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Nam June Paik

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205: 910: 563:(1977), which invokes "the history and memories of World War II in the Pacific." Hanhardt has also concluded that—though "no single story" of Nam June Paik can capture the complexity of who he was and the places that shaped him—as Paik grew in public, transcultural, and global recognition, he held onto the significance of his birthplace in Korea. Similarly, the curator Lee Sook-kyung has called identifying what is Korea, Japanese, American, or German about Nam June Paik to be a "futile" effort, yet she has observed that Paik consistently emphasized his Korean heritage and "Mongolian" lineages. 44: 730:, from 1975, a series of aquariums arranged in a horizontal line contain live fish swimming in front of an equal number of monitors which show video images of other fish. Paik completed an installation in 1993 in the NJN Building in Trenton, NJ. This work was commissioned under the public building arts inclusion act of 1978. The installation's media is neon lights incorporated around video screens. This particular piece is currently non-operational, though there are plans to make necessary upgrades/repairs to restore it to working order. 572: 296: 467: 4415: 648:, in which Moorman wore a bra with small TV screens over her breasts. Throughout this period it was Paik's goal to bring music up to speed with art and literature, and make sex an acceptable theme. One of his Fluxus concept works ("Playable Pieces") instructs the performer to "Creep into the Vagina of a living Whale." Of the "Playable Pieces," the only one actually to have been performed was by Fluxus composer 4425: 674:"The building of new electronic super highways will become an even huger enterprise. Assuming we connect New York with Los Angeles by means of an electronic telecommunication network that operates in strong transmission ranges, as well as with continental satellites, wave guides, bundled coaxial cable, and later also via laser beam fiber optics: the expenditure would be about the same as for a 708: 659:, a cello formed out of three television sets stacked up on top of each other and some cello strings. During Moorman's performance with the object, she drew her bow across the "cello," as images of her and other cellists playing appeared on the screens. Paik and Moorman created another TV Cello in 1976 as a Kaldor Public Art Project in Sydney, Australia. 1428:, an old friend of Paik, said of the archive: "It came in great disorder, which made it all the more complicated. It is not like his space was perfectly organized. I think the archive is like a huge memory machine. A wunderkammer, a wonder cabinet of his life." Hanhardt describes the archives in the catalog for the 2012 Smithsonian show in the book 1421:; and a complete collection of videotapes used in his work, as well as production notes, television work, sketches, notebooks, models and plans for videos. It also covers early-model televisions and video projectors, radios, record players, cameras and musical instruments, toys, games, folk sculptures and the desk where he painted in his SoHo studio. 1083: 964:
on July 30, 1992. Although the exhibition lasted merely 34 days, it saw 117,961 paid visitors; the unofficial visitor count reached nearly 200,000. The exhibition involved the participation of major entities of media and business—including the Korea Broadcasting Corporation and Samsung Electronics.
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After nearly 35 years of being exiled from his motherland of Korea, Paik returned to South Korea on June 22, 1984. From the mid-1980s to the mid-1990s, Paik played an integral role in Korea's art scene. As the curator Lee Sooyon has argued, Paik became more than just an illustrious visitor to Korea,
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Beginning with his artistic career in Germany in the 1960s—and on through his immigration to the U.S., later involvement in South Korea's art scene, and broader participation in international artistic currents—Paik's transnational path informed both his identity and his artistic practice in complex
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as the exhibition's starting point. According to Lee Sooyon, Paik carefully tailored the exhibition's works to his audiences. Knowing that Korea's audience was not familiar with international art world conversations of video art, Fluxus, and performance art, Paik selected artworks that appealed to
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As the curator Suh Jinsuk has observed, after returning to Korea in 1984, Nam June Paik increasingly explored symbols of global exchange with Asia, such as the Silk Road and Eurasia. Moreover, as Paik became involved in Korea's art scene, he spearheaded projects that drew upon his connections with
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Michael Mansfield, associate curator of film and media arts at the Smithsonian American Art Museum, supervised the complex installation of several hundred CRT TV sets, the wiring to connect them all, and the software and servers to drive them. He developed an app on his phone to operate every
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in Washington, D.C., in 2012–2013. As a leading expert in Paik's work, art historian John G. Hanhardt was the curator for three landmark exhibitions devoted to the artist, the ones at the Whitney Museum, the Guggenheim Museum, and the Smithsonian American Art Museum.
1690: 633:. Paik used this VTR to record television broadcasts, frequently manipulating the qualities of the broadcast, and the magnetic tape in process. In 1967 Sony introduced the first truly portable VTR, which featured a portable power supply and handheld camera, the Sony 532:, and Joseph Beuys to Korea's art scene; others brought recent developments in video art and interactivity from Europe and the U.S. to Korea, in ways that bridged similar activities in Korea's art scene. Paik was also involved in bringing the 1993 812:
also contributed to the Korea government's agendas of "the advancement and internationalization of culture" by bringing together video sketches of shaman rituals and Korean drum dancers with Seoul's "economic miracle" and the bustling business of
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Cage suggested Paik look into Zen Buddhism. Though Paik was already well familiar with Buddhism from his childhood in Korea and Japan, Cage's interest in Zen philosophy compelled Paik to re-examine his own intellectual and cultural foundation.
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and people's model of the internet as we know it today with such art pieces as "Send / Receive". The artwork and ideas of Nam June Paik were a major influence on late 20th-century art and continue to inspire a new generation of artists.
