470:, because Koning was working under the name "Jeremo" at the time. Slaghuis asked Koning if he also wanted to be part of "Hithouse" during a promotional tour through Europe for this upcoming single, but Koning had to decline due to being in a steady relationship and having a full-time job at the time. When he told Slaghuis this a few days later, he thought that it was a shame, but it would not be a problem, as they would just have someone lip-sync the song. However, he had problems with ARS Records, who wanted someone who would be a permanent member of the group and also had to sing on the single, which would still be a problem during live performances. As a result, the song was cancelled, much to Slaghuis and Koning's disappointment, as it would have been the producer's third hit after "Jack to the Sound of the Underground" and "Move Your Feet to the Rhytmn of the Beat". The single would eventually be released in 1990 as "The Right Time", with vocals by Ignace Baert. Despite this, Koning would have some contacts with Slaghuis' management company Scorpio Angency afterwards, where he was under contract as a soloist, and the original demo of "Take On Me" was included in his 1999 compilation
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to hear when the final recordings would take place. He was happy, and had already received the lyrics and an instrumental demo, so that he could start practising. Two weeks later the recordings took place, which took about three hours, and they were all satisfied. All kinds of choirs still had to be sung by singers, but that would happen later. Koning was given a rough version of the demo, which he still has on cassette. He had to come back again a week later, because
Slaghuis' record company, ARS Records, was not completely satisfied with one verse, so it had to be done again. In the end it was all good, and now they had to negotiate with the record company. They also decided to call the demo
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appreciate the sound, and the club was packed until closing time. There he met DJ Paul Elstak, who worked with him and became his student as a younger DJ. In
December 1986, Slaghuis produced and released his first house track for the Disco Mix Club, "Samplification". In 1988, he composed, arranged and produced the single "House Control", going under the pseudonym "El Farid" and working with Eric van Vliet. With the arrival of house music in Europe, he took up the pseudonym "Hithouse" (a literal translation of his last name) and began using his sampling techniques in this field. He produced and released a remix of "
328:' advertising music. This, however, led to legal trouble with the fast food chain, who did not appreciate their music being used without permission. The single had to be withdrawn from the market and was replaced by a "clean" version named "The Milkshake Rapremix". Slaghuis produced a few more singles for Extince, "The Girlie Girlie Prince" and "Black Betty", although they were not very successful. In 1989, he produced "I Can Handle It" by Mister Mixi & Skinny Scotty. The rappers had success abroad and they also released the album
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music video was directed and edited by
Slaghuis himself at Creators International in 1987, with art direction by Cello Hoekstra, and also featured Paul Elstak, Marianne from The Hague (the person lip-syncing to the Kelly Charles sample), Helen Willemse, and other BlueTiek-in employees. It was entirely shot in a disused gas factory in the Netherlands, which, with the help of some graffiti artists, looked like it was from the
540:. He was only 30. A funeral service was held for him by his closest family members and friends shortly afterwards, and his ashes were spread around a local river. Paul Elstak continued the Holy Noise project after Slaghuis' death. He and the other members went back into his studio to finish and release some tracks, such as "Get Down Everybody" and "James Brown Is Still Alive!!". Holy Noise was temporarily continued by
320:, who told him that he had rapped a single called "Rap Around The Clock" the previous year. To Slaghuis, it was a terrible track, but he thought that he could do something with the rapper's voice. Going under the pseudonym "Mr. Donald", he produced the beat behind Extince's hip hop single "The Milkshake Rap". The single's sound was heavily influenced by
233:, and even "I Can't Wait" by Nu Shooz, for which he was paid decently. His first mix for the Disco Mix Club, "Slag It Off", was put onto vinyl. Later that year, Slaghuis remixed "Just Buggin' (Nothing Serious)" by Whistle and "How To Win Your Love" by Spencer Jones, and produced the "Evelyn Thomas Megamix". He was asked by Maat to make an annual mix for
191:. He had no confidence that the song would ever become a hit, but Atlantic loved it, much to his surprise. They offered Slaghuis royalties or money, and as he did not rate the track, he took 500 guilders. Atlantic would later make up for this and take him to America, where he was allowed to remix other Nu Shooz songs there for their album,
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In
February 2001, after contacting Slaghuis' parents and his sister Dana, Jerry Beke, who is a fan of the producer's work, came into possession of his sample library and recording equipment, which is still used today by other Dutch DJs and producers. In 2012, he, Koen Groeneveld and Addy van der Zwan
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was present, and would help assess and help Koning during the recordings. They then tested the song and checked whether it was not too high or low for Koning's vocal range. It was a little too high, and he would change that first. In any case, Koning was immediately accepted there, and would continue
