509:, but a review described it as having "dizzying wipes, multiple superimpositions and vertiginous camera movements." Released in 1928, The Last Moment received rave reviews and was a financial hit. Charlie Chaplin praised it and writer Tamar Lane called it "one of the most remarkable films that has ever been presented on the screen." With the film's success and Fejos' overnight celebrity status, major studios were suddenly competing for the former vagrant to sign contracts with them. He settled with
1482:
1707:
788:
encapsulations imply a different sort of relationship to his characters. The rapid cutting between details in a brothel, conveying Marie's confusion before fainting, encourages an identification with sensations, not thoughts or feelings. The beauty of
Annabella's performance and a violin-and-clarinet theme also help one overlook some of the more reductive aspects of the folk legend that define the films dimensions.
244:, Fejos worked as a medical orderly for the Imperial Austrian Army on the Italian front lines and also managed a theater that performed for troops. After the war, he returned to Budapest and eventually worked for the Orient-Film production company. He began to direct films in 1919 or 1920 for Mobil Studios in Hungary until he escaped in 1923 to flee the White Terror and the
300:. Shortly before Fejos was born, his father sold his business and moved the family to Budapest to buy a shop there. Desiré died of a heart attack before the new shop was purchased. Paul was then raised by his mother in his grandparents' home. As a boy, Fejos was said to be a smart student and to have loved films from an early age. He was sent to a school run by
564:. Lonesome was the first of three already completed movies to which Universal added sound, with no input from Fejos on the dialogue sequences. This new version of the film was released on September 20, 1928. (After this first hastily accomplished phase, Universal continued using Fox's equipment to make its own first all-talking movie,
467:
Spitz agreed and gave Fejos $ 5,000, which was approximately 1 percent of the average film budget at that time. In
October 1927, Fejos began production on his first American feature. He convinced actor friends to appear in the film for free, promising compensation if the movie were successful. That included
434:. In October 1923, Fejos emigrated to the United States. He arrived in New York City penniless and speaking little English, but managed to get several low-paying jobs at funeral parlors and piano factories. His English improved and, by the spring of 1924, Fejos got a job as a laboratory technician at the
791:
Having fallen in love with
Annabella, Fejos allegedly flew in a small plane over her train back to France and showered it with roses. Fejos's friend John W. Dodds has stated that "every time moved to another country, it was because of an ending love affair." Fejos spent the next few years throughout
787:
Spring Shower also has nocturnal lighting and sensuality in Marie's seduction, as well as a mysterious musical aftermath, reminiscent of certain rustic night scenes in
Sunrise. Unlike the determinism of Murnau's compositions and camera movements, though, Fejos' anthropological distance and fairy-tale
732:
to direct early sound films in France. Fejos complained to a reporter that
Hollywood was too commercial and like a drug for the public. The Hollywood-fantasy happy endings simply blinded working people from their hopeless lives, he said. "(I)f the movie theaters were suddenly closed in America, there
466:
and stealing oranges from orchards. On one of his hitchhiking trips, Fejos was picked up by Edward Spitz, a rich, young New Yorker who had recently moved to
Hollywood with ambitions to produce films. Fejos told Spitz about his movie career in Hungary and convinced Spitz to finance a feature film.
1059:
In 1958, Fejos married anthropologist Lita Binns. She succeeded him as the Wenner-Gren
Foundation research director after he died on 23 April 1963. "Fejos had the temperament of an artist rather than a scholar or research scientist," David Bidney wrote in an obituary. Fejos "supported not only
479:, an inexperienced cameraman. Fejos utilized sets from other movies and changed the script when necessary for the settings. When actors or sets were unavailable, Fejos filmed close-ups of hands, feet, cars or anything else that stuck him as interesting. He obtained free film stock from the
1064:
during the last years of the life of this eccentric genius is but one outstanding example...(Fejos) leaves behind him the Wenner-Gren
Foundation for Anthropological Research which he built, an international host of friends whom he helped, and a wife whom he cherished and appreciated."
