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Taonga pūoro

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135: 301:. It is made of wood, soapstone or bone and shaped like a whale's tooth. Sometimes it is made from a whale's tooth. It is from 5 to 15 cm (2 to 6 in) in length, wide at the blowing end and tapering to the lower where it is slightly turned up. It has two or three finger holes and an extra hole bored on the underside, near the curved end, through which a cord could be passed so that it could hang around the owner's neck. It is played in the same way as a kōauau and produces a similar pure flute-like sound. The nguru is sometimes classified as a nose flute perhaps because the word 476: 332: 38: 389:
crops. The function of this instrument is to herald spiritual pathways. As a war trumpet they were used in announcing an oncoming war-party and were dedicated to Tumatauenga (god of war). In the announcement of harvest they were dedicated to Rongomatane (God of agriculture, arts and peace). Today they can be heard heralding the visitors onto the marae or at the opening and closing of important ceremonies.
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of the pipe. It can be played with bugle technique, with closed lips which are set in vibration by the rapid withdrawal of the tongue. Small variations of pitch can be produced by moving the forefinger over the centre opening. The putorino is believed to be created by the goddess Raukatauri who was obsessed with moths (
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is a long version of the kōauau, usually measuring from 38 to 57 cm (15 to 22 in) long. The playing quality differs depending on the material it is made from. New Zealand native hardwoods such as mānuka, mataī, or black maire are suitable for clean resonating effects. Like the pūtorino, it
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is known for its wide range of voices including a male voice (trumpet) and a female voice (flute). The pūtōrino varies in length from 20 to 50 cm (8 to 19.5 in) and has an uneven bore, swelling out to the centre and diminishing evenly towards the lower end, where the pipe is narrow and has
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have used taonga pūoro extensively in the genre of art music combining the traditional Maori instruments with western instruments. These composers were noted for this work in March 2013 by UK publication, Gramophone. In 2010, British film and orchestral composer, Paul Lewis collaborated with master
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The Pūrerehua can be made of bone, wood or stone, they are blade-like and swing on a long cord producing a loud, deep whirling that can be heard from a distance. A rapid spinning motion will start the music of the Purerehua'a song as it rotates and flutters. Uses vary from luring lizards, summoning
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The Pūkaea is a traditional Maori trumpet made of wood. There are several differing designs and lengths within the Pūkaea genre. Pūkaea were used to announce relay signals at times of conflict and were also used to announce the rituals associated with the planting of kumara (sweet potato) and other
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cord or a similar substitute for binding. At the widest part of the pipe, there is an opening that often looks like an intricately carved humanistic mouth. The finest specimens are decorated at both ends with carved figures, and the open mouth is part of a head which is outlined on the flat surface
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Many of these musical traditions had been lost over time because of spiritual reservations Māori people held towards the instruments, but sensitive researchers and enthusiasts such as Richard Nunns, Hirini Melbourne and Brian Flintoff have done considerable restorative work and provided a wealth of
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is a small, ductless and notchless flute, 10 to 20 cm (4 to 8 in) long, open at both ends and having from three to six finger holes placed along the pipe. Kōauau resembles flutes the world over in tone quality and in the range of sounds that can be produced by directing the breath across
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and his daughters Hine Pu te Hue and Hine Raukatauri govern the other instruments derived from forest and earth materials. Today, sometimes substitute materials are used in the making of the instruments and several instruments fall into more than one family being a combination of materials. Māori
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The instruments previously fulfilled many functions within Māori society including a call to arms, dawning of the new day, communications with the gods and the planting of crops. They are significant in sacred ritual and also fulfill a story-telling role. Many of the sounds of the instruments and
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Taonga pūoro and their uses and classifications are intimately connected with Māori culture and religious practice. The instruments are all part of the families of the gods, and their classifications are directly related to the gods and the creation story where "The Gods sang the Universe into
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Existence". The universal building blocks of music, melody (Rangi) and rhythm (Papa) are named for the Sky Father and Earth Mother (Ranginui and Papatuanuku, or Rangi and Papa) from the Māori creation story. Further classifications are derived from their children. The god of the winds is
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A long flute with a notched open top which is the blowing edge and a single finger hole near the end – the instrument was chanted through and was traditionally played over the fontanelle of an infant to implant songs and tribal information into the child's subconscious.