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Given its largely antiquated technology, Paik's oeuvre poses a unique conservation challenge. In 2006, Nam June Paik's estate asked a group of museums for proposals on how each would use the archive. Out of a group that included the
556:! C'est moi," in a 1964 pamphlet, a reference to his Asian identity that, as the curators June Yap and Lee Soo-yon have noted, appropriates a xenophobic phrase coined by Kaiser Wilhelm II as Paik referenced his Asian identity. 1682: 1592:
In one of his last interviews, Paik voiced his belief that to be buried in a cemetery would be futile, and expressed a desire for his ashes to be scattered around the world, and for some of his ashes to be buried in Korea.
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During 1963 and 1964 the engineers Hideo Uchida and Shuya Abe showed Paik how to interfere with the flow of electrons in color TV sets, work that led to the Abe-Paik video synthesizer, a key element in his future TV work.
726:, displays a white egg on a black background. In a series of video monitors, increasing in size, the image on the screen becomes larger and larger, until the egg itself becomes an abstract, unrecognizable shape. In 1071:, will present an exhibition that focuses on Paik as cultural organizer who made an immense impact upon South Korea's art scene; it aims to bring into greater focus Paik's relationship with national identity. 637:. With this, Paik could both move and record things, for it was the first portable video and audio recorder. From there, Paik became an international celebrity, known for his creative and entertaining works. 703:
is a video installation depicting a Buddha statue viewing its own live image on a closed circuit TV. Paik created numerous versions of this work using different statues, the first version is from 1974.
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in the atrium of the National Museum of Modern and Contemporary Art, Gwacheon. A giant tower, the work is made of 1003 monitors—a number that references October 3 as the day of Korea was founded by
796:, a tape that mixed live events from Seoul, South Korea; Tokyo, Japan; and New York, USA, demonstrates this new phase in Paik's practice. Broadcast on the occasion of the Asia Games in Seoul, 4263: 1052:
Although Paik's pioneering experimentalism and foresight of the important role media would continue to play in society has been examined across many exhibitions, for a 2019 exhibition, the
4287:"ART : This Guy Does Wonders With TVs : Nam June Paik is a cultural terrorist, a high-tech guru and a funny guy to boot. He also happens to be the godfather of video art" 6286: 800:'s title referenced a poem by Rudyard Kipling, "East is East, and West is West, and never the twain shall meet," as it fostered collaborations such as between the American artist 559:
Curator John Hanhardt observed that certain works recall Paik's lived experience of transnational immigration from South Korea to Japan, Germany, and on the U.S.; one example is
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Also in the 1970s, Paik imagined a global community of viewers for what he called a Video Common Market which would disseminate videos freely. In 1978, Paik collaborated with
386:, or a Korean who collaborated with the Japanese during the latter's occupation of Korea, owned a major textile manufacturing firm. As he was growing up, he was trained as a 614:, threw himself on the piano and rushed into the audience, attacking Cage and pianist David Tudor by cutting their clothes with scissors and dumping shampoo on their heads. 1413:. The archive includes Paik's early writings on art history, history and technology; correspondence with other artists and collaborators like Charlotte Moorman, John Cage, 882:. Paik was known for making robots out of television sets. These were constructed using pieces of wire and metal, but later Paik used parts from radio and television sets. 2658: 662:
In 1974 Nam June Paik used the term "super highway" in application to telecommunications, which gave rise to the opinion that he may have been the author of the phrase "
2821:"Press Release: First Nam June Paik Exhibition at National Gallery of Art, Washington, Includes Most Ambitious Installation to Date of "One Candle, Candle Projection"" 2416: 4661: 4375: 874: 3181: 2560: 4556: 4552: 2143: 4118: 1823: 1467:
he described her as "pure genius" from the moment they met. The two met while she was filming fellow students at random with her Sony Portapak as an artistic
6281: 4577: 4451: 2195: 991:(2000) integrating the unique space of the museum into the exhibition itself. This coincided with a downtown gallery showing of video artworks by his wife 1562:
In 1996, Paik had a stroke, which paralyzed his left side. He used a wheelchair the last decade of his life, though he was able to walk with assistance.
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from 10 December 2021 to 27 March 2022, a first time that such an expansive and ambitious presentation of Paik’s oeuvre was presented in Southeast Asia
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In 1961, Paik returned to Tokyo to explore the country's advanced technologies. While living in Japan between 1962 and 1963, Paik first acquired a
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He opened solo exhibitions in Korea and mounted two world-wide broadcast projects for the 1986 Asia Games and the 1988 Olympics, both hosted in
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In 1964, Paik immigrated to the United States of America and began living in New York City, where he began working with classical cellist
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was among the audience (which featured Paik's Global Groove); the screening notably inspired Park Hyunki to first experiment with video.
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Nam June Paik's work was first screened in South Korea on March 20, 1974, at the United States Information Center in Seoul. The artist
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to a wealthy business family, Paik trained as a classical musician, spending time in Japan and West Germany, where he joined the
2650: 335:. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications. 5223: 4478: 4148:. Isik Myeong, Hwasu Mun, 명이식, 문화수, Gungnip Hyeondae Misulgwan, Seoul Kolleksyeon. Gwacheon: Gungnip Hyeondae Misulgwan. 2019. 606:
in which he scattered televisions everywhere and used magnets to alter or distort their images. In a 1960 piano performance in
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For the German pavilion at the 1993 Venice Biennale, Paik created an array of robot sculptures of historic figures, such as
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Paik's first exhibition, entitled "Exposition of Music – Electronic Television", was held in 1963 at Galerie Parnass in
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into his work, acquiring growing fame. A stroke in 1996 left him partially paralyzed for the last decade of his life.
