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Nelson Mandela 70th Birthday Tribute

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first, the concert would look like a television show without awkward gaps encouraging audiences to switch off; and, second, broadcasters would be less likely to impose their own narrative on the event. The use of film stars to introduce major acts also helped achieve these objectives. Some broadcasters did send presenters to carry out backstage interviews for the presumed gaps but stopped doing so after a couple of hours.
364: 966:, criticising the BBC for giving "publicity to a movement that encourages the African National Congress in its terrorist activities". However, no appeal was either planned or made. Further, the artists’ contracts – which in many cases were signed backstage at Wembley – laid down that no proceeds from the income of the event should go "towards the purchase of or in any other connection with armaments". 405: 754:, who led the AAM (Anti-Apartheid Movement) at the time these concerts were organised. If the concert was to be successful, it was important to win the support of the movement and, with it, the implicit support of Mandela. But Terry and his senior officials firmly resisted Hollingsworth's proposal, insisting on three conditions, based on the policies of the African National Congress. 974:
the question upwards or to the news or current-affairs divisions. According to Hollingsworth, once they had agreed to show the concert, the news divisions would have to stop referring to Mandela as a terrorist leader, thereby helping to ensure that Mandela was looked upon in a more favourable light. This was said to be a campaign objective which was beginning to be achieved by March.
2198:"...the worldwide campaign for the release of Nelson Mandela and political prisoners made a decisive contribution....One event in particular symbolised that campaign – the 'Nelson Mandela 70th Birthday Tribute'...The ANC owes an enormous debt of gratitude to the artists and performers and all those who made that event possible..." 723:, for which Hollingsworth was producing a number of festivals and concerts, might be able to fund the AAA. The authority was due to be abolished at the end of March and had spare cash to give away. But a grant turned out to be impossible because the AAA was not a legal entity and Dammers had no interest in making it one. 1248:
and its popularity reached Mandela and other political prisoners. In time, the strong ripple effect is thought to have increased pressure on the government to release Mandela, and it became increasingly likely that he would be released, albeit 20 months after the concert and 27 years after he was put in prison.
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First, the concert must focus on all political prisoners in South Africa, not just Mandela. Mandela had himself told the ANC that he did not wish to be singled out from other prisoners in the organisation's campaigning. Second, the event must campaign against apartheid as a whole and this was to be
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The estimated audience for the Mandela 70th Birthday Tribute of 600 million in 67 countries was arguably an underestimate in that several broadcasters in Africa were given a free licence. However, the apartheid government did not allow the event to be broadcast in South Africa. But news of the event
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when she came on stage to introduce one of the acts, saying that she had been told to say nothing political. The request did not come from the concert organisers but from the Fox TV producer at Wembley who, unbeknown to the organisers, told the Hollywood film stars to avoid saying anything political
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Hollingsworth told Sting that he would fly the singer and his band to London on a private plane after his Friday evening Berlin concert, drive him to Wembley in the morning where an identical set of equipment would be set up on stage for him. Sting would then do a sound check and open the show a few
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Several weeks before Wembley, Hollingsworth went to Switzerland where Sting was playing and booked himself into the same hotel. He got reception to put him through to Sting (using the singer's actual name, Gordon Sumner), told Sting that his management had refused to let him talk to the singer, and
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Hollingsworth signed up other big names, albeit on a provisional basis, put them in touch with one another and finally they all, including Dire Straits, agreed to perform. With clearly enough talent on board, Hollingsworth announced the bill in March, three months before the 11 June event. The list
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Hollingsworth argued that the concert could not be effective under those terms. They would not work for an event that was intended for the mass media across the world, including in countries where there might be little knowledge of Mandela, let alone support for him. The event should not be "angry",
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Letter from Mike Terry, Executive Secretary, Anti-Apartheid Movement, 18 January 2003: "...he performed multiple roles of creator, risk taker, executive producer, producer and artists recruiter. He never claimed such an array of titles nor pushed himself in front of the media preferring to let the
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Letter from Mike Terry, Executive Secretary, AAM, 18 January 2003: "Before the first event, the prospect of Nelson Mandela's imminent release from prison seemed completely unrealistic. Yet within 20 months he walked free and I have no doubt that the first event played a decisive role in making this
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With the BBC on board, it was easier to persuade other broadcasters to buy the rights for the concert. The show was in most cases sold to the entertainment divisions of broadcasters as a birthday tribute that would not be political. As a result, they could agree to show the event without referring