547:
and begin a romance, but lose each other until finally reunited back at their building. The film was hand-tinted and stencil-colored at many points, making it already visually distinctive. After
Lonesome went into general release as a silent film in mid-June 1928, Universal borrowed a
438:. He earned $ 80 a week and was employed there for two years. In 1925, he married a co-worker, Mimosa Pfalz, but the marriage lasted just thirty days. While living in New York, Fejos landed one theater gig as a technical adviser ensuring the Hungarian atmosphere of an adaptation of
872:. Fejos loved the country so much that he stayed for nine months. He filmed over 30,000 feet of footage of animals, plants, tribal societies and local customs, all of which was unusable for a theatrical feature. He also collected many artifacts and eventually donated them to the
275:
to Dezső (Desiré) Fejős and his wife
Hajnalka (latinized Aurora, née Novelly). He had an older sister, Olga Fejős. Like many film directors, Fejos exaggerated or invented myths for large portions of his life story and, according to him, his father was a captain with the
802:) in 1932 was Fejos' second Hungarian film. It includes beautiful documentary-like footage of local fishermen and their everyday lives. The movie was highly criticized in Hungary, however, for its depiction of the fisherman and accused of bigotry against village life.
772:
as a young girl, Marie, who is seduced and abandoned with a child. She dies in poverty only to find herself having to scrub floors in Heaven. By dumping her wash bucket, she creates a rain storm that prevents her growing daughter from repeating Marie's mistakes.
813:), again starring Annabella. The film focused on unemployment and poverty in post-World War I Austria and was praised by critics as "the summit of Fejos' art in Europe...too often ignored by the critics." Later that year, Fejos made the light comedy
331:. During the war he also managed a theater that performed for the troops. Some additional myths about Fejos' life surfaced a year later that he was an officer in the Hussars, was wounded three times and that he was the first person to pilot a
335:. After the war, Fejos returned to Budapest. He began working as a set painter for an opera company and then eventually for the Orient-Film production company. He and Mara divorced in 1921, due allegedly to Fejos' irrational jealousy.
1039:
In 1941, Fejos stopped traveling and making films to become both the director of research and acting head of the Viking Fund, a non-profit foundation based in New York City that Wenner-Gren created that year (and later renamed the
259:. After a number of other successful films, Fejos left America in 1931 to direct sound films in France. In 1941, he stopped making films altogether and became the director of research and the acting head of the Viking Fund.
382:. Fejos always saw film as closer to painting than to theater and was more concerned about issues of light and shadow than story. He also stated at the time that no great film would be made until it could be shot in
1011:
told Fejos about a legendary lost city somewhere in the jungle. Fejos immediately contacted Wenner-Gren, who agreed to give additional financing for the expedition. The filmmaker discovered 18 ancient
733:
would be a revolution", Fejos added, but that, in Europe, he hoped for "films made in the name of art". His career in France was short-lived, beginning with his supervision in 1931 of Claude Heymann's
505:
as a man committing suicide by drowning who remembers in flashbacks the events of his life leading up to his death. The seven-reel, silent movie contained no title cards. It is currently a
1044:). Fejos became highly respected in his field and was considered ahead of his time for calling for communication amongst various branches of anthropology. Fejos taught during this time at
612:
stated that although "its visual style, initially attractive, becomes a monotonous succession of busy shots, dissolving over each other in a perpetual flurry... the films charm is real."
1003:. They became fast friends and Wenner-Gren changed Fejos' life much as Edward Spitz had a decade earlier. Wenner-Gren agreed to finance in late 1939 an expedition by Fejos to Peru. In
240:
who worked in a number of countries including the United States. He also studied medicine in his youth and became a prominent anthropologist later in life. During
315:. He eventually studied medicine and, in 1921, received an M.D. from the Royal Hungarian Medical University of Budapest. In 1914, Fejos married Mara Jankowsky.
570:- which is also the first-ever film musical - in under two week. That led a chagrined and angry crew from Fox to repossess its sound truck from Universal.)
1041:
1747:
462:
When he arrived in Hollywood, Fejos struggled financially. He landed a few odd jobs working on scripts. Sometimes he would survive by hitchhiking to
868:
By 1935, Fejos had grown tired of narrative movies and their inauthentic sets and stories. Nordisk Film sent him to scout filming locations in
792:
different European countries, often with his frequent collaborators Lothar Wolff, his assistant director, and Ferenc Farkas, his composer.