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and his use of everyday sounds and noises in his music. He made his big debut in 1963 at an exhibition known as
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and in 2004 designed the installation of monitors and video projections Global Groove 2004 for the
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holds the auction record for Paik's work since it achieved $ 646,896 in Hong Kong in 2007 for his
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were displayed at "Watch This! Revelations in Media Art" at the Smithsonian American Art Museum.
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popular subjects of Korean culture and history. The exhibition also featured works from Paik's
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In a notorious 1967 incident, Moorman was arrested for going topless while performing in Paik's
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he became the leader who helped open Korea's art scene to the broader international art world.
5783: 4772: 4591: 2522: 1166: 1154: 667: 652:("Cut your left forearm a distance of ten centimeters.") in 1964 at UCLA's New Music Workshop. 429: 79: 6007: 5548: 5528: 5375: 5137: 4892: 4847: 4065: 2905: 437: 271: 4200: 3380: 2441:"Electronic Arts Intermix: Media Shuttle: Moscow/New York, Dimitri Devyatkin; Nam June Paik" 2373: 1019: 6226: 6221: 6080: 5728: 5056: 4737: 4645: 3231: 2923: 2877: 2496: 2066: 1543:. After marrying Kubota and living in the United States for several decades, Paik became a 1479: 1398: 1394: 1380:
2001: Lifetime Achievement in Contemporary Sculpture Award, International Sculpture Center.
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Media Planning for the Postindustrial Society – The 21st Century is now only 26 years away
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TCV-2010, a combination unit that contained the first consumer-market video-tape recorder
8: 5573: 5543: 5458: 5215: 4042: 3903: 2722: 1344: 1243: 890: 862: 707: 414: 359: 119: 5403: 3682:"Artists | ETC / Experimental Television Center | Rose Goldsen Archive of New Media Art" 3481: 3130: 2806: 378:, the youngest of five children, Paik had two older brothers and two older sisters. His 6195: 6060: 6040: 5976: 5952: 5829: 5748: 5508: 5367: 4955: 4812: 4468: 4171: 3986: 3556: 3430: 2225: 1921: 1889: 1787: 1140: 1124: 894: 785: 3935:[Video artist Nam June Paik to receive the Geumgwan Order of Cultural Merit]. 3681: 3155: 3049: 2876:. Smithsonian American Art Museum, December 13, 2012 – August 11, 2013. Archived from 2583: 5937: 5778: 5663: 5311: 5031: 4995: 4945: 4507: 4291: 4159: 4149: 3606: 3105: 2779: 2294: 2125: 2117: 2098: 2017: 1940: 1877: 1867: 1775: 1765: 1661: 1483: 1287: 1273: 1056:
turned its focus upon Paik as a collaborator. This exhibition later travelled to the
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in the spring of 1982. Major retrospectives of Paik's work have been organized by
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Despite his stroke, in 2000, he created a millennium satellite broadcast entitled
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artist. He worked with a variety of media and is considered to be the founder of
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Public collections that hold or have exhibited work by Nam June Paik include:
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Many of Paik's early works and writings are collected in a volume edited by
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Paik moved to New York City in 1964. In 1977, he married the video artist
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who never smoked nor drank alcoholic beverages, and never drove a car.
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Do, Hyung-Teh; Suh, Jin-suk; Lee, Yongwoo; Fargier, Jean-Paul (2016).
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published by the Everson Museum of Art, Syracuse, New York, in 1974.
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Paik was survived by his wife, his brother, Ken Paik, and a nephew,
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The exhibition presented approximately 150 artworks, beginning with
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The lunatics are on the loose – EUROPEAN FLUXUS FESTIVALS 1962–1977
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in New York City, with the commissioned site-specific installation
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During the New Year's Day celebration on January 1, 1984, he aired
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to produce a light hearted comparison of life in two major cities,
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Paik's work also appeared in important group exhibitions such as
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he used a slightly different phrase, "electronic super highway":
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ways. At the outset of his career in Europe, Paik declared, "The
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collective and developed a friendship with experimental composer
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Couple in The Cage: Two Undiscovered Amerindians Visit the West
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from WGBH New Television Workshop archives, features short clip
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Modern and Contemporary Art | Leeum, Samsung Museum of Art
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From 1962, Paik was a member of the experimental art movement
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Nam June Paik Archive at the Smithsonian American Art Museum
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In 2011, an exhibition centered on Paik's video sculpture
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A final retrospective of his work was held in 2000 at the
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Electronic Superhighway: Continental U.S., Alaska, Hawaii
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Electronic Superhighway: Continental U.S., Alaska, Hawaii
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acquired the right to represent Paik's artistic estate.
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Schleswig-Holstein Museum (Schleswig-Holstein, Germany),
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From April 24, 2015, to September 7, 2015, Paik's works
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Recipients of the Order of Cultural Merit (South Korea)
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Korea, National Museum of Modern and Contemporary Art.
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practice akin to the artist in the studio. This led to
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Charlotte Moorman live at Mills College August 3, 1974
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toy, and who managed Paik's studios in New York City.
