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447:(or "lower Mixolydian") and, like the Mixolydian, was defined in two ways: as the diatonic octave species from D to the D an octave higher, divided at the mode final, G (thus D–E–F–G + G–A–B–C–D); or as a mode with a final of G and an ambitus from C below the final to E above it, in which the note C (the tenor of the corresponding eighth psalm tone) had an important melodic function.
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runs from the F below the final to the G above, with possible extensions "by licence" up to A above and even down to E below, and in which the note D (the tenor of the corresponding seventh psalm tone) had an important melodic function. This medieval theoretical construction led to the modern use of
411:
came to be applied to one of the eight modes of medieval church music: the seventh mode. This mode does not run from B to B on white notes, as the Greek mode, but was defined in two ways: as the diatonic octave species from G up one octave to the G above, or as a mode whose final was G and whose
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When chant theory was first being formulated in the 9th century, these seven names plus an eighth, Hypermixolydian (later changed to
Hypomixolydian), were again re-appropriated in the anonymous treatise
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poet and musician. However, what the ancient Greeks thought of as
Mixolydian is very different from the modern interpretation of the mode. The prefix
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849:" – A traditional Irish folk song. Sometimes called "Our Wedding Day" and sung with different lyrics, such as by vocalist Anne Buckley in
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Some song examples that are either entirely based in
Mixolydian mode or at least have a Mixolydian section include the following: "
689:
Please help improve this article by looking for better, more reliable sources. Unreliable citations may be challenged and removed.
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Mel Bay's
Encyclopedia of Scales, Modes and Melodic Patterns: A Unique Approach to Developing Ear, Mind and Finger Coordination
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As with natural and harmonic minor, Mixolydian is often used with a major seventh degree as a part of the dominant and
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example uses D Mixolydian triads...over the D7 chord, then uses G Mixolydian triads...over the G7 chord, and so on.
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To hear a modern
Mixolydian scale, one can play a G-major scale on the piano, but change the F# to F natural.
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1508:(Hialeah: Columbia Pictures Publications; Lebanon, Indiana: Studio P/R; Miami: Warner Bros, 1983), p. 15.
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653:. In Klezmer, it is usually transposed to C, where the main chords used are C, F, and G7 (sometimes Gm).
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of Greek theory. It was appropriated later (along with six other names) by 2nd-century theorist
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The modern diatonic mode is the scale forming the basis of both the rising and falling forms of
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1903:"Sweet Child O' Mine by Guns N' Roses Chords, Melody, and Music Theory Analysis – Hooktheory"
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descending). This diatonic genus of the scale is roughly the equivalent of playing all the
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1886:"Concerto in Modo Misolidio for Piano and Orchestra – Three Preludes on Gregorian Themes"
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interpreted
Ptolemy in Latin, still with the meaning of transposition keys, not scales.
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2128:"Happy Together by The Turtles Chords, Melody, and Music Theory Analysis – Hooktheory"
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471:) of the major scale. Because of this, the Mixolydian mode is sometimes called the
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1928:"Thunderstruck by AC DC Chords, Melody, and Music Theory Analysis – Hooktheory"
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may refer to one of three things: the name applied to one of the ancient Greek
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Building a
Traditional Tune Repertoire: Old Joe Clark (Key of A-Mixolydian)
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1981:"Express Yourself by Madonna Chords, Melody, and Music Theory Analysis"
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595:, and rock music. It is often prominently heard in music played on the
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211:. The invention of the ancient Greek Mixolydian mode was attributed to
2034:"Born This Way by Lady Gaga Chords, Melody, and Music Theory Analysis"
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820:), also called "Paddy's Green Shamrock Shores" – A traditional Irish
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909:"Fughetta super: Dies sind die heilgen zehn Gebot" in G major from
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531:. The order of whole tones and semitones in a Mixolydian scale is
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based on and encompassing the natural scale from G to G, with the
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832:, with Mooney's daughter Mairéad on lead vocals, on their album
579:
The
Mixolydian mode is common in non-classical harmony, such as
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2020:"Getting Really Medieval?: Mixolydian Mode in Lorde's "Royals""
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1769:"Paddy's Green Shamrock Shore - Download Sheet Music PDF file"
403:, first gave it a new sense as one of a set of eight diatonic
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as "Erin Shore" on their album
Forgiven Not Forgotten (1995).
