605:
674:
722:) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations".
965:
8041:
1102:
631:, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations".
2333:
53:
978:
1133:
1691:
1599:
9347:
6862:
2372:
9357:
9336:
1806:
654:
3148:"A summation of the signal importance of the Natyasastra for Hindu religion and culture has been provided by Susan Schwartz, "In short, the Natyasastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (...)".
513:
986:
7787:
2275:
9367:
437:
1227:
7779:
1051:– is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but
847:
328:, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (
878:. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end.
456:
archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the
Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist
488:
of Odissi. This, states
Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and
332:), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The
592:
as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the
Sultanate and
757:
performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical
255:(symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) body as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation,
294:
which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays.
1024:
or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or
1513:, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through
583:
in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah
Tughlaq's invasion in
960:
in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax.
1207:– a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt.
1066:
are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63
2351:
has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the
Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the
638:. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma.
705:
expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished
4565:
717:
Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in
Krishna-related literature, and as longing eros
650:, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism.
1674:
were boys dressed up as girls and taught the dance by the
Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy
1528:
Like most Indian dance forms, an Odissi troupe performs with the accompaniment of a musical ensemble. The mini-orchestra consists of a number of instruments, often varying slightly by region; the ubiquitous
1429:
571:, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.
1738:. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru
2467:
714:(teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances.
1658:(interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of
6792:
4514:
1595:) or other small, percussive instruments may be used. At times, vocalists may be featured, usually singing simple, rhythmic phrases and melodies with dancing specifically choreographed to match.
1079:
Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.)
780:
is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A
4388:
1143:
The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with
457:
icons, for example, are depicted as dancing gods and goddesses, with Heruka, Vajravarahi, and
Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi
2699:
The art of dance and maasic suffered on account of political instability, the Muslim invasion, the desecration of the temples and the loss of independence, the lack of patronage to both the
4793:
4682:
4625:
4573:
1045:– the body weight shifts to one foot, while the feet and knees are kept forward in a standing position, one hip extending sideways and torso deflected away from supporting leg.
634:
Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by
Europeans during the
932:(half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem
1718:
was a leading disciple of
Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra,
646:
The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of
4753:
2363:
More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event.
6787:
5354:
2476:, pp. 83–84, the other major classical Indian dances are: Bharatanatyam, Kathak, Kuchipudi, Kathakali, Manipuri, Chhau, Satriya, Yaksagana and Bhagavata Mela.
1436:
1374:
1082:
Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.)
497:
provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the
1188:(bangles). At the waist they wear an elaborate belt which ties down one end of the sari. The ankles are decorated with a leather piece on top of which are bells (
1117:). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These saris have traditional prints of
773:
of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer.
1359:
765:
is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a
6777:
612:
The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (
6270:
620:, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the
4655:
363:
More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of
7334:
6255:
6220:
6659:
6305:
6235:
4540:
3248:
1316:
6295:
5333:
5015:
661:
Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by
6310:
6205:
737:(dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the
1071:
in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the
6265:
6240:
4470:
901:(enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in
6428:
6391:
6376:
6371:
6330:
6300:
6290:
6250:
33:
4722:
6396:
6366:
6340:
6335:
6315:
6285:
4595:
1295:
6386:
6345:
6325:
1039:– the square position, with weight equally placed on the two legs in a squatting position, spine straight, arms raised up with elbows bent.
6381:
6320:
165:
by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu deities
2322:
843:
or the three-fold salutation – to the devas (gods), to the gurus (teachers) and to the lokas or rasikas (fellow dancers and audience).
4633:
2303:
1369:
1344:
567:
by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called
380:
889:, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using
9411:
6350:
5392:
9431:
1422:
2486:
6140:
6066:
3268:, The Journal of the Royal Asiatic Society of Great Britain and Ireland, (Jul. 1910), Cambridge University Press, pages 824–828
1959:
424:, also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in
7768:
5267:
5182:
5137:
5116:
5076:
5004:
4983:
4872:
4500:
4424:
4282:
4252:
4201:
4085:
4058:
4028:
3977:
3943:
3916:
3889:
3862:
3774:
3747:
3693:
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3633:
3589:
3549:
3505:
3433:
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3339:
3312:
3217:
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3014:
2987:
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2899:
2830:
2803:
2776:
2749:
2688:
2661:
2631:
2604:
2555:
2523:
685:
Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (
4929:, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001.
1176:
or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called
5360:
1837:
5238:
4337:
3801:
3406:
1981:
945:
part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes.
8432:
604:
5161:
4948:
4934:
4914:
4896:
4854:
1827:
701:(gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called
662:
9264:
1029:
too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances.
2329:
syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus.
9252:
8783:
7690:
6896:
9370:
9081:
6674:
2203:
799:
Odissi dance recitals are in Odia and Sanskrit language in the music strictly follows ragas & talas of the
665:, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi".
1668:. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts.
1055:
postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs.
9210:
6056:
4779:
4708:
2296:
795:
is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual.
4923:, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998.
3355:
3245:
206:. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since
9259:
7627:
7390:
5385:
2223:
563:
The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired
407:, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...
17:
5330:
1726:, were known for their performances in India and abroad. Some other notable disciples include, Debi Basu,
689:) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the
476:
of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the
9416:
9274:
7655:
7324:
5046:
2017:
1832:
1822:
673:
597:, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with
1714:
and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties.
9301:
8793:
8370:
7826:
7799:
7632:
7605:
7495:
7314:
6133:
6071:
5590:
5586:
4818:
4020:
The Concise Garland Encyclopedia of World Music: The Middle East, South Asia, East Asia, Southeast Asia
1937:
1020:, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example,
964:
4478:
4439:
Alessandra Lopez y Royo, "The reinvention of odissi classical dance as a temple ritual," published in
217:, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the
9421:
9321:
8247:
7761:
7695:
7174:
6081:
1912:
1267:
7900:
524:
in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in
278:
Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn,
9115:
8773:
8697:
8403:
8185:
8160:
7244:
5919:
4730:
3279:
2289:
1942:
1932:
1279:
324:, all 108 of them, are identical to those in Odissi. The text is attributed to the ancient scholar
7935:
9396:
8951:
8811:
8482:
8022:
7965:
7560:
7355:
7339:
7287:
6916:
6782:
6689:
6679:
5378:
2238:
2218:
2184:
392:
8846:
6762:
2952:
Images of the Body in India: South Asian and European Perspectives on Rituals and Performativity
9294:
9247:
8457:
8180:
7610:
7094:
6164:
6040:
5450:
3161:
2418:
2348:
2336:
2085:
805:
Ekatali, Khemata, Rupaka, Tripata, Jhampa, Jati Tala, Adatali, Matha, Aditala, Sarimana, Kuduka
525:
130:
88:
7746:
5087:
4603:
4242:
4018:
3302:
3036:
2950:
2923:
320:, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in the
9426:
9401:
9316:
9269:
9242:
9205:
8462:
7234:
7159:
6865:
6126:
6076:
4272:
3764:
3653:
3495:
2621:
697:
combined pure dance with expression, to play out and communicate the underlying text through
8778:
2766:
9289:
9284:
9279:
9200:
8677:
8170:
8155:
7807:
7754:
7665:
7525:
7520:
7485:
7257:
7119:
6817:
6061:
5789:
2409:
also conducts Odissi dance workshops at other academic institutions in the United Kingdom.
2406:
2399:
2391:
2387:
2379:
2253:
2233:
2140:
1813:
1703:
831:
of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by
187:
6000:
1805:
1089:
The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient
8:
9339:
9306:
9185:
9076:
9011:
8861:
8720:
8600:
8472:
8300:
8237:
8190:
7700:
7617:
7445:
7380:
7370:
6889:
6529:
5415:
2208:
2175:
2170:
2135:
2130:
2110:
2090:
2021:
1917:
1907:
1902:
1897:
1147:. The hairstyle may contain a moon shaped crest of white flowers, or a reed crown called
7989:
7849:
5108:
Temple Architecture and Art of the Early Chalukyas: Badami, Mahakuta, Aihole, Pattadakal
9141:
9100:
8392:
8205:
8150:
7622:
7585:
7580:
7570:
7555:
7540:
7490:
7470:
7385:
7375:
7262:
7169:
6602:
6519:
5294:
5207:
5147:
5038:
3718:
2332:
2165:
2115:
2105:
2100:
2070:
1998:
1922:
1885:
1715:
1681:
dance took place in the royal courts, where it was prevalent before the British period.
1460:
Odissi dance is accompanied by the traditional classical music of the state of Odisha,
553:
8365:
8340:
1694:
The performer is in an Odissi Dance Abhinaya, based on the popular Indian epic-Ramayan
938:
written by Jayadeva are usually performed in Odisha, as part of the dance repertoire.
9406:
9356:
9350:
9230:
9220:
9086:
9021:
8414:
8355:
8210:
8200:
7637:
7590:
7515:
7500:
7435:
7410:
7405:
7022:
6582:
6478:
6149:
6086:
6005:
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5218:
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5133:
5112:
5072:
5000:
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4964:
4944:
4930:
4910:
4892:
4868:
4850:
4773:
4702:
4496:
4420:
4278:
4248:
4197:
4081:
4054:
4024:
3973:
3939:
3912:
3885:
3858:
3797:
3770:
3743:
3689:
3659:
3629:
3585:
3545:
3501:
3429:
3402:
3375:
3335:
3308:
3213:
3186:
3134:
3042:
3010:
2983:
2956:
2929:
2895:
2826:
2799:
2772:
2745:
2684:
2657:
2656:. Cotsen Institute of Archaeology, University of California Press. pp. 155–158.
2627:
2600:
2551:
2519:
2490:
2213:
2160:
2145:
2075:
2065:
2040:
2035:
2008:
1927:
1892:
1880:
1875:
1842:
1731:
1707:
1101:
990:
549:
376:
368:
8821:
7871:
5349:
5042:
4626:"Guinness World Records enlists Odissi dance show – Subrat dash – The Sunday Indian"
52:
9091:
9001:
8892:
8492:
8487:
8452:
8427:
8313:
8270:
7957:
7817:
7730:
7715:
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7535:
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7360:
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7219:
7189:
7047:
7017:
6921:
5969:
5286:
5030:
4960:
2258:
2150:
2125:
2120:
2060:
2050:
2045:
2003:
1870:
1727:
1252:
1122:
589:
469:
272:
8275:
4515:"IIT Bhubaneswar becomes first IIT in country to introduce dance as BTech subject"
4244:
The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
3969:
The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
3304:
The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
2891:
The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
579:
After 12th-century, Odia temples, monasteries and nearby institutions such as the
9391:
9360:
9225:
9178:
9160:
9110:
9044:
9026:
8969:
8919:
8738:
8642:
8515:
8477:
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8285:
8175:
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8007:
7854:
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7600:
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6664:
6607:
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6410:
6034:
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5629:
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5151:
5127:
5106:
5066:
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4191:
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4048:
3967:
3933:
3906:
3879:
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3791:
3737:
3683:
3623:
3579:
3539:
3522:
3473:
3423:
3396:
3369:
3329:
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3207:
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3128:
3004:
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2889:
2847:
2820:
2793:
2739:
2678:
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2594:
2545:
2513:
2395:
2375:
2193:
2095:
2080:
1964:
1856:
1783:
1742:
played a pivotal role in giving Odissi dance its classical status. He introduced
1711:
1309:
299:
214:
7940:
3236:, Annals of the Bhandarkar Oriental Research Institute, Volume 89, pages 133-168
1194:). The dancer's palms and soles may be painted with red coloured dye called the
505:. Similarly, the illustrated Hindu text on temple architecture from Odisha, the
249:. Odissi is learnt and performed as a composite of basic dance motif called the
9195:
9131:
8974:
8318:
8195:
8165:
8000:
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5485:
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2055:
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1865:
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1723:
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1592:
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Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the
1272:
1257:
1136:
977:
817:
489:
cover, but do not describe or discuss the dance. Hindu dance texts such as the
303:
186:, its existence in antiquity evidenced by the dance poses in the sculptures of
7864:
5324:
5318:
5312:
5034:
725:
The traditional Odissi repertoire, like all classical Indian dances, includes
237:) set out in ancient Sanskrit literature. Classical Odia literature & the
145:. Odissi, in its history, was performed predominantly by women, and expressed
9385:
9311:
9215:
8994:
8768:
8506:
8397:
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7204:
7184:
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7027:
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6957:
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6844:
6699:
6617:
6612:
6597:
6542:
6499:
6494:
6245:
6027:
5854:
5749:
5734:
5699:
5619:
5516:
5465:
5343:
5248:
5201:
4906:
2511:
2155:
1949:
1847:
1739:
1582:
1262:
956:) finale in the performance sequence. This the concluding item of a recital.
906:
770:
769:, the dance-acting expands to include silent expression of words through the
635:
333:
316:
234:
182:
116:
75:
4881:, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971.
1690:
509:, deals with Odia architecture and sculpture, and includes Odissi postures.
8866:
8831:
8728:
8345:
7720:
7565:
7505:
7455:
7267:
7209:
7164:
7104:
7099:
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7009:
6997:
6982:
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6643:
6458:
6418:
6210:
6177:
5949:
5899:
5884:
5684:
5659:
5624:
5541:
5490:
5222:
4888:
2428:
2279:
1993:
1969:
1756:
1664:
1598:
1461:
1455:
1339:
1334:
1218:
934:
800:
421:
325:
279:
242:
203:
162:
134:
5277:
Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory".
3935:
Dance, Sex, and Gender: Signs of Identity, Dominance, Defiance, and Desire
3908:
Dance, Sex, and Gender: Signs of Identity, Dominance, Defiance, and Desire
3739:
Donors, Devotees, and Daughters of God: Temple Women in Medieval Tamilnadu
1132:
1004:, or body positions and movements, combined in many varieties. Motion is
624:
tradition was known and nurtured in the 14th century, by Raja of Khordha.
548:(Sun) in Odisha. There are several sculptures of dancers and musicians in
9173:
9006:
8934:
8924:
8836:
8826:
8801:
8442:
8437:
8328:
8122:
8106:
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7199:
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6992:
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6694:
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6200:
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5954:
5864:
5804:
5759:
5649:
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5614:
5604:
5521:
5440:
5430:
2248:
2243:
2198:
1976:
1954:
1302:
1113:
worn by Odissi dancers are brightly coloured, and usually of local silk (
1109:
The Odissi dancers are colorfully dressed with makeup and jewellery. The
628:
598:
557:
533:
364:
238:
218:
180:
The theoretical foundations of Odissi trace to the ancient Sanskrit text
150:
4341:
3722:
3709:
Amrit Srinivasan (1983). "The Hindu Temple-dancer: Prostitute or Nun?".
