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1931. In 1960, the Mexico City government acquired the building from the descendants of the Counts of
Santiago de Calimaya in 1960. The City decided to convert this building into a museum. It hired architect Pedro Ramirez Vazques to remodel it, converting the old rooms into exhibition halls. In 1964, the Museum of Mexico City was inaugurated, focusing on what Mexico City was and what Mexico City hoped to be. However, by 1992, the Museum was in disarray. The museum closed and there were plans to convert it into lodging for guests of the city, but this never came to pass. In 1997, the Museum was reorganized and reopened dedicated to exhibitions about Mexico City's past, present and future, working in cooperation with the
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Pizarro, first cousin of the conqueror. In this period, according to some plans, the house belonged to the “fortress-house” architectural typology, that is, a house with defensive elements against adverse situations. The description of the first dwelling house built by order of Lic. Altamirano corresponded to a rectangular building with the appearance of a three-story feudal tower with a door on the ground floor, four windows on the middle floor and six windows on the top floor. plus. The entire building had a conical roof and a tower on one side.
207:, putting a lien on the building's rental income. The Aztec serpent's head that serves and the building's impressive cornerstone was probably uncovered during these renovations. Cost of remodeling the house was 130,000 pesos. During this time, the palace chapel was added, built between 1778 and 1779. At that time, it was common to attend Mass everyday but at the same time upper-class women were generally not permitted to walk on the streets to go to church. Many large mansions and palaces, therefore, had their own chapels with their own
442:
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462:, maps and other objects showing the everyday life of people in the Mexican highlands of this time period. The colonial-era, 19th and 20th century rooms also contain everyday items from these time periods such as furniture, desks, tables, vases, and jars as well as arts such as sculptures and paintings.
405:
have an
Oriental look to them, which was not common in such residences. Partly because of this, it has been speculated that the wood and the labor used to create parts of the house were of Philippine origin. However, both the work and the wood are native to Mexico, although the wood is not very common.
518:
Library contains approximately 10,000 volumes, mostly dealing with topics related to Mexico City. Its collection came from several sources including the 19th century newspaper collection, maps of the city from the city council reserve as well as original copies of laws passed by the city council. It
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It has 26 rooms covering the evolution of Mexico City from Aztec times to the present. The permanent collection is divided into the following periods of time: the pre-Hispanic period, the colonial period (16th to 18th century), the 19th century and the 20th century. The pre-Hispanic room, decorated
421:
From the end of the 19th century and through most of the 20th century, this part of Mexico City suffered a severe decline. This house was adapted to rent space to lower-class tenants and by end of the 1950s had become tenements, in spite of the fact that it had been declared a national monument in
404:
could be played as well. Music rooms were considered important during that time period to show the culture of the family. The main stairwell is located in the main courtyard opposite the nereid fountain. The dogs that adorn the banister of the main stairwell and the mascarons over the main doorway
54:
met for the first time. This building used to be the palace of the Counts of
Santiago de Calimaya, who were the descendants of one of the conquistadors with Cortés. The house was extensively remodeled during the colony to much the appearance that it has today and remained in the family until 1960,
351:
Inside, the house has two floors with two courtyards, which was common with houses of
Mexican nobility. The family's coat-of-arms adorn the arches of the main courtyard. One distinctive element of the palace is the fountain in the shape of a shell located in the main courtyard. Its deteriorated
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because that was the name of the town that was given to them in
Encomienda and that generated great wealth for them. The title of count was granted to Don Fernando Altamirano y Velasco, a direct descendant of Juan Gutiérrez Altamirano, in turn married María de Velasco e Ibarra, granddaughter of
130:
Mexica among his comrades-in-arms and closest collaborators; He gives the land located on what was then calle de
Ixtapalapa to the corner of the street that goes to the Hospital de Nuestra Señora de la Concepción to Don Juan Gutiérrez Altamirano, who shortly before had married Juana Altamirano
218:
The house was inhabited by the family until 1964, which is an exceptional case, it was the only manor house occupied by a New
Spanish noble family until the middle of the 20th century, when it was expropriated, the Cervantes family was forced to sell it to the government of Mexico City, which
155:
A time of economic and social boom came for the
Altamirano Velasco family. The remodeling of the old manor house in which his predecessors had lived, was in charge of the seventh count, since the building was badly damaged by earthquakes and floods, and more than remodeling, it was a complete
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The house had its own chapel, but only fragments of the facade remain in the structure today. One room that survives nearly intact is the music room. In the 19th century, music was one of the activities that the upper-class engaged in on a daily basis. European composers such as
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in New Spain. These reforms meant that despite the fact that the counts maintained a status as nobles, many of their properties would be seized by the Crown. The counts suffered financial difficulties at this time, but their status as nobles enabled them to get the
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painter Joaquín
Clausell occupies several rooms in the upper part of the house. He lived there as the husband of Angela Cervantes, a descendant of the Counts of Santiago de Calimaya. Clausell received visitors in these rooms such as
59:
government acquired it from them in order to found the Museum that is found there today. The museum contains a number of elements of the old palace as well as 26 rooms dedicated to the history and development of Mexico City from