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This Maori musical instrument is made of wood and a jade / greenstone gong and was used in the whare purakau (house of learning). Part of it is made of the jaw bone of the upokohue (pilot whale) and the striker is made from akeake, a native hardwood.
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the sharp edge of the upper aperture. Māori kōauau players were renowned for the power it gave them over the affections of women (notably illustrated by the story of Tūtānekai, who, by playing his kōauau to cause Hinemoa to swim to him across Lake
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Taonga pūoro are currently used for their traditional purposes, but also in many genres of music from classical, orchestral, chamber music, through to pop, alternative and in film music. They were used in the musical sound tracks of films such as
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This Maori musical instrument was used as a bird lure. It was made by hollowing a gourd, drilling holes on either side and attaching a cord by which it could be swung around the head creating a whistling, chattering voice that attracted birds.
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means to sigh, moan, or snore. This is unlikely because the large end is too wide for a nostril and, if the curved end were placed in that same position, the flute would lie at an impossible angle for the player to reach the finger holes.
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was granted an honorary doctorate by the university in recognition of his contribution to New Zealand Music and the revival of taonga pūoro. He is also a research associate at the University of Waikato.
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Conservatorium of Music has established a programme to study the instruments in a formal academic capacity under composer and director of The New Zealand Music Research Group, Martin Lodge.
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either a very small opening or none at all. The outer shape is carved from a solid piece of wood, split in half lengthwise, hollowed out like two small
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has two voices, the male (trumpet) and female (flute). The female voice can produce up to five harmonics depending on the bore.
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tunes are imitations of the sounds of nature, including the wind, the seas and the natural world of birds and insects.
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is a traditional Maori conch shell trumpet, which had a variety of roles from signaling to ceremonial and ritual use.
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Today, taonga pūoro are used more frequently at Māori ceremonies and by New Zealand composers.
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knowledge and information around the sounds, history and stories of these taonga (treasures).
808:"Horomona Horo demonstrates the Purerehua | Maori traditional instruments, taonga puoro" 701:"TAHAA: Tā Moko studio and Māori Arts Gallery – TAHAA: Tā Moko studio and Māori Arts Gallery" 632: 314:
A long flute with a closed top and a transverse blowing hole and finger holes like a pōrutu.
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Video about traditional Pūoro part of the Cook Forster collection with Richard Nunns
1276: 585: 298: 168: 1018: 889:"Horomona Horo demonstrates the putaatara | Maori instruments, taonga puoro" 1229: 1071: 994:"Wellingtonian Ariana Tikao named among latest Arts Foundation Laureate winners" 153: 617: 535: 349: 1127: 1121: 888: 807: 779: 257:). Kōauau is made of wood or bone. Formerly the bone was of bird bone such as 1306: 1281: 1271: 1250: 1213: 1198: 1183: 967: 636: 609: 589: 581: 527: 409: 340: 286: 203: 172: 139: 1193: 1291: 555: 547: 522: 455: 345: 1245: 683:"Te Papa: National Museum of New Zealand: Online Resources – Taonga Puoro" 510: 193:, and from him come the wind instruments. The shell instruments are from 167:
Knowledge of taonga pūoro has been revived over the past thirty years by
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An example of a large Pūtōrino made by Tohunga Whakairo Warren Warbrick
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in April 2020 (but this was postponed due to the COVID-19 pandemic).
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Its loudness can range between a flute, a trumpet, and a megaphone.