3265:
3233:
2458:
815:
Traditional Odissi repertoire sequence starts with an invocation called
9071:
9039:
8984:
8841:
8550:
8387:
8360:
8142:
7915:
7304:
7294:
7282:
7194:
7127:
7089:
7072:
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6947:
6557:
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6537:
6463:
6230:
5984:
5939:
5929:
5909:
5869:
5799:
5674:
5664:
5634:
5420:
5298:
5016:"In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing"
2371:
1535:
is used for a consistent, droning ambience throughout, with either the
1517:. This is true whether the performance is formal, or less formal as in
1379:
1232:
1196:
1075:. These are subdivided into three, according to the traditional texts:
827:(hymn) in praise of a god or goddess is sung, such as to Jagannath (an
425:
4386:
4169:
758:
performance, and aims to engage the senses (prakriti) of the audience.
9190:
8979:
8929:
8902:
8851:
8816:
8806:
8758:
8657:
8625:
8570:
8467:
8422:
8096:
7229:
7109:
7057:
6849:
6275:
5979:
5924:
5894:
5814:
5809:
5769:
5714:
5609:
5571:
5480:
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3997:
3995:
3993:
3991:
3989:
3455:
3453:
3451:
3449:
3447:
3445:
1643:
1560:
1555:
927:
616:) and athletics into Odissi dance, by engaging boys and youth called
580:
388:
251:
146:
6118:
5290:
4443:
ed. Evangelos Kyriakidis, Cotsen Institute of Archaeology, UCLA 2007
4382:
4380:
4378:
4376:
4240:
4101:
4099:
4097:
3965:
3300:
3234:
Merchants, Guilds and Trade in Ancient India: An Odishan Perspective
2922:
Alessandra Royo (2012). Pallabi Chakravorty, Nilanjana Gupta (ed.).
2887:
2405:
Beside holding regular Odissi dance classes at its institution, the
9235:
9054:
9049:
8939:
8876:
8856:
8687:
8523:
8350:
8323:
8290:
8232:
8132:
8127:
8101:
8026:
7910:
7782:
7179:
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6102:
5904:
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5794:
5774:
5764:
5754:
5694:
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5654:
5561:
5500:
4656:"LIVE: Watch – Art of Living's World Culture Festival 2016 – Day 2"
4566:"IIT-Bhubaneswar Becomes First IIT to Introduce Odissi as a Course"
3818:
3475:
Silpa Prakasa Medieval Odishan Sanskrit Text on Temple Architecture
3255:
South Dakota State University, Epigraphia Indica, Vol. XX (1929–30)
2423:
2263:
1659:
1655:
1627:
1543:
1354:
1247:
1190:
902:
653:
541:
537:
520:
Actual sculptures that have survived into the modern era and panel
453:
223:
195:
191:
174:
8064:
6280:
5879:
4123:
3986:
3762:
3442:
3096:
3072:
1525:
used during festive occasions and the folksy celebration of life.
512:
9136:
8989:
8907:
8897:
8672:
8662:
8635:
8630:
8620:
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5959:
5874:
5839:
5784:
5744:
5704:
5679:
5566:
5536:
5435:
5370:
4843:
Odissi : What, Why and How… Evolution, Revival and Technique
4373:
4363:
4361:
4359:
4147:
4094:
3834:
3832:
2487:"Guidelines for Sangeet Natak Akademi Ratna and Akademi Puraskar"
2433:
2386:
An Odissi dance centre has been opened from January 2016, at the
2228:
1587:
1571:
1565:
1537:
1531:
1395:
1364:
1152:
985:
384:
287:
199:
7930:
7786:
3881:
Performance and Culture: Narrative, Image and Enactment in India
3677:
3675:
3497:
Performance and Culture: Narrative, Image and Enactment in India
3280:"Klangsteine aus Orissa-Die frühesten Musikinstrumente Indiens?"
1165:(head piece on which the tikka hangs). The eyes are ringed with
436:
9168:
9146:
8959:
8912:
8871:
8753:
8743:
8682:
8590:
8533:
8528:
8382:
8069:
7905:
7891:
7876:
7776:
7132:
6797:
6744:
6547:
6010:
5934:
5889:
5834:
5819:
5779:
5739:
5729:
5719:
5526:
5470:
5425:
5364:
4683:"Sri Sri to visit Odisha to prepare for World Culture Festival"
3819:"The Naming of Odissi: Changing Conceptions of Music in Odisha"
1795:
1349:
1226:
1157:
1126:
1118:
1016:(standing). The gaits or movement on the dance floor is called
957:
948:
A distinctive part of the Odissi tradition is the inclusion of
922:
828:
823:
585:
521:
395:, also dated to the same ruler, mention music and dance :
138:
98:
37:
4356:
4241:
Bruno Nettl; Ruth M. Stone; James Porter; et al. (1998).
4135:
4111:
3966:
Bruno Nettl; Ruth M. Stone; James Porter; et al. (1998).
3829:
3471:
3301:
Bruno Nettl; Ruth M. Stone; James Porter; et al. (1998).
2888:
Bruno Nettl; Ruth M. Stone; James Porter; et al. (1998).
9064:
9059:
8763:
8733:
8667:
8647:
8585:
8565:
8538:
8377:
8079:
7979:
7925:
7881:
7859:
7214:
7147:
6905:
6822:
5944:
5849:
5844:
5829:
5724:
5709:
5689:
5599:
5576:
4412:
4189:
3672:
3421:
3327:
3205:
3178:
3062:
3060:
3058:
3002:
2818:
2791:
2676:
2543:
2394:, it is an initiative of the Odissi dancer and choreographer
2326:
1577:
1549:
1405:
1400:
1166:
1110:
897:
891:
875:
647:
594:
588:(1360–1361 CE), for example, describe the destruction of the
545:
445:
428:, the highlands of Odisha, which is dated to about 1000 BCE.
403:(i.e., music), entertains the capital with the exhibition of
329:
229:
207:
170:
166:
142:
102:
3108:
2710:
9105:
9034:
9016:
8964:
8748:
8692:
8652:
8612:
8595:
8580:
8545:
7974:
7886:
5325:
Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana
4943:, by Dinanath Pathy. Published by Harman Pub. House, 2007.
3823:
Ravenshaw Journal of Literary and Cultural Studies (Vol. 3)
3789:
3159:
3084:
2979:
Towards a Third Theatre: Eugenio Barba and the Odin Teatret
2948:
1647:
1505:
1410:
839:(salutation to mother earth). The invocation also includes
711:
529:
449:
372:
3766:
Dance Matters: Performing India on Local and Global Stages
3598:
3055:
2925:
Dance Matters: Performing India on Local and Global Stages
2512:
Peter J. Claus; Sarah Diamond; Margaret Ann Mills (2003).
846:
7778:
4408:
4406:
4404:
4402:
4185:
4183:
4181:
4179:
1121:
with regional designs and embellishments, and may be the
6874:
5129:
India's Dances: Their History, Technique, and Repertoire
4887:, by Ranjana Gauhar and Dushyant Parasher. Published by
3133:. University of South Carolina Press. pp. 138–139.
2574:
were employed in temples dedicated to Shiva and Shakti."
2539:
2537:
2535:
7839:
909:. Most common are Abhinayas on Oriya songs or Sanskrit
4399:
4271:
Anne-Marie Gaston (2012). Hillary P. Rodrigues (ed.).
4176:
2996:
2883:
2881:
2879:
2570:
used to dance. Besides the temple of Lord Jagannatha,
383:
and musicians, and this has been dated to the time of
4754:"Odissi Centre to open at Oxford University from Jan"
4452:
4319:
4297:
4216:
3961:
3959:
3957:
3955:
3520:
2877:
2875:
2873:
2871:
2869:
2867:
2865:
2863:
2861:
2859:
2670:
2532:
2366:
854:
The next sequential step in an Odissi performance is
461:(Hindu temple dancers) and dance halls architecture (
4330:
3621:
2649:
2626:. University of Pennsylvania Press. pp. 65–66.
2588:
2586:
2584:
2582:
2580:
1685:
516:
Musician and dancer relief at the Konark Sun temple.
153:
through songs written and composed according to the
8040:
4042:
4040:
3617:
3615:
3613:
2592:
1559:for percussion. Melodic instruments range from the
968:
Odissi dance by Ananya parida and Rudraprasad Swain
5146:
4558:
4532:
4506:
4315:
4313:
4311:
4073:
3952:
3931:
3904:
3651:
3537:
3130:Sonic Liturgy: Ritual and Music in Hindu Tradition
3102:
2856:
420:The classical music tradition of Odisha, known as
5367:-based Department of Culture information website.
5194:Classical Indian dance in literature and the arts
4541:"IIT-Bhubaneswar to train students in Odissi too"
4326:. Odisha Sangeet Natak Adademi. pp. 113–115.
4270:
4223:. Odisha Sangeet Natak Adademi. pp. 112–113.
4164:
4162:
3911:. University of Chicago Press. pp. 102–103.
3884:. Cambridge Scholars Publishing. pp. 43–47.
3500:. Cambridge Scholars Publishing. pp. 43–57.
3277:
3030:
3028:
3026:
2733:
2731:
2729:
2727:
2725:
2619:
2577:
2566:"There are other temples too in Odisha where the
1698:
1032:The three primary dance positions in Odissi are:
298:Odissi was the only Indian dance form present in
9383:
5231:Aesthetic theories and forms in Indian tradition
5228:
5212:
5191:
5170:
4903:Odissi, Indian Classical Dance Art: Odisi Nritya
4861:Odissi Yaatra: The Journey of Guru Mayadhar Raut
4493:Odissi Yaatra: The Journey of Guru Mayadhar Raut
4477:. Calcutta, India. 9 August 2010. Archived from
4153:
4141:
4129:
4105:
4037:
3938:. University of Chicago Press. pp. 98–106.
3850:
3708:
3681:
3647:
3645:
3610:
3577:
3394:
3367:
3114:
3009:. Marg Publications. pp. 32–33, 48–49, 68.
2845:
2839:
2764:
2737:
2599:. The Rosen Publishing Group. pp. 484–485.
2454:
2452:
2450:
2448:
465:) were in vogue at least by the 9th century CE.
5125:
4760:. Archived from the original on 21 January 2016
4723:"Odissi beats to resonate at Oxford University"
4459:. Odisha Sangeet Natak Adademi. pp. 84–85.
4387:Courtney, David and Chandrakantha (1998–2021).
4308:
4046:
4001:
3838:
3527:. Odisha Sangeet Natak Adademi. pp. 68–69.
3489:
3487:
3485:
3459:
3034:
2921:
2768:The Creative Spirit: An Introduction to Theatre
2645:
2643:
1611:The Odissi tradition existed in three schools:
1161:, and adorned with various jewelry such as the
213:Odissi is traditionally a dance-drama genre of
4971:
4954:
4304:. Odisha Sangeet Natak Adademi. pp. 9–11.
4159:
3756:
3655:India's Kathak Dance in Historical Perspective
3628:. Rowman & Littlefield. pp. 165–168.
3066:
3023:
2722:
1184:, on the upper arm. The wrist is covered with
803:tradition. The talas used in Odissi dance are
693:attached to the temple. The Odissi performing
7762:
6890:
6134:
5386:
4909:, Avinash Pasricha. Marg Publications, 1990.
4016:
4012:
4010:
3898:
3877:
3763:Pallabi Chakravorty; Nilanjana Gupta (2012).
3742:. Oxford University Press. pp. 5, 8–17.
3735:
3642:
3541:Shifting sands: dance in Asia and the Pacific
3493:
2596:The Illustrated Encyclopedia of Hinduism: N-Z
2445:
2297:
1642:(chosen) particularly those at the temple of
1430:
149:stories and spiritual ideas, particularly of
5350:The annotated Odissi Dance Archive on Pad.ma
5276:
5255:
4867:). Published by B. R. Rhythms, Delhi, 2010.
4689:. Archived from the original on 2 April 2016
3816:
3573:
3571:
3569:
3567:
3565:
3563:
3561:
3482:
3212:. Marg Publications. pp. 13–16, 31–32.
3090:
2849:The square and the circle of the Indian arts
2640:
2505:
2343:
574:
340:(methods of expressive delivery) in vogue –
210:gained independence from the colonial rule.
5064:
4992:
4849:. Published by B. R. Rhythms, Delhi, 2007.
4367:
4266:
4264:
4236:
4234:
4232:
4230:
4117:
3604:
3174:
3172:
3126:
3078:
3041:. The Rosen Publishing Group. p. 278.
2917:
2915:
2913:
2911:
2852:. Roli Books International. pp. 57–58.
2716:
2398:who is also a post-graduate scholar at the
40:, a historical district of western Georgia.
7769:
7755:
6897:
6883:
6141:
6127:
5393:
5379:
4007:
3729:
3702:
3478:. Brill Academic. pp. 74–80, 52, 154.
2975:
2798:. Marg Publications. pp. 1–4, 76–77.
2613:
2323:Indian Institute of Technology Bhubaneswar
2304:
2290:
1630:or temple girls, their name deriving from
1437:
1423:
221:, using symbolic costumes, body movement,
67:
51:
5085:
5068:Sanskrit Play Production in Ancient India
3783:
3558:
3472:Alice Boner; Sadāśiva Rath Śarmā (1966).
1750:in the Odissi dance items, and portrayed
972:
271:(dance climax connoting salvation of the
5013:
4539:Barik, Satyasundar (12 September 2015).
4413:Sunil Kothari; Avinash Pasricha (1990).
4261:
4227:
4190:Sunil Kothari; Avinash Pasricha (1990).
3796:. Oxford University Press. p. 420.
3544:. Australian Dance Council. p. 32.
3422:Sunil Kothari; Avinash Pasricha (1990).
3401:. Abhinav Publications. pp. 73–78.
3328:Sunil Kothari; Avinash Pasricha (1990).
3206:Sunil Kothari; Avinash Pasricha (1990).
3179:Sunil Kothari; Avinash Pasricha (1990).
3169:
3003:Sunil Kothari; Avinash Pasricha (1990).
2908:
2819:Sunil Kothari; Avinash Pasricha (1990).
2792:Sunil Kothari; Avinash Pasricha (1990).
2683:. Marg Publications. pp. 9–10, 12.
2677:Sunil Kothari; Avinash Pasricha (1990).
2544:Sunil Kothari; Avinash Pasricha (1990).
2473:
2370:
2360:dance items from the Odissi repertoire.
2354:mangalacharana, Battu, Pallavi, Abhinaya
2331:
1689:
1597:
1449:
1131:
1100:
984:
976:
963:
845:
672:
652:
603:
511:
435:
391:in the first or second century BCE. The
6588:Pana Sankranti (Maha Vishuba Sankranti)
5104:
4512:
2550:. Marg Publications. pp. 4–6, 41.
1155:). The dancers forehead is marked with
314:The foundations of Odissi are found in
14:
9384:
5313:Odissi solo performance: Nitisha Nanda
4340:. Orissaculture.gov.in. Archived from
3790:Debra Craine; Judith Mackrell (2010).