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It was not until the third generation that the family was awarded the first noble title: “Counts of
Santiago de Calimaya”; of Santiago because they were devoted to St. James the Great, the Spanish patron saint; of
329:, which could be fired, but only with permission of city authorities. The look that survives today is the result of remodeling work done in the late 18th century and was one of the last major Baroque projects in
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movements. The collection of works by Clausell include foreshortened figures that the artist made simply to clean his brushes. Clausell's works are on display here due to an agreement between the Museum and the
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305:
During the colonial period, this palace was considered one of the most sumptuous in New Spain. The structure covers 2,762 m2, has a masonry foundation, thick masonry walls, and the facade covered in
333:. One of the building's most distinctive elements is the previously mentioned Aztec serpent's head, which was probably uncovered during this work. It is thought that the head may have come from the
498:. The rooms contain 1,300 sketches by the artist including portraits of famous people, images of Christ, angels and animals and mythological scenes. These works show influences from the
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condition and the fact that there is little space between it and the windows near it suggest that it dates back to before the 18th-century remodeling. The focus of the fountain is a
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192:. In the colonial era, calle de Pino Suárez (at that time, Iztapalapa road) was the fashionable street for the houses of the nobility, which were thus aligned with the
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The building was completed in 1779 and the descendants of the counts lived in it until 1960. The architect that completed the palace was
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There are also temporary exhibits, educational programs for children and adults, a room devoted to the river system in the
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309:. The main entrance and portal are done in cantera, a grayish-white stone, as well as the central balcony. There are also
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playing a guitar. It is possible that the marine motif refers to the sea voyages the Counts made to places like the
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restructuring, because the old building was demolished. This new construction is related to the promulgation of the
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809:(in Spanish). Mexico City: Instituto de Administración y Avalúos de Bienes Nacionales. April 2003. Archived from
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At this time, the viceregal government decided to renovate the deteriorated palace in 1777, giving the work to
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from the beginnings of the 20th century to the present. Another event was an exposition of Mexican wrestling (
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The palace was rebuilt at the end of the 18th century, carrying out the work between 1776 and 1779 by the
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to allow them to tax their lands, so that they would obtain money for the rebuilding of their palace.
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Exhibition of the Spanish republicans exile from the Franco government who arrived in Mexico
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511:, where every two months, works by this artists are circulated between the two museums.
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42:(Museo de la Ciudad de Mexico) is located at Pino Suarez 30, a few blocks south of the
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832:"LA LEYENDA AMOROSA QUE ENCIERRA EL PALACIO DE LOS CONDES DE SANTIAGO DE CALIMAYA"
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North American Women Artists of the Twentieth Century: A Biographical Dictionary
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534:) featuring photographs, costumes and other objects related to this spectacle.
458:(flat stones for grinding corn), jars, bowls, urns, incense burners as well as
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and was placed as the cornerstone of the original house that was owned by
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also contains a large collection of books about the history of the city.
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115:, where he had been governor in 1524; to take the post of Corregidor of
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to the present. It also contains a library and the studios of painter
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951:"Presentarán exposiciones de lucha libre en Museo Ciudad de México"
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615:(in Spanish). Tulsa, Oklahoma: Hispano de Tulsa. Archived from
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957:(in Spanish). Mexico City. Notimex. 2008-09-25. Archived from
695:(in Spanish). Mexico City: Revista Buen Viaje. Archived from
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68:, who lived here in the late 19th and early 20th centuries.
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613:"Envuelve al Museo de la Ciudad de Mexico una Gran Riqueza"
112:
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History of the Palace of the Counts of Santiago de Calimaya
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arranged for the foundation of the museum in the house.
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When Hernán Cortés distributed the lands closest to the
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in 1616, and which was used for fourteen generations.
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Museo de la Secretaría de Hacienda y Crédito Público
144:. Fernando Altamirano received the royal grant from
1262:Royal Convent of Jesús María and Our Lady of Mercy
1037:
894:Jules Heller; Nancy G. Heller (19 December 2013).
876:(in Spanish). Mexico City: Artes e Historia México
665:(in Spanish). Mexico City: Prodeso. Archived from
445:19th century Romance style chair in the music room
46:, on what was the Iztapalapa Causeway, near where
1465:House of the Count de la Torre Cosío y la Cortina
1282:Templo Expiatorio Nacional de San Felipe de Jesús
1171:Secretariat of Public Education Main Headquarters
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283:Fountain of the palace in 1920, photographed by
172:Quetzalcoatl head on the corner of the building.