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Nam June Paik Art Center at Google Cultural Institute
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Sounding the Gallery: Video and the Rise of Art-Music
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National Museum of Modern and Contemporary Art, Korea
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National Museum of Modern and Contemporary Art, Korea
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Nam June Paik's first major retrospective in Korea,
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includes a biography and description of major works
2994:"Video Portrait | Detroit Institute of Arts Museum" 2679:A video from this installation can be found in the 913:Entrance to the Nam June Paik retrospective at the 4569:, Museum of Contemporary Art, Chicago, 1982 (MP3: 1712:Danzico, Matt; O'Brien, Jane (December 17, 2012). 1711: 1105:The National Museum of Modern and Contemporary Art 748:Paris, and South Korea. With the participation of 4111:"Nam June Paik: Preserving the Human Televisions" 2922:. Smithsonian American Art Museum. Archived from 2116: 1841: 1557: 417:in 1956, where he wrote a thesis on the composer 6213: 4372:"Nam June Paik's Nephew Gift to Harvard Museums" 3282:"Contemporary positions – Kunstmuseum St.Gallen" 792:business and government circles in South Korea. 3941:(in Korean). South Korea: JoongAng Holdings Ltd 3305: 2896:"Nam June Paik Archive Goes to the Smithsonian" 2847: 2609: 2497:"Looking at Buddha Watching TV – Art + Science" 2471:"TV-Buddha (1974) – Stedelijk Museum Amsterdam" 2091: 1818: 1816: 1814: 1753: 1751: 1749: 1747: 1745: 1743: 1741: 1739: 1137:Mercedes-Benz Art Collection (Berlin, Germany), 2889: 2887: 1934: 1374:2001: Wilhelm Lehmbruck Prize, awarded by the 586:Nam June Paik then began participating in the 513:. From 1979 to 1996 Paik was professor at the 397:, Paik and his family fled from their home in 5984: 5099: 4738: 4599: 4474:Nam June Paik at the Museo Vostell Malpartida 3927: 2414: 2140:"It's All Baseball: Nam June Paik Starts Out" 1656:Noah Wardrip-Fruin and Nick Montfort (2003). 1445:Nam June Paik: Videa 'n' Videology 1959–1973, 836:appears prominently in Paik's 1988 broadcast 428:in 1957 to study music history with composer 4035: 2772: 2012:Lee, Sooyon (2021). "Paik Nam June Effect". 2007: 2005: 2003: 2001: 1999: 1811: 1736: 1602: 1482:considered to be influenced by Paik include 893:in Berlin. Global Groove was turned into an 312: 247: 231: 4565:, Nam June Paik with Charlotte Moorman and 3961:"Wilhelm-Lehmbruck-Prize – lehmbruckmuseum" 2947:"This is the buzziest museum exhibit in SF" 2944: 2893: 2884: 2239:Paik, Nam June; Moorman, Charlotte (1970). 2238: 2216: 1997: 1995: 1993: 1991: 1989: 1987: 1985: 1983: 1981: 1979: 1912: 1459:his influence was from a student he met at 644:. Two years later, in 1969, they performed 365: 6282:Academic staff of Kunstakademie Düsseldorf 5991: 5977: 5106: 5092: 4745: 4731: 4606: 4592: 4457:9/23 Paik-Abe videosynthesizer performance 2553:"Video innovator Nam June Paik dies at 74" 1894:: CS1 maint: location missing publisher ( 1792:: CS1 maint: location missing publisher ( 327:; July 20, 1932 – January 29, 2006) was a 42: 6302:Recipients of the Ho-Am Prize in the Arts 4469:Nam June Paik biography @ MedienKunstNetz 4333: 1966:Venice International Performance Art Week 1010:Another retrospective was mounted at the 960:, opened at the Gwacheon location of the 600:Exposition of Music-Electronic Television 5248:Mattress Performance (Carry That Weight) 4484:"Father of Video Art Paik Nam-june Dies" 4249: 4247: 4245: 4108: 4102: 2122:Videokunst der 60er Jahre in Deutschland 1976: 1757: 1383:2004: Edward MacDowell Medal in the Arts 1081: 939:Musée d'art moderne de la Ville de Paris 908: 706: 570: 465: 6292:Members of the Royal Academy of Belgium 4230:from the original on September 12, 2015 3479: 2106:from the original on December 20, 2014. 1962:"Charlotte Moorman & Nam June Paik" 1569:, Florida, due to complications from a 14: 6252:Kyoto laureates in Arts and Philosophy 6214: 5224:How to Explain Pictures to a Dead Hare 4378:from the original on September 5, 2017 4370:Abrams, Amah-Rose (December 2, 2016). 