626:
as a stage magician who falls in love with his assistant. Later that year, Fejos began production on his largest and most ambitious film,
649:
nightclub set and a 28-ton camera crane that was the largest and most versatile one built by that time. The film starred Glenn Tryon and
353:
248:
regime. He made his way to New York City and then eventually to Hollywood where he began production on his first American feature film,
705:
435:
1558:
1075:
1060:
research projects(,) but also, and primarily. individuals whom he trusted and considered worthy of support...His personal support of
884:
saw the Madagascar footage and commissioned a series of six short documentaries released between 1935 and 1936. These films included
556:. On the pretext of making sound tests (their own sound stages would not be ready until late October), Universal hurriedly recorded "
608:
called Lonesome it "a tender love story in its silent passages... crude, clumsy and tediously tongue-tied in its talkie passages."
475:'s frequent co-star, when she was earning $ 5,000 a week. Fejos rented studio space by the minute instead of by the day and hired
1453:
1536:
940:
from 1937 to 1938 in such countries as Indonesia, the Philippines, New Guinea, Ceylon and Thailand. These movies included
1752:
1737:
1440:
873:
1742:
1762:
1757:
1296:
703:
received the official directing credit. This angered Fejos and continued when Universal did not let him direct
576:
was another box office hit for Fejos and the film's reputation has grown throughout the years. French cineaste
543:
play two lonely New Yorkers who live in adjoining apartments unbeknownst to each other. They meet by chance at
328:
932:
Inspired by his newfound passion for cultures and history, Fejos studied cultural anthropology in 1936 at the
782:
324:
1658:
1183:
815:
622:
was another box office success in 1929 for Universal Studios. Part sound and part silent, the film starred
289:
1650:
1618:
1574:
1175:
1135:
1091:
794:
681:). During the shooting of an ambitious sequence using more than 300 extras to depict the storming of the
673:
609:
496:
250:
1509:
1328:
1697:
1061:
664:
in 1942.) Film critic Miles Krueger said "the images of the Paradise Club and the huge musical number (
566:
426:
685:, Fejos fell from a high scaffolding and suffered a concussion. He spent six weeks in bed recovering.
1606:
1566:
1127:
1083:
716:
748:
1666:
1529:
1191:
560:" scenes for the film and synchronized music-and-effects scores by recently hired musical director
528:
1634:
1159:
742:
714:
shortly afterwards. That only led to Fejos directing the German and French language versions of
28:
398:
1504:
343:
Fejos began directing films in either 1919 or 1920 for Mobil Studios in Hungary. His earliest
285:
1732:
1727:
1626:
1598:
1590:
1582:
1486:
1151:
1119:
1111:
1103:
933:
918:
735:
700:
658:
628:
617:
572:
518:
463:
1481:
8:
1674:
1522:
1207:
1053:
877:
769:
711:
293:
1375:
1367:
729:
585:
561:
524:
431:
846:), a farce in 1935 about a world where there are no prisoners or police officers; and
1499:
1436:
1379:
1292:
937:
686:
654:
601:
597:
510:
383:
379:
256:
936:
under Dr. Thompson. Svensk Filmindustri then commissioned Fejos to make a series of
653:. The movie was only a modest success, however, and Fejos considered it a failure. (
1682:
1359:
1199:
1008:
1000:
848:
581:
532:
332:
297:
439:
402:
245:
1611:
1143:
922:
881:
752:
642:
472:
394:
281:
65:
292:. The truth is the family of Fejos' mother originated in Italy, but did have an
1514:
577:
549:
419:
390:
255:
in October 1927. The film proved to be popular, which allowed him to sign with
1721:
1642:
1167:
760:
638:
605:
502:
446:
In the spring of 1926, Fejos spent his entire life savings of $ 45 on an old
410:
237:
233:
229:
83:
20:
999:
Returning in 1938 from filming in Thailand, Fejos met Swedish industrialist
645:. Fejos was given a $ 1 million budget, most of which was spent on the huge
413:
briefly employed him. Fejos then headed to Berlin and worked as an extra in
1020:
1016:
914:
827:
694:
650:
623:
589:
544:
540:
476:
468:
344:
312:
1711:
536:
531:
based on a newspaper article about loneliness in modern American cities.
