
1868:462 048-2
1692:Cherkassky
1646:CHAN 8889
1574:SBT2 1450
1536:9110 1510
1473:Postnikova
1405:Temirkanov
1272:ARL1-0751
1217:de Froment
1162:CCC 01072
1052:PL 12.100
923:Sanderling
796:Cherkassky
751:R-199-182
617:Recordings
582:fortissimo
563:Mussorgsky
549:fortissimo
545:tempestoso
510:fortissimo
484:gran cassa
480:fortissimo
430:pianissimo
415:fortissimo
390:tumultuoso
295:April 2010
265:newspapers
129:Allegretto
113:tambourine
105:snare drum
4015:Zdravitsa
3754:Concertos
3553:Maddalena
3546:The Giant
3481:Yuja Wang
3413:Prokofiev
2865:Nice 2003
2592:MAR 0599
2589:Mariinsky
2561:2016 live
2478:SOLR 006
2337:2013 live
2303:2010 live
2298:QEC 2010
2271:Kozhukhin
2267:2010 live
2244:Ashkenazy
2237:Gavrilyuk
2133:Ashkenazy
2121:2008 live
2083:2007 live
2049:2004 live
2015:2004 live
1984:Rodrigues
1921:Tchivzhel
1909:1996 live
1877:Demidenko
1835:1995 live
1830:SK 58966
1725:1991 live
1689:1991 live
1684:8.550565
1618:Gutiérrez
1610:MK 44818
1571:Testament
1555:Tennstedt
1545:Gutiérrez
1541:1984 live
1508:Lapšanský
1464:2531 070
1429:1978 live
1424:ASD 3871
1346:SXL 6767
1318:Ashkenazy
1236:CE 31075
1124:LSC-2897
1105:Leinsdorf
1085:Supraphon
1060:Baloghová
988:Ashkenazy
985:1961 live
980:LSC-2465
961:Leibowitz
904:NYP 2003
885:Bernstein
877:Ashkenazy
873:1958 live
825:ALP 1349
756:1954 live
748:Remington
695:Conductor
692:Orchestra
586:andantino
367:colossale
125:Andantino
101:bass drum
89:trombones
73:clarinets
4351:Category
4198:Sarcasms
4160:♭
4149:♭
4090:♯
3792:♭
3771:♭
3742:♯
3731:♭
3720:♭
3272:AllMusic
3075:"Review"
3047:"Review"
2989:25130975
2677:Trifonov
2601:Mustonen
2444:MYR 016
2425:Gaffigan
2417:Gerstein
2379:Bavouzet
2306:Bronfman
2044:FUG 505
2018:El Bacha
1973:Danacord
1901:Hyperion
1801:Bronfman
1774:Kitaenko
1755:Melodiya
1583:Feltsman
1497:Melodiya
1433:El Bacha
1382:Melodiya
1365:Kitaenko
1244:Joselson
1207:Tacchino
1198:GCD-104
1143:Bongartz
1097:Browning
1016:9098-30
868:LM-2197
787:CD-1214
759:Scarpini
713:Catalog
426:narrante
351:A brief
337:narrante
323:cadenzas
211:Analysis
205:Ansermet
197:Argerich
174:Pavlovsk
152:moderato
87:, three
85:trumpets
77:bassoons
33:concerto
4173:No. 10
4109:Sonatas
3634:Trapèze
3612:Ballets
3477:YouTube
3091:19 July
3058:17 July
2754:scherzo
2684:Gergiev
2574:Gergiev
2565:Matsuev
2537:Pappano
2452:Shelest
2405:Chandos
2351:Dudamel
2313:Gilbert
2228:V-5238
1949:Marshev
1885:Lazarev
1865:Philips
1849:Gergiev
1839:Toradze
1766:Krainev
1643:Chandos
