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379:. He avoided overused themes like psychosexuality, good against evil, or heroes and heroines. Instead, he chose to move away from the life of the individual and focus on group action. He preferred also to develop his own style of movement, and not to replicate the moves of previous periods or other choreographers. He expanded the use of music in dance from being mainly a way of marking time or adding emotional value to a way to create new sounds to add to his new theatrical environments. He was among the first customers for the newly developed
237:. It was at Henry Street that Nikolais began to develop his own world of abstract dance theatre, portraying man as part of a total environment. Nikolais redefined dance as "the art of motion which, left on its own merits, becomes the message as well as the medium". He stated "the Province of art is to explore the inner mechanisms and extra dimensional areas of life and, out of the exploration, to produce its findings translated into the form of the artist's media." It was also at Henry Street Playhouse that Nikolais was joined by
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design concept. For example, in "Discs," dancers wore colored aluminum discs on one of their feet. In addition to extending a dancer's base and range of balance, they also added vertical extension. Shape, color, and material provided both visual and auditory elements. In "Stratus and Nimbus" and "Scenario," dancers wore sound-producing fiberboard circles on their feet, altering the dancer's movement to create aural effects.
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to deal with public affairs, preferring to focus on his school and theatre. Nikolais was renowned as a teacher, and his pedagogy is taught in schools and universities throughout the world. Nikolais, referring to his students, said: "Each student is encouraged toward the highest aesthetic values, and
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Nikolais placed great emphasis on sensory experience through which a dancer's dynamic action is conveyed to the audience. He emphasized that perception of one area can be emphasized by deliberately blocking out consciousness in other unwanted areas. In the 1950s
Nikolais used blackface, whiteface,
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is credited with creating and popularizing modern multimedia theater (Mazo, Joseph). Some critics refused to categorize
Nikolais’ work as dance, for example when he transformed the bodies of dancers by covering them in plastic bags that would stretch and change shapes in “Noumenon,” a section from
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Nikolais used a barefoot dance technique. He preferred it for practical reasons, viewing the muscular and tactile functions of bare feet as essential to the total body. He worked to incorporate this into the body design of the dancer's costumes, sometimes making the device a primary part of the
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Nikolais employed lights, slides, electronic music, and stage props to create environments through which dancers moved and, more importantly, into which they blended (Dance
Magazine, 1968). He would commonly use props with aesthetic as well as functional purposes; for instance, a traveler moving
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Nikolais used lighting extensively, directing light from multiple directions and levels and using it to create shape, space, and silhouettes. He returned to his early work as a musical composer to design his own score for choreography using electronic tape. At the Henry Street
Playhouse (now
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Nikolais' artistic mandate was for meaning to be conveyed strictly through movement. He characterized his stage presentations as "decentralizing" the dancer, so that humans were only one of the theatrical elements on stage. Nikolais despised modern dance's obsession with self.
411:), a seven speaker system was used to play the score from throughout the room, giving it dimensions of time and space. Combining cast, lighting and music with modern dance techniques gained him a world-wide reputation for theatrical arts. Nikolais received high honors from
143:, dancer, composer, musician, and teacher. He had created the Nikolais Dance Theatre, and was known for his self-designed innovative costume, lighting and production design. Nikolais gave the world a new vision of dance and was named the "father of multi-media theater."
482:, Greece, and 30 other cities both foreign and national as well as a special citation from New York City's Mayor, which he shared with Murray Louis. Often referred to as the American Patriarch of French modern dance, Nikolais is a knight of France's
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at an early age and began his performing career as an organist accompanying silent films. As a young artist, he gained skills in scenic design, acting, puppetry and music composition. It was after attending a performance by the German dancer
252:, his total dance theatre began to take shape, and the company established itself at the forefront of American contemporary dance. In the 1960s his choreographic artistry was showcased on live network television for the
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upon creative fluency and achievement, as well as technical skill. The job of the teacher is to pursue, institute and constantly anticipate the best possible activities coinciding with this idealistic thesis."