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to sing a duet together but which the two singers turned down. Wonder agreed the booking. This was never announced but was to be a surprise for the audience. In the event, the singer caused a major backstage drama when the equipment used to play his pre-recorded music was lost. He refused to play
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There were some difficulties. Bicknell, for instance, was shocked when Hollingsworth told him there was one condition to Dire Straits playing. The band must rehearse for the event because it had not been on tour for some time and had even disbanded, albeit temporarily. Hollingsworth, in fact, told
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There were supposed to be no political speeches at the event except for the message that Nelson Mandela should be freed – coming from Harry Belafonte in his opening speech, from the film stars and musicians introducing the acts or the next piece of music and from the slogans around the stage. The
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Broadcasters were also told that the concert would use two stages, enabling acts to follow each other without a break, with top acts on the main stage and lesser-known groups on the second. There would therefore be no need for broadcasters to add material between events. The reasoning was that,
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Hollingsworth told him the audience was not the right culture for him. He feared that Belafonte's singing would turn the clock back 30 years and would lose much of the television audience across the world. He was already worried about losing the audience as a result of using African singers and
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A week after the first bill was announced, Simple Minds threatened to quit, arguing that there was not enough grit in it: Whitney Houston, for instance, should not be there. Hollingsworth argued that there was plenty of grit but that Whitney Houston was needed to broaden the audience to include
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Many broadcasters, Hollingsworth argued, would not televise a Mandela concert if it followed the AAM and ANC campaign policies. They would regard it as a political event. Other broadcasters would provide only limited airtime. But a positive birthday tribute would conform to the broadcasters'
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Hollingsworth told Dammers that he would put on an anti-apartheid concert if the singer could find a big name. Dammers did not phone back until June 1987, although in the summer of 1986 he had organised a free anti-apartheid concert, Freedom Beat, in London's Clapham Common attended by 200,000
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The initial funding for Nelson Mandela 70th Birthday Tribute came from Hollingsworth and, specifically, from the money that he had put into the production company, Elephant House, set up with television producer Neville Bolt. But the money amounted only "to 75 per cent of what was needed as a
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Copeland was furious about the agreement and shocked that Sting would open the show rather than be one of the closing acts. But the event was being organised not as a live concert but as a television show and that, according to Hollingsworth, meant a top act at the beginning when "the largest
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Whitney Houston, who was contracted to make advertisements for Coca-Cola, did her act in front of a black backdrop instead of the usual picture of Nelson Mandela. But, according to Hollingsworth, this was nothing to do with censorship but the result of an electricity generator failing.
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entertainment mandate and there would be a good chance they would show the full day's event. Hollingsworth was not seeking ANC backing because that would have put off broadcasters. He wanted the AAM's backing but, for similar reasons, did not want the movement's name on the event.
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network showed only six hours in what was referred to as a "significantly de-radicalised version". A number of artists had their songs or speeches cut. One US newspaper objected that Fox "cut out some of the most passionate – and especially most political – moments of the day".
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Nonetheless, the posters, the political references from the actors and musicians, the music itself, the way the singers worked the audience and the audience response almost certainly got across a wider political message about apartheid. One or two artists took a harder line.
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Eighteen months after the event, with a release now thought to be approaching, Mandela asked for the organisers of the event to create a second concert as an official international reception at which, after 27 years in prison, he would address the world. The second event,
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minutes after mid-day, the first act of the concert (after an opening speech and a set of South African show dancers). As soon as he had done his half-hour slot, he would be driven to the airport and put on the private plane taking him back to the continent. Sting agreed.
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What problems there were came from the other side. Both the Anti-Apartheid Movement and Hollingsworth received bomb threats warning them not to go ahead with the event. Nearer the event, there was a threat to blow up the power station distributing electricity to Wembley.
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dancers whom many people would not have heard of. On the other hand, Belafonte, as a highly respected, internationally known personality, would be an effective speaker. Belafonte told him he would think about it, but Hollingsworth should also think about him performing.
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By the time that the Anti-Apartheid Movement had agreed to support the concert, Hollingsworth had booked Wembley Stadium for the following June and had approached several artists in addition to Simple Minds. Few were saying a definite no, but hardly anyone would commit.