3164:. Harvard University Press. p. 4.
2949:Axel Michaels; Christoph Wulf (2012).
129:in old literature, is a major ancient
7750:
6878:
6148:
6122:
5374:
5105:Michell, George l (15 October 2014).
4538:
4419:. Marg Publications. pp. 41–49.
4247:. Taylor & Francis. p. 521.
4196:. Marg Publications. pp. 64–67.
3711:The Cambridge Journal of Anthropology
3428:. Marg Publications. pp. 66–67.
3334:. Marg Publications. pp. 13–15.
3307:. Taylor & Francis. p. 319.
3153:
2515:South Asian Folklore: An Encyclopedia
1151:with peacock feathers (symbolism for
190:, and archeological sites related to
4751:
4680:
4513:Pradhan, Ashok (11 September 2015).
3625:The Encyclopedia of World Folk Dance
3160:Coormaraswamy and Duggirala (1917).
996:The basic unit of Odissi are called
641:
309:
9366:
5355:History of Odissi and Geeta Govinda
5153:Indian Music: History and Structure
4927:Abhinaya-chandrika and Odissi dance
4572:. 12 September 2015. Archived from
3185:. Marg Publications. pp. 5–6.
1761:. His notable compositions include
1203:Modern Odissi male performers wear
921:(depicting the ten incarnations of
749:by Maheshwara Mahapatra of Odisha.
399:(he ) versed in the science of the
24:
5400:
4975:Drama and Ritual of Early Hinduism
4416:Odissi, Indian classical dance art
4193:Odissi, Indian classical dance art
4077:India 2001: Reference Encyclopedia
3854:Rethinking Dance History: A Reader
3685:Rethinking Dance History: A Reader
3581:Rethinking Dance History: A Reader
3425:Odissi, Indian classical dance art
3371:Rethinking Dance History: A Reader
3331:Odissi, Indian classical dance art
3209:Odissi, Indian classical dance art
3182:Odissi, Indian classical dance art
3006:Odissi, Indian classical dance art
2822:Odissi, Indian classical dance art
2795:Odissi, Indian classical dance art
2741:Rethinking Dance History: A Reader
2680:Odissi, Indian classical dance art
2547:Odissi, Indian classical dance art
2367:Odissi Centre at Oxford University
2339:on the largest Odissi dance event.
2316:
1139:at work before a dance performance
1085:Nritya Hasta – “Pure Dance” Mudras
981:Odissi mudra murals in Bhubaneswar
25:
9443:
5306:
2825:. Marg Publications. p. 50.
1686:Schools, training and recognition
870:. It is a fast pace, pure dance (
663:Kavichandra Kalicharan Pattanayak
9365:
9355:
9346:
9345:
9334:
8039:
7785:
7777:
6861:
6860:
5319:Odissi group dance: Megh Pallavi
2982:. Routledge. pp. xii–xiii.
2623:Between Theater and Anthropology
2273:
1804:
1225:
733:(dance with emotions, solo) and
681:(expressive) stage of the dance.
9412:Classical dance genres of India
9335:
7691:Dance in mythology and religion
5346:, Classical Indian Dance Portal
5315:, Arabhi Pallav, New Delhi 2013
4836:
4811:
4786:
4745:
4715:
4674:
4648:
4618:
4596:"Odissi dancers enter Guinness"
4588:
4485:
4463:
4446:
4433:
4291:
4210:
4067:
3972:. Routledge. pp. 519–521.
3925:
3871:
3844:
3810:
3688:. Routledge. pp. 145–146.
3584:. Routledge. pp. 148–149.
3531:
3514:
3465:
3415:
3388:
3374:. Routledge. pp. 147–148.
3361:
3348:
3321:
3294:
3271:
3258:
3239:
3226:
3199:
3120:
2969:
2942:
2812:
2785:
2758:
2744:. Routledge. pp. 144–145.
2204:Dhalapathar Parda & Fabrics
1464:. The primary Odissi ragas are
784:incorporates the elements of a
431:
414:Hathigumpha inscription, Line 5
9432:Artforms based on Odissi music
9260:Relations with other religions
4965:10.1093/obo/9780195399318-0071
4921:Perspectives on Odissi Theatre
4495:. Delhi: B. R. Rhythms. 2010.
4453:Dhirendranath Patnaik (1990).
4320:Dhirendranath Patnaik (1990).
4298:Dhirendranath Patnaik (1990).
4217:Dhirendranath Patnaik (1990).
4080:. South Asia Book. p. 6.
3793:The Oxford Dictionary of Dance
3521:Dhirendranath Patnaik (1990).
2479:
1699:Odissi maestros and performers
1541:(a barrel drum variant of the
885:follows next, and consists of
532:, as well as other temples of
202:. It was suppressed under the
173:, as well as Hindu goddesses (
141:– an eastern coastal state of
13:
1:
6793:Bronze & Bell metal works
4274:Studying Hinduism in Practice
3817:David Dennen (January 2013).
3658:. Routledge. pp. 94–98.
3622:Mary Ellen Snodgrass (2016).
2650:Evangelos Kyriakidis (2007).
2439:
2224:Habaspuri Saree & Fabrics
1000:. These are made up of eight
668:
4053:. Infobase. pp. 45–46.
3278:P. Yule; M. Bemmann (1988).
2593:James G. Lochtefeld (2002).
2321:Odissi has been included in
874:) performed in the honor of
32:Not to be confused with the
7:
6001:Hindi cinema song and dance
5279:Educational Theatre Journal
4959:. Oxford University Press.
4074:Catherine B. Asher (1995).
3932:Judith Lynne Hanna (1988).
3905:Judith Lynne Hanna (1988).
3652:Margaret E. Walker (2016).
3538:Stephanie Burridge (2006).
3266:The Hathigumpha Inscription
2412:
1096:
810:
416:, ~ 2nd–1st century BCE
10:
9448:
5089:The Caves Temples of India
4023:. Routledge. p. 955.
3857:. Routledge. p. 149.
2955:. Routledge. p. 192.
2928:. Routledge. p. 267.
2894:. Routledge. p. 520.
2771:. McGraw Hill. p. 9.
2620:Richard Schechner (2010).
2518:. Routledge. p. 136.
1772:
1650:. Early Maharis performed
1453:
835:(offering of flowers) and
544:and Vedic deities such as
286:; the second perfected by
31:
9332:
9159:
9124:
8950:
8885:
8792:
8719:
8712:
8611:
8514:
8505:
8413:
8299:
8256:
8223:
8141:
8115:
8087:
8078:
8057:
8048:
8037:
7956:
7825:
7816:
7795:
7646:
7333:
7243:
7118:
7008:
6940:
6912:
6904:
6858:
6833:
6810:
6755:
6722:
6713:
6652:
6636:
6528:
6512:
6487:
6451:
6442:
6409:
6359:
6191:
6163:
6156:
6095:
6049:
6019:
5993:
5585:
5554:
5509:
5458:
5449:
5408:
5229:Kapila Vatsyayan (2008).
5217:, Sangeet Natak Akademi,
5213:Kapila Vatsyayan (1974),
5196:. Sangeet Natak Akademi.
5192:Kapila Vatsyayan (1977).
5171:Kapila Vatsyayan (2001).
5086:Fergusson, James (1880).
5035:10.1080/08949460490274013
4885:Odissi – The Dance Divine
4863:, by Aadya Kaktikar (ed.
4778:: CS1 maint: unfit URL (
4707:: CS1 maint: unfit URL (
4441:The Archaeology of Ritual
4277:. Routledge. p. 81.
3851:Alexandra Carter (2013).
3769:. Routledge. p. 30.
3682:Alexandra Carter (2013).
3578:Alexandra Carter (2013).
3395:Kapila Vatsyayan (1982).
3368:Alexandra Carter (2013).
2846:Kapila Vatsyayan (1983).
2765:Stephanie Arnold (2014).
2738:Alexandra Carter (2013).
2653:The archaeology of ritual
2344:In Guinness World records
1606:
575:Mughal and British period
375:. The Manchapuri cave in
120:
94:
84:
68:
62:
50:
8404:Yoga Sutras of Patanjali
5262:. Abhinav Publications.
5259:Dance In Indian Painting
5233:. Munshiram Manoharlal.
5174:Bharata, the Nāṭyaśāstra
5132:. Abhinav Publications.
5126:Reginald Massey (2004).
4819:"Kalinga TV on Facebook"
4047:Janet Descutner (2010).
3398:Dance In Indian Painting
3035:Kathleen Kuiper (2010).
1782:This article is part of
1734:, Daksha Mashruwala and
1602:Odissi group performance
393:Hathigumpha inscriptions
280:spiritual temple dance (
275:and spiritual release).
29:Classical dance of India
8483:Thiruvilaiyadal Puranam
5071:. Motilal Banarsidass.
5029:(1). Routledge: 69–98.
5014:Williams, Drid (2004).
4999:. Motilal Banarsidass.
4996:Dance Dialects of India
4978:. Motilal Banarsidass.
4972:Natalia Lidova (1994).
4955:Natalia Lidova (2014).
3246:Hathigumpha inscription
3232:Benudhar Patra (2008),
3162:"The Mirror of Gesture"
3103:Emmie Te Nijenhuis 1974
3081:, pp. xxiv, 19–20.
2462:Encyclopædia Britannica
2239:Kotpad Handloom fabrics
2219:Gopalpur Tussar Fabrics
288:boys dressed as girls (
133:that originated in the
123:), also referred to as
8458:Eighteen Greater Texts
5357:JN Dhar, Orissa Review
5215:Indian classical dance
4600:The New Indian Express
4570:The New Indian Express
4017:Ellen Koskoff (2008).
3878:Archana Verma (2011).
3736:Leslie C. Orr (2000).
3494:Archana Verma (2011).
3284:Archaeologia Musicalis
2419:Indian classical dance
2383:
2349:Guinness World Records
2340:
2337:Guinness World Records
1695:
1603:
1140:
1106:
993:
982:
973:Basic moves and mudras
969:
851:
682:
658:
609:
517:
441:
418:
356: ; of these, the
131:Indian classical dance
89:Indian classical dance
9211:Hindu gurus and sants
8463:Eighteen Lesser Texts
5920:Poikkal Kuthiraiattam
5340:at the Open Directory
5336:18 March 2011 at the
4727:The Telegraph (India)
4154:Kapila Vatsyayan 1974
4142:Kapila Vatsyayan 1974
4130:Kapila Vatsyayan 1974
4106:Kapila Vatsyayan 1974
3166:; Also see chapter 36
3115:Kapila Vatsyayan 2001
2374:
2335:
1693:
1601:
1450:Music and instruments
1135:
1104:
1012:(sitting or down) or
988:
980:
967:
849:
745:and the 16th-century
676:
656:
607:
515:
439:
397:
9201:Anti-Hindu sentiment
7656:Dance and disability
6818:Kalinga architecture
5065:Tarla Mehta (1995).
4993:Ragini Devi (1990).
4606:on 15 September 2016
4576:on 12 September 2015
4338:"Culture Department"
4002:Reginald Massey 2004
3839:Reginald Massey 2004
3460:Reginald Massey 2004
3356:Orissan Inscriptions
3264:J. F. Fleet (1910),
3251:3 March 2016 at the
3127:Guy L. Beck (2012).
3038:The Culture of India
2407:Oxford Odissi Centre
2400:University of Oxford
2392:Oxford Odissi Centre
2388:University of Oxford
2380:Oxford Odissi Centre
2254:Pipili applique work
2234:Konark stone carving
1833:Legislative Assembly
1769:, composed in 1961.
1763:Pashyati Dishi Dishi
1704:Kelucharan Mohapatra
729:(pure dance, solo),
677:An Odissi dancer in
608:A male Odissi dancer
263:(expressive dance),
9307:Hinduism by country
8473:Iraiyanar Akapporul
8433:Tirumurukāṟṟuppaṭai
7701:Dance on television
5416:Perini Sivatandavam
5177:. Sahitya Akademi.
5023:Visual Anthropology
4798:The Pioneer (India)
4630:thesundayindian.com
4370:, pp. 147–149.
4120:, pp. 144–145.
4004:, pp. 207–214.
3462:, pp. 210–212.
3067:Natalia Lidova 2014
2976:Ian Watson (2003).
2209:Ganjam Kewda Flower
302:'s 1991 hit single
241:set to traditional
47:
9417:Hindu temple dance
6520:Odia Hindu wedding
5256:Kapila Vatsyayan.
5156:. BRILL Academic.
5148:Emmie Te Nijenhuis
4758:odishasuntimes.com
4733:on 16 January 2016
4687:odishasuntimes.com
4636:on 27 October 2021
4519:The Times of India
4471:"Steps to success"
4132:, pp. 38, 65.
3354:DB Mishra (2006),
2493:on 14 October 2013
2384:
2341:
1886:Odia Hindu wedding
1716:Sanjukta Panigrahi
1696:
1604:
1569:(bamboo flute) or
1172:Ear covers called
1169:(black eyeliner).
1141:
1107:
1105:The Odissi costume
1073:Abhinaya Chandrika
994:
983:
970:
919:Dashavatara Stotra
852:
850:Odissi Dance Drama
747:Abhinaya Chandrika
683:
659:
610:
554:Brahmeswara Temple
518:
491:Abhinaya Chandrika
442:
379:shows carvings of
360:refers to Odisha.
267:(dance drama) and
227:(expressions) and
45:
9379:
9378:
9155:
9154:
8708:
8707:
8501:
8500:
8415:Sangam literature
8371:Yājñavalkya Smṛti
8219:
8218:
8035:
8034:
7744:
7743:
7696:Dance occupations
7633:Wallis and Futuna
6872:
6871:
6806:
6805:
6670:Bomkai (Sonepuri)
6583:Manabasa Gurubara
6508:
6507:
6479:Prahallada Nataka
6443:Play, theatre and
6405:
6404:
6150:Culture of Odisha
6116:
6115:
6006:Hindi dance songs
5550:
5549:
5269:978-81-7017-153-9
5208:Table of Contents
5184:978-81-260-1220-6
5139:978-81-7017-434-9
5118:978-93-83098-33-0
5078:978-81-208-1057-0
5006:978-81-208-0674-0
4985:978-81-208-1234-5
4941:Rethinking Odissi
4873:978-81-88827-21-3
4501:978-81-88827-21-3
4426:978-81-85026-13-8
4393:Chandrakantha.com
4284:978-1-136-68097-7
4254:978-0-8240-4946-1
4203:978-81-85026-13-8
4156:, pp. 35–37.
4108:, pp. 38–39.