4369: 4299:from the original on December 13, 2023 4284: 4221: 3131:"Piano Piece | Buffalo AKG Art Museum" 2614:. Seoul, South Korea: Gallery Hyundai. 2397:from the original on September 3, 2019 2393:, Media Art Net (medienkunstnetz.de), 2247:: Media Art Net (medienkunstnetz.de). 1680: 1043:9/23/69: Experiment with David Atwood, 780:, and other artists, Paik showed that 126:Ludwig Maximilian University of Munich 6262:Korean emigrants to the United States 5972: 5087: 4726: 4587: 4513:Tate: TateShots: Nam June Paik. 2011. 4253: 4242: 3060:from the original on January 19, 2019 2850:"He Tickled His Funny Bone, and Ours" 2706:Rose Goldsen Archive of New Media Art 2661:from the original on October 10, 2017 2624: 2592:from the original on October 24, 2012 2284: 2251:from the original on October 12, 2006 1761:Nam June Paik : global visionary 1337: 1312:Reynolda House Museum of American Art 1295:Rose Goldsen Archive of New Media Art 1227:Royal Museums of Fine Arts of Belgium 1179:Ludwig Forum für Internationale Kunst 1148:Hirshhorn Museum and Sculpture Garden 804:and the Japan-based fashion designer 594:, which was inspired by the composer 536:to Seoul, as well as in founding the 4710:Nam June Paik: Moon Is the Oldest TV 4578:Variations on a Theme by Saint-Saens 4486:, The Chosun Ilbo, January 30, 2006. 4321:. Voice of America. February 1, 2006 3306:Nordrhein-Westfalen, Kunstsammlung. 3030:from the original on October 4, 2018 2848:Karen Rosenberg (January 11, 2013). 2746: 2720: 2581: 2386: 2325:from the original on October 1, 2020 2269: 2241:"TV-Bra for Living Sculpture (1969)" 2092:Suzanne Muchnic (January 31, 2006). 1607:. New York: Oxford University Press. 1127:(University of North Carolina, USA), 1026:(1977, 1981, 1983, 1987, and 1989), 897:-based artwork and put up online at 865:and the legendary founder of Korea, 808:. As curator Lee Sooyon has argued, 5113: 4563:Concert for TV Cello and Videotapes 4479:Nam June Paik at the museum FLUXUS+ 4266:from the original on April 23, 2021 4254:Smith, Roberta (January 31, 2006). 4109:Anderson, John (February 6, 2013). 4090:from the original on April 23, 2021 3607:"Nam June Paik - Something Pacific" 3086:from the original on March 22, 2017 2612:Nam June Paik: When he was in Seoul 2415:Laura Cumming (December 19, 2010). 2192:"Nam June Paik Starts Making Video" 2172:from the original on March 22, 2017 2073:from the original on April 15, 2017 2034: 2011: 1724:from the original on April 11, 2017 1693:from the original on August 9, 2017 1681:Judkis, Maura (December 12, 2012). 1217:National Museum of Contemporary Art 509:, to combine his video, music, and 382:, who in 2002 was revealed to be a 24: 4036:Rachel Wolff (December 14, 2012). 2773:Mark Stevens (February 21, 2000). 2533:from the original on June 30, 2020 2503:from the original on June 29, 2020 2451:from the original on June 28, 2020 2198:from the original on June 30, 2020 2146:from the original on June 29, 2020 1364:Kyoto Prize in Arts and Philosophy 1058:San Francisco Museum of Modern Art 947:San Francisco Museum of Modern Art 915:San Francisco Museum of Modern Art 697:Possibly Paik's most famous work, 580:Museum für Kommunikation Frankfurt 25: 6313: 6242:South Korean contemporary artists 4613: 4442:Official Website of Nam June Paik 4408: 4190: 4121:from the original on May 20, 2017 3312:Kunstsammlung Nordrhein-Westfalen 3257:"Sculptures - Kunsthalle zu Kiel" 3017: 2874:"Nam June Paik: Global Visionary" 2563:from the original on July 1, 2020 2069:. Media Art Net. March 22, 2017. 1173:Kunstsammlung Nordrhein-Westfalen 6277:South Korean performance artists 4423: 4413: 4390: 4363: 4311: 4222:Palmer, Lauren (July 20, 2015). 3981:International Sculpture Center. 2625:Wells, Dave (October 28, 1988). 2588:, World Visit Guide (insecula), 2041:Nam June Paik: The Future Is Now 1565:He died on January 29, 2006, in 1534: 1276:(University of California, USA), 1089:(2005) in the collection of the 294: 209:Geumgwan Order of Cultural Merit 203: 4974:Topographie Anécdotée du Hasard 4278: 4215: 4184: 4072: 4054: 4001: 3974: 3953: 3921: 3896: 3871: 3846: 3824: 3799: 3774: 3749: 3724: 3699: 3674: 3649: 3624: 3599: 3574: 3549: 3524: 3499: 3473: 3448: 3435:Εθνικό Μουσείο Σύγχρονης Τέχνης 3423: 3398: 3373: 3348: 3326: 3308:"Kunstsammlung NRW: Startseite" 3299: 3274: 3249: 3224: 3199: 3174: 3148: 3123: 3098: 3072: 3042: 3011: 2986: 2964: 2938: 2912: 2866: 2813: 2791: 2766: 2740: 2714: 2673: 2643: 2618: 2603: 2575: 2545: 2515: 2489: 2463: 2433: 2408: 2380: 2362: 2337: 2307: 2278: 2263: 2232: 2210: 2184: 2158: 2132: 2110: 2085: 2059: 2028: 1954: 1928: 1596: 1436:electronic artwork on display. 