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Although the aim of the day was to raise consciousness about South Africa and Mandela, the event also made a profit of $ 5 million. One half went to the AAM to cover its costs, including a protest march the following day; and one half to seven charities named by
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The producer had been flown in a week before the Wembley concert to replace Fox's original choice who had been working on the production for three weeks but was thought by the network to have become infected by the political ethos of the concert organisation.
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UB40 were finishing their set on the main stage, and Wonder's equipment was set up, plugged in and ready to be rolled on after a 10-minute act on a side stage. He was about to walk up the ramp to the stage when it was discovered that the hard disc of his
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because an election was coming up in the States. After the event, the producer – in charge of his own editing team for the US broadcast – took out a full-page advertisement in a US trade magazine thanking American artists for participating in his show.
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Wembley agreed to the unusual procedure of handing over ticket revenue as soon as it came in, and some television companies agreed to pay rights fees earlier than usual (although the BBC did not pay cash but provided facilities).
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was appalled when he saw a recording of the Fox broadcast on his return to the US. He complained to the press, describing it as "a totally Orwellian experience". His own contribution, including a strident rendering of the song,
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Hollingsworth had in mind a major event, a birthday tribute for Mandela, who would be 70 the following year. The event would seek worldwide television and would call for his release – the first step in ending
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Fox also refused to use the concert title, Nelson Mandela 70th Birthday Tribute. Instead, it billed the show as Freedomfest, objecting to the pleas of the organisers to at least add "for Nelson Mandela".
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landed in the United Kingdom on the Saturday morning of the concert and went straight to Wembley Stadium, where a room was prepared for him and his band to warm up. He was to appear in the evening after
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On the Wednesday before the concert, Wonder phoned back, asking whether there was still space for him. Hollingsworth told him there was a 25-minute slot – time that had originally been kept open for
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said that the concert would have "the most overtly political theme since the 1960s.... It's a confrontational political event aimed at the government of South Africa and its practice of apartheid".
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Shortly before Mandela's release, Hollingsworth, Terry and Mandela's lawyer sat down in London to plan another broadcast event to celebrate Mandela's release and to call for the end of Apartheid.
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most of the artists they must rehearse, offering to pay for all rehearsal costs. Dire Straits, like the others, complied. In the event, the band had to bring in a guest guitarist to replace
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At the same time, Hollingsworth started what turned out to be a series of meetings with Mike Terry, head of the Anti-Apartheid Movement in London. Also of note was the work of
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Terry was the first to come round to Hollingsworth's view, but needed some time before persuading the rest of his team. On the other hand, he quickly won the approval of
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The two spoke a week later, with each taking much the same position, although Hollingsworth added that Belafonte could sing if he could get a category-A artist, such as
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Most broadcasters showed the event live. Others, particularly in the Americas, showed it delayed because of the time difference. Most gave more or less full coverage.
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principle – aimed at ensuring that broadcasters would, first, buy the television rights and, second, continue to show the proceedings – was more or less followed.
1419: 893:: Hollingsworth went to great lengths to get Sting to perform at the concert. The singer was associated with human rights issues, partly as a result of his song 1383: 1096:, who had already performed her act, agreed to appear again. The two appearances shot her to stardom, with two songs from her recently released first album: " 686:, was, like the first, conceived to be shown on television across the world and was broadcast from Wembley Stadium to more than 60 countries on 16 April 1990. 2774: 2606: 483: 429: 377: 696:
The organiser and risk-funder of the two events was producer and impresario Tony Hollingsworth. Hollingsworth also conceived the idea for the first event.
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Nelson Mandela 70th birthday tribute: with Artists Against Apartheid in support of the anti apartheid movement, Wembley Stadium, Saturday 11 June, London
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said that Dire Straits would perform if other top acts also agreed, but Hollingsworth was not to mention Dire Straits in persuading the other acts.
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audience tunes in to see how it's going to be". At least one big act was planned for each hour of the 11-hour day in a bid to keep the audience.
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The concert included several well-known protest songs and others which received an added resonance from the occasion. The songs included:
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minimum". Funding to help pay the deposit on Wembley Stadium came from a trade-union loan organised by the Anti-Apartheid Movement.
