Mundigak - Knowledge

253:, different levels of settlement could be distinguished. The excavations took place in eleven places in the excavation area. On Tépé (hill) A, the highest point in the city, remains of a palace were excavated in Period IV, level 1 and Period V. Urban areas from almost all periods of the place were found here. Area C is northwest of Area A. Only a small area has been excavated here, with the remains reaching back to Period III. In the other parts of the city, various, larger or smaller areas were exposed (areas B, D to I and P and R), whereby mainly remnants of Period IV came to light, which is therefore the best documented layer. In area P, remnants of Period V came to light, which is otherwise only documented in area A. The upper layers in particular had completely disappeared as a result of erosion. In area A, a large palace was uncovered in Period V on the remains of the older palace. Otherwise, however, Period V is not easy to cover in the city. Most of the finds are now in the 436:

inside of the wall. There were supporting pillars on the outer facade. A corner of the wall has been found. Here stood a tower with four interiors and once with perhaps four support pillars on each side. Only on the north side are all four preserved. Even in Period IV, layer 1, the area around the wall was densely built on both sides with simple houses, mostly consisting of a few rooms. The function of this wall is uncertain; it may have enclosed the palace extensively. About 90 m to the west (excavation area E) were again the remains of a second wall, which was constructed similarly and could be traced over a length of about 120 m. This was probably the actual city wall. Residential buildings were mostly found in excavation area D, where the city wall still stood in Period IV.1; on the other hand, the area in Period IV.2 was built on with simple residential buildings.

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for the construction, older houses standing on the hill were leveled. The north facade of the palace was decorated with a row of pilasters that were stuccoed and painted white. At the top, these pilasters were bordered by a decorated tile strip. Some of them were still two meters high when they were excavated. The actual palace consisted of various rooms and a courtyard. The east, south and west facades of the building were not preserved, but they may also have been decorated with pilasters. It was possible to distinguish between three renovation phases, all of which date to Period IV, layer 1. The later palace from Period IV, layer 2 and Period IV, layer 3 had completely fallen victim to the renovation work in Period V.

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building. A monumental ramp that led to a platform was still preserved during the excavations. This consisted of a number of rooms that could not be entered, so they had a pure support function. The actual building on this platform has completely disappeared. In other parts of the city there is also evidence of development during this period, but the remains are very poorly preserved. It is clear, however, that Mundigak continued to be an important city in Period V, but the remains of it have largely disappeared. After that, the place appears to have been abandoned. After 2500 BCE there was no longer a city here. This is particularly noteworthy as there is no chronological overlap with the Indus culture.

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only been preserved for layers 4 and 5. In these layers the buildings were rather simple. These are rectangular adobe residential buildings that consisted of one to three small rooms. The ceramic from Period I is mainly made by open forms. In particular, shell fragments have been found. The ceramic is partly painted, with simple geometric patterns predominating. Painted animals are also very rare. Period I.5 and the following Period II were separated by a thick layer of ash, which suggests that the place was uninhabited for a long time, at least in this area.

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report largely focuses on decorated forms, so the undecorated pottery is less well known. There were hand-formed vessels, but also those that were made on the potter's wheel. Periods I and II are dominated by simple, painted geometric patterns, often on the upper edge of bowls; in Period III the painting becomes more complex. There are still predominantly geometric patterns that belong to the so-called

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the narrower sense. The face is rather roughly worked. The eyes and eyebrows are heavily stylized. The man has short hair and a headband that ends in two falling strips of fabric on the back. Statues were also found sporadically in the Indus culture, in the oasis culture spread around the same time in the north and in

612:. In Period IV there are also isolated figurative representations, especially cattle. Various clay chalices come from Period IV, decorated with rows of animals painted in black, but also with individual plants. A group of these chalices was found in room XXII in the palace. The goblets exposed there were intact. 413:

In the center of the city is hill A, on which extensive remains of a palace complex were found. It is uncertain whether it was really a palace as the excavator suspected, but the construction undoubtedly served a public function. The building was extensively surrounded by a wall. To create a platform