516:
In 1928, Fejos quickly began production on his next and best-known film,
451:
371:
359:
316:
241:
671:
In 1930, Fejos became an American citizen and began filming the musical
308:
288:. In addition, Fejos fancied himself in his youth as an official of the
95:
Film director, anthropologist, screenwriter, medical orderly, researcher
1495:
1490:
1371:
1308:
1027:, released in 1940 and 1941. It also led to the publication in 1943 of
910:
869:
634:
593:
557:
414:
172:
1096:
506:
1363:
1045:
857:
682:
553:
424:
Fejos then moved to Paris and staged an unsuccessful production of
268:
61:
1019:. Fejos spent a year in Peru studying the culture and filming the
320:
301:
768:), which some film critics have called his best movie. It stars
646:
483:
company, which was trying to compete with the more established
480:
406:
304:
277:
1023:
tribe. The research resulted in Fejos' final series of films,
1012:
1004:
826:
In 1934, Fejos moved to Denmark and made three films for the
484:
447:
728:
In 1931, Fejos left Hollywood, accepting an invitation from
668:)" from Fejos' movie "have become basic screen literature."
513:
because its contract offered him complete artistic control.
1049:
1034:
1031:
by the Viking Fund Series of Publications in Anthropology.
488:
224:(24 January 1897 – 23 April 1963), known professionally as
780:
seems indebted to the city and amusement park scenes in
710:
Fejos broke his contract with Universal and signed with
689:
finish the movie, and Fejos received no screen credit.
913:, a Danish journalist noted both for being a guest of
860:'s story about the relationship between art and life.
1695:
1291:. Vienna, Austria: verlag filmarchiv Austria, Wien.
296:
background, while Fejos' father was a pharmacist in
1042:
Wenner-Gren Foundation for Anthropological Research
863:
366:a film about police corruption in New York City;
1719:
1544:
1350:Dodds, John W. (1963). "Eulogy for Paul Fejos".
1435:. The H. W. Wilson Company. 1987. pp. 315–319.
351:a fantasy based on the mythological character;
16:Hungarian-American filmmaker and anthropologist
1454:"Wenner-Gren Foundation profile of Paul Fejos"
633:based on the hit stage production produced by
1530:
1015:cities and traveled to the headwaters of the
776:Jonathan Rosenbaum praised the film. Much as
758:In 1932, Fejos returned to Hungary to direct
319:started soon afterward and Fejos worked as a
397:, Fejos left Hungary in 1923 to escape the
1537:
1523:
1427:
1425:
1423:
1421:
1419:
1417:
1415:
1413:
1411:
1409:
436:Rockefeller Institute for Medical Research
1407:
1405:
1403:
1401:
1399:
1397:
1395:
1393:
1391:
1389:
929:and the two remained married until 1942.
805:In 1933, Fejos moved to Austria and made
1748:Hungarian emigrants to the United States
1321:
1035:Career as anthropologist and final years
1217:(1936, series of 6 short documentaries)
1068:
856:), an adaptation in 1935 of playwright
588:praised Lonesome and compared Fejos to
1720:
1386:
389:As did prominent Hungarian filmmakers
1518:
1349:
921:and for a romantic relationship with
1343:
454:and pursue a Hollywood film career.
338:
457:
13:
1281:
1131:(1930, German and French versions)
990:The Village Near Pleasant Fountain
900:The Most Useful Tree in the World,
723:
501:took 28 days to shoot. It starred
14:
1774:
1474:
876:. Upon Fejos' return to Denmark,
874:Royal Danish Geographical Society
370:a remake of the popular American
1705:
1480:
864:Career as ethnographic filmmaker
188:
159:
132:
208:
184:
155:
128:
1446:
1433:World Film Directors, Volume 1
1289:Paul Fejos Die Welt macht Film
740:Fejos then made the ambitious
706:All Quiet on the Western Front
615:Fejos's third Hollywood film,
1:
1314:
1245:Byn vid den trivsamma brunnen
994:Byn vid den trivsamma brunnen
751:of the famous serial made by
262:
31:when mentioning individuals.
7:
1651:The Verdict of Lake Balaton
1329:"The Travels of Paul Fejos"
1302:
1287:Büttner, Elisabeth (2004).
1176:The Verdict of Lake Balaton
897:Beauty Salon in the Jungle,
838:), a light comedy in 1934;
795:The Verdict of Lake Balaton
228:, was a Hungarian-American
10:
1779:
1559:Lord Arthur Savile's Crime
1076:Lord Arthur Savile's Crime
1062:Pierre Teilhard de Chardin
966:The Bamboo Age of Mentawei
535:produced the film. Actors
429:, the avant-garde play of
405:. Fejos first traveled to
354:Lord Arthur Savile's Crime
286:Austrian-Hungarian Empress
18:
1753:Film people from Budapest
1553:
1510:The Travels of Paul Fejos
907:The Graves of our Father.
