25:
625:, Meckler's most popular film, falls into a common trope of killer or murderous queer people, with the main characters, two sisters working as maids, plotting to kill their employer. However, Meckler's work stands out from others in this trope because it was directed by a woman; this is uncommon for the genre. The film portrays a controversial relationship, an incestuous lesbian romance between two sisters.
226:
Meckler is native to Long Island, New York. It was there that she began to take interest in the arts, though directing was not her original passion; at first she wanted to be an actor. She was initially attracted to theatre because of its ability to expose audiences to new and different worldviews.
618:
as a notable queer
British film. Reviewers described Meckler's direction as theatrical; her experience as a stage director clearly present in her on screen work. Various reviewers interpreted this style of directing in different ways, with some saying it adds to the films, and others saying it
234:
After this, her focus slowly moved to directing; she realized she did not want to be in the spotlight, but still had a strong interest in theatre. Her future directorial pursuits were greatly steered by the New York avant-garde scene of the 1960s; her influences at the time included
276:. During this time, Meckler struggled with the constraints of directing traditional scripted plays and the structure of British theatre, as her work in the past had been more creative and experimental. In 1984, having outgrown the Hampstead scene, Meckler and her husband,
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Meckler attended several academic institutions in the US, beginning with
Antioch College for her undergraduate degree, then moving on to study acting at HB Studios. Finally, she obtained a master's degree in Performance Theory and Criticism from
210:. Educated in both the USA and England, she has directed for a number of prominent theatres, including the Globe Theatre, the Royal National Theatre, and the Royal Shakespeare Company. She has also directed feature films such as
239:, a prominent experimental and avant-garde figure of the era. She moved to London in 1968, a time when many American artists were relocating to the UK, permanently changing the theatre scene in the places they landed.
308:, a fringe theatre company in London, from 1988 to 2011. The company is known for its non-traditional approaches to theatre, namely their tendency to stage well known plays in a way that has not been done before.
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Once in the UK, Meckler founded the
Freehold Theatre Company (1968–72), which, while it did not last long, had a successful and recognized production of the play
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Crouch, Kristin Ann. "Shared
Experience Theatre: Exploring the Boundaries of Performance." Order No. 3093639, The Ohio State University, 2003, p. 143-183.
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Freehold
Theatre Company disbanded after Meckler started her family, but she returned to theatre shortly after, becoming the associate director at
57:
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Crouch, Kristin Ann. "Shared
Experience Theatre: Exploring the Boundaries of Performance." Order No. 3093639, The Ohio State University, 2003.
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and other traditional playwrights, but alongside that, she returned to her more experimental pursuits through freelance directing.
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is an
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231:. Meckler also spent a year in London training at the London Academy for the Dramatic Arts.
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684: Public Prize; Best New Director; Youth Prize : Valladolid Film Festival, 1994
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adapted by Helen
Edmundson (co-director Polly Teale) - UK tour, National Theatre, 2008.
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Helen Hayes Award, Outstanding
Visiting Production, 2001 (Kennedy Centre)
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Queer Images : a
History of Gay and Lesbian Film in America
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Allan, Vicky (July 1, 1997). "Alive and Kicking/Indian Summer".
873:
Allan, Vicky (July 1, 1997). "Alive and Kicking/Indian Summer".
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Best Foreign Theatre Company, Diario Clarín, Buenos Aires, 1992
1406:. USA: Rowman & Littlefield Publishers, Inc. p. 274.
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from the article and its talk page, especially if potentially
1429:"A Streetcar Named Desire review – erotic and tragic ballet"
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As Artistic Director of Shared Experience Theatre 1988-2011
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was sent by the British Council to represent the UK at
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Alumni of the London Academy of Music and Dramatic Art
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1021:"Production of Sufficient Carbohydrate | Theatricalia"
997:"Production of Dusa, Fish, Stas and Vi | Theatricalia"
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by Polly Teale - Watermill, UK tour, Tricycle Theatre.
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Benshoff & Griffin, Harry M. & Sean (2006).
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Audience Award Best Film, London Film Festival, 1997
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Outstanding Theatrical Event, Time Out awards, 1992
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527:- UK tour, BAM Next Wave Festival, New York, 2004.
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1142:"Production of The Birthday Party | Theatricalia"
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697:Most Popular Film, Hamptons Film Festival, 1996
1118:"Production of Abingdon Square | Theatricalia"
1356:. New York, NY: Routledge. pp. 215–239.
713:Best Dance Production, Southbank Awards, 2012
287:Meckler was the first woman to direct at the
1166:"Production of Anna Karenina | Theatricalia"
734:List of LGBT-related films directed by women
729:List of female film and television directors
471:- Soho Poly (1989), National Theatre (1990).
221:
1524:Naturalised citizens of the United Kingdom
1094:"Production of The Bacchae | Theatricalia"
973:"Production of Uncle Vanya | Theatricalia"
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56:about living persons that is unsourced or
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694:Opening Film, Locarno Film Festival, 1996
127:Learn how and when to remove this message
1509:American emigrants to the United Kingdom
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503:adapted by Helen Edmundson (co-director
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681:Best Feature, Turin Film Festival, 1995
399:- Hampstead Theatre and West End, 1984.
389:– Hampstead Theatre and West End, 1976.
361:A Particle of Dread: Oedipus Variations
265:. The Freehold Theatre Company won the
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298:Who’s Afraid of Virginia Woolf?
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1190:"Theatre review: Mill on the Floss"
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665:Best Touring Show TMA/Martini, 1993
334:As a Freelance Director 1972 - 2000
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840:Billington, Michael (2011-08-05).
543:With the Royal Shakespeare Company
461:Edinburgh Festival, UK tour, 1988.
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507:) - UK tour and World Tour, 2001.
427:- Cambridge Theatre Company tour.
304:She was the artistic director of
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928:catalogue.nationaltheatre.org.uk
598:Meckler has directed two films,
356:Curse of the Starving Class
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1514:American expatriates in England
1427:Mackrell, Judith (2015-04-01).
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1377:Levy, Emanuel (1994-11-07).
633:Meckler was the director of
34:biography of a living person
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1299:Staff (September 9, 1996).
1219:www.sharedexperience.org.uk
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589:- Shakespeare's Globe 2017.
61:must be removed immediately
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1068:Theater, Lincoln Center.
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575:A Midsummer Night’s Dream
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313:Royal Shakespeare Company
306:Shared Experience Theatre
269:for New Writing in 1970.
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894:"The English unbuttoned"
811:"The English unbuttoned"
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635:A Streetcar Named Desire
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222:Early life and education
202:, where she was a joint
1529:People from Long Island
1475:at Unfinished Histories
1262:Darren, Alison (2000).
393:Sufficient Carbohydrate
383:Dusa, Fish, Stas and Vi
1519:Antioch College alumni
1074:Lincoln Center Theater
289:Royal National Theatre
48:Please help by adding
1243:British Theatre Guide
651:The Mill on the Floss
1354:British Queer Cinema
924:"CalmView: Overview"
619:detracts from them.
559:The Comedy of Errors
54:Contentious material
612:Alive & Kicking
425:George Bernard Shaw
411:Royal Court Theatre
323:Shakespeare's Globe
1379:"Sister My Sister"
1363:9-78-0-415-30779-6
1266:Lesbian Film Guide
571:by Helen Edmundson
569:The Heresy of Love
520:A Passage to India
476:The Birthday Party
469:Maria Irene Fornes
267:John Whiting Award
690:Alive and Kicking
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315:as well as
282:Shakespeare
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1483:Categories
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