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From Period I, level 2 onwards, bronze objects are attested. Initially, they are simple tools such as needles and weapons. However, the remains of a mirror also come from Period IV. An investigation showed that these artifacts were mostly made of bronze with a low tin content. Five objects with iron

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An extensive series of mounds marks the site of a town. The chronology is still uncertain, but it has tentatively been divided into seven main periods with many subdivisions. The main period seems to be Period IV, which saw a massive rebuilding after an earlier destruction. Both the "palace" and the

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The lowest layer of Period I in Mundigak was only excavated in the central mound (area A). It probably dates to the fifth millennium BC. Period I was divided into five layers by the excavator (Period I, layers 1–5). The first evidence of permanent buildings comes from layer 3. House floor plans have

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E. Cortesi, Tosi, Lazzari, M. Vidale: Cultural Relationships beyond the Iranian Plateau: The Helmand Civilization, Baluchistan and the Indus Valley in the 3rd Millennium BCE, in: Paléorient, 2008, Bd. 32, Nr. 3, pp. 5–35; see also the website of Yves Traynard with a picture of the mousetrap that is

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The finds include numerous terracotta figures, which often represent people, mostly women, but also men. There are also frequent depictions of cattle. In addition, in the remains of Period IV, the head of a limestone man's statue was found. It is the only object that can be called a work of art in

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Early houses were constructed at Mundigak (during Period I.4) in the form of tiny oblong cells with pressed earth walls. In the following layer (Period I.5) larger houses with square and oblong houses with sun dried bricks were found. Ovens for cooking and wells for water storage were found during

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The residential quarters have only been partially excavated. To the west of the palace the remains of a wall could be traced in various places. It consisted of two outer walls. The interior was divided by partitions; this created a series of interior rooms that were accessible through doors on the

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About 200 m east of the palace stood a monumental building that was probably a temple built on virgin soil. It stood on a flat, approximately 2.5 m high hill and had a monumental outer wall, which was decorated on the outside with mighty buttresses, triangular in plan. The foundations were made of

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Period II was divided into four layers by the excavator: II.1, II.2, II.3a and II.3b. The population density in area A increased. Various multi-room buildings could be excavated. There was a deep well in one courtyard. Compared to layer I, however, the quality of the ceramic decreases. There are a

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Pottery is particularly important for small finds. Most of the ceramics are painted, some of them polychrome. Various decoration traditions can be proven that are also known from other places and thus help to locate Mundigak in the context of other cultures and thus also in time. The excavation

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No structural remains have been preserved from Period VI. In addition to fireplaces, there were primarily numerous ceramics that have similarities with that of the earlier layers. The excavator suspects that these remains came from nomads. It seems that the population gave up their lifestyle in

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Period V was very poorly preserved due to the erosion of the excavation area. On the main hill, on the remains of the old palace, a large building was erected (called the Monument Massif by the excavators), with the old structures buried and partially preserved under the new and very massive

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Period III is again mainly known from area A, where six layers were distinguished. From area C come the remains of a cemetery that was still occupied by Period IV. The dead lay here in a crouched position. There were hardly any additions. Only in one case were pearls used as a bracelet. The

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Jonathan M. Kenoyer, Heather M.-L. Miller: Metal Technologies of the Indus Valley Tradition in Pakistan and Western India, V. C. Pigott (eds.): The archaeometallurgy of the Asian Old World, Philadelphia: The University Museum, University of Pennsylvania. ISBN 978-0-924171-34-5, p.

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In Period IV, Mundigak developed into a fully developed city with a palace and temple. It can be concluded that there is an advanced social structure. However, there is no evidence for the use of writing. The excavator distinguished three layers: IV.1, IV.2 and IV.3.

1072:"...We agree with the links, which we ourselves often observed, between Shahr-i Sokhta I, II and III and Mundigak III and IV and between the sites of Balochistan and the Indus valley at the end of the 4th millennium and in the first half of the 3rd millennium BC..." 488:

permanent settlements and moved to nomadism. This can also be observed in other places in Afghanistan and India. The last development is called Period VII. These are various agricultural storehouses, which probably date back to the 1st millennium BCE.