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The
Neighborhood Playhouse (Henry Street Playhouse) at 466 Grand Street at the corner of Pitt Street in the Lower East Side neighborhood built in 1913-15 and designed by Ingalls & Hoffman.
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Nikolais was renowned as a teacher, and his pedagogy is taught in schools and universities throughout the world. He died of cancer May 8, 1993, in New York and is buried in
214:. Nikolais relocated to New York City following the war and resumed studying with Hanya Holm. Eventually, he became Holm's assistant, teaching at her New York school and at
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869:"Television and the Performing Arts: A Handbook and Reference Guide to American Cultural Programming" Rose, Brain G. Greenwood Press, New York, 1986, P. 43.
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Dance
Theatre of Alwin Nikolais, Company Publications, Alwin Nikolais and Murray Louis Papers, MSS. 181: Alden Library, Ohio University.
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Following the Audio
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papers - a student of
Nikolais, dancer in the Nikolais Dance Company, and Distinguished Professor of dance at Ohio University.
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In 1949, Nikolais was appointed co-director of the Henry Street
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and colored makeup both to create and prevent sensory blocking, manipulating perceptions of race in dances such as
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across the stage would hide a crossing and simultaneously create a volume of motion. His 1953 production
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Television and the Performing Arts - A Handbook and Reference Guide to American Cultural Programing
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Nikolais’ first production, after the creation of the Henry Street Settlement Playhouse (now
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Nikolais was known amongst colleagues and peers as shy and reserved. He allowed his partner
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In 1956, the Nikolais Dance Theater was invited to its first of many appearances at the
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After teaching two years at his own dance studio and touring the United States with
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The Alwin Nikolais and Murray Louis Dance Collection, Ohio University Libraries
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Nikolais was granted five honorary doctorate degrees, was twice designated a
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The Nikolais/Louis Dance Technique: A Philosophy and Method of Modern Dance
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In 1978, the French National Ministry of Culture invited him to form the
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541:. A few of his over one hundred choreographic pieces are listed here.
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1112:"Alwin Nikolais and Murray Louis Dance Collection | Ohio University"
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Archival footage of Alberto Del Saz and Peter Kyle in Nikolais's
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His accolades from the world of arts and letters included the
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American choreographer, dancer, composer, musician and teacher
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248:. With this, and a number of appearances on television’s
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Nikolais was the first customer for the newly developed
779:"#tbt: Alwin Nikolais on Inventing Your Own Solutions"
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Alwin Nikolais: Electronic Dance Music at Amazon.com
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336:is featured in the opening of Robert Altman’s film
470:He received the City of Paris' highest honor, the
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139:(November 25, 1910 – May 8, 1993) was an American
472:Grande Medaille de Vermeille de la Ville de Paris
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910:Louis, Murray; Nikolais, Alwin (22 April 2016).
689:Alwin Nikolais and Murray Louis Dance Collection
46:Alwin Nikolais, photographed by Ralph E. Sandler
2151:United States National Medal of Arts recipients
1025:"Dance: Nikolais Troupe in 1953 'Kaleidoscope'"
467:telecast featuring the Nikolais Dance Theater.
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897:"Meet the Artists | ArtsAlive.ca Dance"
268:With the company's 1968 Paris season at the
151:Nikolais was born on November 25, 1910, in
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944:Correa, José Guilherme (19 October 2012).
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281:Centre Nationale de la Danse Contemporaine
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1199:Nikolais-Louis Foundation for Dance, Inc.
687:Libraries in Athens, Ohio is home to the
492:National Museum of Dance and Hall of Fame
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1088:"Lady Gaga has Nothing on Nikolais"
721:Connick, Judy (November 15, 2007).
517:; Dance Magazine Award (1968); the
501:American Dance Festival Award; the
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947:Delving Into Terpsichore Territory
451:In 1987, Nikolais was awarded the
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1184:Mazo, Joseph. "The Nik of Time."