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Slaghuis left a significant legacy to the world of electronic dance music and sampling. His work as a mixer, producer and DJ continues to be an inspiration to many DJs in the
Netherlands and around the world. The Kelly Charles sample used in "Jack to the Sound of the Underground" resurfaced in 1994,
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In
November 1989, Slaghuis was looking for a singer for his new single, and an advertisement was printed. Rob Koning, who was very busy breaking through as a singer, read the advertisement in the newspaper, and responded with a cassette recording and photograph. He received a call almost immediately
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from obscure records and pieces of music, cleverly mixing them together into his own self-produced tracks. He secured connections with the "Disco Breaks" bootleg label and started creating megamixes and remixes for them. Some of the earlier mixes were actually created on cassette, including the rare
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and Peter
Slaghuis, who were the two master mixers, the absolute best. With Liebrand, a mix always had to sound very smooth and neat. With Peter you sometimes heard some noise or a piece of an old record at the end of a mix. Peter was looser and rawer in his sound, less polished. That appealed to a
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samplers. It entered the UK Singles Chart on 5 November 1988 and reached No. 14 on 3 December 1988 and number 57 in
Australia, and became a hit in almost every country in Europe, except in Slaghuis' own country, the Netherlands, where it only reached the number 22 position of the charts. The song's
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about the importance of
Slaghuis, stating, "Peter took samples from the most obscure old records, sometimes real rubbish records. But he then took some samples, mixed them together and turned them into hits. His records largely consisted of samples, which he cleverly mixed together into one track.
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musicians Aart Mol, Cees
Bergman (who provided the vocals that Slaghuis lip-synced to), Elmer Veerhoff, Erwin van Prehn and Geertjan Hessing (under the aliases "Adams & Fleisner" and "Tony Acardi"), and recorded at Cat Music. Slaghuis had previously done remixes for Cat Music's other projects,
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asked him to produce the remix of the song. Slaghuis hated the song and initially did not want to remix it at all, but Atlantic kept calling with the question if he wanted to produce the mix. His mother Helen Slaghuis went insane from the record company's phone calls, and told Slaghuis to either
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sound, but it did not go down well with the people at the club, who did not understand that kind of music. Because of this, it was played at the end of the night so that everyone would leave early, so that when the club was empty, the crew could go home on time as well. People later began to
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loops mixed with a collection of samples, though it lacked the catchy hook lines present in the first release, such as the Kelly Charles sample. Because of this, it could only reach No. 69 on the UK Singles Chart on 19 August 1989. He also released the album
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and a new version of "Samplification" named "Samplification (Part 2)" under the pseudonym "Wise Guys", both of which sold in their millions. At this point he decided that it was time to move into an apartment of his own, to house his rapidly-building studio.
416:, thus remaining in public consciousness in the United Kingdom. Slaghuis released "Move Your Feet to the Rhythm of the Beat", which was very successful as well in April that year. The song shared the same musical formula as its predecessor: catchy
79:) and Charles Slaghuis. As a child, he was already unlucky, as he was always ill and would be in hospital. Fortunately, he got better when he turned 10, and grew into a healthy boy. Charles gave him and his sister Dana (born in 1961) their first
108:, which inspired him to try and copy the style. He was already mixing in the club while at home he was experimenting with the cassette recorder's pause button's editing technique. Using this he created his first remix, a 3/4-hour long remix of "
143:" by ABBA. As more equipment piled into his studio at his parents' home, he became more certain of his future. He was always playing his mixes in clubs with great reactions from the crowds, being one of the first DJs to do so, along with
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knock them off or make the remix. Slaghuis decided to produce the remix, making it in an hour. He did not change much, but he did add a curious-sounding synthesizer melody over the top, as well as some vocal samples and a sample of "
488:, who released some of their first records on the label. He also worked with some of them under the name "Problem House", released the singles "A Bright Day" (featuring Dave D.M.D.) and "I've Been Waiting for Your Love" (made with
116:. He saved some money and bought two completely different fixed speed decks and a receiver. By wiring them up, he was able to hear one deck from the left and one from the right. Slaghuis' next purchases included a
304:. VideoKids was in fact a side step in his career, but one that provided him with a lot of experience in the entertainment industry. A cover version of "Woodpeckers from Space" was made by the South African group
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in 2007, his mother Helen Slaghuis believed that it is possible that her son pressed the accelerator all the way because someone had drugged him over a money issue. However, no evidence of this has been found.