4087:978-0-945921-42-4
4060:978-1-4381-3078-1
4030:978-0-415-99404-0
3979:978-0-8240-4946-1
3945:978-0-226-31551-5
3918:978-0-226-31551-5
3891:978-1-4438-2832-1
3864:978-1-136-48500-8
3776:978-1-136-51612-2
3749:978-0-19-535672-4
3695:978-1-136-48500-8
3665:978-1-317-11737-7
3635:978-1-4422-5749-8
3591:978-1-136-48500-8
3551:978-1-875255-15-3
3507:978-1-4438-2832-1
3435:978-81-85026-13-8
3381:978-1-136-48500-8
3341:978-81-85026-13-8
3314:978-0-8240-4946-1
3219:978-81-85026-13-8
3192:978-81-85026-13-8
3140:978-1-61117-108-2
3091:Wallace Dace 1963
3048:978-1-61530-149-2
3016:978-81-85026-13-8
2989:978-1-134-79755-4
2962:978-1-136-70392-8
2935:978-1-136-51613-9
2901:978-0-8240-4946-1
2832:978-81-85026-13-8
2805:978-81-85026-13-8
2778:978-0-07-777389-2
2751:978-1-136-48500-8
2719:, pp. 47–49.
2690:978-81-85026-13-8
2663:978-1-931745-48-2
2633:978-0-8122-0092-8
2606:978-0-8239-3180-4
2557:978-81-85026-13-8
2525:978-0-415-93919-5
2314:
2313:
2214:Ganjam Kewda Rooh
1838:Political parties
1767:Priya Charu Shile
1732:Shubhada Varadkar
1708:Pankaj Charan Das
1654:(pure dance) and
1447:
1446:
1318:Sangita Muktabali
1093:of Bharata Muni.
991:Konark Sun Temple
895:(hand gestures),
642:Post-independence
601:to the nobility.
550:Konark Sun Temple
526:Jagannatha temple
310:History of Odissi
245:are used for the
108:
107:
16:(Redirected from
9439:
9422:Odissi exponents
9369:
9368:
9359:
9349:
9348:
9338:
9337:
9248:Pilgrimage sites
9002:Ganesh Chaturthi
8717:
8716:
8512:
8511:
8493:Vedarthasamgraha
8488:Vinayagar Agaval
8453:Five Great Epics
8428:Divya Prabandham
8341:Minor Upanishads
8085:
8084:
8055:
8054:
8043:
8042:
7823:
7822:
7789:
7781:
7771:
7764:
7757:
7748:
7747:
7731:History of dance
7716:Dance technology
7661:Dance and health
7611:African-American
6899:
6892:
6885:
6876:
6875:
6864:
6863:
6720:
6719:
6660:Baleswari bandha
6452:Play and theatre
6449:
6448:
6161:
6160:
6143:
6136:
6129:
6120:
6119:
6067:Himachal Pradesh
5970:Thitambu Nritham
5456:
5455:
5395:
5388:
5381:
5372:
5371:
5321:, Vancouver 2014
5302:
5273:
5252:
5225:
5205:
5188:
5167:
5143:
5122:
5111:. Niyogi Books.
5101:
5099:
5097:
5082:
5061:
5059:
5057:
5051:
5045:. Archived from
5020:
5010:
4989:
4968:
4831:
4830:
4828:
4826:
4815:
4809:
4808:
4806:
4804:
4790:
4784:
4783:
4777:
4769:
4767:
4765:
4749:
4743:
4742:
4740:
4738:
4729:. Archived from
4719:
4713:
4712:
4706:
4698:
4696:
4694:
4678:
4672:
4671:
4669:
4667:
4652:
4646:
4645:
4643:
4641:
4632:. Archived from
4622:
4616:
4615:
4613:
4611:
4602:. Archived from
4592:
4586:
4585:
4583:
4581:
4562:
4556:
4555:
4553:
4551:
4536:
4530:
4529:
4527:
4525:
4510:
4504:
4489:
4483:
4482:
4481:on 28 July 2013.
4467:
4461:
4460:
4450:
4444:
4437:
4431:
4430:
4410:
4397:
4396:
4384:
4371:
4368:Ragini Devi 1990
4365:
4354:
4353:
4351:
4349:
4334:
4328:
4327:
4317:
4306:
4305:
4295:
4289:
4288:
4268:
4259:
4258:
4238:
4225:
4224:
4214:
4208:
4207:
4187:
4174:
4173:
4166:
4157:
4151:
4145:
4139:
4133:
4127:
4121:
4118:Ragini Devi 1990
4115:
4109:
4103:
4092:
4091:
4071:
4065:
4064:
4044:
4035:
4034:
4014:
4005:
3999:
3984:
3983:
3963:
3950:
3949:
3929:
3923:
3922:
3902:
3896:
3895:
3875:
3869:
3868:
3848:
3842:
3836:
3827:
3826:
3814:
3808:
3807:
3787:
3781:
3780:
3760:
3754:
3753:
3733:
3727:
3726:
3706:
3700:
3699:
3679:
3670:
3669:
3649:
3640:
3639:
3619:
3608:
3605:Ragini Devi 1990
3602:
3596:
3595:
3575:
3556:
3555:
3535:
3529:
3528:
3518:
3512:
3511:
3491:
3480:
3479:
3469:
3463:
3457:
3440:
3439:
3419:
3413:
3412:
3392:
3386:
3385:
3365:
3359:
3352:
3346:
3345:
3325:
3319:
3318:
3298:
3292:
3291:
3275:
3269:
3262:
3256:
3243:
3237:
3230:
3224:
3223:
3203:
3197:
3196:
3176:
3167:
3165:
3157:
3151:
3150:
3124:
3118:
3112:
3106:
3105:, pp. 1–25.
3100:
3094:
3088:
3082:
3079:Tarla Mehta 1995
3076:
3070:
3064:
3053:
3052:
3032:
3021:
3020:
3000:
2994:
2993:
2973:
2967:
2966:
2946:
2940:
2939:
2919:
2906:
2905:
2885:
2854:
2853:
2843:
2837:
2836:
2816:
2810:
2809:
2789:
2783:
2782:
2762:
2756:
2755:
2735:
2720:
2717:Ragini Devi 1990
2714:
2708:
2694:
2674:
2668:
2667:
2647:
2638:
2637:
2617:
2611:
2610:
2590:
2575:
2561:
2541:
2530:
2529:
2509:
2503:
2502:
2500:
2498:
2489:. Archived from
2483:
2477:
2471:
2465:
2456:
2306:
2299:
2292:
2280:India portal
2278:
2277:
2276:
2259:Sambalpuri saree
1938:Maritime history
1808:
1798:
1789:
1786:
1777:
1776:
1728:Jhelum Paranjape
1585:. Additionally,
1439:
1432:
1425:
1340:Odissi Prabandha
1311:Sangita Narayana
1229:
1210:
1209:
1008:(rising or up),
858:, also known as
841:Trikhandi Pranam
743:Abhinaya Darpana
657:Utkal Dibas 2022
590:Jagannath temple
495:Abhinaya Darpana
470:Kapila Vatsyayan
188:Kalingan temples
122:
80:
79:
71:
70:
55:
48:
44:
21:
9447:
9446:
9442:
9441:
9440:
9438:
9437:
9436:
9382:
9381:
9380:
9375:
9342:
9328:
9151:
9120:
9111:Vasant Panchami
9045:Pahela Baishakh
9027:Makar Sankranti
8946:
8881:
8788:
8704:
8607:
8497:
8478:Abhirami Antati
8448:Kamba Ramayanam
8409:
8295:
8252:
8215:
8137:
8111:
8074:
8044:
8031:
8015:Vishishtadvaita
7952:
7812:
7791:
7775:
7745:
7740:
7676:Dance etiquette
7642:
7401:Burma (Myanmar)
7341:
7337:
7329:
7278:Lead and follow
7239:
7175:Country–western
7114:
7095:Novelty and fad
7053:Hoochie coochie
7004:
6963:closed position
6936:
6932:List of dancers
6908:
6903:
6873:
6868:
6854:
6829:
6802:
6751:
6715:
6709:
6680:Gopalpur Tussar
6648:
6632:
6578:Makar Sankranti
6524:
6504:
6483:
6444:
6438:
6401:
6355:
6187:
6152:
6147:
6117:
6112:
6091:
6045:
6035:Abhinavabharati
6015:
5989:
5860:Mardana Jhumair
5581:
5546:
5505:
5445:
5404:
5399:
5338:Wayback Machine
5309:
5291:10.2307/3204783
5270:
5241:
5185:
5164:
5140:
5119:
5095:
5093:
5079:
5055:
5053:
5052:on 4 March 2016
5049:
5018:
5007:
4986:
4839:
4834:
4824:
4822:
4817:
4816:
4812:
4802:
4800:
4792:
4791:
4787:
4771:
4770:
4763:
4761:
4750:
4746:
4736:
4734:
4721:
4720:
4716:
4700:
4699:
4692:
4690:
4679:
4675:
4665:
4663:
4662:. 12 March 2016
4654:
4653:
4649:
4639:
4637:
4624:
4623:
4619:
4609:
4607:
4594:
4593:
4589:
4579:
4577:
4564:
4563:
4559:
4549:
4547:
4537:
4533:
4523:
4521:
4511:
4507:
4490:
4486:
4469:
4468:
4464:
4451:
4447:
4438:
4434:
4427:
4411:
4400:
4385:
4374:
4366:
4357:
4347:
4345:
4344:on 3 April 2012
4336:
4335:
4331:
4318:
4309:
4296:
4292:
4285:
4269:
4262:
4255:
4239:
4228:
4215:
4211:
4204:
4188:
4177:
4168:
4167:
4160:
4152:
4148:
4140:
4136:
4128:
4124:
4116:
4112:
4104:
4095:
4088:
4072:
4068:
4061:
4045:
4038:
4031:
4015:
4008:
4000:
3987:
3980:
3964:
3953:
3946:
3930:
3926:
3919:
3903:
3899:
3892:
3876:
3872:
3865:
3849:
3845:
3837:
3830:
3815:
3811:
3804:
3788:
3784:
3777:
3761:
3757:
3750:
3734:
3730:
3707:
3703:
3696:
3680:
3673:
3666:
3650:
3643:
3636:
3620:
3611:
3603:
3599:
3592:
3576:
3559:
3552:
3536:
3532:
3519:
3515:
3508:
3492:
3483:
3470:
3466:
3458:
3443:
3436:
3420:
3416:
3409:
3393:
3389:
3382:
3366:
3362:
3353:
3349:
3342:
3326:
3322:
3315:
3299:
3295:
3276:
3272:
3263:
3259:
3253:Wayback Machine
3244:
3240:
3231:
3227:
3220:
3204:
3200:
3193:
3177:
3170:
3158:
3154:
3141:
3125:
3121:
3113:
3109:
3101:
3097:
3089:
3085:
3077:
3073:
3065:
3056:
3049:
3033:
3024:
3017:
3001:
2997:
2990:
2974:
2970:
2963:
2947:
2943:
2936:
2920:
2909:
2902:
2886:
2857:
2844:
2840:
2833:
2817:
2813:
2806:
2790:
2786:
2779:
2763:
2759:
2752:
2736:
2723:
2715:
2711:
2691:
2675:
2671:
2664:
2648:
2641:
2634:
2618:
2614:
2607:
2591:
2578:
2558:
2542:
2533:
2526:
2510:
2506:
2496:
2494:
2485:
2484:
2480:
2472:
2468:
2457:
2446:
2442:
2415:
2396:Baisali Mohanty
2378:announcing the
2376:Baisali Mohanty
2369:
2346:
2319:
2317:IIT Bhubaneswar
2310:
2274:
2272:
2194:Berhampur Patta
2020:
1913:Flora and fauna
1828:Chief Ministers
1796:
1784:
1781:
1775:
1712:Deba Prasad Das
1701:
1688:
1613:Mahari, Nartaki
1609:
1458:
1452:
1443:
1235:
1123:Sambalpuri sari
1099:
989:Odissi pose at
975:
868:Batuka Bhairava
813:
671:
644:
577:
507:Shilpa Prakasha
501:s mentioned in
434:
336:refers to four
312:
300:Michael Jackson
215:performance art
73:
66:
58:
41:
30:
23:
22:
15:
12:
11:
5:
9445:
9435:
9434:
9429:
9424:
9419:
9414:
9409:
9404:
9399:
9397:Arts of Odisha
9394:
9377:
9376:
9374:
9373:
9363:
9353:
9333:
9330:
9329:
9327:
9326:
9325:
9324:
9319:
9309:
9304:
9299:
9298:
9297:
9292:
9287:
9282:
9277:
9272:
9267:
9257:
9256:
9255:
9245:
9240:
9239:
9238:
9228:
9223:
9218:
9213:
9208:
9203:
9198:
9193:
9188:
9183:
9182:
9181:
9176:
9165:
9163:
9157:
9156:
9153:
9152:
9150:
9149:
9144:
9139:
9134:
9128:
9126:
9122:
9121:
9119:
9118:
9113:
9108:
9103:
9097:
9096:
9095:
9094:
9089:
9084:
9079:
9069:
9068:
9067:
9062:
9057:
9052:
9047:
9042:
9037:
9029:
9024:
9019:
9014:
9009:
9004:
8999:
8998:
8997:
8992:
8987:
8977:
8975:Raksha Bandhan
8972:
8967:
8962:
8956:
8954:
8948:
8947:
8945:
8944:
8943:
8942:
8937:
8932:
8927:
8917:
8916:
8915:
8910:
8905:
8900:
8889:
8887:
8883:
8882:
8880:
8879:
8874:
8869:
8864:
8859:
8854:
8849:
8844:
8839:
8834:
8829:
8824:
8819:
8814:
8809:
8804:
8798:
8796:
8790:
8789:
8787:
8786:
8781:
8776:
8771:
8766:
8761:
8756:
8751:
8746:
8741:
8736:
8731:
8725:
8723:
8714:
8710:
8709:
8706:
8705:
8703:
8702:
8695:
8690:
8685:
8680:
8675:
8670:
8665:
8660:
8655:
8650:
8645:
8640:
8639:
8638:
8633:
8628:
8617:
8615:
8609:
8608:
8606:
8605:
8598:
8593:
8588:
8583:
8578:
8573:
8568:
8563:
8558:
8553:
8548:
8543:
8542:
8541:
8536:
8531:
8520:
8518:
8509:
8503:
8502:
8499:
8498:
8496:
8495:
8490:
8485:
8480:
8475:
8470:
8465:
8460:
8455:
8450:
8445:
8440:
8435:
8430:
8425:
8419:
8417:
8411:
8410:
8408:
8407:
8400:
8395:
