Knowledge

Music of Guyana

Source 📝

84:, colonial power and upper class culture "exerted substantial influence" over music styles of the time. Military bands for parades and ceremonial purpose reflected British sovereignty. Classical music, religious music, or folk songs of Britain were also popular among the ruling class. In the late19th century, there was "a tendency import artists" as a show of "Victorian culture of respectability". 87:
In marginalized groups, laws were enacted to suppress music, as it was connected to revolts. Nonetheless, music reflecting other cultures flourished within communities such as African-derived music in villages of former slaves and Indian traditions maintained in villages occupied by those under and
173:
El Sadiek & De Sugar Cake Girls from Guyana was a unique formation of entertainers, singers, dancers, musicians including the Sugar Cake Girls - Fiona, Sarah and Kamla. The diversity of El Sadiek music repertoire of Filmi, Chutney, Soca, Reggae, Hip Hop, and Soul music. El Sadiek lead keyboard
64:
contributed African influences from a wide array of different cultures, although music and dance was also utilized to promote fitness in slaves by their sellers. After emancipation, the period in which the British sought to bring indentured labor into the colonies introduced musical traditions of
88:
post-indenture. The British Guiana Militia Band, formed mainly to deal with the unpopularity stemmed from involvement in the Angel Gabriel Riots, served both functions of promoting British Imperialism as well as an apprenticeship program for musicians of the
640: 174:
player, Shabana, is the only female Indian keyboard player in Guyana and perhaps the Caribbean. El Sadiek also includes the singer Kerida who Chutney and Filmi beats. Other talented lead singers were Sheik and Dj Poopsie.
23:
encompasses a range of musical styles and genres that draw from various influences including: Indian, Latino-Hispanic, European, African, Chinese, and Amerindian music. Popular Guyanese performers include:
181:(Neil Fraser). Fraser created Ariwa Records in 1979 and became a central figure in the UK dub scene as a prolific producer of dub and an originator of the "Lovers Rock" genre in the early 1980s. 96:
working class. Other musical events of the working-class included "practices", a paid-entry dance hall. Genres reflected a mix of African, Irish, and Scottish music traditions and instruments.
161:
is home to many unique music traditions, but music has tended to receive little support in schools. Music studies are offered as part of teacher training at
135:
during its early years as Guyanese media outlets greatly restrained Indian culture in the 1970s and 80s. In the 90s, just as calypso was developing into
428: 344: 150:
communities, has also been an outlet for criticizing the government or addressing other social issues. Guyana has annual calypso competitions.
529: 396: 481:
East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000
266: 276: 48:
Earliest recorded musical interactions were mainly related to the missionary-driven spread of Christianity in the New World.
322: 203: 522: 490: 467: 292: 162: 501:"The African Folk Music Tradition from Guyana: A Discourse and Performance". Brown Bag Colloquium Series 2003–2004. 40:
and Nicky Porter. Eddie Hooper The Guyana Music Festival has proven to be influential on the Guyana music scene.
213: 630: 234: 515: 420: 208: 127:. Hindi has given way to English and Caribbean creole languages giving rise to fusion styles such as 663: 544: 635: 198: 184:
Brittish-Guyanese rapper Central Cee, a rapper that grew in the 2010s/20s, has Guyanese roots.
319:"From Caroni gyal to Calcutta woman: A history of East Indian chutney music in the Caribbean" 147: 93: 61: 377: 8: 618: 132: 89: 456: 607: 552: 73: 597: 587: 572: 486: 479: 463: 388: 352: 272: 602: 577: 557: 37: 32:, Dave Martins & the Tradewinds (Johnny Braff, Ivor Lynch & Sammy Baksh), 562: 103:
were important to Indo-Guyanese music. Tan singing and folk music accompanied by
49: 33: 318: 567: 345:"In Guyana, Feeling Stifled After Needling Government in Song (Published 2013)" 81: 657: 592: 392: 356: 178: 128: 53: 177:
Guyanese-born musicians who developed their musical careers abroad include
25: 507: 136: 29: 268:
Musical Life in Guyana: History and Politics of Controlling Creativity
321:. Thomas Hunter College Black & Puerto Rican Studies Department. 108: 140: 69: 139:, chutney also took on more regional influences such as using the 124: 77: 57: 193: 165:, and a fledgling National School of Music was opened in 2012. 158: 120: 100: 99:
Contrary to the Christian-derived music of the colonial elite,
19: 116: 112: 104: 458:
Caribbean Currents: Caribbean Music from Rumba to Reggae
378:"Action, Criticism & Theory for Music Education" 504:Seals, Ray. "The Making of Popular Guyanese Music" 478: 455: 655: 375: 65:India, as well as Portugal and other countries. 52:missionaries used music used hymns to reach the 232: 523: 476: 453: 642:South Georgia and the South Sandwich Islands 537: 530: 516: 462:. Philadelphia: Temple University Press. 264: 421:"The Sugar Cake Girls - What sweetness!" 431:from the original on September 16, 2016 316: 107:drums followed instruments such as the 60:. Slaves brought to the region via the 656: 235:"THE TRADEWINDS – led by Dave Martins" 168: 511: 376:Vincent C. Bates, ed. (August 2015). 342: 293:"Guyana Music Festival being revived" 260: 258: 256: 254: 204:Guyanese music in the United Kingdom 265:Cambridge, Vibert C. (2015-05-21). 13: 447: 153: 14: 675: 251: 163:Cyril Potter College of Education 402:from the original on 2015-10-05 325:from the original on 2000-08-23 214:Guyana Defence Force Band Corps 413: 369: 336: 310: 285: 271:. Univ. Press of Mississippi. 226: 1: 233:guyaneseonline (2011-10-11). 219: 131:, which flourished mostly in 343:Gupta, Girish (2013-12-06). 209:Georgetown Seawall Bandstand 146:Calypso music, common among 143:and electronic instruments. 7: 187: 10: 680: 427:. indocaribbeanworld.com. 317:Saywack, Rajendra (1999). 43: 616: 543: 538:Music of South America 477:Manuel, Peter (2000). 454:Manuel, Peter (2006). 425:indocaribbeanworld.com 199:Music of the Caribbean 68:When the colonies of 62:Atlantic slave trade 385:Act.maydaygroup.org 169:Prominent musicians 133:Trinidad and Tobago 90:Portuguese Guyanese 349:The New York Times 651: 650: 623:other territories 278:978-1-62674-644-2 80:were merged into 671: 643: 631:Falkland Islands 545:Sovereign states 532: 525: 518: 509: 508: 496: 484: 473: 461: 441: 440: 438: 436: 417: 411: 410: 408: 407: 401: 382: 373: 367: 366: 364: 363: 340: 334: 333: 331: 330: 314: 308: 307: 305: 