592:
234:(the term "mode" is a later Latin term) employs a scale (or "
223:- (μιξο-) means "mixed", referring to its resemblance to the
207:
The idea of a
Mixolydian mode comes from the music theory of
588:
584:
2188:"Revelation Song | Official Song Resources on SongSelect®"
2073:"Changing the Mix: Mixolydian Mode in Coldplay's "Clocks""
1603:(Pacific, Missouri: Mel Bay Publications, 2009): p. 130.
888:
484:
Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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was originally used to designate one of the traditional
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1826:
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of a piano from B to B, which is also known as modern
1678:
webzine (February 2007) |(Accessed 2 February 2010).
2170:"Who is the original singer of the Revelation Song"
1823:
1702:
webzine (November 2009) (Accessed 2 February 2010).
659:
60:. Unsourced material may be challenged and removed.
2006:"The Mixolydian Mode--The Sound of Rock (at 1:46)"
1534:. Mel Bay Publications, Incorporated. p. 33.
1601:A Guide to Non-Jazz Improvisation: Guitar Edition
191:, the classical music form of southern India, or
2617:
1888:by Adriano, English adaptation by David Nelson,
1681:
1472:The New Grove Dictionary of Music and Musicians
1434:The New Grove Dictionary of Music and Musicians
1408:The New Grove Dictionary of Music and Musicians
1363:The New Grove Dictionary of Music and Musicians
649:musicians refer to the Mixolydian scale as the
619:is a, "perfect example," while others include "
420:The seventh mode of western church music is an
1645:Guitar Theory For Dummies with Online Practice
1559:Guitar Theory For Dummies with Online Practice
570:. A classic Mixolydian chord progression is I-
199:, the classical music form of northern India.
2263:
1866:"12 Examples Of Songs In The Mixolydian Mode"
828:(Proinsias Ó Maonaigh). Recorded by the band
535:whole, whole, half, whole, whole, half, whole
507:. As a result, the seventh scale degree is a
1732:Houlahan, Michael and Tacka, Philip (2008).
1528:"The Mixolydian Mode/Dominant Seventh Scale"
417:the term for the natural scale from G to G.
399:. A commentary on that treatise, called the
2059:"Why 'Single Ladies' is so cool | Q+A"
1619:
1617:
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899:and other dance tunes recorded in the mode.
428:(the D in a G to G scale) as the dominant,
2277:
2270:
2256:
2143:
2141:
1839:(New York: W. W. Norton, 1941): pp. 29–30.
273:(each being two whole tones followed by a
705:Learn how and when to remove this message
455:The modern Mixolydian scale is the fifth
120:Learn how and when to remove this message
2096:
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1967:"The Mixolydian Mode--The Sound of Rock"
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1328:(New York: Vintage Books, 2002), p. ix.
519:of the scale is a tritone away from the
2138:
1863:
1711:Micheal Houlahan, Philip Tacka (2015).
14:
2618:
363:Medieval Mixolydian and Hypomixolydian
313:genera, each tetrachord consists of a
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2083:
1842:
1781:
1580:Stuff! Good Piano Players Should Know
1548:
1525:
1469:and Frans Wiering, "Hypomixolydian",
1419:(London: Macmillan Publishers, 2001).
1344:16 (1136c Steph.), who in turn names
1029:Norwegian Wood (This Bird Has Flown)
663:
450:
266:) followed by two conjunct inverted
58:adding citations to reliable sources
29:
2102:"7 songs featuring Mixolydian mode"
1713:Kodály in the Fifth Grade Classroom
1475:, 2nd edition, 29 vols., edited by
1437:, 2nd edition, 29 vols., edited by
1366:, 2nd edition, 29 vols., edited by
1326:If Not, Winter: Fragments of Sappho
202:
24:
2202:
495:This scale has the same series of
246:, this is a scale descending from
25:
2637:
2224:
1953:"Leonard Bernstein on Rock Music"
1431:and Frans Wiering, "Mixolydian",
718:Hit songs in Mixolydian include "
2230:
1864:Farrant, Dan (24 October 2021).