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and the Nelson Symphony Orchestra, and was due to perform it with
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The use of these instruments, as part of the toolkit of the
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Taonga Puoro Instruments and demonstrations of their sounds
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Refers to two kinds of wooden instruments: a pair of
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Poi awhiowhio or gourd instrument shown on the left
138:A selection of taonga pūoro from the collection of 62:. Unsourced material may be challenged and removed. 840:. New Zealand Ministry for Culture and Heritage. 1304: 484:rain, communicating and attracting a soul mate. 447: 1149: 628:have all used taonga pūoro on their albums. 281:Nguru made from wood with pāua shell inserts 206:compared to neighbouring regional cultures. 944:Weavers of song: Polynesian music and dance 726:"Christchurch Library Blog: Brian Flintoff" 1156: 1142: 359:), so it is shaped like a moth chrysilis. 768:. Auckland University Press. p. 166. 122:Learn how and when to remove this message 1105:Museum of New Zealand: Te Papa Tongarewa 838:Te Ara – the Encyclopedia of New Zealand 831: 738: 728:. Christchurch library blog. 7 May 2010. 474: 415: 396: 330: 276: 133: 1116:Video of Te Hekenga-a-Rangi (Excerpt 2) 1110:Video of Te Hekenga-a-Rangi (Excerpt 1) 1066: 1064: 941: 802: 800: 780:"Horomona Horo demonstrates the Koauau" 558:and Philip Brownlee composed the first 403:Museum of New Zealand Te Papa Tongarewa 14: 1305: 763: 465: 1137: 991: 743:. Nelson, New Zealand: Craig Potton. 566:. Tikao performed the piece with the 526:taonga pūoro composer and performer, 178: 27:Māori traditional musical instruments 1061: 914:"Taonga Puoro – Musical Instruments" 825: 797: 348:and then lashed together again with 209: 60:adding citations to reliable sources 31: 844:from the original on 11 August 2023 832:Flintoff, Brian (22 October 2014). 238: 233: 24: 1023:The Arts Foundation of New Zealand 604:, incorporating taonga pūoro into 183: 25: 1334: 1093: 992:Green, Kate (26 September 2020). 596:(later Moana and the Tribe), the 1163: 1122:Song with images of the pūtōrino 600:, Canto Maori, and Irish group, 487: 438:used in the main islands, and a 36: 1318:New Zealand musical instruments 1036: 1011: 985: 960: 935: 926: 906: 881: 856: 568:Christchurch Symphony Orchestra 496: 420: 289:is a small vessel flute in the 202:music inventory notably has no 47:needs additional citations for 772: 757: 741:Taonga Puoro-Singing Treasures 732: 718: 693: 675: 650: 576:New Zealand Symphony Orchestra 517:New Zealand composers such as 228: 13: 1: 875:Ngā Taonga Sound & Vision 643: 584:, the protege of the late Dr 317: 919:Auckland War Memorial Museum 470: 7: 392: 378: 326: 10: 1339: 1323:Sacred musical instruments 1019:"Ariana Tikao's Biography" 598:New Zealand String Quartet 293:oscillator class, like an 1313:Māori musical instruments 1259: 1238: 1222: 1171: 562:for taonga puoro, called 429: 383: 365: 243: 942:MacLean, Mervyn (1999). 739:Flintoff, Brian (2004). 594:Moana and the Moahunters 272: 764:McLean, Mervyn (1996). 454:) via contact with the 309: 480: 448: 405: 336: 282: 197:, god of the sea, and 142: 932:McLean (1996), p. 171 662:Maoridictionary.co.nz 633:University of Waikato 478: 416:Percussion instrument 400: 334: 280: 137: 175:and Brian Flintoff. 148:are the traditional 56:improve this article 466:Whirled instruments 150:musical instruments 866:Te puna wai kōrero 658:"Māori Dictionary" 602:Green Fire Islands 532:Legends of Rotorua 505:Once Were Warriors 481: 406: 337: 283: 179:Cultural placement 143: 1300: 1299: 871:Radio New Zealand 750:978-1-877333-14-9 626:Fat Freddy's Drop 564:Ko Te Tātai Whetu 519:Gillian Whitehead 356:Liothula omnivora 210:Traditional usage 132: 131: 124: 106: 16:(Redirected from 1330: 1277:Hirini Melbourne 1260:Related articles 1158: 1151: 1144: 1135: 1134: 1087: 1086: 1084: 1082: 1068: 1059: 1058: 1056: 1054: 1040: 1034: 1033: 1031: 1029: 1015: 1009: 1008: 1006: 1004: 989: 983: 982: 980: 978: 964: 958: 957: 939: 933: 930: 924: 923: 910: 904: 903: 901: 899: 885: 879: 878: 860: 854: 853: 851: 849: 829: 823: 822: 820: 818: 804: 795: 794: 792: 790: 776: 770: 769: 761: 755: 754: 736: 730: 729: 722: 716: 715: 713: 711: 697: 691: 690: 685:. 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