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change indicate a gap of abandonment between Periods IV and V, followed by a period of further building and construction of new monuments, including the "massive monument". Periods VI and VII saw only periodic occupation on a small scale.

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Mundigak and Deh Morasi provide early developments in what may be now called religious activities. A white-washed, pillared large building with its door way outlined with red, dating around 3,000 BC is related to religious activities.

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E. Cortesi, Maurizio, Tosi, A. Lazzari, Massimo Vidale: Cultural Relationships beyond the Iranian Plateau: The Helmand Civilization, Baluchistan and the Indus Valley in the 3rd Millennium BCE. In: Paléorient, 2008, Bd. 34, Nr. 2, pp.

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About 350 m south of hill A, parts of another large adobe building were excavated (excavation area F), which certainly also had a public function. There was a courtyard with a large water basin and various rooms arranged around it.

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Apart from pottery and painted pottery, other artifacts found include crude humped bulls, human figures, shaft hole axes, adzes of bronze and terracotta drains. Painting on pots include pictures of sacred fig leaves

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are from Period I.4. attested, of which there were two types: one is conical in shape and made of clay, the other is disc-shaped and carved from stone. Stone vessels are attested in almost all layers.

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Pottery and other artifacts form the later 3rd millennium BCE, when this site became a major urban center, indicate interaction with Turkmenistan, Baluchistan, and the Early Harappan Indus region.

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The female-looking human figurines (5 cm (2.0 in) in height) found at Mundigak are very similar to such figurines found at another archeological site in Afghanistan,

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Earlier, it was thought that around 2200 BCE, both Shahr-i-Sokhta and Mundigak started declining, with considerable shrinkage in area and with brief occupation at later dates.

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Archaeological Gazetter of Afghanistan / Catalogue des Sites Archéologiques D'Afghanistan, Volume I, Warwick Ball, Editions Recherche sur les civilisations, Paris, 1982.

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development in area A is now even more dense. They are mostly smaller houses with two or three rooms. Seals with geometric patterns also come from this layer.

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During the French Archaeological Mission (MAI) excavations from 1951 to 1958 in ten campaigns under the direction of Jean Marie Casal with the support of the

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elements from Period IV are noteworthy. The iron always served as a decoration for bronze objects; there were no artifacts made entirely of iron.

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From Period IV there are two larger ceramic vessels with a sliding lid that may have served as mouse traps. Comparable mouse traps are known from

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Mundigak was a large prehistoric town with an important cultural sequence from the 5th–2nd millennia BCE. It was excavated by the French scholar

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The new research shows the site of Mundigak presents four periods of occupation from its early days till its urban development:

343:, Didier, and Quivron considered that Periods III and IV in Mundigak have archaeological links with Periods I, II, and III in 52: 1245: 1552: 1304:: Die Kunst des alten Afghanistan. Architektur, Keramik, Siegel, Kunstwerke aus Stein und Metall. VCH, Acta Humaniora, 442: 1410: 1339: 1204: 1134: 1109: 531:

Remains of a "palace" have been found in one mound. Another mound revealed a large "temple", indicating urban life.

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With an area of 21 hectares (52 acres), this was the second largest centre of the Helmand Culture, the first being

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1986, ISBN 3-527-17561-X, S. 113, Tables 28, 29 auf 117, Table 36 of pp. 124; Image of the head up, Harappa.com.

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V. C. Pigott: The Archaeometallurgy of the Asian Old World, Philadelphia 1999, ISBN 0-924171-34-0, p. 159.

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Massimo Vidale: A Priest King at Shahr-i Sokhta?, in: Archaeological Research in Asia 15 (2018), pp. 111

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in the Indus Valley. The corresponding finds from Mundigak are probably several centuries older.

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Bridget and Raymond Allchin. The Birth of Indian Civilization. Penguin Books.1968. Plate 5 B

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in Paris. The excavator Jean Marie Casal had been employed in the latter museum since 1957.

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Mundigak flourished during the culture of the Helmand Basin (Seistan), also known as the

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