580:called it a precursor to
368:The Last of Arsène Lupin,
311:and later to a school in
107:
99:
91:
72:
43:
36:
1738:Hungarian film directors
1667:Flight from the Millions
1505:Literature on Paul Fejos
1227:Bambuåldern på Mantaivei
1192:Flight from the Millions
27:. This article uses
19:The native form of this
1743:Hungarian ethnographers
1257:Att segla är nödvändigt
974:The Chief's Son is Dead
970:Bambuåldern på Mentawei
927:Flight of the millions,
909:In 1936, Fejos married
836:Flugten fra millionerne
1763:Visual anthropologists
1029:Ethnology of the Yagua
832:Flight of the millions
494:The finished project,
378:based on the novel by
325:Imperial Austrian Army
1758:Silent film directors
1358:(4). JSTOR: 405–407.
1233:Hövdingens son är död
978:Hövdingens son är död
958:The Tribe Still Lives
894:The Dancers of Esira,
552:recording truck from
280:and his mother was a
1619:Captain of the Guard
1614:and French versions)
1599:The Last Performance
1352:Current Anthropology
1136:Captain of the Guard
1120:The Last Performance
1069:Selected filmography
934:Museum of Copenhagen
925:. Arvad appeared in
919:1936 Summer Olympics
701:John Murray Anderson
674:Captain of the Guard
666:Final in Technicolor
618:The Last Performance
376:The Queen of Spades,
187: 1936;
158: 1925;
131: 1914;
1675:Prisoner Number One
1208:Prisoner Number One
878:Svensk Filmindustri
712:Metro Goldwyn Mayer
358:based on a play by
329:Italian front lines
1545:Films directed by
1485:Works by or about
1458:www.wennergren.org
1139:(1930 Uncredited )
938:ethnographic films
730:Pierre Braunberger
692:He then worked on
586:Jonathan Rosenbaum
562:Joseph Cherniavsky
525:Edward T. Lowe Jr.
444:The Glass Slipper.
432:Walter Hasenclever
364:The Black Captain,
267:Fejos was born in
29:Western name order
1693:
1692:
1215:Svarta horisonter
982:The Komodo Dragon
942:A Handful of Rice
890:Svarta Horisonter
840:Prisoner Number 1
687:John S. Robertson
659:a new version of
655:William A. Seiter
602:Vsevolod Pudovkin
598:Sergei Eisenstein
523:from a script by
511:Universal Studios
380:Alexander Pushkin
339:Early film career
257:Universal Studios
219:
218:
100:Years active
1770:
1710:
1709:
1708:
1701:
1683:The Golden Smile
1659:Voices of Spring
1539:
1532:
1525:
1516:
1515:
1484:
1468:
1467:
1465:
1464:
1450:
1444:
1429:
1384:
1383:
1347:
1341:
1340:
1338:
1336:
1325:
1239:Draken på Komodo
1221:Stammen lever än
1200:The Golden Smile
1184:Voices of Spring
1009:Franciscan friar
1001:Axel Wenner-Gren
986:Draken på Komodo
962:Stammen lever än
849:The Golden Smile
816:Voices of Spring
533:Carl Laemmle Jr.
458:Hollywood career
212:
210:
192:
190:
186:
163:
161:
157:
136:
134:
130:
79:
57:
55:
34:
33:
1778:
1777:
1773:
1772:
1771:
1769:
1768:
1767:
1718:
1717:
1716:
1706:
1704:
1696:
1694:
1689:
1575:The Last Moment
1549:
1543:
1477:
1472:
1471:
1462:
1460:
1452:
1451:
1447:
1431:Wakeman, John.
