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Pashto music

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1041: 752: 28: 652: 597:. The Tappa is a composition of two unequal meters, in which the first line is shorter than the succeeding one, yet it reflects all human feelings and aspirations elegantly. Be it laborers, peasants, or women, all sentiments find expression in the Tappa. It is also common among the Pashtuns that a boy of school age would sing it, the elders in their 643:) has many different forms and normally women compose it. It is usually very short (1 to 3 lines). The first lines are repeated in the middle of the song and Tappa is usually added according to the subject and circumstances. Most of these songs in Pashtun culture have been expressed in different areas about daily life and love. 736:
Whilst not strictly speaking a literary form, Takki are a common form of entertainment in large gatherings. Two contestants take turns to extemporaneously deliver verses attacking the other, not unlike a rap battle. This is sometimes also called Hujooh or Lughat, and is more common in the southern
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Charbetta is another popular genre, which consists of an epic poem with special rhythms. There are four kinds of Charbettas. Normally, it is a poem of four lines but might also have six or eight lines. All aspects of life are discussed in it. That includes the heroic deeds and heroism of legendary
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Loba is very popular among the masses and are added within Tappas occasionally. This is a form of folk music in which a story is told. It requires 2 or more persons who reply to each other in a poetic form. The two sides are usually the lover and the beloved (the man and woman).
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is usually very fast and is sung by two or more singers as part of a chorus in which one singer reads the first line while the others follow the remaining. The singing or recitation of a Charbetta is called
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Huffman, Brent, film director, film producer. Zhou, Xiaoli (Documentary filmmaker), film producer. Piper, Zak, 1978- film producer. Temori, Qadir, narrator. Sakhi, Homayun, 1976- composer (expression),
601:, or the women in their home and Godar alike. It is the only song sung in the time of grief and on the occasion of marriage. In music it is sung with the traditional Afghan musical instruments 716:. The Rubayis of Rehman Baba are popular among the masses and is sung before the starting of Badala. As with the Ghazals, the Rubayi have been heavily influenced by 364: 1001: 1005: 672:
Shaan is sung during happy occasions such as marriages or the birth of a child, and is sung in private congregations and social gatherings.
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and mangai. Tappa has up to 16 different models of harmony and is sung with full orchestra. In hujrah it is sung with rubab and
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Badala is a professional form of folk music and consists of an epic poem or a
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is varied in rhythms from the others. It is sung traditionally at night.
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districts of KPK and the areas across the border, such as Khost.
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Afghan men performing at the new Afghan Cultural Center on
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figures and sometimes expresses romantic feelings. The
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Instruments used include the 1012: 971: 945: 927:Mahboob, Sannan (2023-11-28). 920: 13: 1: 913: 908:List of Pashto-language poets 712:Rubayi is a Pashto form of a 659:is often used in Pashto music 967:– via www.youtube.com. 7: 896: 758:performing at a concert in 630: 612: 550: 479:Islamabad Capital Territory 10: 1150: 1114:collection of Pashto Music 744: 880:Traditional Pashtun dance 707: 675: 572: 557:is commonly performed in 741:Composers and performers 731: 667: 577: 1069:more precise citations. 