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932:(in Spanish). Mexico City. Notimex. 2009-09-27
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850:"Casa del Conde de Santiago Calimaya, portada"
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1328:House of the First Print Shop in the Americas
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922:"Museo de la Ciudad de México ofrecerá curso
855:Instituto Nacional de Antropología e Historia
756:Instituto Nacional de Antropología e Historia
751:Palacio de los Condes de Santiago de Calimaya
727:(in Spanish). Mexico City: Mexico Desconocido
573:. Mexico City: Ediciones Nueva Guia. p.
292:
200:and the portal and the windows with quarry.
196:. The facade of the palace was covered with
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762:
687:
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567:Galindo, Carmen; Magdelena Galindo (2002).
186:Palace of the Marquises of Jaral del Berrio
1130:Colegio de San Ignacio de Loyola Vizcaínas
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807:"Reseña del Museo de la Ciudad de Mexico"
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231:Palace of the Counts of Calimaya in 1920.
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775:Introducción a la arquitectura en México
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1761:Spanish Colonial architecture in Mexico
1756:Residential buildings completed in 1779
1140:University of the Cloister of Sor Juana
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267:The courtyard in 1920, photographed by
14:
1703:
1197:Church of San Felipe Neri "La Profesa"
1176:Supreme Court of Justice of the Nation
630:
611:Gochis Illescas, Javier (2004-11-14).
182:Francisco Antonio de Guerrero y Torres
103:dates back to the year 1527, when Mr.
73:Francisco Antonio de Guerrero y Torres
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710:
454:and others, contains objects such as
321:portal rests on four clawed feet and
148:in which he was granted the title of
99:The history of the Old Palace of the
725:"Museo de la Ciudad de México (D.F)"
591:
537:In 1999, then-mayor of Mexico City,
211:. These families would have private
1475:Houses of the Mayorazgo de Guerrero
772:Manuel Rodríguez (8 October 2009).
255:Chapel of the Palace in 1920. INAH.
205:Francisco Antonio Guerrero y Torres
24:
1232:Historic Synagogue Justo Sierra 71
1166:Palace of the Marqués del Apartado
1072:Fountain to Bartolomé de las Casas
748:Angélica Oviedo Herrerias (1996).
25:
1772:
1639:Zócalo/Tenochtitlan metro station
1156:Library of the Congress of Mexico
1125:Antigua Escuela de Jurisprudencia
1736:Historic house museums in Mexico
1634:San Juan de Letrán metro station
1619:Isabel la Católica metro station
1449:Palacio del Marqués del Apartado
1115:Academia Mexicana de la Historia
276:
260:
248:
243:Main door of the Palace in 1920.
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224:
1547:Calle de República de Guatemala
1542:Calle de República de Argentina
1333:Interactive Museum of Economics
1252:Nuestra Señora de Loreto Church
842:
541:, gave the keys of the city to
367:Colonial fountain in the palace
1726:Historic center of Mexico City
1470:House of the Marquis of Uluapa
1378:Museo Nacional de las Culturas
1039:Historic center of Mexico City
874:"Museo de la Ciudad de Mexico"
824:
778:. Camion Escolar. p. 82.
693:"Museo de la Ciudad de Mexico"
663:"Museo de la Ciudad de Mexico"
424:Museo Nacional de Antropología
101:Counts of Santiago de Calimaya
95:Frontal view of the courtyard.
13:
1:
1573:Garden of the Triple Alliance
1403:San Pedro y San Pablo College
1308:Casa Talavera Cultural Center
1077:Monument to Pope John Paul II
548:
539:Cuauhtémoc Cárdenas Solórzano
417:Cloister of the museum palace
150:Count of Santiago de Calimaya
1751:National Monuments of Mexico
1501:Abelardo L. Rodríguez Market
1439:Palacio de Correos de México
1373:Museo Nacional de la Estampa
388:were preferred but music by
325:. It also has cannon-shaped
18:Museo de la Ciudad de México
7:
1599:Mexico City Metrobús Line 4
1257:Regina Coeli Convent Church
754:. Vol. First Edition.