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885:- Alwin Nikolais on Google Books
777:Escoyne, Courtney (2018-04-04).
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1023:Kisselgoff, Anna (1984-02-19).
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1086:Hanlon, Khara (2012-03-22).
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1220:The Magic of Alwin Nikolais
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312:Andrew W. Mellon Foundation
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488:Order of Arts and Letters
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1271:Kennedy Center Honorees
1188:July 1993: p. 28.
883:CBS Repertoire Workshop
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1977:Sydney J. Freedberg
1597:Alexander Schneider
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560:Tensile Involvement
515:Emmy Citation Award
334:Tensile Involvement
320:Christian Blackwood
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1997:Obert Clark Tanner
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308:Guggenheim Fellow
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1005:on 2009-08-15.
995:"Hall of Fame"
986:
961:
936:
922:
902:
888:
862:
824:
794:
783:Dance Magazine
758:
755:on 2011-11-20.
736:
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662:BLANK on BLANK
658:
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580:
574:
568:
562:
556:
550:
543:
530:
529:Choreographies
527:
448:
445:
429:Hunter College
354:
351:
316:Nik and Murray
196:
193:
191:, and others.
181:Doris Humphrey
148:
145:
137:Alwin Nikolais
132:
131:
126:
122:
121:
119:
118:
115:
112:
107:
102:
96:
94:
90:
89:
83:
81:(aged 82)
75:
71:
70:
64:
53:
49:
48:
45:
37:
36:
34:Alwin Nikolais
33:
26:
9:
6:
4:
3:
2:
2168:
2157:
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2124:
2123:
2121:
2100:
2097:
2095:
2092:
2090:
2087:
2085:
2082:
2080:
2079:Complete list
2077:
2076:
2073:
2067:
2064:
2062:
2059:
2057:
2054:
2052:
2049:
2047:
2044:
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2039:
2037:
2034:
2032:
2031:Leigh Gerdine
2029:
2027:
2024:
2022:
2019:
2017:
2014:
2012:Leopold Adler
2011:
2010:
2008:
2004:
1998:
1995:
1993:
1990:
1988:
1985:
1983:
1980:
1978:
1975:
1973:
1970:
1968:
1967:Rudolf Serkin
1965:
1963:
1960:
1958:
1955:
1953:
1950:
1948:
1945:
1943:
1940:
1939:
1937:
1933:
1927:
1924:
1922:
1921:Armand Hammer
1919:
1916:
1913:
1911:
1908:
1906:
1903:
1901:
1900:Isamu Noguchi
1898:
1896:
1893:
1891:
1888:
1886:
1883:
1881:
1878:
1877:
1875:
1871:
1865:
1862:
1860:
1857:
1855:
1852:
1850:
1847:
1845:
1844:Lewis Mumford
1842:
1840:
1837:
1835:
1832:
1830:
1827:
1825:
1822:
1820:
1819:Aaron Copland
1817:
1815:
1812:
1810:
1807:
1806:
1804:
1800:
1794:
1791:
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1786:
1784:
1781:
1779:
1776:
1774:
1771:
1769:
1766:
1764:
1761:
1759:
1756:
1754:
1753:Martha Graham
1751:
1749:
1746:
1744:
1743:Ralph Ellison
1741:
1739:
1736:
1735:
1733:
1729:
1724:
1717:
1712:
1710:
1705:
1703:
1698:
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1682:
1679:
1677:
1674:
1672:
1669:
1667:
1664:
1662:
1659:
1657:
1654:
1652:
1651:Complete list
1649:
1648:
1645:
1639:
1636:
1634:
1631:
1629:
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1624:
1621:
1619:
1616:
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1554:
1552:
1549:
1547:
1544:
1543:
1541:
1537:
1531:
1528:
1526:
1523:
1521:
1520:Jessica Tandy
1517:
1514:
1512:
1509:
1507:
1504:
1503:
1501:
1497:
1491:
1490:Beverly Sills
1488:
1486:
1482:
1479:
1477:
1474:
1472:
1469:
1467:
1464:
1463:
1461:
1457:
1451:
1448:
1446:
1445:Arthur Miller
1443:
1441:
1438:
1436:
1433:
1431:
1428:
1427:
1425:
1421:
1415:
1412:
1410:
1409:James Stewart
1407:
1405:
1404:Frank Sinatra
1402:
1400:
1397:
1395:
1392:
1391:
1389:
1385:
1379:
1376:
1374:
1371:
1369:
1368:Benny Goodman
1366:
1364:
1361:
1359:
1358:George Abbott
1356:
1355:
1353:
1349:
1343:
1342:Rudolf Serkin
1340:
1338:
1335:
1333:
1330:
1328:
1325:
1323:
1320:
1319:
1317:
1313:
1307:
1304:
1302:
1301:Lynn Fontanne
1299:
1297:
1294:
1292:
1289:
1287:
1284:
1283:
1281:
1277:
1272:
1265:
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1197:
1196:
1187:
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1178:
1177:88-8302-143-6
1174:
1170:
1166:
1165:
1146:on 2021-05-13
1145:
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1107:
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1038:
1034:
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1026:
1019:
1017:
1015:
1013:
1004:
1000:
996:
990:
976:on 2011-11-20
975:
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925:
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875:0-313-24159-7
872:
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833:
831:
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746:
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732:
728:
724:
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709:
704:
696:
694:
693:Gladys Bailin
690:
686:
673:
670:
668:
665:
663:
659:
657:
653:
651:
647:
645:
641:
638:
634:
630:
628:
624:
622:
618:
616:
612:
610:
609:Water Studies
606:
604:
600:
598:
594:
592:
588:
585:
581:
579:
575:
573:
569:
567:
563:
561:
557:
555:
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549:
545:
544:
542:
540:
536:
526:
524:
520:
519:Tiffany Award
516:
512:
508:
504:
503:Capezio Award
500:
495:
493:
489:
485:
481:
477:
473:
468:
466:
462:
458:
457:Ronald Reagan
454:
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240:
236:
232:
223:
219:
217:
213:
209:
204:
202:
192:
190:
186:
182:
178:
177:Martha Graham
174:
170:
165:
163:
158:
155:. He studied
154:
144:
142:
141:choreographer
138:
130:
127:
123:
116:
113:
111:
108:
106:
103:
101:
100:choreographer
98:
97:
95:
91:
86:
85:New York City
76:
72:
67:
54:
50:
43:
38:
31:
19:
1987:Brooke Astor
1952:Gordon Parks
1926:Sydney Lewis
1914:J. W. Fisher
1894:
1849:Eudora Welty
1587:George Burns
1565:
1530:Antony Tudor
1506:Lucille Ball
1363:Lillian Gish
1291:James Cagney
1219:
1215:
1185:
1168:
1148:. Retrieved
1144:the original
1139:
1130:
1119:. Retrieved
1116:www.ohio.edu
1115:
1106:
1095:. Retrieved
1091:
1081:
1070:. Retrieved
1068:. 2005-03-12