787:Obaidullah Jan Kandarai 646: 1134:Culture of Afghanistan 767: 660: 44: 1109:Types of Pashto Music 754: 654: 309:Pakistan Media Awards 282:Media and performance 30: 852:Jehangir Aziz Hayat 842:Sajid & Zeeshan 768: 661: 484:Khyber Pakhtunkhwa 45: 1095: 1094: 1087: 847:Ismail and Junaid 782:Sardar Ali Takkar 530: 529: 451: 450: 417: 416: 341:Lahore Music Meet 277: 276: 271: 254: 52:Music of Pakistan 16:(Redirected from 1141: 1090: 1083: 1079: 1076: 1070: 1065:this article by 1056:inline citations 1043: 1042: 1035: 1029: 1028: 1016: 1010: 1009: 999: 991: 981:Saving Mes Aynak 975: 969: 968: 966: 964: 949: 943: 942: 940: 939: 924: 866:Sannan Mahboob ( 642: 592: 553: 544: 543: 522: 515: 508: 474:Gilgit-Baltistan 428: 427: 388:Nescafe Basement 325:Patari Haftanama 301:Lux Style Awards 288: 287: 265: 248: 108: 107: 54: 47: 46: 37:Helmand Province 33:Camp Leatherneck 21: 1149: 1148: 1144: 1143: 1142: 1140: 1139: 1138: 1119: 1118: 1100: 1091: 1080: 1074: 1071: 1061:Please help to 1060: 1044: 1040: 1033: 1032: 1017: 1013: 993: 992: 976: 972: 962: 960: 951: 950: 946: 937: 935: 925: 921: 916: 903:Pashtun culture 899: 882: 749: 743: 734: 710: 678: 670: 649: 633: 615: 580: 575: 542:د پښتو ټنګ ټکور 526: 439: 431:National anthem 343: 339: 331:Music festivals 313:ARY Film Awards 311: 307: 303: 299: 111:Religious music 50: 23: 22: 15: 12: 11: 5: 1147: 1137: 1136: 1131: 1117: 1116: 1111: 1106: 1099: 1098:External links 1096: 1093: 1092: 1047: 1045: 1038: 1031: 1030: 1011: 970: 944: 918: 917: 915: 912: 911: 910: 905: 898: 895: 894: 893: 888: 881: 878: 877: 876: 871: 864: 862:Homayoun Sakhi 859: 854: 849: 844: 839: 837:Zeb and Haniya 834: 829: 827:Khyal Muhammad 824: 819: 814: 809: 804: 799: 794: 789: 784: 779: 774: 745:Main article: 742: 739: 733: 730: 709: 706: 677: 674: 669: 666: 648: 645: 632: 629: 614: 611: 579: 576: 574: 571: 567:Pashtun people 528: 527: 525: 524: 517: 510: 502: 499: 498: 497: 496: 491: 486: 481: 476: 471: 466: 458: 457: 456:Regional music 453: 452: 449: 448: 433: 432: 424: 423: 419: 418: 415: 414: 413: 412: 407: 396: 395: 390: 385: 380: 369: 368: 353: 352: 348: 347: 345:Lok Virsa Mela 333: 332: 328: 327: 321: 320: 316: 315: 293: 292: 284: 283: 279: 278: 275: 274: 273: 272: 260: 255: 243: 235: 234: 233: 232: 227: 222: 217: 212: 207: 202: 197: 192: 187: 182: 177: 172: 167: 162: 157: 149: 148: 144: 143: 142: 141: 136: 131: 126: 121: 113: 112: 104: 103: 102:Specific forms 99: 98: 97: 96: 91: 86: 81: 76: 75: 74: 72:Semi-classical 61: 60: 56: 55: 9: 6: 4: 3: 2: 1146: 1135: 1132: 1130: 1129:Pashtun music 1127: 1126: 1124: 1115: 1112: 1110: 1107: 1105: 1102: 1101: 1089: 1086: 1078: 1068: 1064: 1058: 1057: 1051: 1046: 1037: 1036: 1026: 1022: 1015: 1007: 1003: 997: 990: 986: 982: 974: 958: 954: 948: 934: 930: 923: 919: 909: 906: 904: 901: 900: 892: 891:Khattak Dance 889: 887: 884: 883: 875: 872: 869: 865: 863: 860: 858: 857:Ghazala Javed 855: 853: 850: 848: 845: 843: 840: 838: 835: 833: 830: 828: 825: 823: 820: 818: 815: 813: 810: 808: 805: 803: 800: 798: 795: 793: 790: 788: 785: 783: 780: 778: 775: 773: 770: 769: 765: 761: 757: 753: 748: 738: 729: 727: 723: 719: 715: 705: 703: 699: 695: 691: 687: 683: 673: 665: 658: 653: 644: 638: 628: 626: 621: 610: 608: 604: 600: 596: 595:Pashto poetry 588: 584: 570: 568: 564: 560: 556: 555: 552: 538: 534: 523: 518: 516: 511: 509: 504: 503: 501: 500: 495: 492: 490: 487: 485: 482: 480: 477: 475: 472: 470: 467: 465: 462: 461: 460: 459: 455: 454: 446: 442: 438: 437:Qaumi Taranah 435: 434: 430: 429: 426: 425: 421: 420: 411: 408: 406: 403: 402: 401: 400: 394: 391: 389: 386: 384: 381: 379: 376: 375: 374: 373: 367: 366: 362: 361: 360: 359: 355: 354: 350: 349: 346: 342: 338: 335: 334: 330: 329: 326: 323: 322: 318: 317: 314: 310: 306: 302: 298: 295: 294: 290: 289: 286: 285: 281: 280: 269: 264: 261: 259: 256: 252: 247: 244: 242: 239: 238: 237: 236: 231: 228: 226: 223: 221: 218: 216: 213: 211: 208: 206: 203: 201: 198: 196: 193: 191: 188: 186: 183: 181: 178: 176: 173: 171: 168: 166: 163: 161: 158: 156: 153: 152: 151: 150: 146: 145: 140: 137: 135: 132: 130: 127: 125: 122: 120: 117: 116: 115: 114: 110: 109: 106: 105: 101: 100: 95: 92: 90: 87: 85: 82: 80: 77: 73: 70: 69: 68: 65: 64: 63: 62: 58: 57: 53: 49: 48: 42: 38: 34: 29: 19: 18:Pashtun music 1081: 1072: 1053: 1024: 1014: 980: 973: 961:. 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Index

Pashtun music

Camp Leatherneck
Helmand Province
Afghanistan
Music of Pakistan
Classical
Semi-classical
Folk
Ghazal
Qawwali
Sufi
Hamd
Nasheed
Naat
Qawwali
Sufi
Balti
Balochi
Brahui
Burusho
Burushaski
Hazaragi
Hindko
Kashmiri
Khowar
Kalasha
Pashto
Pothwari
Punjabi

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