1795:Heinemann Educational Publishers
1059:Single Ladies (Put a Ring on It)
810:Gleanntáin Ghlas' Ghaoth Dobhair
668:
660:Notable music in Mixolydian mode
230:In Greek theory, the Mixolydian
34:
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503:as the major scale, but with a
45:needs additional citations for
1755:"Paddy's Green Shamrock Shore"
1572:
1498:
1460:
1422:
1396:
1351:
1315:
795:
736:Don't Stop 'til You Get Enough
734:"..., "Tears of a Clown"..., "
238:") corresponding to the Greek
13:
1:
1526:Berle, Arnie (1 April 1997).
1506:Scales for Jazz Improvisation
1308:
1689:Something Old. Something New
952:Surgam et circuibo civitatem
903:
539:In the Mixolydian mode, the
481:
348:
331:
291:
169:
7:
2210:Musical Scales of the World
1757:– via thesession.org.
1599:Dick Weissman and Dan Fox,
1262:
254:: in the diatonic genus, a
10:
2642:
2243:Mixolydian scale on guitar
1787:Developing Singing Matters
1280:, the equivalent scale in
1271:, the equivalent scale in
961:
933:Concerto in modo misolidio
847:She Moved Through the Fair
317:plus two semitones, and a
2585:
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2539:
2481:
2415:
2364:
2327:
2294:
2285:
1625:The Songwriter's Workshop
1411:, 2nd edition, edited by
923:Piano Concerto in A minor
2520:descending melodic major
2467:descending melodic minor
2149:Harmonic Colours in Bass
1623:Kachulis, Jimmy (2004).
744:Saturday Night's Alright
732:Only You Know and I Know
387:. Four centuries later,
143:, based on a particular
2495:ascending melodic minor
2433:ascending melodic major
2212:. The Note Tree. 2013.
1627:, p.39. Berklee Press.
1578:Harrison, Mark (2008).
1291:modal chord progression
1231:"Collision Chaos" from
677:Some of this section's
597:Great Highland bagpipes
486:download the audio file
443:eighth mode was termed
379:to designate his seven
353:download the audio file
336:download the audio file
296:download the audio file
174:download the audio file
2506:Lydian augmented (III)
2279:Modes in Western music
1582:, p. 78. Hal Leonard.
1445:, 16:766–767 (London:
793:
764:
762:"..., and many others.
605:
407:, or scales. The name
151:; one of the medieval
2587:Double harmonic scale
2559:Phrygian dominant (V)
2554:Ukrainian Dorian (IV)
2147:Gross, David (1997).
1557:Serena, Desi (2021).
925:, third movement, by
918:Johann Sebastian Bach
765:
716:
601:
405:species of the octave
2600:Hungarian minor (IV)
2526:Half diminished (VI)
2516:Aeolian dominant (V)
2239:at Wikimedia Commons
2061:– via YouTube.
2008:– via YouTube.
1969:– via YouTube.
1955:– via YouTube.
1892:cat. 8.220176 (1986)
1694:4 March 2016 at the
1670:3 March 2016 at the
1643:Serna, Desi (2021).
1485:Macmillan Publishers
1447:Macmillan Publishers
1376:Macmillan Publishers
1247:"This Is A Life" by
838:(1997). Recorded by
781:Fire on the Mountain
728:Reelin' in the Years
54:improve this article
2595:Double harmonic (I)
2192:songselect.ccli.com
2174:steadyprintshop.com
2077:Rebel Music Teacher
1358:Thomas J. Mathiesen
1207:Natasha Bedingfield
1183:If I Needed Someone
1137:Kool & the Gang
969:Sweet Child o' Mine
942:Et resurrexit from
777:Cult of Personality
2577:Harmonic major (I)
2549:Harmonic minor (I)
1932:www.hooktheory.com
1907:www.hooktheory.com
1293:when spelled as I–
1223:Sweet Home Alabama
1143:Freedom Jazz Dance
1117:Christina Aguilera
936:, P 145 (1925) by
726:"..., "Fire"..., "
651:Adonai malakh mode
621:Tangled Up in Blue
385:transposition keys
2613:
2612:
2360:
2359:
2235:Media related to
2208:Hewitt, Michael.