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Wonder returned to the stadium, but turned down the request to use the same equipment as the present act on the main stage,
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Even so, given the subject matter, the event was bound to be political in a broad sense. Thus, a week before the event, the
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happen. This was implicitly acknowledged by Nelson Mandela, himself, by his decision to participate in the second event."
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people who were not so likely to know about Mandela and apartheid. Simple Minds accepted the argument.
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heavily censored the political aspects of the concert. The concert is considered a notable example of
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Once the first set of artists had signed up, broadcasters were approached, starting with the BBC.
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The Rhetoric of Moral Protest: Public Campaigns, Celebrity Endorsement and Political Mobilization
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and walked out of the stadium – though he returned later using Whitney Houston's instruments.
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and forcing the regime to release Nelson Mandela earlier than would otherwise have happened.
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Hollingsworth developed the plan for the first Mandela concert after talking to singer
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were meant to perform, but a part of the set collapsed and they were unable to.
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on condition that none of the money went towards the purchase of armaments.
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Standard Minimum Rules for the Treatment of Prisoners (the Mandela Rules)
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but a "positive" birthday tribute, calling only for Mandela to be freed.
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in its title. Third, it must call for sanctions against South Africa.
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Letter to Hollingsworth from AAM, signed by Archbishop Huddleston, Dr
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John Swenson, "Big pop concert will seek Nelson Mandela's release",
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Nelson Mandela: An International Tribute for a Free South Africa
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who had earlier refused three times, but other big names also.
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Dammers told Hollingsworth that he had received a letter from
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asked to meet him. Sting told him to come round to his room.
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Unreliable Sources: A Guide to Detecting Bias in News Media
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There was an urgent need to fill the gap he had left and
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The Birthday Tribute was regarded by many, including the
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M. Rainbird Pub. in association with Associated Media:
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Early on, the organisers stopped an insistent Reverend
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Houston finished with three encores and the next act,
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which had booked six advertising spots for each hour.
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was a popular-music concert staged on 11 June 1988 at
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and Youssou N’Dour - "When the Stone Begins to Turn"