8390:
8385:
8380:
8375:
8374:
8373:
8368:
8363:
8353:
8348:
8343:
8338:
8333:
8332:
8331:
8326:
8316:
8311:
8305:
8303:
8297:
8296:
8294:
8293:
8288:
8283:
8278:
8273:
8268:
8262:
8260:
8254:
8253:
8251:
8250:
8245:
8240:
8235:
8229:
8227:
8221:
8220:
8217:
8216:
8214:
8213:
8208:
8203:
8198:
8193:
8188:
8186:Shvetashvatara
8183:
8178:
8173:
8168:
8163:
8161:Brihadaranyaka
8158:
8153:
8147:
8145:
8139:
8138:
8136:
8135:
8130:
8125:
8119:
8117:
8113:
8112:
8110:
8109:
8104:
8099:
8094:
8088:
8082:
8076:
8075:
8073:
8072:
8067:
8061:
8059:
8058:Classification
8052:
8046:
8045:
8038:
8036:
8033:
8032:
8030:
8029:
8020:
8019:
8018:
8011:
8004:
7992:
7987:
7982:
7977:
7972:
7962:
7960:
7954:
7953:
7951:
7950:
7949:
7948:
7943:
7938:
7933:
7928:
7923:
7918:
7913:
7908:
7897:
7896:
7895:
7894:
7889:
7884:
7879:
7868:
7867:
7862:
7857:
7852:
7847:
7842:
7837:
7831:
7829:
7820:
7814:
7813:
7811:
7810:
7805:
7802:
7796:
7793:
7792:
7774:
7773:
7766:
7759:
7751:
7742:
7741:
7739:
7738:
7736:Women in dance
7733:
7728:
7723:
7718:
7713:
7708:
7706:Dance research
7703:
7698:
7693:
7688:
7683:
7681:Dance notation
7678:
7673:
7668:
7663:
7658:
7652:
7650:
7644:
7643:
7641:
7640:
7635:
7630:
7625:
7620:
7615:
7614:
7613:
7603:
7598:
7593:
7588:
7583:
7578:
7573:
7568:
7563:
7558:
7553:
7548:
7543:
7538:
7533:
7528:
7523:
7518:
7513:
7508:
7503:
7498:
7493:
7488:
7483:
7478:
7473:
7468:
7463:
7458:
7453:
7448:
7443:
7438:
7433:
7428:
7423:
7418:
7413:
7408:
7403:
7398:
7393:
7388:
7383:
7378:
7373:
7368:
7363:
7358:
7353:
7347:
7345:
7331:
7330:
7328:
7327:
7322:
7317:
7312:
7307:
7302:
7297:
7292:
7291:
7290:
7280:
7275:
7270:
7265:
7260:
7255:
7249:
7247:
7241:
7240:
7238:
7237:
7232:
7227:
7222:
7217:
7212:
7207:
7202:
7197:
7192:
7187:
7182:
7177:
7172:
7167:
7162:
7157:
7152:
7151:
7150:
7145:
7135:
7130:
7124:
7122:
7116:
7115:
7113:
7112:
7107:
7102:
7097:
7092:
7087:
7086:
7085:
7080:
7075:
7070:
7065:
7060:
7055:
7050:
7045:
7035:
7030:
7025:
7020:
7014:
7012:
7006:
7005:
7003:
7002:
7001:
7000:
6995:
6990:
6985:
6980:
6975:
6970:
6965:
6960:
6950:
6944:
6942:
6938:
6937:
6935:
6934:
6929:
6927:List of dances
6924:
6919:
6913:
6910:
6909:
6902:
6901:
6894:
6887:
6879:
6870:
6869:
6859:
6856:
6855:
6853:
6852:
6847:
6841:
6839:
6831:
6830:
6828:
6827:
6826:
6825:
6814:
6812:
6808:
6807:
6804:
6803:
6801:
6800:
6795:
6790:
6785:
6780:
6775:
6770:
6765:
6759:
6757:
6753:
6752:
6750:
6749:
6748:
6747:
6740:Saura painting
6737:
6732:
6726:
6724:
6717:
6711:
6710:
6708:
6707:
6702:
6697:
6692:
6687:
6682:
6677:
6672:
6667:
6662:
6656:
6654:
6650:
6649:
6647:
6646:
6640:
6638:
6634:
6633:
6631:
6630:
6625:
6620:
6615:
6610:
6605:
6600:
6595:
6593:Pousha Purnima
6590:
6585:
6580:
6575:
6570:
6565:
6560:
6555:
6550:
6545:
6540:
6534:
6532:
6526:
6525:
6523:
6522:
6516:
6514:
6510:
6509:
6506:
6505:
6503:
6502:
6497:
6491:
6489:
6485:
6484:
6482:
6481:
6476:
6471:
6466:
6461:
6455:
6453:
6446:
6440:
6439:
6437:
6436:
6431:
6426:
6421:
6415:
6413:
6407:
6406:
6403:
6402:
6400:
6399:
6394:
6389:
6384:
6379:
6374:
6369:
6363:
6361:
6357:
6356:
6354:
6353:
6348:
6343:
6338:
6333:
6328:
6323:
6318:
6313:
6308:
6303:
6298:
6293:
6288:
6283:
6278:
6273:
6268:
6263:
6258:
6253:
6248:
6243:
6238:
6233:
6228:
6223:
6218:
6213:
6208:
6203:
6197:
6195:
6189:
6188:
6186:
6185:
6180:
6175:
6169:
6167:
6158:
6154:
6153:
6146:
6145:
6138:
6131:
6123:
6114:
6113:
6111:
6110:
6105:
6099:
6097:
6093:
6092:
6090:
6089:
6084:
6079:
6074:
6069:
6064:
6059:
6057:Andhra Pradesh
6053:
6051:
6047:
6046:
6044:
6043:
6038:
6031:
6023:
6021:
6017:
6016:
6014:
6013:
6008:
6003:
5997:
5995:
5991:
5990:
5988:
5987:
5982:
5977:
5972:
5967:
5962:
5957:
5952:
5947:
5942:
5937:
5932:
5927:
5922:
5917:
5912:
5907:
5902:
5897:
5892:
5887:
5882:
5877:
5872:
5867:
5862:
5857:
5852:
5847:
5842:
5837:
5832:
5827:
5822:
5817:
5812:
5807:
5802:
5797:
5792:
5787:
5782:
5777:
5772:
5767:
5762:
5757:
5752:
5747:
5742:
5737:
5732:
5727:
5722:
5717:
5712:
5707:
5702:
5697:
5692:
5687:
5682:
5677:
5672:
5667:
5662:
5657:
5652:
5647:
5645:Chakyar koothu
5642:
5637:
5632:
5627:
5622:
5617:
5612:
5607:
5602:
5596:
5594:
5583:
5582:
5580:
5579:
5574:
5569:
5564:
5558:
5556:
5552:
5551:
5548:
5547:
5545:
5544:
5539:
5534:
5529:
5524:
5519:
5513:
5511:
5507:
5506:
5504:
5503:
5498:
5493:
5488:
5483:
5478:
5473:
5468:
5462:
5460:
5453:
5447:
5446:
5444:
5443:
5438:
5433:
5428:
5423:
5418:
5412:
5410:
5406:
5405:
5402:Dance in India
5398:
5397:
5390:
5383:
5375:
5369:
5368:
5358:
5352:
5347:
5344:Odissi schools
5341:
5328:
5322:
5316:
5308:
5307:External links
5305:
5304:
5303:
5285:(3): 249–254.
5274:
5268:
5253:
5240:978-8187586357
5239:
5226:
5210:
5189:
5183:
5168:
5162:
5144:
5138:
5123:
5117:
5102:
5083:
5077:
5062:
5011:
5005:
4990:
4984:
4969:
4952:
4938:
4924:
4918:
4900:
4882:
4876:
4865:Madhumita Raut
4858:
4847:Madhumita Raut
4838:
4835:
4833:
4832:
4810:
4785:
4744:
4714:
4673:
4647:
4617:
4587:
4557:
4531:
4505:
4484:
4462:
4445:
4432:
4425:
4398:
4372:
4355:
4329:
4307:
4290:
4283:
4260:
4253:
4226:
4209:
4202:
4175:
4158:
4146:
4134:
4122:
4110:
4093:
4086:
4066:
4059:
4036:
4029:
4006:
3985:
3978:
3951:
3944:
3924:
3917:
3897:
3890:
3870:
3863:
3843:
3841:, p. 209.
3828:
3809:
3803:978-0199563449
3802:
3782:
3775:
3755:
3748:
3728:
3701:
3694:
3671:
3664:
3641:
3634:
3609:
3607:, p. 142.
3597:
3590:
3557:
3550:
3530:
3513:
3506:
3481:
3464:
3441:
3434:
3414:
3408:978-0391022362
3407:
3387:
3380:
3360:
3347:
3340:
3320:
3313:
3293:
3270:
3257:
3238:
3225:
3218:
3198:
3191:
3168:
3152:
3139:
3119:
3107:
3095:
3093:, p. 249.
3083:
3071:
3054:
3047:
3022:
3015:
2995:
2988:
2968:
2961:
2941:
2934:
2907:
2900:
2855:
2838:
2831:
2811:
2804:
2784:
2777:
2757:
2750:
2721:
2709:
2689:
2669:
2662:
2639:
2632:
2612:
2605:
2576:
2556:
2531:
2524:
2504:
2478:
2466:
2443:
2441:
2438:
2437:
2436:
2431:
2426:
2421:
2414:
2411:
2368:
2365:
2345:
2342:
2318:
2315:
2312:
2311:
2309:
2308:
2301:
2294:
2286:
2283:
2282:
2269:
2268:
2267:
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2256:
2251:
2246:
2241:
2236:
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2216:
2211:
2206:
2201:
2196:
2188:
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2181:
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2178:
2173:
2168:
2163:
2158:
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2148:
2143:
2138:
2133:
2128:
2123:
2118:
2113:
2108:
2103:
2098:
2093:
2088:
2083:
2078:
2073:
2068:
2063:
2058:
2053:
2048:
2043:
2038:
2033:
2025:
2024:
2014:
2013:
2012:
2011:
2006:
2001:
1996:
1991:
1989:Odissi (dance)
1986:
1985:
1984:
1974:
1973:
1972:
1967:
1962:
1957:
1947:
1946:
1945:
1940:
1935:
1933:Historic sites
1925:
1920:
1915:
1910:
1905:
1900:
1895:
1890:
1889:
1888:
1878:
1873:
1868:
1860:
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1845:
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1835:
1830:
1825:
1817:
1816:
1810:
1809:
1801:
1800:
1792:
1791:
1774:
1771:
1752:Shringara Rasa
1736:Nandita Behera
1724:Sonal Mansingh
1720:Kumkum Mohanty
1700:
1697:
1687:
1684:
1683:
1682:
1676:
1675:entertainment.
1669:
1608:
1605:
1593:finger cymbals
1454:Main article:
1451:
1448:
1445:
1444:
1442:
1441:
1434:
1427:
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1255:
1250:
1242:
1241:
1237:
1236:
1230:
1222:
1221:
1215:
1214:
1137:Make-up artist
1098:
1095:
1087:
1086:
1083:
1080:
1057:
1056:
1046:
1040:
974:
971:
913:s or Sanskrit
864:Sthayee Nrutya
818:Mangalacharana
812:
809:
797:
796:
789:
774:
759:
670:
667:
643:
640:
593:Mughal era of
576:
573:
433:
430:
311:
308:
304:Black or White
259:(pure dance),
233:(gestures and
106:
105:
96:
92:
91:
86:
82:
81:
64:
60:
59:
56:
28:
9:
6:
4:
3:
2:
9444:
9433:
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9428:
9425:
9423:
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9410:
9408:
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9364:
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9354:
9352:
9344:
9343:
9341:
9331:
9323:
9320:
9318:
9315:
9314:
9313:
9312:Hindu temples
9310:
9308:
9305:
9303:
9300:
9296:
9293:
9291:
9288:
9286:
9283:
9281:
9278:
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9241:
9237:
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9232:
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9224:
9222:
9219:
9217:
9216:Hindu studies
9214:
9212:
9209:
9207:
9204:
9202:
9199:
9197:
9194:
9192:
9189:
9187:
9186:Denominations
9184:
9180:
9177:
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9172:
9171:
9170:
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9164:
9162:
9158:
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9038:
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9025:
9023:
9020:
9018:
9015:
9013:
9010:
9008:
9005:
9003:
9000:
8996:
8995:Vijayadashami
8993:
8991:
8988:
8986:
8983:
8982:
8981:
8978:
8976:
8973:
8971:
8968:
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8838:
8835:
8833:
8830:
8828:
8825:
8823:
8820:
8818:
8815:
8813:
8812:Simantonayana
8810:
8808:
8805:
8803:
8800:
8799:
8797:
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8791:
8785:
8782:
8780:
8777:
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8604:
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8476:
8474:
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8469:
8466:
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8461:
8459:
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8454:
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8441:
8439:
8436:
8434:
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8429:
8426:
8424:
8421:
8420:
8418:
8416:
8412:
8406:
8405:
8401:
8399:
8398:Yoga Vasistha
8396:
8394:
8391:
8389:
8386:
8384:
8381:
8379:
8376:
8372:
8369:
8367:
8364:
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8354:
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8342:
8339:
8337:
8334:
8330:
8327:
8325:
8322:
8321:
8320:
8317:
8315:
8312:
8310:
8309:Bhagavad Gita
8307:
8306:
8304:
8302:
8298:
8292:
8289:
8287:
8284:
8282:
8279:
8277:
8274:
8272:
8269:
8267:
8264:
8263:
8261:
8259:
8255:
8249:
8248:Sthapatyaveda
8246:
8244:
8241:
8239:
8236:
8234:
8231:
8230:
8228:
8226:
8222:
8212:
8209:
8207:
8204:
8202:
8199:
8197:
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8187:
8184:
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8179:
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8159:
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8140:
8134:
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8105:
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8028:
8024:
8021:
8017:
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8012:
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8009:
8005:
8003:
8002:
7998:
7997:
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7991:
7988:
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7959:
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7909:
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7815:
7809:
7806:
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7798:
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7772:
7767:
7765:
7760:
7758:
7753:
7752:
7749:
7737:
7734:
7732:
7729:
7727:
7726:Dancing mania
7724:
7722:
7719:
7717:
7714:
7712:
7711:Dance science
7709:
7707:
7704:
7702:
7699:
7697:
7694:
7692:
7689:
7687:
7686:Dance in film
7684:
7682:
7679:
7677:
7674:
7672:
7671:Dance costume
7669:
7667:
7664:
7662:
7659:
7657:
7654:
7653:
7651:
7649:
7645:
7639:
7636:
7634:
7631:
7629:
7626:
7624:
7621:
7619:
7616:
7612:
7609:
7608:
7607:
7606:United States
7604:
7602:
7599:
7597:
7594:
7592:
7589:
7587:
7584:
7582:
7579:
7577:
7574:
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7554:
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7509:
7507:
7504:
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7489:
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7484:
7482:
7479:
7477:
7474:
7472:
7469:
7467:
7464:
7462:
7459:
7457:
7454:
7452:
7449:
7447:
7446:Faroe Islands
7444:
7442:
7439:
7437:
7434:
7432:
7429:
7427:
7424:
7422:
7419:
7417:
7414:
7412:
7409:
7407:
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7402:
7399:
7397:
7394:
7392:
7389:
7387:
7384:
7382:
7379:
7377:
7374:
7372:
7369:
7367:
7364:
7362:
7359:
7357:
7354:
7352:
7349:
7348:
7346:
7343:
7336:
7332:
7326:
7323:
7321:
7318:
7316:
7313:
7311:
7308:
7306:
7303:
7301:
7298:
7296:
7293:
7289:
7286:
7285:
7284:
7281:
7279:
7276:
7274:
7271:
7269:
7266:
7264:
7261:
7259:
7256:
7254:
7251:
7250:
7248:
7246:
7242:
7236:
7233:
7231:
7228:
7226:
7223:
7221:
7218:
7216:
7213:
7211:
7208:
7206:
7203:
7201:
7198:
7196:
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7191:
7188:
7186:
7183:
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7178:
7176:
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7171:
7168:
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7163:
7161:
7158:
7156:
7153:
7149:
7146:
7144:
7141:
7140:
7139:
7136:
7134:
7131:
7129:
7126:
7125:
7123:
7121:
7117:
7111:
7108:
7106:
7103:
7101:
7098:
7096:
7093:
7091:
7088:
7084:
7081:
7079:
7076:
7074:
7071:
7069:
7066:
7064:
7063:Neo-Burlesque
7061:
7059:
7056:
7054:
7051:
7049:
7046:
7044:
7041:
7040:
7039:
7036:
7034:
7031:
7029:
7026:
7024:
7021:
7019:
7016:
7015:
7013:
7011:
7007:
6999:
6996:
6994:
6991:
6989:
6986:
6984:
6981:
6979:
6976:
6974:
6971:
6969:
6968:open position
6966:
6964:
6961:
6959:
6958:close embrace
6956:
6955:
6954:
6951:
6949:
6946:
6945:
6943:
6941:Participation
6939:
6933:
6930:
6928:
6925:
6923:
6920:
6918:
6915:
6914:
6911:
6907:
6900:
6895:
6893:
6888:
6886:
6881:
6880:
6877:
6867:
6857:
6851:
6848:
6846:
6845:Odia calendar
6843:
6842:
6840:
6837:
6832:
6824:
6821:
6820:
6819:
6816:
6815:
6813:
6809:
6799:
6796:
6794:
6791:
6789:
6788:Wooden crafts
6786:
6784:
6781:
6779:
6776:
6774:
6771:
6769:
6766:
6764:
6761:
6760:
6758:
6754:
6746:
6743:
6742:
6741:
6738:
6736:
6733:
6731:
6728:
6727:
6725:
6721:
6718:
6712:
6706:
6703:
6701:
6698:
6696:
6693:
6691:
6688:
6686:
6683:
6681:
6678:
6676:
6673:
6671:
6668:
6666:
6663:
6661:
6658:
6657:
6655:
6651:
6645:
6642:
6641:
6639:
6635:
6629:
6626:
6624:
6621:
6619:
6618:Savitri Brata
6616:
6614:
6613:Samba Dashami
6611:
6609:
6606:
6604:
6601:
6599:
6598:Prathamastami
6596:
6594:
6591:
6589:
6586:
6584:
6581:
6579:
6576:
6574:
6573:Kumar Purnima
6571:
6569:
6568:Gamha Purnima
6566:
6564:
6561:
6559:
6556:
6554:
6551:
6549:
6546:
6544:
6543:Boita Bandana
6541:
6539:
6536:
6535:
6533:
6531:
6527:
6521:
6518:
6517:
6515:
6511:
6501:
6500:Sakhi kandhei
6498:
6496:
6495:Ravana chhaya
6493:
6492:
6490:
6486:
6480:
6477:
6475:
6472:
6470:
6467:
6465:
6462:
6460:
6457:
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6450:
6447:
6441:
6435:
6432:
6430:
6427:
6425:
6422:
6420:
6417:
6416:
6414:
6412:
6408:
6398:
6395:
6393:
6390:
6388:
6385:
6383:
6380:
6378:
6375:
6373:
6370:
6368:
6365:
6364:
6362:
6358:
6352:
6349:
6347:
6344:
6342:
6339:
6337:
6334:
6332:
6329:
6327:
6324:
6322:
6319:
6317:
6314:
6312:
6309:
6307:
6304:
6302:
6299:
6297:
6294:
6292:
6289:
6287:
6284:
6282:
6279:
6277:
6274:
6272:
6271:Kathi Kandhei
6269:
6267:
6266:Kandhei nacha
6264:
6262:
6259:
6257:
6254:
6252:
6249:
6247:
6244:
6242:
6239:
6237:
6234:
6232:
6229:
6227:
6224:
6222:
6219:
6217:
6214:
6212:
6209:
6207:
6204:
6202:
6199:
6198:
6196:
6194:
6190:
6184:
6181:
6179:
6176:
6174:
6171:
6170:
6168:
6166:
6162:
6159:
6155:
6151:
6144:
6139:
6137:
6132:
6130:
6125:
6124:
6121:
6109:
6106:
6104:
6101:
6100:
6098:
6094:
6088:
6085:
6083:
6080:
6078:
6075:
6073:
6070:
6068:
6065:
6063:
6060:
6058:
6055:
6054:
6052:
6048:
6042:
6039:
6037:
6036:
6032:
6030:
6029:
6028:Natya Shastra
6025:
6024:
6022:
6018:
6012:
6009:
6007:
6004:
6002:
5999:
5998:
5996:
5992:
5986:
5983:
5981:
5978:
5976:
5973:
5971:
5968:
5966:
5963:
5961:
5958:
5956:
5953:
5951:
5948:
5946:
5943:
5941:
5938:
5936:
5933:
5931:
5928:
5926:
5923:
5921:
5918:
5916:
5913:
5911:
5908:
5906:
5903:
5901:
5898:
5896:
5893:
5891:
5888:
5886:
5883:
5881:
5878:
5876:
5873:
5871:
5868:
5866:
5863:
5861:
5858:
5856:
5855:Malwai Giddha
5853:
5851:
5848:
5846:
5843:
5841:
5838:
5836:
5833:
5831:
5828:
5826:
5823:
5821:
5818:
5816:
5813:
5811:
5808:
5806:
5803:
5801:
5798:
5796:
5793:
5791:
5788:
5786:
5783:
5781:
5778:
5776:
5773:
5771:
5768:
5766:
5763:
5761:
5758:
5756:
5753:
5751:
5748:
5746:
5743:
5741:
5738:
5736:
5733:
5731:
5728:
5726:
5723:
5721:
5718:
5716:
5713:
5711:
5708:
5706:
5703:
5701:
5700:Dollu Kunitha
5698:
5696:
5693:
5691:
5688:
5686:
5683:
5681:
5678:
5676:
5673:
5671:
5668:
5666:
5663:
5661:
5658:
5656:
5653:
5651:
5648:
5646:
5643:
5641:
5638:
5636:
5633:
5631:
5628:
5626:
5623:
5621:
5620:Bardwi Sikhla
5618:
5616:
5613:
5611:
5608:
5606:
5603:
5601:
5598:
5597:
5595:
5592:
5588:
5584:
5578:
5575:
5573:
5570:
5568:
5565:
5563:
5560:
5559:
5557:
5553:
5543:
5540:
5538:
5535:
5533:
5530:
5528:
5525:
5523:
5520:
5518:
5517:Andhra Natyam
5515:
5514:
5512:
5508:
5502:
5499:
5497:
5494:
5492:
5489:
5487:
5484:
5482:
5479:
5477:
5474:
5472:
5469:
5467:
5466:Bharatanatyam
5464:
5463:
5461:
5457:
5454:
5452:
5448:
5442:
5439:
5437:
5434:
5432:
5429:
5427:
5424:
5422:
5419:
5417:
5414:
5413:
5411:
5407:
5403:
5396:
5391:
5389:
5384:
5382:
5377:
5376:
5373:
5366:
5362:
5361:Bharat Bhavan
5359:
5356:
5353:
5351:
5348:
5345:
5342:
5339:
5335:
5332:
5329:
5326:
5323:
5320:
5317:
5314:
5311:
5310:
5300:
5296:
5292:
5288:
5284:
5280:
5275:
5271:
5265:
5261:
5260:
5254:
5250:
5246:
5242:
5236:
5232:
5227:
5224:
5220:
5216:
5211:
5209:
5203:
5199:
5195:
5190:
5186:
5180:
5176:
5175:
5169:
5165:
5163:90-04-03978-3
5159:
5155:
5154:
5149:
5145:
5141:
5135:
5131:
5130:
5124:
5120:
5114:
5110:
5109:
5103:
5092:. W. H. Allen
5091:
5090:
5084:
5080:
5074:
5070:
5069:
5063:
5048:
5044:
5040:
5036:
5032:
5028:
5024:
5017:
5012:
5008:
5002:
4998:
4997:
4991:
4987:
4981:
4977:
4976:
4970:
4966:
4962:
4958:
4953:
4950:
4949:81-86622-88-8
4946:
4942:
4939:
4936:
4935:81-7854-010-X
4932:
4928:
4925:
4922:
4919:
4916:
4915:81-85026-13-0
4912:
4908:
4907:Sunil Kothari
4904:
4901:
4898:
4897:81-89738-17-8
4894:
4890:
4886:
4883:
4880:
4877:
4874:
4870:
4866:
4862:
4859:
4856:
4855:81-88827-10-X
4852:
4848:
4844:
4841:
4840:
4820:
4814:
4799:
4795:
4794:"The Pioneer"
4789:
4781:
4775:
4759:
4755:
4748:
4732:
4728:
4724:
4718:
4710:
4704:
4688:
4684:
4677:
4661:
4657:
4651:
4635:
4631:
4627:
4621:
4605:
4601:
4597:
4591:
4575:
4571:
4567:
4561:
4546:
4542:
4535:
4520:
4516:
4509:
4502:
4498:
4494:
4491:Kaktikar, A.
4488:
4480:
4476:
4475:The Telegraph
4472:
4466:
4458:
4457:
4449:
4442:
4436:
4428:
4422:
4418:
4417:
4409:
4407:
4405:
4403:
4394:
4390:
4383:
4381:
4379:
4377:
4369:
4364:
4362:
4360:
4343:
4339:
4333:
4325:
4324:
4316:
4314:
4312:
4303:
4302:
4294:
4286:
4280:
4276:
4275:
4267:
4265:
4256:
4250:
4246:
4245:
4237:
4235:
4233:
4231:
4222:
4221:
4213:
4205:
4199:
4195:
4194:
4186:
4184:
4182:
4180:
4171:
4165:
4163:
4155:
4150:
4144:, p. 36.