1430:Nam June Paik: Global Visionary 1411:Smithsonian American Art Museum 1370:Order of Cultural Merit (Korea) 1267:Smithsonian American Art Museum 1012:Smithsonian American Art Museum 880:Smithsonian American Art Museum 655:In 1971, Paik and Moorman made 173: 27:Korean video artist (1932–2006) 5948:Survival Research Laboratories 3632:"Nam June Paik - FOUR DECADES" 3156:"Mercedes-Benz Art Collection" 2894:Carol Vogel (April 30, 2009). 2803:pastexhibitions.guggenheim.org 2681:Experimental Television Center 1906: 1800: 1705: 1674: 1649: 1619: 1558:Health deterioration and death 1407:Whitney Museum of American Art 1324:Whitney Museum of American Art 1222:Palazzo Cavour (Turin, Italy), 1163:(University of Kiel, Germany), 1074: 943:Whitney Museum of American Art 904: 688:Media Shuttle: New York-Moscow 313: 248: 232: 13: 1: 5998: 4341:"Biography for Nam June Paik" 3360:National Gallery of Australia 2799:"The Worlds of Nam June Paik" 2168:. Guggenheim. July 15, 2010. 2166:"The Year Video Art Was Born" 2035:Yap, June (August 28, 2022). 1642: 1512: 1246:(University of Chicago, USA), 1236:(Amsterdam, The Netherlands), 1198:National Gallery of Australia 1030:6 and 8 (1977 and 1987), and 1000:One Candle, Candle Projection 844:. The same year, he unveiled 5845:LaBeouf, Rönkkö & Turner 5042:Fluxus at Rutgers University 4285:Howell, John (May 9, 1993). 4038:"Technological Masterpieces" 3511:smartcollection.uchicago.edu 3160:Mercedes-Benz Art Collection 2945:Dan Gentile (June 3, 2021). 1829:Solomon R. Guggenheim Museum 1450: 1403:Solomon R. Guggenheim Museum 1262:, (Annandale-on-Hudson, USA) 1204:National Gallery of Victoria 1111:Leeum, Samsung Museum of Art 7: 4543:In Memoriam George Maciunas 3879:"Previous Laureates - HOAM" 3686:goldsen.library.cornell.edu 3507:"A New Design for TV Chair" 3480:Grrr.nl (August 30, 2020). 2747:Yuna, Park (June 9, 2021). 2721:Yuna, Park (May 28, 2021). 2639:– via Newspapers.com. 1939:. Potsdam: DOWN WITH ART!. 1250:Smith College Museum of Art 646:TV Bra for Living Sculpture 323: 277: 263: 10: 6318: 6272:University of Tokyo alumni 6257:Kyunggi High School alumni 6237:South Korean video artists 5152:Breathing in/breathing out 4752: 2974:. ARTSG. December 14, 2021 2710:Cornell University Library 2523:"Arup Barua, Stress, 2012" 2291:Cambridge University Press 1758:Hanhardt, John G. (2012). 1660:. MIT Press. p. 227. 1387: 1299:Cornell University Library 1169:(St. Gallen, Switzerland), 1062:National Gallery Singapore 1002:(1988–2000) opened at the 602:at the Galerie Parnass in 6006: 5895: 5868: 5850:Los Angeles Urban Rangers 5812: 5394: 5121: 5065: 5019: 4964: 4911: 4760: 4701: 4672: 4621: 4499:Nam June Paik on Ubu Film 3933:"비디오 아티스트 백남준씨 금관문화훈장 받아" 3736:reynoldahouse.emuseum.com 3611:stuartcollection.ucsd.edu 3381:"Works | NGV | View Work" 3334:"Sammlung – Ludwig Forum" 3186:www.fukuoka-art-museum.jp 1576: 1211:Berardo Collection Museum 1132:Albright-Knox Art Gallery 1099:Detroit Institute of Arts 945:in New York City (1982), 625:In 1965, Paik acquired a 578:, statue in front of the 478: 293: 288: 284: 270: 256: 240: 224: 219: 215: 199: 183: 158: 148: 132: 115: 105: 86: 57: 41: 34: 6176:Steina and Woody Vasulka 5943:Performance art in China 5208:Empathy and Prostitution 4638:Good Morning, Mr. Orwell 4463:Electronic Arts Intermix 4400:– via www.pbs.org. 3536:museums.fivecolleges.edu 3456:"Nam June Paik in Turin" 2775:"Surfing the Guggenheim" 2417:"Nam June Paik – review" 1612: 1118:Nam June Paik Art Center 958:Video Time – Video Space 852:Contemporary Arts Center 820:In 1988, Paik installed 736:Good Morning, Mr. Orwell 664:Information Superhighway 566: 515:Kunstakademie Düsseldorf 409:. Paik graduated with a 366:Early life and education 6106:Virginia Lee Montgomery 5336:The Death of The Artist 5232:I'm too sad to tell you 4345:Internet Movie Database 2826:National Gallery of Art 2632:The Cincinnati Enquirer 2582:Paik, Nam June (1974), 2387:Paik, Nam June (1974), 2285:Nyman, Michael (1999). 2272:New Directions in Music 2037:"Nam June Paik in Asia" 1935:Petra Stegmann (2012). 