1395:Alexeev
1355:Krainev
1253:Ormandy
1233:Candide
1195:Genesis
834:Henriot
732:Johnson
689:Pianist
475:pesante
455:D minor
279:scholar
150:Allegro
137:Scherzo
117:strings
109:cymbals
97:timpani
79:, four
25:G minor
4377:Portal
4254:(1926)
3806:No. 6
3538:Operas
3487:, 2015
3428:
3391:
3360:
2987:
2977:
2738:Grammy
2627:Ondine
2553:Warner
2441:Myrios
2389:Noseda
2259:Triton
2171:Litton
2125:Kissin
1957:Willén
1789:Teldec
1729:Petrov
1701:Nagano
1517:Košler
1443:Octors
1327:Previn
1281:Béroff
1069:Ančerl
1033:Gielen
1025:Wührer
951:Frager
806:Menges
637:, and
629:, the
478:) and
281:
274:
267:
260:
252:
201:Kissin
159:Finale
141:Vivace
83:, two
75:, two
71:, two
67:, two
65:flutes
4363:Audio
4185:Other
4163:major
4152:major
4093:minor
3818:Other
3795:major
3774:major
3761:Piano
3745:minor
3734:minor
3723:major
3627:Chout
2774:Notes
2696:11:12
2687:11:52
2662:11:33
2653:11:24
2639:Zhang
2624:12:10
2615:11:58
2611:Lintu
2586:11:38
2577:11:21
2550:11:48
2541:11:40
2510:11:55
2501:12:10
2475:Sorel
2472:12:20
2463:11:51
2438:10:53
2429:10:59
2402:11:22
2393:11:09
2364:10:59
2355:11:01
2326:10:45
2317:10:25
2292:12:59
2283:12:37
2279:Alsop
2256:11:46
2247:12:23
2225:Naïve
2222:11:03
2213:12:07
2209:Varga
2184:11:30
2175:12:09
2161:Kempf
2146:11:38
2137:11:56
2110:11:02
2101:11:09
2097:Ozawa
2087:YUNDI
2072:13:08
2063:11:44
2059:Fürst
2038:10:58
2029:11:33
2004:12:59
1995:11:51
1992:Serov
1970:13:11
1961:14:01
1934:11:49
1925:11:47
1912:Takao
1898:11:48
1889:12:28
1862:12:59
1853:13:23
1824:10:50
1815:11:04
1811:Mehta
1786:10:56
1777:11:30
1752:11:08
1743:11:40
1714:12:59
1705:11:56
1681:Naxos
1678:11:46
1669:12:40
1640:10:59
1631:10:59
1627:Järvi
1604:11:16
1595:11:45
1568:11:44
1559:11:29
1530:12:07
1521:12:33
1494:12:01
1485:12:40
1456:11:00
1447:11:23
1418:11:30
1409:11:58
1378:11:10
1369:12:13
1343:Decca
1340:11:26
1331:12:08
1304:10:43
1295:10:19
1291:Masur
1266:12:25
1257:12:08
1230:10:46
1221:10:56
1192:11:07
1183:10:58
1170:Bolet
1156:10:44
1147:11:17
1133:Rösel
1118:11:03
1109:10:49
1082:11:19
1073:12:14
1046:13:10
1037:13:00
1010:10:36
1001:11:31
974:10:55
965:10:44
936:10:24
927:11:11
898:10:36
889:11:51
862:11:50
853:9:31*
849:Munch
819:11:03
810:10:52
781:11:43
772:11:29
745:11:03
736:10:42
722:Bolet
710:Label
707:Mvt 4
704:Mvt 3
701:Mvt 2
698:Mvt 1
578:forte
574:piano
541:forte
537:piano
498:secco
443:motor
422:piano
353:forte
286:JSTOR
272:books
81:horns
69:oboes
3426:ISBN
3389:ISBN
3358:ISBN
3309:2009