4143:
4138:
4131:
4126:
4119:
4114:
4107:
4102:
4100:
4098:
4089:
4083:
4079:
4078:
4070:
4062:
4056:
4052:
4051:
4043:
4041:
4032:
4026:
4022:
4021:
4013:
4011:
4003:
3998:
3996:
3994:
3992:
3990:
3981:
3975:
3971:
3970:
3962:
3960:
3958:
3956:
3947:
3941:
3937:
3936:
3928:
3920:
3914:
3910:
3909:
3901:
3893:
3887:
3883:
3882:
3874:
3866:
3860:
3856:
3855:
3847:
3840:
3835:
3833:
3824:
3820:
3813:
3805:
3799:
3795:
3794:
3786:
3778:
3772:
3768:
3767:
3759:
3751:
3745:
3741:
3740:
3732:
3724:
3720:
3716:
3712:
3705:
3697:
3691:
3687:
3686:
3678:
3676:
3667:
3661:
3657:
3656:
3648:
3646:
3637:
3631:
3627:
3626:
3618:
3616:
3614:
3606:
3601:
3593:
3587:
3583:
3582:
3574:
3572:
3570:
3568:
3566:
3564:
3562:
3553:
3547:
3543:
3542:
3534:
3526:
3525:
3517:
3509:
3503:
3499:
3498:
3490:
3488:
3486:
3477:
3476:
3468:
3461:
3456:
3454:
3452:
3450:
3448:
3446:
3437:
3431:
3427:
3426:
3418:
3410:
3404:
3400:
3399:
3391:
3383:
3377:
3373:
3372:
3364:
3358:Odisha Review
3357:
3351:
3343:
3337:
3333:
3332:
3324:
3316:
3310:
3306:
3305:
3297:
3289:
3285:
3281:
3274:
3267:
3261:
3254:
3250:
3247:
3242:
3235:
3229:
3221:
3215:
3211:
3210:
3202:
3194:
3188:
3184:
3183:
3175:
3173:
3163:
3156:
3149:
3147:
3142:
3136:
3132:
3131:
3123:
3116:
3111:
3104:
3099:
3092:
3087:
3080:
3075:
3068:
3063:
3061:
3059:
3050:
3044:
3040:
3039:
3031:
3029:
3027:
3018:
3012:
3008:
3007:
2999:
2991:
2985:
2981:
2980:
2972:
2964:
2958:
2954:
2953:
2945:
2937:
2931:
2927:
2926:
2918:
2916:
2914:
2912:
2903:
2897:
2893:
2892:
2884:
2882:
2880:
2878:
2876:
2874:
2872:
2870:
2868:
2866:
2864:
2862:
2860:
2851:
2850:
2842:
2834:
2828:
2824:
2823:
2815:
2807:
2801:
2797:
2796:
2788:
2780:
2774:
2770:
2769:
2761:
2753:
2747:
2743:
2742:
2734:
2732:
2730:
2728:
2726:
2718:
2713:
2706:
2702:
2698:
2692:
2686:
2682:
2681:
2673:
2665:
2659:
2655:
2654:
2646:
2644:
2635:
2629:
2625:
2624:
2616:
2608:
2602:
2598:
2597:
2589:
2587:
2585:
2583:
2581:
2573:
2569:
2565:
2559:
2553:
2549:
2548:
2540:
2538:
2536:
2527:
2521:
2517:
2516:
2508:
2492:
2488:
2482:
2475:
2474:Williams 2004
2470:
2463:
2460:
2455:
2453:
2451:
2449:
2444:
2435:
2432:
2430:
2427:
2425:
2422:
2420:
2417:
2416:
2410:
2408:
2403:
2401:
2397:
2393:
2389:
2381:
2377:
2373:
2364:
2361:
2359:
2355:
2350:
2338:
2334:
2330:
2328:
2324:
2307:
2302:
2300:
2295:
2293:
2288:
2287:
2285:
2284:
2281:
2271:
2270:
2265:
2262:
2260:
2257:
2255:
2252:
2250:
2247:
2245:
2242:
2240:
2237:
2235:
2232:
2230:
2227:
2225:
2222:
2220:
2217:
2215:
2212:
2210:
2207:
2205:
2202:
2200:
2197:
2195:
2192:
2191:
2190:
2189:
2186:
2183:
2182:
2177:
2174:
2172:
2169:
2167:
2164:
2162:
2159:
2157:
2154:
2152:
2149:
2147:
2144:
2142:
2139:
2137:
2134:
2132:
2129:
2127:
2124:
2122:
2119:
2117:
2114:
2112:
2109:
2107:
2104:
2102:
2099:
2097:
2094:
2092:
2089:
2087:
2086:Jagatsinghpur
2084:
2082:
2079:
2077:
2074:
2072:
2069:
2067:
2064:
2062:
2059:
2057:
2054:
2052:
2049:
2047:
2044:
2042:
2039:
2037:
2034:
2032:
2029:
2028:
2027:
2026:
2023:
2019:
2016:
2015:
2010:
2007:
2005:
2002:
2000:
1997:
1995:
1992:
1990:
1987:
1983:
1980:
1979:
1978:
1975:
1971:
1968:
1966:
1963:
1961:
1958:
1956:
1953:
1952:
1951:
1948:
1944:
1941:
1939:
1936:
1934:
1931:
1930:
1929:
1926:
1924:
1923:Highest point
1921:
1919:
1916:
1914:
1911:
1909:
1906:
1904:
1901:
1899:
1896:
1894:
1891:
1887:
1884:
1883:
1882:
1879:
1877:
1874:
1872:
1869:
1867:
1864:
1863:
1862:
1861:
1858:
1855:
1854:
1849:
1846:
1844:
1841:
1839:
1836:
1834:
1831:
1829:
1826:
1824:
1821:
1820:
1819:
1818:
1815:
1812:
1811:
1807:
1803:
1802:
1799:
1794:
1793:
1790:
1787:
1779:
1778:
1770:
1768:
1764:
1760:
1758:
1753:
1749:
1748:Sancharibhava
1745:
1744:Mudra Vinyoga
1741:
1740:Mayadhar Raut
1737:
1733:
1729:
1725:
1721:
1717:
1713:
1709:
1705:
1692:
1680:
1677:
1673:
1670:
1667:
1666:
1661:
1657:
1653:
1649:
1645:
1641:
1637:
1633:
1629:
1625:
1622:
1621:
1620:
1618:
1614:
1600:
1596:
1594:
1590:
1589:
1584:
1580:
1579:
1574:
1573:
1568:
1567:
1562:
1558:
1557:
1552:
1551:
1546:
1545:
1540:
1539:
1534:
1533:
1526:
1524:
1520:
1516:
1512:
1508:
1507:
1501:
1499:
1495:
1491:
1487:
1483:
1479:
1475:
1471:
1467:
1463:
1457:
1440:
1435:
1433:
1428:
1426:
1421:
1420:
1418:
1417:
1412:
1409:
1407:
1404:
1402:
1399:
1397:
1394:
1393:
1392:
1391:
1387:
1386:
1381:
1378:
1376:
1373:
1371:
1368:
1366:
1363:
1361:
1358:
1356:
1353:
1351:
1348:
1346:
1343:
1341:
1338:
1336:
1333:
1332:
1331:
1330:
1326:
1325:
1320:
1319:
1315:
1313:
1312:
1308:
1306:
1305:
1301:
1299:
1298:
1294:
1293:
1292:
1291:
1287:
1286:
1281:
1278:
1276:
1275:
1271:
1269:
1266:
1264:
1261:
1259:
1256:
1254:
1251:
1249:
1246:
1245:
1244:
1243:
1239:
1238:
1234:
1228:
1224:
1223:
1220:
1217:
1216:
1213:Oṛiśī Sangīta
1212:
1211:
1208:
1206:
1201:
1199:
1198:
1193:
1192:
1187:
1183:
1179:
1175:
1170:
1168:
1164:
1160:
1159:
1154:
1150:
1146:
1138:
1134:
1130:
1128:
1124:
1120:
1116:
1112:
1103:
1094:
1092:
1091:Natya Shastra
1084:
1081:
1078:
1077:
1076:
1074:
1070:
1065:
1061:
1054:
1050:
1047:
1044:
1041:
1038:
1035:
1034:
1033:
1030:
1028:
1023:
1019:
1015:
1011:
1007:
1003:
999:
992:
987:
979:
966:
962:
959:
955:
951:
946:
944:
939:
937:
936:
931:
929:
924:
920:
916:
912:
908:
907:Odia language
904:
900:
899:
894:
893:
888:
884:
879:
877:
873:
869:
865:
861:
857:
848:
844:
842:
838:
834:
830:
826:
825:
820:
819:
808:
806:
802:
794:
790:
787:
783:
779:
775:
772:
771:sign language
768:
764:
760:
756:
752:
751:
750:
748:
744:
740:
739:Natya Shastra
736:
732:
728:
723:
721:
715:
713:
709:
704:
700:
696:
692:
688:
680:
675:
666:
664:
655:
651:
649:
639:
637:
632:
630:
625:
623:
619:
615:
606:
602:
600:
596:
591:
587:
582:
572:
570:
566:
561:
559:
555:
551:
547:
543:
539:
535:
531:
527:
523:
514:
510:
508:
504:
503:Natya Shastra
500:
496:
492:
487:
483:
479:
475:
471:
468:According to
466:
464:
460:
455:
451:
447:
440:Odissi dancer
438:
429:
427:
423:
417:
415:
410:
408:
406:
402:
396:
394:
390:
386:
382:
378:
374:
370:
366:
361:
359:
355:
351:
347:
343:
339:
335:
334:Natya Shastra
331:
327:
323:
322:Natya Shastra
319:
318:
317:Natya Shastra
307:
305:
301:
296:
293:
291:
285:
283:
276:
274:
270:
266:
262:
258:
254:
253:
248:
244:
240:
236:
235:sign language
232:
231:
226:
225:
220:
216:
211:
209:
205:
201:
197:
193:
189:
185:
184:
183:Natya Shastra
178:
176:
172:
168:
164:
160:
156:
152:
148:
144:
140:
136:
132:
128:
127:
118:
114:
113:
104:
100:
97:
93:
90:
87:
83:
77:
65:
61:
54:
49:
43:
39:
35:
27:
19:
9427:Odissi music
9402:Odia culture
9322:Architecture
8925:Brahmacharya
8867:Samavartanam
8832:Annaprashana
8698:
8601:
8402:
8356:Dharmaśāstra
8346:Arthashastra
8181:Maitrayaniya
8013:
8006:
7999:
7921:Brahmacharya
7721:Dance troupe
7666:Dance awards
7561:Pontic Greek
7268:Dance theory
7258:Choreography
7170:Contemporary
6811:Architecture
6644:Paika akhada
6637:Martial arts
6459:Bharata Lila
6211:Chaiti ghoda
6182:
6033:
6026:
5994:Contemporary
5950:Singhi Chham
5790:Kachhi Ghodi
5685:Dandiya Raas
5625:Bedara Vesha
5555:Divine forms
5495:
5491:Mohiniyattam
5331:Odissi links
5327:Pushkar 2014
5282:
5278:
5258:
5230:
5214:
5193:
5173:
5152:
5128:
5107:
5094:. Retrieved
5088:
5067:
5054:. Retrieved
5047:the original
5026:
5022:
4995:
4974:
4957:Natyashastra
4956:
4940:
4926:
4920:
4902:
4889:Niyogi Books
4884:
4879:Odissi Dance
4878:
4860:
4842:
4837:Bibliography
4823:. Retrieved
4813:
4801:. Retrieved
4797:
4788:
4762:. Retrieved
4757:
4747:
4735:. Retrieved
4731:the original
4726:
4717:
4691:. Retrieved
4686:
4676:
4664:. Retrieved
4659:
4650:
4638:. Retrieved
4634:the original
4629:
4620:
4608:. Retrieved
4604:the original
4599:
4590:
4580:13 September
4578:. Retrieved
4574:the original
4569:
4560:
4550:13 September
4548:. Retrieved
4544:
4534:
4524:13 September
4522:. Retrieved
4518:
4508:
4492:
4487:
4479:the original
4474:
4465:
4456:Odissi dance
4455:
4448:
4440:
4435:
4415:
4392:
4346:. Retrieved
4342:the original
4332:
4323:Odissi dance
4322:
4301:Odissi dance
4300:
4293:
4273:
4243:
4220:Odissi dance
4219:
4212:
4192:
4149:
4137:
4125:
4113:
4076:
4069:
4049:
4019:
3968:
3934:
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3907:
3900:
3880:
3873:
3853:
3846:
3822:
3812:
3792:
3785:
3765:
3758:
3738:
3731:
3717:(1): 73–99.
3714:
3710:
3704:
3684:
3654:
3624:
3600:
3580:
3540:
3533:
3524:Odissi dance
3523:
3516:
3496:
3474:
3467:
3424:
3417:
3397:
3390:
3370:
3363:
3350:
3330:
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2890:
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2841:
2821:
2814:
2794:
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2767:
2760:
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2712:
2704:
2700:
2696:
2679:
2672:
2652:
2622:
2615:
2595:
2571:
2567:
2563:
2546:
2514:
2507:
2495:. Retrieved
2491:the original
2481:
2469:
2461:
2429:Odissi music
2404:
2385:
2362:
2357:
2353:
2347:
2320:
1994:Odissi music
1988:
1780:
1766:
1762:
1757:Gita Govinda
1755:
1751:
1747:
1746:in 1955 and
1743:
1702:
1678:
1671:
1665:Gita Govinda
1663:
1651:
1639:
1635:
1634:(great) and
1631:
1623:
1616:
1612:
1610:
1586:
1576:
1570:
1564:
1554:
1548:
1542:
1536:
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1510:
1504:
1502:
1497:
1493:
1489:
1485:
1481:
1477:
1473:
1469:
1465:
1462:Odissi music
1459:
1456:Odissi music
1335:Gita Govinda
1327:Compositions
1317:
1310:
1304:Gita Prakasa
1303:
1297:Sangita Sara
1296:
1280:Gopalakrusna
1273:
1219:Odissi music
1204:
1202:
1195:
1189:
1185:
1181:
1177:
1173:
1171:
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1017:
1013:
1009:
1005:
1001:
997:
995:
953:
949:
947:
942:
940:
935:Gita Govinda
933:
926:
918:
914:
910:
896:
890:
886:
882:
880:
871:
867:
863:
860:Battu Nrutya
859:
855:
853:
840:
837:Bhumi Pranam
836:
832:
822:
816:
814:
807:and others.
804:
801:Odissi music
798:
792:
785:
781:
777:
766:
762:
754:
746:
742:
738:
734:
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726:
724:
719:
716:
707:
702:
698:
694:
690:
686:
684:
678:
660:
645:
636:colonial era
633:
626:
621:
617:
613:
611:
578:
568:
564:
562:
519:
506:
502:
498:
494:
490:
485:
481:
477:
473:
467:
463:nata-mandapa
462:
458:
443:
432:Medieval era
422:Odissi music
419:
413:
411:
409:
404:
400:
398:
362:
357:
354:Odra-Magadhi
353:
349:
345:
341:
337:
326:Bharata Muni
321:
315:
313:
297:
289:
281:
277:
268:
264:
260:
256:
250:
246:
243:Odissi music
239:Gita Govinda
228:
222:
212:
204:British Rule
181:
179:
163:Odissi music
158:
154:
125:
124:
111:
110:
109:
42:
34:Odishi music
26:
18:Odissi dance
9371:WikiProject
9243:Persecution
9231:Nationalism
9221:Iconography
9101:Ratha Yatra
9012:Janmashtami
9007:Rama Navami
8935:Vanaprastha
8886:Varnashrama
8862:Ritushuddhi
8847:Vidyarambha
8837:Chudakarana
8827:Nishkramana
8802:Garbhadhana
8443:Thirukkural
8438:Thiruppugal
8366:Nāradasmṛti
8329:Mahabharata
8107:Atharvaveda
7985:Vaisheshika
7872:Puruṣārthas
7551:Philippines
7536:Netherlands
7526:Middle East
7078:Table dance
7043:Go go dance
7023:Competitive
6756:Handicrafts
6735:Jhoti chita
6730:Pattachitra
6716:Handicrafts
6675:Dhalapathar
6628:Snana Jatra
6623:Sitalsasthi
6603:Ratha Jatra
6469:Dhanu Jatra
6336:Pasu nrutya
6286:Naga nrutya
6256:Jodi sankha
6221:Chutkuchuta
6201:Bagha Nacha
6096:Accessories
5965:Thirayattam
5955:Sword dance
5640:Bommalattam
5615:Bardo Chham
5605:Baagh Naach
5441:Veeranatyam
5431:Parai Attam
4821:. KalingaTV
4640:9 September
4050:Asian Dance
3290:(1): 41–50.
2707:dancers..."
2390:. Known as
2249:Pattachitra
2244:Odisha Ikat
2199:Bomkai Sari
2185:GI Products
1759:Ashthapadis
1638:(girl), or
1626:were Oriya
1498:Shokabaradi
1474:Shree Gowda
1388:Instruments
1380:Charjyapada
1231:Mahāprabhu
1127:Bomkai sari
1027:pada bhedas
917:s like the
833:Pushpanjali
710:became the
691:Natamandira
629:British Raj
627:During the
599:concubinage
565:Gitagovinda
558:Bhubaneswar
534:Vaishnavism
365:Bhubaneswar
346:Dakshinatya
219:Hindu texts
151:Vaishnavism
63:Native name
9386:Categories
9072:Kumbh Mela
9040:Gudi Padwa
8985:Durga Puja
8970:Shivaratri
8842:Karnavedha
8822:Namakarana
8784:Tirthatana
8551:Dattatreya
8388:Subhashita
8361:Manusmriti
8238:Dhanurveda
8171:Taittiriya
8156:Kaushitaki
8143:Upanishads
7916:Aparigraha
7818:Philosophy
7618:Uzbekistan
7386:Azerbaijan
7295:Musicality
7263:Connection
7220:Postmodern
7190:Historical
7073:Striptease
7068:Pole dance
7018:Ceremonial
6973:slow dance
6834:Calendar (
6783:Stoneworks
6705:Sambalpuri
6665:Berhampuri
6558:Durga Puja
6553:Dola Jatra
6538:Bali Jatra
6464:Dasakathia
6346:Sakhi Nata
6316:Laudi nata
6306:Sambalpuri
6236:Dhan Koela
6231:Danda Nata
6082:Tamil Nadu
6020:Literature
5985:Yakshagana
5940:Raut Nacha
5930:Puliyattam
5910:Pavri Nach
5900:Paampattam
5870:Mayilattam
5800:Karakattam
5675:Corridinho
5665:Chheih Lam
5459:Recognised
5421:Margamkali
4752:Ayaskant.
4681:Ayaskant.