1715:, p.104. Oxford.
1700:Mandolin Sessions
1676:Mandolin Sessions
1609:978-0-7866-0751-8
1561:M, p.168. Wiley.
1541:978-0-7866-1791-3
1514:978-0-89898-705-8
1493:978-1-56159-239-5
1483:, 12:38 (London:
1455:978-1-56159-239-5
1378:, 2001), 10:339.
1348:as his authority.
1334:978-0-375-72451-0
1287:V–IV–I turnaround
1243:Jennie Lee Riddle
1083:When Smokey Sings
989:You Really Got Me
938:Ottorino Respighi
912:Clavier-Übung III
856:Lord of the Dance
819:
715:
714:
707:
517:flattened seventh
490:
451:Modern Mixolydian
357:
340:
300:
242:inverted. In its
178:
130:
129:
122:
104:
69:"Mixolydian mode"
16:(Redirected from
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1736:, p.56. Oxford.
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1687:Ted Eschliman, "
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1663:Wendy Anthony, "
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1467:Harold S. Powers
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1429:Harold S. Powers
1426:
1420:
1403:Harold S. Powers
1400:
1394:
1355:
1349:
1319:
1303:Backdoor cadence
1298:
1297:
1282:Hindustani music
1019:Express Yourself
813:
789:Get Down Tonight
785:Franklin's Tower
760:Hollywood Nights
724:Manic Depression
720:Paperback Writer
710:
703:
699:
696:
690:
672:
664:
609:perfect cadences
575:
574:
511:, rather than a
325:, respectively.
218:
217:7th-century-B.C.
203:Greek Mixolydian
197:Hindustani music
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2237:Mixolydian mode
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2203:Further reading
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1696:Wayback Machine
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1672:Wayback Machine
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1338:Pseudo-Plutarch
1336:. Carson cites
1320:
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1311:
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1294:
1265:
1239:Revelation Song
1127:Thelonious Monk
964:
906:
851:Michael Flatley
798:
711:
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694:
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688:
673:
662:
572:
571:
527:degree) of the
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240:Hypolydian mode
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133:Mixolydian mode
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51:
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5:
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2591:
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2583:
2582:
2580:
2579:
2573:
2571:
2569:Harmonic major
2565:
2564:
2562:
2561:
2556:
2551:
2545:
2543:
2541:Harmonic minor
2537:
2536:
2534:
2533:
2528:
2523:
2513:
2508:
2503:
2501:Dorian ♭2 (II)
2498:
2491:Jazz minor (I)
2487:
2485:
2479:
2478:
2476:
2475:
2470:
2456:
2454:Mixolydian (V)
2451:
2446:
2444:Phrygian (III)
2441:
2436:
2421:
2419:
2413:
2412:
2410:
2409:
2404:
2399:
2394:
2389:
2384:
2379:
2374:
2368:
2366:
2362:
2361:
2358:
2357:
2355:
2354:
2352:Hypomixolydian
2349:
2344:
2339:
2333:
2331:
2325:
2324:
2322:
2321:
2316:
2311:
2306:
2300:
2298:
2289:
2283:
2282:
2275:
2274:
2267:
2260:
2252:
2246:
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2240:
2226:
2225:External links
2223:
2222:
2221:
2218:978-0957547001
2204:
2201:
2198:
2197:
2179:
2161:
2137:
2132:hooktheory.com
2119:
2082:
2064:
2050:
2038:HookTheory.com
2025:
2011:
1997:
1985:HookTheory.com
1972:
1958:
1944:
1919:
1894:
1878:
1841:
1822:
1807:
1783:Allen, Patrick
1774:
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1449:, 2001), 767.