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In November 1988, Slaghuis scored a hit with his best known work, "Jack to the Sound of the Underground", which used a lot of samples for which he had to pay royalties over, such as "
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of "Take On Me", a disco song that he had composed and produced. Koning thought that it was a good song, and so they did some voice tests in his studio. Slaghuis had ensured that a
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588:. For his remix, Groeneveld gave it a techy touch while Van der Zwan and Beke stayed true to the housey origin of the track. Beke also wrote a chapter in the book
197:, only one of which was used. Upon the realisation that bootlegs were not the right way to go about getting a name for himself, he sent mixes to Ferry Maat's
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This video was directed by Creators International. The name of the woman in the video is Marianne. She is from The Hague in Holland. I was the art director.
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In 1990, Slaghuis founded his own label, Hithouse Records. As the manager of Hithouse Records, he discovered young talented producers such as
1219:"Jack to the Sound of the Underground" would live long in public consciousness after being appropriated as the theme song for comedy quartet
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to honour Slaghuis. Three years later on 27 February 2019, XXL Radio Rotterdam produced a music video for Slaghuis' 1987 Yearmix for
406:. In 1989, "Jack to the Sound of the Underground" would later be used as the theme song for the radio and television versions of the
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such as the "Special European Edit" of "After The Rainbow" by Joanne Daniëls (along with Emile Noorhoek) and "Steppin' Out" by
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for the Disco Mix Club. Slaghuis loved the bassline but disliked the drums, so he just changed the percussion using a
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332:, on which Slaghuis produced eight songs. In 1990, he produced the single "Somebody In The House Say Yeah!" with
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from Slaghuis, who wanted to meet him first. They agreed to meet on a Saturday, and Koning went by train to
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for both songs alongside Bianca Bonelli and Tico Tac, the group's cartoon mascot. They released two albums,
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by rap crew The Timedrillers. He also produced the single "Unarmed and Dangerous" by M.C. Hughie Babe.
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did a remix pack of "Jack to the Sound of the Underground" as a tribute to Slaghuis, released on
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Slaghuis made a name for himself as a remixer in the 1980s, producing popular remixes of various
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1617:(Dutch / English). The last sep 11 2019 archived version of the above site on archive.org.
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738:"World's-Best Producer and DMC Interview (MixMag Jan. 1989): The Peter Slaghuis Story!"
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did remixes of "Jack to the Sound of the Underground", released by Mo'Bizz Recordings.
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drum machine, and put some samples over it and added another four basslines using
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As a DJ at the BlueTiek-in, Slaghuis was one of the first to market the genre of
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After graduating from school, Slaghuis began working as a DJ in a local club in
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His big break as a remixer came in 1986 with the Vocal/Long "Dutch Mix" of "
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On 5 September 2016, Michael Halve of Fantasy Radio made a music video for
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1071:"Zien: Piepjonge Extince bij Paul de Leeuw toen hiphop nog gloednieuw was"
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635:(19th ed.). London: Guinness World Records Limited. p. 254.
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projects Sisley Ferré (with vocals by Jody Pijper) in 1987-1990 and
134:. In his home studio at his parents' house, he made music by taking
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in the Netherlands. The first house music that was played was the
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381:" by Kelly Charles. The idea for the single came from remixing "
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1463:"D.O.N.S. – Jack To The Sound Of The Underground (1999, Vinyl)"
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and the single "James Brown Is Still Alive!!" (in response to "
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Let The Music Play: How R&B Fell In Love With 80s Synths
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In 1984, Slaghuis was asked to join the Euro disco project
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402:. The synthesizer that Slaghuis plays in the video was a
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1236:"MOVE YOUR FEET TO THE RHYTHM OF THE BEAT – HITHOUSE"
1049:"Café Society – Woodpeckers From Space (1985, Vinyl)"
1027:"Digital Emotion – Outside In The Dark (1985, Vinyl)"
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sampler, being one of the first people to have one.
100:in his teens in 1979. One day, he heard an illegal
1419:"Питер Слагиус и все что с ним связано - 11 of 34"
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1005:"Joanne Daniëls – After The Rainbow (1984, Vinyl)"
1115:"JACK TO THE SOUND OF THE UNDERGROUND – HITHOUSE"
425:, which contained every style of music including
205:for some time, producing mixes of songs such as "
31:; 21 August 1961 – 5 September 1991) was a Dutch
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295:in 1985. The songs were written and produced by
43:, whose work was mostly released under the name
1609:(Dutch / English). This seems no longer active.
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961:"The VideoKids and their Space Woodpecker"
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316:In 1987, Slaghuis met then-unknown rapper
47:(a literal translation of his last name —
16:Dutch dance music DJ, producer and remixer
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939:"Die "Video Kids" und die Außerirdischen"
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1293:"TAKE ON ME - 'PETER HITHOUSE' SLAGHUIS"
983:"Die Video Kids und ihr Weltraum-Specht"
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528:On 5 September 1991, Slaghuis died in a
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1614:Memorial website operated by his mother
1606:Memorial website operated by his mother
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1389:"Dagboek Dana: Mijn Geweldige Broer"
1263:"Hithouse Interview door Rob Koning"
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895:"Сеанс массового диско-разоблачения"
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71:on 21 August 1961 to Helen (born in
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1194:Masterton, James (8 October 2023).