304: 289: 283: 282: 262: 249: 248: 246: 245: 230: 679: 678: 674: 673: 672: 670: 669: 668: 664:Music of Guyana 654: 653: 652: 647: 641: 624: 622: 612: 539: 536: 493: 470: 450: 448:Further reading 445: 444: 434: 432: 419: 418: 414: 405: 403: 399: 380: 374: 370: 361: 359: 341: 337: 328: 326: 315: 311: 302: 300: 291: 290: 286: 279: 263: 252: 243: 241: 239:Guyanese Online 231: 227: 222: 190: 171: 156: 154:Music education 56:in the area of 46: 34:Aubrey Cummings 12: 11: 5: 677: 667: 666: 649: 648: 646: 645: 638: 633: 627: 625: 617: 614: 613: 611: 610: 605: 600: 595: 590: 585: 580: 575: 570: 565: 560: 555: 549: 547: 541: 540: 535: 534: 527: 520: 512: 506: 505: 502: 498: 497: 491: 474: 468: 449: 446: 443: 442: 412: 368: 335: 309: 284: 277: 250: 224: 223: 221: 218: 217: 216: 211: 206: 201: 196: 189: 186: 170: 167: 155: 152: 148:Afro-Caribbean 82:British Guiana 45: 42: 9: 6: 4: 3: 2: 676: 665: 662: 661: 659: 644: 639: 637: 636:French Guiana 634: 632: 629: 628: 626: 620: 615: 609: 606: 604: 601: 599: 596: 594: 591: 589: 586: 584: 581: 579: 576: 574: 571: 569: 566: 564: 561: 559: 556: 554: 551: 550: 548: 546: 542: 533: 528: 526: 521: 519: 514: 513: 510: 503: 500: 499: 494: 492:1-56639-763-4 488: 483: 482: 475: 471: 469:1-59213-463-7 465: 460: 459: 452: 451: 430: 426: 422: 416: 398: 394: 390: 386: 379: 372: 358: 354: 350: 346: 339: 324: 320: 313: 298: 297:Kaieteur News 294: 288: 280: 274: 270: 269: 261: 259: 257: 255: 240: 236: 229: 225: 215: 212: 210: 207: 205: 202: 200: 197: 195: 192: 191: 185: 182: 180: 179:Mad Professor 175: 166: 164: 160: 151: 149: 144: 142: 138: 134: 130: 126: 122: 118: 114: 110: 106: 102: 97: 95: 94:Afro-Guyanese 91: 85: 83: 79: 75: 71: 66: 63: 59: 55: 54:Kalina people 51: 41: 39: 38:Colleˊ Kharis 35: 31: 27: 22: 21: 619:Dependencies 582: 480: 457: 435:November 23, 433:. Retrieved 424: 415: 404:. Retrieved 384: 371: 360:. Retrieved 348: 338: 327:. Retrieved 312: 301:. Retrieved 299:. 2009-02-26 296: 287: 267: 242:. Retrieved 238: 228: 183: 176: 172: 157: 145: 98: 86: 67: 47: 26:Terry Gajraj 17: 15: 406:2015-12-13 362:2021-03-14 329:2021-03-08 303:2020-05-16 244:2020-05-16 220:References 30:Eddy Grant 608:Venezuela 553:Argentina 393:1545-4517 357:0362-4331 109:harmonium 74:Essequibo 18:music of 658:Category 598:Suriname 588:Paraguay 573:Colombia 429:Archived 397:Archived 323:Archived 188:See also 141:steelpan 70:Demerara 50:Moravian 603:Uruguay 578:Ecuador 558:Bolivia 129:chutney 125:dhantal 101:bhajans 78:Berbice 58:Berbice 44:History 583:Guyana 563:Brazil 489:  466:  391:  355:  275:  194:Shanto 159:Guyana 121:dholak 76:, and 20:Guyana 568:Chile 400:(PDF) 381:(PDF) 117:tabla 113:sitar 105:tassa 593:Peru 487:ISBN 464:ISBN 437:2016 389:ISSN 353:ISSN 273:ISBN 137:Soca 123:and 92:and 16:The 621:and 660:: 485:. 423:. 395:. 387:. 383:. 351:. 347:. 295:. 253:^ 237:. 119:, 115:, 111:, 72:, 36:, 28:, 531:e 524:t 517:v 495:. 472:. 439:. 409:. 365:. 332:. 306:. 281:. 247:.

Index

Guyana
Terry Gajraj
Eddy Grant
Aubrey Cummings
Colleˊ Kharis
Moravian
Kalina people
Berbice
Atlantic slave trade
Demerara
Essequibo
Berbice
British Guiana
Portuguese Guyanese
Afro-Guyanese
bhajans
tassa
harmonium
sitar
tabla
dholak
dhantal
chutney
Trinidad and Tobago
Soca
steelpan
Afro-Caribbean
Guyana
Cyril Potter College of Education
Mad Professor

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.