490:. Unsourced material may be challenged and removed. 2063: 2061: 2217:When The Music's Over: The Story of Political Pop 2129:"Nelson Mandela: the triumph of the protest song" 3604: 1719:(2nd appearance) (introduced by Lenny Henry) - " 1024:A further issue was highlighted by film actress 2432:Nelson Mandela 70th Birthday Tribute track list 2058: 2273:"Anti-racism education for Australian schools" 2071:, University of Minnesota Press, 2005, p. 174. 1846:, Simple Minds (introduced by Lenny Henry) - " 1345:There Must Be an Angel (Playing with My Heart) 657: 3166: 3077:"Bring Him Back Home (Nelson Mandela)" (song) 2572:Negotiations to end apartheid in South Africa 2468: 2079: 2077: 1057:along with a number of actors and musicians. 339: 2805:Nelson Mandela Bay Metropolitan Municipality 2159:. African National Congress. Archived from 2107: 2105: 1191: 776: 392:Learn how and when to remove these messages 3173: 3159: 2871:Mandela: Son of Africa, Father of a Nation 2503:President of the African National Congress 2475: 2461: 2074: 1921:(introduced by Meat Loaf) - "Free Mandela" 1707:", "Breakfast in Bed", "Sing Our Own Song" 1254: 1068: 346: 332: 2323: 1081:. His appearance had not been announced. 568:Learn how and when to remove this message 550:Learn how and when to remove this message 448:Learn how and when to remove this message 2657:Reconstruction and Development Programme 2154: 2102: 1893:", "He/I Believe" (duet with her mother 857:Harry Belafonte, Sting and Stevie Wonder 2730:Dare Not Linger: The Presidential Years 2196:ANC website message from Oliver Tambo: 2126: 1836:, Youssou N'Dour & Daryl Hannah - " 1818:, Simple Minds & Youssou N'Dour - " 752:Robert Hughes, Baron Hughes of Woodside 3668:June 1988 events in the United Kingdom 3653:Tribute concerts in the United Kingdom 3605: 2120: 1226:Catholic Fund for Overseas Development 746:Persuading the Anti-Apartheid Movement 632:, the concert was also referred to as 499:"Nelson Mandela 70th Birthday Tribute" 197:1964 Conference for Economic Sanctions 179:UN Special Committee against Apartheid 3154: 2456: 2083:Lee, Martin A., and Solomon, Norman, 1480:He's Got the Whole World in His Hands 942: 3613:Rock festivals in the United Kingdom 2795:Nelson Mandela International Airport 2700:"I Am Prepared to Die" (1964 speech) 2443:Nelson Mandela 70th Birthday Tribute 2437:Rock's Conscience Spotlights Mandela 2047:Nelson Mandela 90th Birthday Tribute 1036: 619:Nelson Mandela 70th Birthday Tribute 581:Nelson Mandela 70th Birthday Tribute 488:adding citations to reliable sources 459: 398: 357: 307:Nelson Mandela 70th Birthday Tribute 202:1978 World Conference against Racism 16:1988 popular-music concert in London 3638:Music festivals established in 1988 2662:Truth and Reconciliation Commission 2324:Pingitore, Silvia (14 April 2020). 2127:Lynskey, Dorian (6 December 2013). 1677:Mahlathini and the Mahotella Queens 1353:You Have Placed a Chill in My Heart 1279:(introduced by Harry Belafonte) – " 951:, recently appointed controller of 13: 3211:List of industrial music festivals 3180: 2820:Nelson Mandela Children's Hospital 2482: 2397: 2237:media focus on the cause at hand." 1971:(introduced by Billy Connolly) - " 1281:If You Love Somebody Set Them Free 676:South African apartheid government 78:International anti-apartheid music 14: 3679: 2714:Mandela: The Authorised Biography 2425: 2219:, London: Faber and Faber, 1990 ( 1603:Everybody Wants to Rule the World 1506:) - "Why?", "Behind the Wall", " 1125: 699: 373:This article has multiple issues. 