1358:Ho-Am Prize in the Arts 1269:(Washington D.C., USA), 1206:(Melbourne, Australia), 1150:(Washington D.C., USA), 1091:National Gallery of Art 1004:National Gallery of Art 840:which was made for the 830:, according to legend. 716:National Gallery of Art 590:art movement, known as 413:in aesthetics from the 374:in 1932 in present-day 5784:Mierle Laderman Ukeles 5176:Ceci N'est Pas Un Viol 5066:Critics and historians 4418:Quotations related to 4176:: CS1 maint: others ( 4145:Hanguk bidio ateu 7090 3883:www.hoamfoundation.org 3532:"Collections Database" 3261:www.kunsthalle-kiel.de 1200:(Canberra, Australia), 1175:(Düsseldorf, Germany), 1167:Kunstmuseum St. Gallen 1155:Honolulu Museum of Art 1120:(Yongin, South Korea), 1093: 935:Kölnischer Kunstverein 918: 838:Wrap Around the World, 719: 680: 668:Rockefeller Foundation 583: 475: 430:Thrasybulos Georgiades 80:Korea, Empire of Japan 5376:Untitled (Rape Scene) 5328:The Artist Is Present 5138:Amen or The Pederasty 4535:UbuWeb: Nam June Paik 4432:at Wikimedia Commons 3711:worcester.emuseum.com 2809:on February 14, 2015. 2429:on November 26, 2016. 2349:artgallery.nsw.gov.au 1898:) CS1 maint: others ( 1629:, the family name is 1603:Holly Rogers (2013). 1314:(Winston-Salem, USA). 1193:(Wiesbaden, Germany), 1113:(Seoul, South Korea), 1107:(Seoul, South Korea), 1085: 912: 710: 672: 574: 540:and establishing the 469: 438:Karlheinz Stockhausen 405:, but later moved to 6267:Mass media theorists 5519:Guillermo Gómez-Peña 5057:Something Else Press 4646:The More, The Better 4203:on September 5, 2015 4062:"Americanart.si.edu" 3931:(October 17, 2000). 3904:"Arts | Kyoto Prize" 3636:Dayton Art Institute 3236:honolulu.emuseum.com 3182:"Fukuoka Art Museum" 2908:on January 27, 2018. 2787:on February 3, 2014. 2559:. January 30, 2006. 2270:Cope, David (1984). 1658:The New Media Reader 1550:Paik was a lifelong 1480:Contemporary artists 1399:J. Paul Getty Museum 1395:Museum of Modern Art 1306:Worcester Art Museum 1281:Dayton Art Institute 1256:Hessel Museum of Art 1252:(Northhampton, USA), 1229:(Brussels, Belgium), 968:The More, The Better 833:The More, The Better 823:The More, The Better 740:a live link between 393:In 1950, during the 360:video tape recorders 258:Revised Romanization 5574:Natalie Jeremijenko 5216:Food for the Spirit 4043:Wall Street Journal 4009:"Medal Day History" 3807:"» THE MIAMI YEARS" 3732:"Leonardo da Vinci" 3110:ackland.emuseum.com 2880:on January 6, 2013. 2834:on January 2, 2013. 2477:on October 10, 2017 2226:Thames & Hudson 1922:Thames & Hudson 1687:The Washington Post 1349:1993: Golden Lion, 1345:Goslarer Kaiserring 1290:(Minneapolis, USA), 1244:Smart Museum of Art 1213:(Lisbon, Portugal), 1185:Musée d'Art Moderne 891:Deutsche Guggenheim 863:Catherine the Great 714:(1965–2002) at the 561:Guadalcanal Requiem 424:Paik then moved to 415:University of Tokyo 401:, first fleeing to 120:University of Tokyo 6232:Artists from Seoul 6196:Krzysztof Wodiczko 6041:Doris Totten Chase 5953:Viennese Actionism 5830:COUM Transmissions 5749:Carolee Schneemann 5594:Ragnar Kjartansson 5368:Three Weeks in May 5032:Art & Language 4956:Carolee Schneemann 4813:Geoffrey Hendricks 4539:Abschiedssymphonie 4260:The New York Times 4191:Burns, Charlotte. 3586:americanart.si.edu 3557:"Untitled (Scarf)" 3410:en.museuberardo.pt 3385:www.ngv.vic.gov.au 3211:collections.si.edu 2862:on March 31, 2017. 2655:americanart.si.edu 2529:. April 22, 2013. 2376:on March 12, 2009. 2287:Experimental Music 2047:on August 28, 2022 1972:on April 20, 2018. 1837:on March 11, 2014. 1547:American citizen. 1353:(With Hans Haacke) 1338:Honours and awards 1331:Bass Museum of Art 1181:(Aachen, Germany), 1161:Kunsthalle zu Kiel 1141:Fukuoka Art Museum 1125:Ackland Art Museum 1094: 1067:In late 2022, the 1020:São Paulo Biennale 989:Modulation in Sync 919: 872:Paik's 1995 piece 720: 584: 476: 446:conceptual artists 6209: 6208: 5966: 5965: 5938:Participatory art 5779:Melati Suryodarmo 5664:Charlotte Moorman 5312:Seven Easy Pieces 5081: 5080: 4982:Poème symphonique 4946:Charlotte Moorman 4720: 4719: 4673:Associated people 4428:Media related to 4351:on April 21, 2017 4292:Los Angeles Times 4197:The Art Newspaper 4155:978-89-6303-227-6 4084:www.goodreads.com 4050:on June 22, 2018. 