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1306:
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1300:
1284:
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1273:Carnatic music
1264:
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1245:
1235:
1229:
1227:Lynyrd Skynyrd
1219:
1209:
1199:
1189:
1179:
1169:
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1149:
1139:
1129:
1119:
1109:
1103:Happy Together
1099:
1097:George Michael
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947:Missa solemnis
940:
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876:And countless
874:
867:
860:
843:
835:Runaway Sunday
826:Francie Mooney
824:, composed by
818:'s Green Glens
806:
797:
794:
740:Norwegian Wood
713:
712:
679:listed sources
676:
674:
667:
661:
658:
537:
536:
483:
480:
477:
473:dominant scale
452:
449:
445:Hypomixolydian
422:authentic mode
401:Nova expositio
364:
361:
350:
347:
344:
333:
330:
327:
293:
290:
287:
252:hypate hypaton
244:diatonic genus
236:octave species
209:ancient Greece
204:
201:
189:Carnatic music
171:
168:
165:
161:diatonic scale
155:; or a modern
145:octave species
128:
127:
42:
40:
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26:
9:
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2626:Modes (music)
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2532:
2531:Altered (VII)
2529:
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2514:
2512:
2511:Acoustic (IV)
2509:
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2504:
2502:
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2473:Locrian (VII)
2471:
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2463:natural minor
2460:
2457:
2455:
2452:
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2442:
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2430:
2429:natural major
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2407:Reciting tone
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2015:
2007:
2001:
1986:
1982:
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1968:
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1933:
1929:
1923:
1908:
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1898:
1891:
1890:Naxos Records
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1867:
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1846:
1838:
1834:
1833:Walter Piston
1829:
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1808:0-435-81018-9
1804:
1800:
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1750:
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1742:9780198042860
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1653:9781119842972
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1633:9781476867373
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1477:Stanley Sadie
1474:
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1439:Stanley Sadie
1436:
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1413:Stanley Sadie
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1384:1-56159-239-0
1381:
1377:
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1368:Stanley Sadie
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1197:Ariana Grande
1194:
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1157:Grateful Dead
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1050:
1049:Born This Way
1046:
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1024:
1020:
1016:
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1010:
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1004:
1000:
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994:
990:
986:
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980:
979:Thunderstruck
976:
974:
973:Guns N' Roses
970:
966:
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948:
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913:
908:
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890:
887:
883:
879:
875:
872:
868:
865:
864:Wexford Carol
861:
858:
857:
852:
848:
844:
841:
837:
836:
831:
827:
823:
817:
811:
807:
804:
803:Old Joe Clark
800:
799:
792:
790:
786:
782:
778:
774:
773:Cinnamon Girl
770:
763:
761:
757:
753:
749:
748:My Generation
745:
741:
737:
733:
729:
725:
721:
709:
706:
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686:
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680:
675:
671:
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629:Shooting Star
626:
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618:
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586:
582:
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569:
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561:
557:
553:
550:
546:
542:
534:
533:
532:
530:
526:
522:
518:
514:
510:
506:
505:minor seventh
502:
498:
487:
476:
474:
470:
466:
462:
458:
448:
446:
442:
437:
435:
431:
430:reciting note
427:
426:perfect fifth
423:
418:
415:
410:
406:
402:
398:
392:
390:
386:
382:
378:
374:
370:
354:
337:
326:
324:
323:quarter tones
320:
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284:
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88:
85:
81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
2605:Oriental (V)
2459:Aeolian (VI)
2453:
2351:
2342:Hypophrygian
2318:
2209:
2191:
2182:
2173:
2164:
2148:
2131:
2122:
2110:. Retrieved
2105:
2076:
2067:
2053:
2041:. Retrieved
2037:
2028:
2014:
2000:
1988:. Retrieved
1984:
1975:
1961:
1947:
1935:. Retrieved
1931:
1922:
1910:. Retrieved
1906:
1897:
1881:
1869:. Retrieved
1836:
1786:
1777:
1763:
1749:
1734:Kodaly Today
1733:
1728:
1712:
1707:
1699:
1683:
1675:
1659:
1644:
1639:
1624:
1600:
1595:
1579:
1574:
1558:
1531:
1521:
1505:
1504:Dan Haerle,
1500:
1481:John Tyrrell
1470:
1462:
1443:John Tyrrell
1432:
1424:
1417:John Tyrrell
1406:
1405:, "Dorian",
1398:
1372:John Tyrrell
1361:
1360:, "Greece",
1353:
1341:
1325:
1317:
1269:Harikambhoji
1213:Marquee Moon
1147:Eddie Harris
1093:Freedom! '90
951:
931:
927:Edvard Grieg
911:
871:Green Bushes
854:
833:
766:
756:Boogie Fever
717:
701:
692:
681:
655:
645:
641:Jimi Hendrix
637:Bold as Love
606:
602:
578:
538:
513:leading-tone
494:
472:
454:
444:
438:
433:
419:
408:
400:
396:
393:
380:
372:
368:
366:
304:
283:Locrian mode
263:
259:
251:
247:
231:
229:
220:
206:
185:Harikambhoji
182:
157:musical mode
153:church modes
140:
136:
132:
131:
116:
110:October 2021
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
27:Musical mode
2449:Lydian (IV)
2439:Dorian (II)
2397:Hypolocrian
2387:Hypoaeolian
2106:Music Tales
1374:, (London:
1346:Aristoxenus
1322:Anne Carson
1289:, a common
1257:David Byrne
1187:the Beatles
1177:Miles Davis
1133:Celebration
1107:the Turtles
1033:the Beatles
1003:the Beatles
999:I Feel Fine
944:Beethoven's
886:Cape Breton
796:Traditional
695:August 2024
682:may not be
633:Bad Company
545:subdominant
525:major-third
465:Ionian mode
461:major scale
397:Alia Musica
319:major third
315:minor third
279:white notes
271:tetrachords
225:Lydian mode
2483:Jazz minor
2425:Ionian (I)
2402:Pentatonic
2377:Hypoionian
2347:Hypolydian
2337:Hypodorian
2319:Mixolydian
2112:31 January
1871:31 January
1797:. p.
1309:References
1217:Television
1163:L.A. Woman
1123:Epistrophy
1079:Be Near Me
1009:Love Shack
956:Palestrina
769:But Anyway
752:Centerfold
617:The Troggs
613:Wild Thing
576:VII-IV-V.
564:diminished
409:Mixolydian
369:Mixolydian
311:enharmonic
256:whole tone
80:newspapers
18:Mixolydian
2296:Authentic
2287:Gregorian
1647:, p.272.
1203:Unwritten
1193:Yes, And?
1173:All Blues
1167:the Doors
1153:Dark Star
1113:Beautiful
1053:Lady Gaga
1013:the B-52s
993:the Kinks
914:, BWV 679
904:Classical
897:highlands
840:The Corrs
822:folk song
814:English:
625:Bob Dylan
501:semitones
373:harmoniai
367:The term
321:plus two
307:chromatic
137:harmoniai
2620:Category
2417:Diatonic
2309:Phrygian
2151:, p.28.
2043:15 April
1990:15 April
1817:42040205
1785:(1999).
1692:Archived
1668:Archived
1487:, 2001)
1391:44391762
1342:On Music
1296:♭
1263:See also
1233:Sonic CD
1073:Coldplay
882:Scottish
816:Gweedore
684:reliable
573:♭
554:are all
549:subtonic
509:subtonic
469:dominant
389:Boethius
275:semitone
260:paramese
248:paramese
2392:Locrian
2382:Aeolian
1937:28 June
1912:28 June
1837:Harmony
1324:(ed.),
1249:Son Lux
1081:" and "
1063:Beyoncé
1023:Madonna
962:Popular
859:(1996).