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532:involving an oncoming truck on the
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273:", which became a number 1 hit in
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633:British Hit Singles & Albums
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288:The Invasion of the Spacepeckers
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1146:Australian Chart Book 1970–1992
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860:Vass, Steven (8 October 2023).
783:"DJ en producer Peter Slaghuis"
1221:The Mary Whitehouse Experience
413:The Mary Whitehouse Experience
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1197:Chart Watch UK - Hits of 1988
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572:'s major international hit, "
1367:"ИСТОРИЯ МУЗЫКИ: VIDEO KIDS"
917:""VideoKids" and the Aliens"
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120:, two varispeed decks and a
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1315:"THE EARLY DEMO RECORDINGS"
1093:"Ben Liebrand "In The Mix""
163:in 1985. He bought his own
28:[ˈpeːtərˈslɑx.ɦœːs]
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1537:"Homage to Peter Slaghuis"
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576:". In 1999, D.O.D.S. and
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475:The Early Demo Recordings
468:Hithouse featuring Jeremo
201:. He also worked for the
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1622:Biography at DISCOGS.com
814:"Rotterdam in the House"
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1241:Official Charts Company
1120:Official Charts Company
631:Roberts, David (2006).
568:as the vocal sample in
241:. In 1988, he remixed "
141:Lay All Your Love on Me
897:(in Russian). Звуки.Ру
590:Rotterdam In The House
498:electronic dance music
355:The Second Time Around
271:Woodpeckers from Space
1650:Dutch dance musicians
1583:. Radio Stad Den Haag
379:You're No Good for Me
257:on 24 December 1988.
63:Slaghuis was born in
51:, a hit, a beat; and
1665:People from Rijswijk
1399:on 23 September 2018
1347:on 24 September 2018
530:head-on car accident
24:Dutch pronunciation:
1495:on 13 February 2002
1443:. Stichting Skepsis
1441:"Het Zesde Zintuig"
1273:on 18 February 2001
667:on 3 September 2007
510:James Brown Is Dead
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1485:"Hithouse News!!"
1393:peterslaghuis.com
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554:In an episode of
542:Rotterdam Records
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293:On Satellite
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247:Petula Clark
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1645:1991 deaths
1640:1961 births
1142:Kent, David
785:. DIG IT UP
570:the Prodigy
534:A2 motorway
346:house music
223:Mel and Kim
219:Respectable
153:Italo disco
69:Netherlands
59:Early years
1634:Categories
1565:5 November
1499:12 October
1489:bjremix.nl
1403:5 November
1351:15 January
1321:11 October
1299:11 October
1277:11 October
1267:bjremix.nl
1099:1 February
1077:22 October
963:. Facebook
919:. Facebook
613:References
578:Klubbheads
514:L.A. Style
502:Holy Noise
439:Todd Terry
404:Casio SK-1
326:McDonald's
157:Laserdance
149:Euro disco
55:, house).
1660:House DJs
1655:Dutch DJs
1625:(English)
1587:8 October
1561:. YouTube
1543:8 October
1521:8 October
1469:8 October
1465:. Discogs
1447:9 October
1369:. YouTube
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1172:. YouTube
1055:8 October
1051:. Discogs
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1029:. Discogs
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1007:. Discogs
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901:8 October
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752:8 October
701:8 October
538:Amsterdam
447:Appeltern
443:farmhouse
330:Tea House
324:and used
322:Mantronix
308:in 1985.
267:VideoKids
261:VideoKids
211:True Blue
165:Akai S900
161:Rotterdam
104:American
98:The Hague
77:Indonesia
1425:6 August
1373:6 August
1247:8 August
1144:(1993).
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989:6 August
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486:Speedy J
423:Hithouse
359:Shalamar
297:Catapult
243:Downtown
235:Soulshow
199:Soulshow
194:Poolside
185:Loveride
176:Nu Shooz
65:Rijswijk
45:Hithouse
671:25 June
546:mongrel
455:Wijchen
371:Coldcut
318:Extince
312:Hip hop
215:Madonna
209:" and "
136:samples
122:Pioneer
106:megamix
102:bootleg
92:Remixer
41:remixer
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563:Legacy
500:group
494:Indeep
435:Hi-NRG
418:Hi-NRG
283:videos
279:Norway
231:Europe
189:Nuance
87:Career
73:Malang
1073:. JFK
817:(PDF)
524:Death
512:" by
492:from
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400:Bronx
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