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and wrote most of their songs in collaboration. The wide range of background and musical styles of its members was both conducive for their originality and richness as a project, as well as one of the main reasons for their break-up. Despite the fact that they released cassettes with known labels,
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Mujeres
Encinta was also known for their many fluctuating international members. The line-up often changed according to the city where the band was playing or recording and the availability of its members. Most of them were already part of other bands.
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Mujeres
Encinta released a number of cassettes and singles, some self-released, others across a variety of labels. They were a prolific band and, given the fact that all of their recordings were
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The following musicians were, at some point between 1999 and 2002, members of
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Mujeres
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and on limited edition, their tapes are hard to find and keep track of.
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they remain an obscure band known mainly to artsy crowds.
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Interview with Daniel Levin Becker about
Mujeres Encinta
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348:Genís Segarra talks about Mujeres Encinta
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188:Instituto Mexicano del Sonido
170:from Spanish indie pop bands
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129:known for recording only on
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283:The Beak Brackets Series
267:We have won! Haven't we?
192:Eduardo Leal de la Gala
49:Background information
301:Petal Soundbarriers (
218:, and French cellist
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410:Carisma de Alquiler
395:Carisma de Alquiler
258:Carisma de Alquiler
216:Daniel Levin Becker
332:Side by side image
200:Les Tétines Noires
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212:The Believer
176:Hidrogenesse
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127:concept band
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99:Years active
84:Experimental
427:Electrelane
230:Discography
184:Camilo Lara
164:Electrelane
443:Categories
398:in Discogs
319:References
274:EP/Singles
408:Review of
103:1999-2002
92:indie pop
208:Oulipian
131:cassette
58:Brighton
39:made by
431:Noa Noa
370:Mexico.
354:Mexico.
312:Noa Noa
224:Espanto
139:Spanish
135:English
336:Oulipo
309:2001:
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242:Albums
236:analog
172:Astrud
160:Matmos
150:Lineup
143:French
108:Labels
80:Genres
66:Mexico
62:Madrid
54:Origin
37:Oulipo
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70:Paris
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