2497:6 November
2440:References
2176:Sundergarh
2171:Subarnapur
2141:Nabrangpur
2136:Mayurbhanj
2131:Malkangiri
2111:Kendrapara
2091:Jharsuguda
1965:Literature
1843:High Court
1814:Governance
1274:Kabisurjya
1253:Dinakrusna
1233:Jagannātha
911:Ashthapadi
669:Repertoire
474:Kalpasutra
426:Sankarjang
401:Gandharvas
338:pravrittis
9295:Theosophy
9226:Mythology
9206:Criticism
9174:Etymology
9132:Svādhyāya
9031:New Year
8980:Navaratri
8952:Festivals
8930:Grihastha
8903:Kshatriya
8877:Antyeshti
8852:Upanayana
8817:Jatakarma
8807:Pumsavana
8794:Sanskaras
8759:Naivedhya
8713:Practices
8658:Mahavidya
8626:Saraswati
8613:Goddesses
8571:Kartikeya
8468:Athichudi
8423:Tirumurai
8276:Vyākaraṇa
8243:Natyaveda
8191:Chandogya
8116:Divisions
8097:Yajurveda
7623:Venezuela
7586:Sri Lanka
7581:Singapore
7541:Nicaragua
7471:Indonesia
7376:Australia
7245:Technique
7143:formation
7058:Lap dance
6850:Anka year
6685:Habaspuri
6653:Handlooms
6548:Deepabali
6530:Festivals
6321:Lankapodi
6296:Rasarkeli
6276:Keisabadi
6165:Classical
5980:Veeragase
5925:Puli Kali
5895:Oyilattam
5815:Khual Lam
5810:Keisabadi
5770:Hulivesha
5715:Duffmuttu
5610:Bagurumba
5572:Rasa lila
5481:Kuchipudi
5476:Kathakali
5451:Classical
5249:286469807
5202:233639306
4660:india.com
4545:The Hindu
2166:Sambalpur
2116:Kendujhar
2106:Kandhamal
2101:Kalahandi
2071:Dhenkanal
2022:Divisions
2018:Districts
1918:Geography
1908:Festivals
1903:Elections
1898:Education
1823:Governors
1644:Jagganath
1628:devadasis
1561:harmonium
1556:mridangam
1494:Bhairavee
1486:Dhanashri
1268:Abhimanyu
1240:Composers
1178:bahichudi
1115:Pattasari
1053:tribhanga
1049:Tribhanga
928:Ardhanari
925:) or the
720:Shringara
581:Puspagiri
482:Tribhangi
389:Kharavela
377:Udayagiri
147:religious
9407:Jayadeva
9351:Category
9302:Glossary
9270:Buddhism
9236:Hindutva
9196:Calendar
9077:Haridwar
9055:Vaisakhi
9050:Puthandu
8940:Sannyasa
8857:Keshanta
8688:Shashthi
8524:Trimurti
8351:Nitisara
8324:Ramayana
8319:Itihasas
8291:Jyotisha
8233:Ayurveda
8225:Upavedas
8206:Mandukya
8151:Aitareya
8133:Aranyaka
8128:Brahmana
8102:Samaveda
8027:Charvaka
7827:Concepts
7808:Timeline
7800:Glossary
7783:Hinduism
7638:Zimbabwe
7591:Thailand
7516:Malaysia
7501:Kiribati
7411:Cameroon
7406:Cambodia
7396:Bulgaria
7371:Assyrian
7340:national
7335:Regional
7315:Spotting
7310:Sequence
7288:glossary
7235:Two-step
7180:Flamenco
7165:Breaking
7160:Boogaloo
7138:Ballroom
7083:Twerking
7048:Grinding
7033:Ecstatic
6866:Category
6768:Tarakasi
6714:Arts and
6700:Pasapali
6488:Puppetry
6445:puppetry
6424:Khanjani
6311:Samprada
6206:Chadheia
6103:Ghungroo
6050:By state
5915:Phulpati
5905:Padayani
5825:Kolattam
5795:Kalbelia
5775:Jhijhiya
5765:Hojagiri
5755:Gombhira
5695:Dhunachi
5670:Chholiya
5655:Chang Lo
5562:Nataraja
5501:Sattriya
5486:Manipuri
5334:Archived
5150:(1974).
5043:29065670
4891:, 2007.
4825:27 March
4803:27 March
4774:cite web
4764:27 March
4737:27 March
4703:cite web
4693:27 March
4666:27 March
4610:27 March
4389:"Odissi"
4170:"Basics"
3723:23816342
3249:Archived
2703:and the
2424:Ghungroo
2413:See also
2264:Rasgulla
2161:Rayagada
2146:Nayagarh
2076:Gajapati
2066:Debagarh
2041:Balasore
2036:Balangir
1999:Politics
1950:Language
1785:a series
1672:Gotipuas
1656:Abhinaya
1544:pakhavaj
1482:Panchama
1355:Chautisa
1288:Shāstras
1263:Banamali
1248:Jayadeva
1191:ghungroo
1182:bajuband
1097:Costumes
1014:sthankas
903:Sanskrit
887:Abhinaya
811:Sequence
708:gotipuas
703:Gotipuas
699:abhinaya
622:Gotipuas
618:Gotipuas
542:Shaktism
538:Shaivism
484:and the
478:Samapada
454:Buddhist
350:Panchali
290:gotipuas
247:abhinaya
224:abhinaya
196:Buddhism
192:Hinduism
175:Shaktism
9340:Outline
9290:Sikhism
9285:Judaism
9280:Jainism
9161:Related
9137:Namaste
8990:Ramlila
8920:Ashrama
8908:Vaishya
8898:Brahmin
8721:Worship
8673:Rukmini
8663:Matrika
8636:Parvati
8631:Lakshmi
8621:Tridevi
8576:Krishna
8561:Hanuman
8556:Ganesha
8507:Deities
8393:Tantras
8383:Stotras
8336:Puranas
8281:Nirukta
8271:Chandas
8266:Shiksha
8258:Vedanga
8211:Prashna
8201:Mundaka
8123:Samhita
8092:Rigveda
8023:Nāstika
8008:Advaita
7995:Vedanta
7990:Mīmāṃsā
7970:Samkhya
7958:Schools
7946:Akrodha
7865:Saṃsāra
7845:Ishvara
7835:Brahman
7648:Related
7628:Vietnam
7601:Ukraine
7511:Kurdish
7481:Ireland
7461:Hungary
7451:Georgia
7436:Denmark
7426:Croatia
7391:Belarus
7381:Austria
7366:Armenia
7356:Albania
7320:Turnout
7205:Lyrical
7185:Hip-hop
7028:Concert
6953:Partner
6922:Outline
6836:Panjika
6773:Ganjapa
6763:Chandua
6563:Nuakhai
6513:Wedding
6429:Kendara
6246:Ghumura
6241:Dhuduki
6226:Dalkhai
6173:Gotipua
6108:Silambu
6087:Tripura
5975:Tippani
5960:Tertali
5875:Mussoll
5840:Lahasua
5785:Jhumair
5750:Ghumura
5745:Ghoomar
5705:Domkach
5680:Dalkhai
5630:Bhangra
5567:Tandava
5537:Gotipua
5532:Gaudiya
5436:Theyyam
5409:Ancient
5299:3204783
5223:2238067
5096:2 April
5056:31 July
2705:gotipua
2701:maharis
2572:maharis
2568:maharis
2434:Gotipua
2358:Mokshya
2229:Khandua
2151:Nuapada
2126:Koraput
2121:Khordha
2061:Cuttack
2051:Bhadrak
2046:Bargarh
2009:Tourism
1970:Grammar
1928:History
1893:Economy
1881:Culture
1876:Cuisine
1773:Schools
1679:Nartaki
1660:Jayadev
1624:Maharis
1617:Gotipua
1588:manjira
1575:to the
1572:sarangi
1566:bansuri
1538:mardala
1532:tanpura
1523:Natangi
1519:Nartana
1511:Raginis
1490:Karnata
1466:Kalyana
1396:Mardala
1375:Pallabi
1370:Malasri
1365:Bhajana
1345:Chhanda
1186:kankana
1153:Krishna
1145:seenthi
1043:Abhanga
1018:chaalis
1010:baithas
998:bhangas
954:Mokshya
793:Mokshya
695:Maharis
687:Maharis
614:akhanda
569:Maharis
522:reliefs
459:Maharis
282:maharis
252:Bhangas
200:Jainism
135:temples
9392:Odissi
9361:Portal
9265:Baháʼí
9169:Hindus
9147:Tilaka
9116:Others
9092:Ujjain
9087:Prayag
9082:Nashik
9022:Pongal
8960:Diwali
8913:Shudra
8872:Vivaha
8779:Dhyāna
8754:Bhajan
8744:Bhakti
8729:Temple
8683:Shakti
8591:Varuna
8534:Vishnu
8529:Brahma
8378:Sutras
8314:Agamas
8070:Smriti
8001:Dvaita
7966:Āstika
7911:Asteya
7906:Ahimsa
7892:Moksha
7877:Dharma
7790:topics
7596:Turkey
7576:Serbia
7571:Russia
7566:Romani
7556:Poland
7521:Mexico
7486:Israel
7456:Greece
7441:Europe
7416:Canada
7351:Africa
7342:dances
7300:Pointe
7273:Graham
7253:Ballet
7210:Modern
7133:Ballet
7120:Styles
7105:Street
7100:Sacred
7038:Erotic
7010:Social
6998:square
6983:contra
6978:circle
6798:Dhokra
6745:Idital
6690:Kotpad
6434:Dhumpa
6419:Odissi
6392:Paraja
6377:Kandha
6372:Gadaba
6360:Tribal
6351:Suanga
6331:Tamasa
6301:Ranapa
6281:Nachni
6251:Jhumar
6183:Odissi
6178:Mahari
6077:Punjab
6072:Odisha
6041:Mudras
6011:Nautch
5935:Rasiya
5890:Oppana
5835:Lavani
5820:Kikkli
5780:Jhumar
5740:Giddha
5730:Garadi
5720:Dumhal
5660:Cheraw
5542:Mahari
5527:Deknni
5510:Others
5496:Odissi
5471:Kathak
5426:Koothu
5365:Kerala
5297:
5266:
5247:
5237:
5221:
5200:
5181:
5160:
5136:
5115:
5075:
5041:
5003:
4982:
4947:
4933:
4913:
4895:
4871:
4853:
4499:
4423:
4348:19 May
4281:
4251:
4200:
4084:
4057:
4027:
3976:
3942:
3915:
3888:
3861:
3800:
3773:
3746:
3721:
3692:
3662:
3632:
3588:
3548:
3504:
3432:
3405:
3378:
3338:
3311:
3216:
3189:
3146:Quote:
3137:
3045:
3013:
2986:
2959:
2932:
2898:
2829:
2802:
2775:
2748:
2697:Quote:
2687:
2660:
2630:
2603:
2564:Quote:
2554:
2522:
2464:(2013)
2459:Odissi
2096:Jajpur
2081:Ganjam
2004:Sports
1982:Tribes
1977:People
1955:Script
1943:Rulers
1871:Cinema
1857:Topics
1848:Police
1797:Odisha
1652:Nritta
1615:, and
1607:Styles
1583:violin
1515:Parija
1478:Baradi
1360:Janana
1350:Champu
1258:Bhanja
1163:allaka
1149:mukoot
1119:Odisha
1069:Hastas
1064:Hastas
1060:Mudras
1037:Chouka
1022:burhas
958:Moksha
950:Moksha
930:Stotra
923:Vishnu
898:bhavas
892:mudras
883:nritya
872:nritta
829:avatar
824:shloka
786:Nritya
778:Natyam
767:nritya
763:Nritya
755:Nritta
731:Nritya
727:Nritta
679:nritya
586:Odisha
499:karana
486:Chauka
480:, the
472:, the
369:Konark
342:Avanti
269:moksha
261:nritya
257:nritta
230:mudras
157:&
139:Odisha
126:Orissi
121:ଓଡ଼ିଶୀ
112:Odissi
99:Odisha
95:Origin
72:
69:ଓଡ଼ିଶୀ
57:Odissi
46:Odishi
38:Odishi
9275:Islam
9253:India
9142:Bindi
9125:Other
9065:Ugadi
9060:Vishu
8893:Varna
8774:Tapas
8764:Yajna
8734:Murti
8668:Radha
8648:Durga
8643:Bhumi
8586:Surya
8566:Indra
8539:Shiva
8301:Other
8286:Kalpa
8176:Katha
8080:Vedas
8065:Śruti
8050:Texts
7980:Nyaya
7936:Damah
7926:Satya
7882:Artha
7860:Karma
7850:Atman
7804:Index
7531:Nepal
7506:Korea
7496:Japan
7491:Italy
7466:India
7421:China
7325:Turns
7283:Moves
7225:Swing
7215:Polka
7200:Latin
7155:Belly
7148:waltz
6993:round
6917:Index
6906:Dance
6823:Deula
6474:Jatra
6411:Music
6397:Saura
6367:Desia
6341:Patua
6261:Karma
6216:Chhau
6157:Dance
6062:Assam
5945:Saang
5880:Nacnī
5865:Matki
5850:Maach
5845:Lezim
5830:Kummi
5805:Karma
5760:Grida
5735:Garba
5725:Fugdi
5710:Domni
5690:Dhalo
5650:Chang
5600:Alkap
5577:Lasya
5522:Chhau
5295:JSTOR
5050:(PDF)
5039:S2CID
5019:(PDF)
4905:, by
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3719:JSTOR
2327:BTech
2056:Boudh
2031:Angul
1640:Mahri
1578:sitar
1550:tabla
1506:Ragas
1205:dhoti
1167:kajal
1158:tikka
1006:uthas
1002:belis
943:natya
915:stuti
876:Shiva
782:Natya
735:Natya
712:gurus
648:India
595:India
546:Surya
446:Hindu
387:king
381:dance
330:Shiva
265:natya
208:India
171:Surya
167:Shiva
159:talas
155:ragas
143:India
103:India
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9317:List
9179:List
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9035:Bihu
9017:Onam
8965:Holi
8769:Homa
8749:Japa
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8699:more
8693:Sita
8678:Sati
8653:Kali
8602:more
8596:Vayu
8581:Rama
8546:Agni
8516:Gods
8196:Kena
8166:Isha
7975:Yoga
7941:Dayā
7931:Dāna
7901:Niti
7887:Kama
7855:Maya
7546:Peru
7476:Iran
7431:Cuba
7361:Arab
7305:Pole
7195:Jazz
7128:Acro
7090:Folk
6988:line
6948:Solo
6778:Clay
6723:Arts
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6608:Raja
6387:Onra
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6291:Pala
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5885:Nati
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5264:ISBN
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5073:ISBN
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4931:ISBN
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4869:ISBN
4851:ISBN
4827:2018
4805:2018
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4766:2018
4739:2018
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4668:2018
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4612:2018
4582:2015
4552:2015
4526:2015
4497:ISBN
4421:ISBN
4350:2012
4279:ISBN
4249:ISBN
4198:ISBN
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1632:Maha
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