3216:List of jam band music festivals 3133: 3132: 2617:state memorial service attendees 2407:. Concert booklet. OCLC 23081366 1961:Billy Connolly (stand-up comedy) 1713:Whoopi Goldberg - One Woman Show 1498:(1st appearance) (introduced by 1339:(introduced by Richard Gere) – " 1235:Rights in the event are held by 715:band, who had written the song " 689:The first concert, according to 464: 403: 362: 154:Artists United Against Apartheid 131:Comprehensive Anti-Apartheid Act 36: 2381: 2368: 2343: 2317: 2291: 2265: 2240: 2230: 1951:Harry Enfield (stand-up comedy) 1929:I Just Called to Say I Love You 1828:, Simple Minds, Peter Gabriel, 1739:(introduced by Lenny Henry) - " 1627:I've Gotta Get a Message to You 1398:(introduced by Lenny Henry) – " 1361:Sweet Dreams (Are Made of This) 1185:I've Gotta Get a Message to You 1171:I Just Called to Say I Love You 1120:I Just Called to Say I Love You 475:needs additional citations for 381:or discuss these issues on the 2785:Nelson Mandela Challenge Plate 2587:Nelson Mandela Children's Fund 2494:18 July 1918 – 5 December 2013 2209: 2190: 2177: 2167: 2148: 1: 3464:Tuska Open Air Metal Festival 3439:Sauna Open Air Metal Festival 3385:Rock am Ring and Rock im Park 3206:List of heavy metal festivals 3052:International Tribute Concert 2919:Mandela: Long Walk to Freedom 2111:Morse, Steve (13 June 1988), 2052: 2009:Further appearances included 1937:(introduced by Meat Loaf) - " 1911:(introduced by Meat Loaf) - " 1440:Ain't No Mountain High Enough 1242: 265:(South-West Africa ceasefire) 169:Organisation of African Unity 113:Crime of Apartheid Convention 3062:"Free Nelson Mandela" (song) 2667:Constitution of South Africa 2652:Government of National Unity 1875:Didn't We Almost Have It All 1237:Tribute Inspirations Limited 771:Archbishop Trevor Huddleston 646:. In the United States, the 627:anti-apartheid revolutionary 425:quotes need quote templates. 273:(arms embargo strengthening) 249:(arms embargo strengthening) 7: 3628:Concerts at Wembley Stadium 3221:List of punk rock festivals 2790:Nelson Mandela Invitational 2535:1955 Congress of the People 2035: 2011:Grupo Experimental de Dansa 1931:", speech, "Dark 'n Lovely" 1899:I Wanna Dance with Somebody 1651:(introduced by Lenny Henry) 899:about the Chilean dictator 658:First of two Mandela events 639:Free Nelson Mandela Concert 423:. The specific problem is: 100:Instruments and legislation 10: 3684: 3095:Cape Town City Hall statue 2770:Mandela Rhodes Scholarship 2760:Nelson Mandela Institution 2525:Mandela and Tambo law firm 2410:Lahusen, Christian. 1996. 1212:The seven charities were: 1102:Talkin' 'Bout a Revolution 314:television programming ban 73:Free South Africa Movement 3648:Music festivals in London 3618:Rock festivals in England 3577: 3501: 3229: 3188: 3128: 3040:African National Congress 3032: 2969:Winnie Madikizela-Mandela 2937: 2838: 2830:Nelson Mandela University 2740: 2722:Conversations With Myself 2690: 2632: 2512: 2497:President of South Africa 2490: 2030:The Doug Anthony Allstars 1887:Where Do Broken Hearts Go 1508:Talkin' Bout a Revolution 1349:Here Comes the Rain Again 668:African National Congress 607: 596: 585: 318:Rugby union and apartheid 292:Elimination of Racism Day 30:apartheid in South Africa 3470:The Unholy Alliance Tour 3201:List of gothic festivals 2951:Gadla Henry Mphakanyiswa 2810:Mandela National Stadium 2780:Nelson Mandela Challenge 2582:Mandela House and museum 2019:Mark Kelly (keyboardist) 1561:" (w/Phil Collins & 1259:In order of appearance: 1192:Funding and organisation 1180:", sung by Jessye Norman 777:Signing up first artists 257:(mandatory arms embargo) 233:(voluntary arms embargo) 25:International opposition 3115:Washington, D.C. statue 2677:Intervention in Lesotho 2612:Death and state funeral 2183:Letter from Archbishop 1789:Simple Minds featuring 1255:Performers and speakers 1069:Stevie Wonder walks out 964:House of Commons motion 958:Before the concert, 24 664:Anti-Apartheid Movement 241:(sanctions feasibility) 159:Commonwealth of Nations 149:Anti-Apartheid Movement 83:International sanctions 68:Constructive engagement 3454:Summer Sanitarium Tour 3196:List of folk festivals 2993:Zenani Mandela-Dlamini 2256:Andimba Toivo ja Toivo 2028:Australian comedy act 1945:"/"Free Mandela" with 1879:Love Will Save the