3093:2011
3060:2011
3032:2010
2985:OCLC
2975:ISBN
2748:Film
2693:6:55
2690:2:31
2673:2020
2659:6:33
2656:2:31
2635:2018
2621:7:04
2618:2:59
2597:2017
2583:6:30
2580:2:20
2547:6:07
2544:2:26
2527:Rana
2523:2015
2507:6:42
2504:2:39
2483:2015
2469:6:52
2466:2:30
2460:Muus
2449:2014
2435:6:48
2432:2:36
2413:2014
2399:6:19
2396:2:31
2375:2013
2361:6:34
2358:2:21
2341:Wang
2332:n/a
2323:6:08
2320:2:31
2289:7:35
2286:2:40
2253:5:58
2250:2:42
2233:2009
2219:7:42
2216:2:26
2195:2009
2181:5:56
2178:2:29
2157:2008
2143:6:35
2140:2:24
2107:5:41
2104:2:17
2069:7:48
2066:2:50
2052:Hill
2035:6:24
2032:2:35
2001:7:25
1998:2:32
1981:2002
1967:7:36
1964:2:33
1945:2001
1931:6:40
1928:2:25
1895:8:35
1892:2:39
1873:1995
1859:7:34
1856:2:20
1827:Sony
1821:6:20
1818:2:28
1797:1993
1783:6:42
1780:2:33
1763:1992
1749:7:39
1746:2:34
1711:6:38
1708:2:48
1675:6:36
1672:2:24
1655:Paik
1651:1991
1637:6:42
1634:2:29
1615:1990
1601:7:00
1598:2:41
1579:1988
1565:6:59
1562:2:36
1533:Opus
1527:6:55
1524:2:40
1505:1983
1491:7:36
1488:2:43
1469:1983
1453:6:31
1450:2:33
1415:7:54
1412:2:44
1391:1977
1375:6:54
1372:2:30
1351:1976
1337:6:22
1334:2:36
1315:1974
1301:5:46
1298:2:33
1277:1974
1263:7:07
1260:2:30
1241:1973
1227:6:07
1224:2:49
1203:1972
1189:6:05
1186:2:28
1167:1972
1159:Edel
1153:7:04
1150:2:29
1129:1969
1115:6:51
1112:2:36
1093:1965
1079:7:22
1076:2:45
1057:1963
1043:7:48
1040:3:01
1021:1961
1007:6:42
1004:2:40
971:6:06
968:2:44
947:1960
933:7:09
930:2:33
909:1959
895:5:59
892:2:32
859:5:39
856:2:35
830:1957
816:5:38
813:2:34
792:1955
778:6:07
775:2:33
742:5:50
739:2:25
718:1953
686:Year
677:List
661:and
653:and
645:and
492:and
364:and
258:news
115:and
93:tuba
3475:on
3326:Jeu
2767:Jeu
2760:'s
2665:BIS
2187:BIS
2149:EMI
2025:Ōno
1665:Wit
1607:CBS
1421:EMI
1269:RCA
1179:Cox
1121:RCA
1049:Vox
977:RCA
913:Zak
865:RCA
822:HMV
604:ppp
528:4+3
407:to
398:fff
361:fff
241:by
29:Op.
23:in
4403::
3479:,
3295:.
3270:.
3246:.
3228:.
3202:.
3184:.
3159:.
3134:.
3110:.
3077:.
3049:.
3018:.
2983:.
2941:^
2891:^
2880:,
2857:^
2782:^
2770:.
2764:,
610:ff
598:pp
568:pp
558:mf
489:pp
457:.
410:ff
139::
111:,
107:,
103:,
99:,
95:,
91:,
27:,
4379::
3697:)
3514:e
3507:t
3500:v
3461:)
3434:.
3397:.
3366:.
3337:.
3328:"
3324:"
3311:.
3280:.
3256:.
3188:.
3169:.
3144:.
3120:.
3095:.
3062:.
3034:.
2991:.
2936:.
2833:.
842:*
590:7
519:4
404:p
382:.
308:)
302:(
297:)
293:(
283:·
276:·
269:·
262:·
235:.
127:—
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