570:Mexico City Historic Center
10:
1777:
1670:Hospital de Jesús Nazareno
1609:Bellas Artes metro station
1731:History museums in Mexico
1647:
1629:Pino Suárez metro station
1591:
1560:
1524:
1493:
1457:
1411:
1393:Palace of the Inquisition
1313:Centro Cultural de España
1295:
1184:
1148:
1107:
1045:
994:19.4292000°N 99.1325472°W
339:Juan Gutierrez Altamirano
293:Description of the palace
105:Juan Gutiérrez Altamirano
87:Mexico City Museum facade
1746:Landmarks in Mexico City
1741:Libraries in Mexico City
1721:Mesoamerican art museums
1363:Museo Mural Diego Rivera
1318:Colegio de San Ildefonso
1272:Santa Veracruz Monastery
1217:Convent of San Francisco
1192:Church of Jesus Nazareno
1094:Old Portal de Mercaderes
1084:Nacional Monte de Piedad
1057:Administrative buildings
1665:Edificio Miguel E. Abed
1444:Palacio de la Autonomía
1434:Palacio de Bellas Artes
1338:José Luis Cuevas Museum
1267:Santa Teresa la Antigua
1237:Iglesia de San Bernardo
999:19.4292000; -99.1325472
1716:City museums in Mexico
1711:Museums in Mexico City
1368:Museo Nacional de Arte
1202:Church of San Hipólito
1062:Metropolitan Cathedral
1050:and immediate vicinity
509:Museo Nacional de Arte
470:
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418:
368:
313:on the facade done in
302:
173:
96:
88:
35:
1690:Torre Latinoamericana
1675:Hospital San Hipólito
1614:Hidalgo metro station
1604:Allende metro station
1480:Saint Augustine House
1388:Museum of Mexico City
1358:Museo del Estanquillo
1343:Museo de Arte Popular
1227:Corpus Christi Church
1222:Convent of Santa Inés
1120:Academy of San Carlos
468:
444:
428:Museo de Arte Moderno
416:
409:Museum of Mexico City
366:
300:
215:said in their homes.
171:
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86:
40:Museum of Mexico City
33:
1660:Chapultepec aqueduct
1624:Merced metro station
1424:Casa de los Azulejos
1212:Convent of La Merced
1207:Church of Santa Inés
1161:Old Customs Building
1149:Government buildings
1108:Schools and colleges
34:Façade of the palace
27:Art museum in Mexico
1680:Teatro de la Ciudad
1494:Traditional markets
1287:Valvanera Cathedral
1247:La Santísima Church
1242:La Enseñanza Church
1185:Religious buildings
1135:El Colegio Nacional
990: /
436:Galería de Historia
432:Museo de Virreinato
301:Stairway (sideways)
146:Philip III of Spain
111:from the island of
1429:Palace of Iturbide
1398:Palacio de Minería
1348:Museo de Charrería
1323:Franz Mayer Museum
838:. 25 October 2022.
516:Jaime Torres Bodet
471:
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419:
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190:Capilla del Pocito
174:
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36:
1698:
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1303:Caricature Museum
907:978-1-135-63882-5
699:on August 1, 2009
669:on April 14, 2009
543:Pope John Paul II
390:Mexican composers
16:(Redirected from
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1561:Parks and plazas
1532:Avenida Bucareli
1511:La Merced Market
1506:Ciudadela Market
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66:Joaquín Clausell
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1568:Alameda Central
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1458:Historic houses
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1383:Museum of Light
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1067:Cruz de Mañozca
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480:Gerardo Murillo
450:by the painter
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142:Luis de Velasco
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982:19°25′45.12″N
961:on 2011-07-16
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930:El Informador
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900:. Routledge.
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813:on 2009-03-02
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619:on 2006-06-15
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584:968-5437-29-7
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500:Impressionism
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460:Aztec codices
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48:Hernán Cortés
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1655:Barrio Chino
1387:
1099:Templo Mayor
985:99°7′57.17″W
975:
963:. Retrieved
959:the original
955:SDP Noticias
954:
945:
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929:
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701:. Retrieved
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671:. Retrieved
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569:
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496:Julio Ruelas
484:Diego Rivera
472:
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335:Templo Mayor
304:
217:
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194:Royal Palace
175:
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128:Templo Mayor
125:
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52:Moctezuma II
39:
37:
1419:Borda House
997: /
532:lucha libre
482:(Dr. Atl),
358:Philippines
342: [
285:Hugo Brehme
269:Hugo Brehme
107:arrived in
62:Aztec times
57:Mexico City
1705:Categories
1583:Tlaxcoaque
965:2009-09-30
936:2009-09-30
880:2009-09-30
817:2009-09-30
731:2009-09-30
703:2009-09-30
673:2009-09-30
623:2009-09-30
549:References
452:Ana Ugalde
394:Tomás León
209:sacristies
836:mxcity.mx
504:Symbolism
382:Beethoven
327:gargoyles
323:mascarons
163:audiencia
109:New Spain
55:when the
475:Campeche
434:and the
392:such as
307:tezontle
198:tezontle
188:and the
180:builder
140:Viceroy
137:Calimaya
1525:Streets
1412:Palaces
1296:Museums
859:. 1920.
857:website
456:metates
319:Baroque
311:friezes
178:Criollo
117:Texcoco
1047:Zócalo
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581:
545:here.
426:, the
378:Chopin
354:Nereid
331:Mexico
317:. The
315:basalt
213:Masses
44:Zocalo
1648:Other
386:Liszt
346:]
902:ISBN
780:ISBN
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514:The
502:and
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