Day 1808:", "East at Easter", " 1534:All Stars (House Band) 1373:The Arnhemland Dancers 721:Greater London Council 648:Fox television network 225:(Sharpeville massacre) 3633:1988 in British music 3434:Rock Never Stops Tour 3354:Magic Circle Festival 3243:Anger Management Tour 2815:Nelson Mandela Bridge 2800:Nelson Mandela Square 2602:90th Birthday Tribute 2597:70th Birthday Tribute 2567:Victor Verster Prison 2376:When The Music's Over 2330:the-shortlisted.co.uk 1723:", "Across the Lines" 1710:Richard Gere - speech 1637:Philip Michael Thomas 1593:Don't Dream It's Over 1542:Harvest for the World 1472:Ashford & Simpson 1436:Ashford & Simpson 1420:True Love Never Fails 1369:- 30 seconds of abuse 1289:Every Breath You Take 1207:Archbishop Huddleston 1159:" by Steven Van Zandt 785:Hollingsworth wanted 587:Popular-music concert 164:Halt All Racist Tours 3369:Nintendo Fusion Tour 3067:"Mandela Day" (song) 2879:Mandela and de Klerk 2825:Ponts Nelson-Mandela 2755:Nelson Mandela Forum 2706:Long Walk to Freedom 2672:1995 Rugby World Cup 2303:Classic Pop Magazine 2203:2 March 2016 at the 1954:Lenny Henry doing a 1903:Greatest Love of All 1859:Angolan Dance Troupe 1520:and Lenny Henry) - " 1388:Lenny Henry doing a 1384:Amabutho Male Chorus 1316:Richard Attenborough 1301:- introduces the day 652:anti-apartheid music 484:improve this article 430:improve this article 419:to meet Knowledge's 119:Gleneagles Agreement 88:Milton King boycotts 3658:Pop music festivals 3444:Sonisphere Festival 3273:Deconstruction Tour 3100:Johannesburg statue 2947:(great-grandfather) 1848:Free Nelson Mandela 1639:- Introduction for 1522:Wishing I Was Lucky 1400:Let's Stay Together 1357:When Tomorrow Comes 1293:Message in a Bottle 1136:Free Nelson Mandela 1053:and Liberal leader 717:Free Nelson Mandela 582: 215:UN Security Council 125:Sullivan principles 3429:Projekt Revolution 3317:Hard Electric Tour 3293:Fuji Rock Festival 3283:Family Values Tour 2855:Death of Apartheid 2607:Awards and honours 2279:on 27 January 2014 2069:The Art of Protest 1552:Love and Affection 1363:", "Brand New Day" 1173:" by Stevie Wonder 1145:" by Peter Gabriel 1138:" by Jerry Dammers 943:Broadcast politics 674:and others by the 580: 107:UN Resolution 1761 3598: 3597: 3559:Sign of the horns 3263:California Jam II 3148: 3147: 3090:Atlanta sculpture 2622:funeral attendees 2530:UMkhonto we Sizwe 2420:978-3-11-015093-3 2389:Chicago Sun-Times 2374:Denselow (1990), 2215:Denselow, Robin, 2185:Trevor Huddleston 1993:Wonderful Tonight 1985:Money for Nothing 1856:(stand-up comedy) 1810:Alive and Kicking 1806:Sanctify Yourself 1780:Denzel Washington 1759:(stand-up comedy) 1729:(stand-up comedy) 1690:Rat in Mi Kitchen 1673:- "Set Them Free" 1492:(stand-up comedy) 1484:Higher and Higher 1230:Save the Children 1187:" by The Bee Gees 1166:" by Simple Minds 1037:On-stage politics 980:Chicago Sun-Times 875:Bruce Springsteen 615: 614: 578: 577: 570: 560: 559: 552: 534: 458: 457: 450: 421:quality standards 412:This article may 396: 356: 355: 3675: 3663:Musical tributes 3359:Monsters of Rock 3288:Festival Express 3175: 3168: 3161: 3152: 3151: 3136: 3135: 3072:"Rise Up" (song) 2987:Makaziwe Mandela 2981:Makgatho Mandela 2682:Mahlamba Ndlopfu 2562:Pollsmoor Prison 2477: 2470: 2463: 2454: 2453: 2392: 2385: 2379: 2372: 2366: 2365: 2363: 2361: 2347: 2341: 2340: 2338: 2336: 2321: 2315: 2314: 2312: 2310: 2295: 2289: 2288: 2286: 2284: 2275:. 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3110:Pretoria statue 3028: 3019:(granddaughter) 3007:(granddaughter) 3005:Ndileka Mandela 2933: 2839:Film depictions 2834: 2742: 2736: 2692: 2686: 2628: 2577:Liliesleaf Farm 2540:Freedom Charter 2508: 2495: 2486: 2481: 2428: 2400: 2398:Further reading 2395: 2386: 2382: 2373: 2369: 2359: 2357: 2349: 2348: 2344: 2334: 2332: 2322: 2318: 2308: 2306: 2305:. 2 August 2018 2297: 2296: 2292: 2282: 2280: 2271: 2270: 2266: 2245: 2241: 2235: 2231: 2214: 2210: 2205:Wayback Machine 2195: 2191: 2182: 2178: 2172: 2168: 2163:on 9 July 2008. 