1430:
1387:
1348:
1344:
1334:
1332:
1327:
1326:
1322:
1317:
1305:
1284:
1282:Further reading
1263:En handfull ris
1144:Men Behind Bars
1092:The Last Moment
1071:
1037:
946:En Handfull Ris
923:John F. Kennedy
882:Gunnar Skoglund
866:
854:Det Gyldne Smil
821:Frühlingstimmen
807:Ray of Sunshine
753:Louis Feuillade
726:
724:European career
643:Phillip Dunning
497:The Last Moment
473:Charlie Chaplin
460:
395:Alexander Korda
341:
333:combat airplane
321:medical orderly
282:Lady-in-waiting
265:
251:The Last Moment
215:
214:
211: 1958)
206:
202:
194:
191: 1942)
182:
178:
175:
165:
162: 1925)
153:
149:
146:
138:
135: 1921)
126:
122:
119:
87:
81:
77:
68:
66:Austria-Hungary
59:
58:24 January 1897
53:
51:
50:
49:
39:
32:
17:
12:
11:
5:
1776:
1766:
1765:
1760:
1755:
1750:
1745:
1740:
1735:
1730:
1715:
1714:
1691:
1690:
1688:
1687:
1679:
1671:
1663:
1655:
1647:
1639:
1631:
1623:
1615:
1603:
1595:
1587:
1579:
1571:
1563:
1554:
1551:
1550:
1542:
1541:
1534:
1527:
1519:
1513:
1512:
1507:
1502:
1493:
1476:
1475:External links
1473:
1470:
1469:
1445:
1385:
1364:10.1086/200416
1342:
1319:
1318:
1316:
1313:
1312:
1311:
1304:
1301:
1300:
1299:
1283:
1280:
1279:
1278:
1272:
1269:Man och kvinna
1266:
1260:
1254:
1248:
1242:
1236:
1230:
1224:
1218:
1212:
1204:
1196:
1188:
1180:
1172:
1164:
1156:
1148:
1140:
1132:
1124:
1116:
1108:
1100:
1088:
1080:
1070:
1067:
1056:universities.
1036:
1033:
954:Man och Kvinna
886:Black Horizons
865:
862:
800:Itél a Balaton
755:in the 1910s.
725:
722:
610:Charles Higham
584:. Film critic
578:Georges Sadoul
567:Melody of Love
550:Movietone News
459:
456:
420:Die Nibelungen
391:Michael Curtiz
340:
337:
290:Imperial Court
271:, Hungary, as
264:
261:
217:
216:
204:
200:
199:
198:
197:
180:
176:
171:
170:
169:
168:
151:
147:
144:
143:
142:
141:
124:
120:
118:Mara Jankowsky
117:
116:
115:
114:
111:
109:
105:
104:
101:
97:
96:
93:
89:
88:
82:
80:(aged 66)
74:
70:
69:
60:
47:
45:
41:
40:
37:
15:
9:
6:
4:
3:
2:
1775:
1764:
1761:
1759:
1756:
1754:
1751:
1749:
1746:
1744:
1741:
1739:
1736:
1734:
1731:
1729:
1726:
1725:
1723:
1713:
1703:
1702:
1699:
1685:
1684:
1680:
1677:
1676:
1672:
1669:
1668:
1664:
1661:
1660:
1656:
1653:
1652:
1648:
1645:
1644:
1643:Spring Shower
1640:
1637:
1636:
1632:
1629:
1628:
1627:American Love
1624:
1621:
1620:
1616:
1613:
1609:
1608:
1607:The Big House
1604:
1601:
1600:
1596:
1593:
1592:
1588:
1585:
1584:
1580:
1577:
1576:
1572:
1569:
1568:
1567:Stars of Eger
1564:
1561:
1560:
1556:
1555:
1552:
1548:
1540:
1535:
1533:
1528:
1526:
1521:
1520:
1517:
1511:
1508:
1506:
1503:
1501:
1497:
1494:
1492:
1488:
1483:
1479:
1478:
1459:
1455:
1449:
1442:
1441:0-8242-0757-2
1438:
1434:
1428:
1426:
1424:
1422:
1420:
1418:
1416:
1414:
1412:
1410:
1408:
1406:
1404:
1402:
1400:
1398:
1396:
1394:
1392:
1390:
1381:
1377:
1373:
1369:
1365:
1361:
1357:
1353:
1346:
1330:
1324:
1320:
1310:
1307:
1306:
1298:
1294:
1290:
1286:
1285:
1276:
1273:
1270:
1267:
1264:
1261:
1258:
1255:
1252:
1249:
1246:
1243:
1240:
1237:
1234:
1231:
1228:
1225:
1222:
1219:
1216:
1213:
1210:
1209:
1205:
1202:
1201:
1197:
1194:
1193:
1189:
1186:
1185:
1181:
1178:
1177:
1173:
1170:
1169:
1168:Spring Shower
1165:
1162:
1161:
1157:
1154:
1153:
1152:American Love
1149:
1146:
1145:
1141:
1138:
1137:
1133:
1130:
1129:
1128:The Big House
1125:
1122:
1121:
1117:
1114:
1113:
1109:
1106:
1105:
1101:
1098:
1094:
1093:
1089:
1086:
1085:
1084:Stars of Eger
1081:
1078:
1077:
1073:
1072:
1066:
1063:
1057:
1055:
1051:
1047:
1043:
1032:
1030:
1026:
1022:
1018:
1014:
1010:
1006:
1002:
997:
995:
991:
987:
983:
979:
975:
971:
967:
963:
959:
955:
951:
950:Man and Woman
947:
943:
939:
935:
930:
928:
924:
920:
916:
912:
908:
904:
901:
898:
895:
891:
887:
883:
879:
875:
871:
861:
859:
855:
851:
850:
845:
841:
837:
833:
829:
824:
822:
818:
817:
812:
808:
803:
801:
797:
796:
789:
786:
784:
779:
774:
771:
767:
766:Tavaszi Zápor
763:
762:
761:Spring Shower
756:
754:
750:
746:
744:
739:
737:
736:American Love
731:
721:
719:
718:
717:The Big House
713:
709:
707:
702:
698:
696:
690:
688:
684:
680:
676:
675:
669:
667:
663:
662:
656:
652:
648:
644:
640:
639:George Abbott
636:
632:
630:
625:
621:
619:
613:
611:
607:
606:Andrew Sarris
603:
599:
595:
591:
587:
583:
579:
575:
574:
569:
568:
563:
559:
555:
551:
546:
542:
538:
534:
530:
526:
522:
520:
514:
512:
508:
504:
503:Otto Matieson
500:
498:
492:
490:
486:
482:
478:
474:
470:
465:
455:
453:
449:
445:
441:
440:Ferenc Molnár
437:
433:
430:
428:
423:
421:
416:
412:
411:Max Reinhardt
408:
404:
403:Horthy regime
400:
396:
392:
387:
385:
381:
377:
373:
369:
365:
361:
357:
355:
350:
346:
336:
334:
330:
326:
322:
318:
314:
310:
306:
303:
299:
295:
291:
287:
283:
279:
274:
270:
260:
258:
254:
252:
247:
243:
239:
238:documentaries
235:
234:feature films
231:
227:
223:
196:
195:
174:
167:
166:
140:
139:
113:
112:
110:
106:
102:
98:
94:
92:Occupation(s)
90:
85:
84:New York City
76:23 April 1963
75:
71:
67:
63:
46:
42:
35:
30:
26:
22:
21:personal name
1681:
1673:
1665:
1657:
1649:
1641:
1633:
1625:
1617:
1605:
1597:
1589:
1581:
1573:
1565:
1557:
1546:
1461:. Retrieved
1457:
1448:
1432:
1355:
1351:
1345:
1333:. Retrieved
1323:
1288:
1274:
1268:
1262:
1256:
1250:
1244:
1238:
1232:
1226:
1220:
1214:
1206:
1198:
1190:
1182:
1174:
1166:
1158:
1150:
1142:
1134:
1126:
1118:
1110:
1102:
1090:
1082:
1074:
1058:
1038:
1028:
1024:
1017:Amazon River
998:
993:
989:
985:
981:
977:
973:
969:
965:
961:
957:
953:
949:
945:
941:
931:
926:
915:Adolf Hitler
906:
902:
899:
896:
893:
889:
885:
867:
853:
847:
843:
839:
835:
831:
828:Nordisk Film
825:
820:
814:
811:Sonnenstrahl
810:
806:
804:
799:
793:
790:
781:
777:
775:
765:
759:
757:
741:
734:
727:
715:
704:
695:King of Jazz
693:
691:
678:
672:
670:
665:
660:
651:Evelyn Brent
627:
624:Conrad Veidt
616:
614:
590:F. W. Murnau
571:
565:
545:Coney Island
541:Barbara Kent
517:
515:
495:
493:
477:Leon Shamroy
469:Georgia Hale
461:
443:
425:
418:
399:White Terror
388:
375:
367:
363:
352:
348:
345:silent films
342:
294:aristocratic
272:
266:
249:
225:
221:
220:
145:Mimosa Pfalz
78:(1963-04-23)
24:
1733:1963 deaths
1728:1897 births
1331:. Criterion
844:Fange Nr. 1
679:Marsellaise
537:Glenn Tryon
491:companies.