787:"..., "
783:"..., "
779:"..., "
775:"..., "
771:"..., "
758:"..., "
754:"..., "
750:"..., "
742:"..., "
738:"..., "
730:"..., "
722:"..., "
647:Klezmer
635:, and "
560:mediant
521:mediant
459:of the
414:ambitus
377:Ptolemy
305:In the
94:scholar
2372:Ionian
2329:Plagal
2314:Lydian
2304:Dorian
2216:
2155:
2108:. 2020
1815:
1805:
1791:Oxford
1740:
1719:
1651:
1631:
1607:
1586:
1565:
1538:
1512:
1491:
1453:
1389:
1382:
1332:
1299:VII–IV
1278:Khamaj
1255:, and
1253:Mitski
1069:Clocks
1039:Royals
746:..., "
558:, the
552:triads
547:, and
515:. The
441:plagal
268:Lydian
215:, the
213:Sappho
193:Khamaj
96:
89:
82:
75:
67:
2365:Other
1241:" by
1225:" by
1215:" by
1205:" by
1195:" by
1185:" by
1175:" by
1165:" by
1155:" by
1145:" by
1135:" by
1125:" by
1115:" by
1105:" by
1095:" by
1085:" by
1071:" by
1061:" by
1051:" by
1043:Lorde
1041:" by
1031:" by
1021:" by
1011:" by
1001:" by
991:" by
983:AC/DC
981:" by
971:" by
893:reels
878:Irish
862:"The
830:Altan
639:" by
631:" by
623:" by
615:" by
593:blues
568:minor
556:major
541:tonic
497:tones
434:tenor
381:tonoi
232:tonos
149:scale
141:tonoi
101:JSTOR
87:books
2465:and
2431:and
2214:ISBN
2153:ISBN
2114:2023
2045:2024
1992:2024
1939:2023
1914:2023
1873:2023
1813:OCLC
1803:ISBN
1738:ISBN
1717:ISBN
1649:ISBN
1629:ISBN
1605:ISBN
1584:ISBN
1563:ISBN
1536:ISBN
1510:ISBN
1489:ISBN
1479:and
1451:ISBN
1441:and
1415:and
1387:OCLC
1380:ISBN
1370:and
1330:ISBN
889:jigs
884:and
589:funk
585:jazz
581:folk
499:and
457:mode
439:The
309:and
264:mese
221:mixo
73:news
1698:",
1674:",
1087:ABC
954:by
916:by
853:'s
812:" (
627:, "
611:. "
562:is
529:key
432:or
383:or
262:to
250:to
195:in
187:in
159:or
147:or
139:or
56:by
2622::
2190:.
2172:.
2140:^
2130:.
2104:.
2085:^
2075:.
2036:.
1983:.
1930:.
1905:.
1844:^
1835:.
1825:^
1811:.
1801:.
1799:22
1793::
1789:.
1616:^
1550:^
1530:.
1340:,
1251:,
895:,
891:,
880:,
791:".
643:.
599:.
591:,
587:,
583:,
543:,
475:.
436:.
285:.
227:.
2522:)
2518:(
2497:)
2493:(
2469:)
2461:(
2435:)
2427:(
2271:e
2264:t
2257:v
2220:.
2194:.
2176:.
2159:.
2134:.
2116:.
2079:.
2047:.
2022:.
1994:.
1941:.
1916:.
1875:.
1819:.
1771:.
1744:.
1723:.
1611:.
1590:.
1569:.
1544:.
1516:.
1495:.
1457:.
1393:.
1237:"
1221:"
1211:"
1201:"
1191:"
1181:"
1171:"
1161:"
1151:"
1141:"
1131:"
1121:"
1111:"
1101:"
1091:"
1077:"
1067:"
1057:"
1047:"
1037:"
1027:"
1017:"
1007:"
997:"
987:"
977:"
967:"
873:"
869:"
866:"
845:"
808:"
805:"
801:"
708:)
702:(
697:)
693:(
687:.
523:(
488:.
463:(
355:.
338:.
298:.
258:(
176:.
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
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