1065:
1040:. Retrieved
1028:
1003:the original
998:
989:
978:. Retrieved
974:the original
964:
952:. Retrieved
946:
939:
927:. Retrieved
912:
905:
891:
882:
878:
865:
854:. Retrieved
842:
816:. Retrieved
812:
786:. Retrieved
782:
753:the original
748:
739:
731:the original
726:
682:
671:
666:
661:
655:
649:
643:
636:
632:
626:
620:
614:
608:
602:
596:
590:
583:
577:
571:
565:
559:
553:
548:Kaleidoscope
547:
532:
496:
469:
450:
440:Murray Louis
437:
405:
400:
396:
393:
389:
385:
376:
371:
368:
344:
337:
333:
327:
315:
305:
288:
278:
267:
260:
253:
243:
239:Murray Louis
234:
230:
228:
212:World War II
205:
200:
198:
166:
150:
136:
135:
129:Murray Louis
79:(1993-05-08)
2131:1993 deaths
2126:1910 births
2061:John Updike
1947:Helen Hayes
1942:Saul Bellow
1814:Frank Capra
1788:Alice Tully
1783:Paul Mellon
1748:José Ferrer
1633:Mary Martin
1582:Alvin Ailey
1551:Bette Davis
1516:Hume Cronyn
1511:Ray Charles
1471:Irene Dunne
1450:Isaac Stern
1332:Helen Hayes
1322:Count Basie
339:The Company
332:. His work
293:Paris Opera
189:Louis Horst
162:Mary Wigman
93:Occupations
77:May 8, 1993
2120:Categories
1839:Alan Lomax
1546:Perry Como
1435:Danny Kaye
1430:Lena Horne
1399:Elia Kazan
1373:Gene Kelly
1327:Cary Grant
1150:2022-03-30
1121:2022-03-30
1097:2022-03-07
1072:2022-03-07
1042:2022-03-07
980:2012-02-21
856:2022-03-07
818:2022-03-07
788:2022-03-07
699:References
667:Girls Trio
621:Count Down
521:; and the
459:, and the
349:in Paris.
291:, for the
208:Hanya Holm
173:Hanya Holm
147:Early life
58:1910-11-25
1957:I. M. Pei
1592:Myrna Loy
1037:0362-4331
851:0362-4331
635:(part of
478:, Spain,
383:in 1964.
353:His style
1476:Bob Hope
679:Archives
656:Crucible
572:Noumenon
365:in 1964.
117:educator
114:musician
105:composer
18:Nikolais
1725:(1980s)
1273:(1980s)
954:20 July
929:20 July
615:Gallery
603:Sanctum
597:Artisan
525:Award.
476:Seville
326:series
125:Partner
1518:&
1483:&
1175:
1035:
920:
873:
849:
672:Mantis
660:1987,
654:1985,
648:1982,
642:1982,
631:1982,
625:1980,
619:1979,
613:1978,
607:1964,
601:1964,
595:1963,
591:Arcade
589:1963,
582:1963,
576:1960,
570:1955,
564:1953,
558:1953,
552:1953,
546:1953,
480:Athens
447:Awards
431:, and
289:Schéma
285:Angers
195:Career
110:dancer
68:, U.S.
2099:2010s
2094:2000s
2089:1990s
2084:1980s
1681:2020s
1676:2010s
1671:2000s
1666:1990s
1661:1980s
1656:1970s
586:suite
584:Imago
578:Totem
511:Chile
401:Imago
397:Prism
157:piano
2006:1989
1935:1988
1873:1987
1802:1986
1731:1985
1611:1989
1575:1988
1539:1987
1499:1986
1459:1985
1423:1984
1387:1983
1351:1982
1315:1981
1279:1980
1173:ISBN
1033:ISSN
956:2022
931:2022
918:ISBN
871:ISBN
847:ISSN
683:The
644:Pond
399:and
263:Moog
74:Died
52:Born
465:CBS
324:PBS
283:in
2122::
1138:.
1114:.
1090:.
1064:.
1051:^
1031:.
1027:.
1011:^
997:.
881:-
845:.
841:.
827:^
811:.
797:^
781:.
761:^
747:.
725:.
707:^
513:;
509:,
505:;
494:.
435:.
427:,
423:,
419:,
415:,
342:.
303:.
187:,
183:,
179:,
175:,
1715:e
1708:t
1701:v
1263:e
1256:t
1249:v
1153:.
1124:.
1100:.
1075:.
1045:.
983:.
958:.
933:.
899:.
859:.
821:.
791:.
639:)
257:.
60:)
56:(
20:)
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