452:Los Angeles
450:to move to
372:serial film
360:Oscar Wilde
317:World War I
298:Dunaföldvár
242:World War I
1722:Categories
1547:Paul Fejos
1496:Paul Fejos
1491:Wikisource
1487:Paul Fejos
1463:2012-07-21
1315:References
1309:Runkuraqay
1297:3901932313
911:Inga Arvad
870:Madagascar
635:Jed Harris
594:Fritz Lang
582:neorealism
415:Fritz Lang
263:Early life
226:Paul Fejos
201:Lita Binns
173:Inga Arvad
54:1897-01-24
38:Paul Fejos
1380:143884215
1097:lost film
1007:there, a
903:Sea Devil
830:company:
770:Annabella
699:on which
507:lost film
347:included
313:Kecskemét
273:Pál Fejős
222:Pál Fejős
103:1919–1963
48:Pál Fejős
25:Fejős Pál
1635:Fantômas
1591:Broadway
1583:Lonesome
1303:See also
1160:Fantômas
1112:Broadway
1104:Lonesome
1054:Columbia
1046:Stanford
858:Kaj Munk
778:Lonesome
743:Fantômas
683:Bastille
661:Broadway
629:Broadway
573:Lonesome
554:Fox Film
529:Tom Reed
519:Lonesome
464:Pasadena
409:, where
401:and the
323:for the
309:Veszprém
284:for the
269:Budapest
230:director
62:Budapest
1610:(1930,
1372:2739913
1251:Tambora
1095:(1928,
917:at the
783:Sunrise
427:L'Homme
327:on the
305:Fathers
302:Piarist
278:Hussars
213:
205:
193:
181:
177:
164:
152:
148:
137:
125:
121:
108:Spouses
1698:Portal
1686:(1935)
1678:(1935)
1670:(1934)
1662:(1933)
1654:(1932)
1646:(1932)
1638:(1932)
1630:(1931)
1622:(1930)
1612:German
1602:(1929)
1594:(1929)
1586:(1928)
1578:(1928)
1570:(1923)
1562:(1920)
1439:
1378:
1370:
1295:
1277:(1941)
1271:(1939)
1265:(1938)
1259:(1938)
1253:(1938)
1247:(1937)
1241:(1937)
1235:(1937)
1229:(1937)
1211:(1935)
1203:(1935)
1195:(1934)
1187:(1933)
1179:(1932)
1171:(1932)
1163:(1932)
1155:(1931)
1147:(1931)
1123:(1929)
1115:(1929)
1107:(1928)
1087:(1923)
1079:(1920)
988:) and
749:remake
647:cubist
558:talkie
481:DuPont
407:Vienna
374:; and
246:Horthy
86:, U.S.
1376:S2CID
1368:JSTOR
1335:5 May
1275:Yagua
1223:(1937
1025:Yagua
1021:Yagua
1013:Incan
1005:Cusco
677:(AKA
657:made
485:Kodak
448:Buick
384:color
207:(
203:
183:(
179:
154:(
150:
127:(
123:
1712:Film
1500:IMDb
1437:ISBN
1337:2014
1293:ISBN
1052:and
1050:Yale
905:and
641:and
600:and
539:and
527:and
489:Agfa
487:and
393:and
349:Pán,
236:and
189:div.
160:div.
133:div.
73:Died
44:Born
1498:at
1489:at
1360:doi
996:).
980:),
972:),
964:),
956:),
948:),
892:),
880:'s
823:).
442:'s
417:'s
307:in
232:of
23:is
1724::
1456:.
1388:^
1374:.
1366:.
1354:.
1048:,
747:a
720:.
637:,
604:.
596:,
592:,
471:,
386:.
362:;
209:m.
185:m.
156:m.
129:m.
64:,
1700::
1538:e
1531:t
1524:v
1466:.
1443:.
1382:.
1362::
1356:4
1339:.
1099:)
992:(
984:(
976:(
968:(
960:(
952:(
944:(
888:(
852:(
842:(
834:(
819:(
809:(
798:(
785:,
764:(
745:,
738:.
708:.
697:,
631:,
620:,
521:,
499:,
422:.
356:,
253:,
56:)
52:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.