2153: 2149: 2139: 2137: 2125: 2121: 2110: 2103: 2082: 2075: 2066: 2059: 2055: 2038: 1995:", "Solid Rock" 1891:How Will I Know 1865:(introduced by 1863:Whitney Houston 1774:(introduced by 1684:(introduced by 1516:(introduced by 1468:Freddie Jackson 1464:Jonathan Butler 1426:Freddie Jackson 1416:Jonathan Butler 1390:Michael Jackson 1378:Whoopi Goldberg 1327:Whoopi Goldberg 1271:Harry Belafonte 1257: 1245: 1194: 1128: 1109:Whitney Houston 1071: 1039: 1026:Whoopi Goldberg 993:In the US, the 962:MPs put down a 945: 863:Harry Belafonte 859: 807:Whitney Houston 779: 748: 702: 660: 623:Wembley Stadium 601:Wembley Stadium 591:Various Artists 590: 586: 574: 563: 562: 561: 556: 545: 539: 536: 493: 491: 481: 469: 454: 443: 437: 434: 427: 408: 404: 367: 363: 352: 323: 322: 287: 279: 278: 272: 271:Resolution 591 264: 263:Resolution 435 256: 255:Resolution 418 248: 247:Resolution 282 240: 239:Resolution 191 232: 231:Resolution 181 224: 223:Resolution 134 218: 207: 206: 192: 184: 183: 144: 136: 135: 101: 93: 92: 48: 28: 17: 12: 11: 5: 3681: 3671: 3670: 3665: 3660: 3655: 3650: 3645: 3643:1988 in London 3640: 3635: 3630: 3625: 3623:Nelson Mandela 3620: 3615: 3596: 3595: 3593: 3592: 3587: 3581: 3579: 3578:Related events 3575: 3574: 3572: 3571: 3566: 3564:Summer of Love 3561: 3556: 3551: 3546: 3541: 3536: 3531: 3526: 3521: 3516: 3511: 3505: 3503: 3499: 3498: 3496: 3495: 3490: 3485: 3478: 3473: 3466: 3461: 3459:Taste of Chaos 3456: 3451: 3446: 3441: 3436: 3431: 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You Babe 1701:Chrissie Hynde 1697: 1679: 1674: 1664: 1661:Jackson Browne 1658: 1655:Youssou N’Dour 1652: 1646: 1643: 1630: 1616: 1606: 1596: 1586: 1576: 1566: 1563:Mark Brzezicki 1555: 1545: 1535: 1525: 1511: 1493: 1490:Fry and Laurie 1487: 1453: 1443: 1433: 1423: 1413: 1403: 1393: 1386: 1381: 1375: 1370: 1367:Graham Chapman 1364: 1334: 1324: 1319: 1312: 1309:Sexual Healing 1305:George Michael 1302: 1296: 1274: 1268: 1256: 1253: 1244: 1241: 1193: 1190: 1189: 1188: 1181: 1174: 1167: 1160: 1153: 1146: 1139: 1127: 1126:Resonant music 1124: 1070: 1067: 1038: 1035: 995:Fox Television 944: 941: 905:Miles Copeland 858: 855: 819:Sly and Robbie 799:George Michael 778: 775: 747: 744: 701: 700:Starting point 698: 691:Robin Denselow 666:(AAM) and the 659: 656: 630:Nelson Mandela 613: 612: 609: 605: 604: 598: 594: 593: 576: 575: 558: 557: 472: 470: 463: 456: 455: 411: 409: 402: 397: 371: 370: 368: 361: 354: 353: 351: 350: 343: 336: 328: 325: 324: 321: 320: 315: 309: 304: 299: 294: 288: 285: 284: 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Retrieved 2354: 2345: 2333:. Retrieved 2329: 2319: 2307:. Retrieved 2302: 2293: 2281:. Retrieved 2277:the original 2267: 2260:Oliver Tambo 2248:Allan Boesak 2242: 2232: 2216: 2211: 2192: 2179: 2169: 2161:the original 2150: 2138:. Retrieved 2134:The Guardian 2132: 2122: 2112: 2099:No. 3, 1992. 2096: 2084: 2068: 2067:Reed, T.V., 2027: 2015:H. B. 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Index

International opposition
apartheid in South Africa

Academic boycott
Sporting boycott
Disinvestment
Constructive engagement
Free South Africa Movement
International anti-apartheid music
International sanctions
Milton King boycotts
UN Resolution 1761
Crime of Apartheid Convention
Gleneagles Agreement
Sullivan principles
Comprehensive Anti-Apartheid Act
Anti-Apartheid Movement
Artists United Against Apartheid
Commonwealth of Nations
Halt All Racist Tours
Organisation of African Unity
TransAfrica
UN Special Committee against Apartheid
1964 Conference for Economic Sanctions
1978 World Conference against Racism
UN Security Council
Resolution 134 (Sharpeville massacre)
Resolution 181 (voluntary arms embargo)
Resolution 191 (sanctions feasibility)
Resolution 282 (arms embargo strengthening)

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