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179:. These artists emphasized different features of Turkman style of Shirazi painting that was contemporary at that time. The illustrations also introduced representations of indigenous costumes of Malwa and Indian facial types. Such stylistic innovations are also seen in paintings from the
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paintings of 1470s. The style of the surrounding landscape are influenced by the
Turkman style of the last third of the 15th century. Art historians have also noted that at least two artists collaborated in illustrating the
154:
in 2005. The book provided a complete facsimile of the manuscript’s folios and detailed study of the terms for flora, fauna, food and other substances, with their modern and Latin equivalents.
170:. Skelton noted that some illustrations have women painted wearing men's various types of Persian and Indian garments and turbans, including a specific style of turban which is also featured in
322:
74:
script, of delicacies and recipes, some accompanied by paintings illustrating the preparation of the dishes. It was started for
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103:
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was first published from the art historical point of view in 1959 by Robert
Skelton (1929–2022), a life-long curator at the
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in central India. After he was forced to abdicate, it was completed for his son 'Abd al-Muzaffar Naṣir Shāh. (r. 1500–10).
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series. This suggests that reciprocal influences were at work between centers of painting of Muslim and Hindu patronage.
234:. RoutledgeCurzon; Ursula Sims-Williams (2021). "Collections Within Collections: An Analysis of Tipu Sultan’s Library,"
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239:
216:
167:
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59, no. 2, 287-307, DOI: 10.1080/05786967.2021.1911760. Further details and illustrations in
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showing the preparation of deep-fried delicacies and their presentation to the king.
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The Niʻmatnāma
Manuscript of the Sultans of Mandu : the Sultan’s Book of Delights
232:
The Niʻmatnāma
Manuscript of the Sultans of Mandu : the Sultan’s Book of Delights
227:
151:
134:
119:
79:
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https://blogs.bl.uk/asian-and-african/2016/11/nasir-shahs-book-of-delights.html
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https://blogs.bl.uk/asian-and-african/2016/11/nasir-shahs-book-of-delights.html
71:
60:
311:
171:
115:
75:
264:
Skelton, Robert (1959). "The Ni'mat nama: A Landmark in Malwa
Painting".
111:
204:
Catalogue of
Persian Manuscripts in the Library of the India Office
37:
99:
95:
288:
The Grove
Encyclopedia of Islamic Art and Architecture Vol 1
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59:'Naṣir al-Dīn Shāh's Book of Delicacies'), is a
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on the flyleaf. It may have been part of the original
118:. It is now in the India Office collections in the
98:, the manuscript eventually found its way to the
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290:. Oxford: Oxford University Press. p. 236.
206:(London, 1903). no. 149, catalogue no. 2775.
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41:
141:
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323:Cookbooks of the medieval Islamic world
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281:
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215:Identification and illustrations in
102:in the 1600s, as shown by a seal of
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78:(r. 1469–1500), the ruler of the
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114:and then to the library of the
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33:Ni'matnāmah Naṣir al-Dīn Shāhī
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1:
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110:. From Bijapur, it passed to
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10:
354:
328:16th-century Persian books
286:M Bloom, Jonathan (2009).
168:Victoria and Albert Museum
129:Illustrated page from the
318:16th-century Indian books
42:نعمتنامه ناصیرالدینشاهی
250:Norah M. Titley (2005).
50:نعمتنامه نصیرالدینشاهی
27:Medieval Indian cookbook
158:Art historical analysis
138:
146:A translation of the
142:Translation and study
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104:Muḥammad 'Adil Shāh
254:. RoutledgeCurzon.
139:
108:Bijapur Collection
90:After the fall of
86:Manuscript history
297:978-0-19-530991-1
200:Carl Hermann Ethé
150:was published by
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16:(Redirected from
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338:History of Malwa
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152:Norah M. Titley
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137:IO Islamic 149.
135:British Library
120:British Library
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80:Malwa Sultanate
64:Indian cookbook
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116:India Office
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76:Ghiyath Shah
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333:Persian art
272:(3): 44–48.
177:Ni'matnāmah
164:Ni'matnāmah
148:Niʻmatnāmah
131:Ni'matnāmah
112:Tipu Sultan
312:Categories
187:References
122:, London.
18:Nimatnama
230:(2005).
61:medieval
38:Nastaliq
100:Bijapur
96:Mughals
94:to the
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46:Persian
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92:Mandu
72:Naskh
292:ISBN
266:Marg
236:Iran
162:The
55:lit.
30:The
70:in
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278:^
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268:.
202:,
52:,
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