3989:on April 27, 2016 2828:, Washington, D.C 2780:New York Magazine 2300:978-0-521-65383-1 2126:Kunsthalle Bremen 2118:Wulf Herzogenrath 2099:Los Angeles Times 1946:978-3-9815579-0-9 1924:. pp. 14–15. 1873:978-1-84976-635-7 1771:978-1-907804-20-5 1484:Christian Marclay 1308:(Worcester, USA), 1288:Walker Art Center 1274:Stuart Collection 1219:(Athens, Greece), 1143:(Fukuoka, Japan), 1034:(1984 and 1993). 985:Guggenheim Museum 788:had not arrived. 684:Dimitri Devyatkin 642:Opera Sextronique 507:Charlotte Moorman 470:Paik Nam June in 434:Munich University 419:Arnold Schoenberg 388:classical pianist 352:Charlotte Moorman 302: 301: 272:McCune–Reischauer 48:Nam June Paik in 16:(Redirected from 6309: 5993: 5986: 5979: 5970: 5969: 5885:Kusama: Infinity 5764:Barbara T. Smith 5739:Rachel Rosenthal 5684:Pauline Oliveros 5404:Marina Abramović 5108: 5101: 5094: 5085: 5084: 5020:Related articles 4941:Richard Maxfield 4912:Related artists 4768:Genpei Akasegawa 4747: 4740: 4733: 4724: 4723: 4608: 4601: 4594: 4585: 4584: 4427: 4417: 4402: 4401: 4394: 4388: 4387: 4385: 4383: 4367: 4361: 4360: 4358: 4356: 4347:. Archived from 4337: 4331: 4330: 4328: 4326: 4315: 4309: 4308: 4306: 4304: 4282: 4276: 4275: 4273: 4271: 4251: 4240: 4239: 4237: 4235: 4219: 4213: 4212: 4210: 4208: 4199:. Archived from 4188: 4182: 4181: 4175: 4167: 4140: 4131: 4130: 4128: 4126: 4106: 4100: 4099: 4097: 4095: 4076: 4070: 4069: 4068:on June 6, 2013. 4064:. Archived from 4058: 4052: 4051: 4046:. Archived from 4033: 4024: 4023: 4021: 4019: 4005: 3999: 3998: 3996: 3994: 3985:. 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Archived from 1820: 1809: 1804: 1798: 1797: 1791: 1783: 1755: 1734: 1733: 1731: 1729: 1709: 1703: 1702: 1700: 1698: 1678: 1672: 1671: 1653: 1636: 1623: 1608: 1587:Wacky WallWalker 1529:Gagosian Gallery 1455:As a pioneer of 1376:City of Duisburg 1301:, (Ithaca, USA), 1234:Stedelijk Museum 1191:Museum Wiesbaden 1187:(Paris, France), 1157:(Honolulu, USA), 1024:Whitney Biennial 1008:Washington, D.C. 951:Kunsthalle Basel 949:(1989), and the 815:Namdaemun Market 766:Merce Cunningham 538:Gwangju Biennale 534:Whitney Biennial 530:Merce Cunningham 326: 316: 315: 298: 280: 266: 251: 250: 235: 234: 207: 177: 175: 144: 142:installation art 128: 111: 110:Korean, American 93: 90:January 29, 2006 67: 65: 46: 32: 31: 21: 6317: 6316: 6312: 6311: 6310: 6308: 6307: 6306: 6297:Suwon Baek clan 6212: 6211: 6210: 6205: 6156:Mika Rottenberg 6021:John Baldessari 6002: 5997: 5967: 5962: 5891: 5864: 5808: 5544:Newton Harrison 5484:James Lee Byars 5444:Rebecca Belmore 5419:Laurie Anderson 5390: 5384:Untitled , 2008 5256:One & Other 5117: 5115:Performance art 5112: 5082: 5077: 5061: 5015: 4960: 4913: 4907: 4898:Emmett Williams 4843:George Maciunas 4756: 4751: 4721: 4716: 4697: 4668: 4617: 4612: 4494:Video Data Bank 4411: 4406: 4405: 4396: 4395: 4391: 4381: 4379: 4374:. Artnet News. 4368: 4364: 4354: 4352: 4339: 4338: 4334: 4324: 4322: 4317: 4316: 4312: 4302: 4300: 4283: 4279: 4269: 4267: 4252: 4243: 4233: 4231: 4220: 4216: 4206: 4204: 4189: 4185: 4169: 4168: 4156: 4142: 4141: 4134: 4124: 4122: 4107: 4103: 4093: 4091: 4080:"Nam June Paik" 4078: 4077: 4073: 4060: 4059: 4055: 4034: 4027: 4017: 4015: 4007: 4006: 4002: 3992: 3990: 3979: 3975: 3965: 3963: 3959: 3958: 3954: 3944: 3942: 3926: 3922: 3912: 3910: 3902: 3901: 3897: 3887: 3885: 3877: 3876: 3872: 3862: 3860: 3852: 3851: 3847: 3837: 3835: 3830: 3829: 3825: 3815: 3813: 3805: 3804: 3800: 3790: 3788: 3782:"Nam June Paik" 3780: 3779: 3775: 3765: 3763: 3757:"Nam June Paik" 3755: 3754: 3750: 3740: 3738: 3730: 3729: 3725: 3715: 3713: 3705: 3704: 3700: 3690: 3688: 3680: 3679: 3675: 3665: 3663: 3657:"Nam June Paik" 3655: 3654: 3650: 3640: 3638: 3630: 3629: 3625: 3615: 3613: 3605: 3604: 3600: 3590: 3588: 3580: 3579: 3575: 3565: 3563: 3555: 3554: 3550: 3540: 3538: 3530: 3529: 3525: 3515: 3513: 3505: 3504: 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Index

Paik Nam-june

New York City
Keijō
Keiki-dō
Korea, Empire of Japan
Miami
University of Tokyo
Ludwig Maximilian University of Munich
Video art
installation art
Fluxus
Shigeko Kubota
Jinu
Ken Paik Hakuta

Geumgwan Order of Cultural Merit
Hangul
Hanja
Revised Romanization
McCune–Reischauer

Korean
RR
Korean
video art
Seoul
Fluxus
John Cage
Charlotte Moorman

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