Mikhail Bakhtin - Knowledge

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through communication, whether it be in the form of text, protest, or otherwise serves as a communicative form of carnival, according to Bakhtin. Steele furthers the idea of carnivalesque in communication as she argues that it is found in corporate communication. Steele states "that ritualized sales meetings, annual employee picnics, retirement roasts and similar corporate events fit the category of carnival." Carnival cannot help but be linked to communication and culture as Steele points out that "in addition to qualities of inversion, ambivalence, and excess, carnival's themes typically include a fascination with the body, particularly its little-glorified or 'lower strata' parts, and dichotomies between 'high' or 'low'." The high and low binary is particularly relevant in communication as certain verbiage is considered high, while slang is considered low. Moreover, much of popular communication including television shows, books, and movies fall into high and low brow categories. This is particularly prevalent in Bakhtin's native Russia, where postmodernist writers such as

2757:. These claims originated in the early 1970s and received their earliest full articulation in English in Clark and Holquist's 1984 biography of Bakhtin. In the years since then, however, most scholars have come to agree that Vološinov and Medvedev ought to be considered the true authors of these works. Although Bakhtin undoubtedly influenced these scholars and may even have had a hand in composing the works attributed to them, it now seems clear that if it was necessary to attribute authorship of these works to one person, Voloshinov and Medvedev respectively should receive credit. Bakhtin had a difficult life and career, and few of his works were published in an authoritative form during his lifetime. As a result, there is substantial disagreement over matters that are normally taken for granted: in which discipline he worked (was he a philosopher or literary critic?), how to periodize his work, and even which texts he wrote (see below). He is known for a series of concepts that have been used and adapted in a number of disciplines: 809:. Vitebsk was "a cultural centre of the region" the perfect place for Bakhtin "and other intellectuals lectures, debates and concerts." German philosophy was the topic talked about most frequently and, from this point forward, Bakhtin considered himself more a philosopher than a literary scholar. It was in Nevel, also, that Bakhtin worked tirelessly on a large work concerning moral philosophy that was never published in its entirety. However, in 1919, a short section of this work was published and given the title "Art and Responsibility". This piece constitutes Bakhtin's first published work. Bakhtin relocated to Vitebsk in 1920. It was here, in 1921, that Bakhtin married Elena Aleksandrovna Okolovich. Later, in 1923, Bakhtin was diagnosed with 1397: 2714:"The Problem of the Text in Linguistics, Philology, and the Human Sciences: An Experiment in Philosophical Analysis" is a compilation of the thoughts Bakhtin recorded in his notebooks. These notes focus mostly on the problems of the text, but various other sections of the paper discuss topics he has taken up elsewhere, such as speech genres, the status of the author, and the distinct nature of the human sciences. However, "The Problem of the Text" deals primarily with dialogue and the way in which a text relates to its context. Speakers, Bakhtin claims, shape an utterance according to three variables: the object of discourse, the immediate addressee, and a 828:, where he assumed a position at the Historical Institute and provided consulting services for the State Publishing House. It is at this time that Bakhtin decided to share his work with the public, but, just before "On the Question of the Methodology of Aesthetics in Written Works" was to be published, the journal in which it was to appear stopped publication. This work was eventually published 51 years later. Repression and misplacement of his manuscripts would plague Bakhtin throughout his career. In 1929, "Problems of Dostoevsky's Art", Bakhtin's first major work, was published. It is here that Bakhtin introduces the concept of 1078:' is a term used by Bakhtin to describe the techniques Dostoevsky uses to disarm this increasingly ubiquitous enemy and make true intersubjective dialogue possible. The "carnival sense of the world", a way of thinking and experiencing that Bakhtin identifies in ancient and medieval carnival traditions, has been transposed into a literary tradition that reaches its peak in Dostoevsky's novels. The concept suggests an ethos where normal hierarchies, social roles, proper behaviors and assumed truths are subverted in favor of the "joyful relativity" of free participation in the festival. According to Morson and 2900:. Among his many theories and ideas Bakhtin indicates that style is a developmental process, occurring within both the user of language and language itself. His work instills in the reader an awareness of tone and expression that arises from the careful formation of verbal phrasing. By means of his writing, Bakhtin has enriched the experience of verbal and written expression which ultimately aids the formal teaching of writing. Some even suggest that Bakhtin introduces a new meaning to rhetoric because of his tendency to reject the separation of language and ideology. According to 2926:

multivocal process of meaning-making in determinate, closed, totalizing ways." For Baxter, Bakhtin's dialogism enables communication scholars to conceive of difference in new ways. The background of a subject must be taken into consideration when conducting research into their understanding of any text, since "a dialogic perspective argues that difference (of all kinds) is basic to the human experience." Culture and communication become inextricably linked, as one's understanding of a given utterance, text, or message, is contingent upon one's cultural background and experience.

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usual preordained hierarchy of persons and values becomes an occasion for laughter, its absence an opportunity for creative interaction. In carnival, "opposites come together, look at one another, are reflected in one another, know and understand one another." Bakhtin sees carnivalization in this sense as a basic principle of Dostoevsky's art: love and hate, faith and atheism, loftiness and degradation, love of life and self-destruction, purity and vice, etc. "everything in his world lives on the very border of its opposite."

919:), by the State Accrediting Bureau. Later, Bakhtin was invited back to Saransk, where he took on the position of chair of the General Literature Department at the Mordovian Pedagogical Institute. When, in 1957, the Institute changed from a teachers' college to a university, Bakhtin became head of the Department of Russian and World Literature. In 1961, Bakhtin's deteriorating health forced him to retire, and in 1969, in search of medical attention, he moved back to Moscow, where he lived until his death in 1975. 1101:, and examines its essential characteristics. These characteristics include intensified comicality, freedom from established constraints, bold use of fantastic situations for the testing of truth, abrupt changes, inserted genres and multi-tonality, parodies, oxymorons, scandal scenes, inappropriate behaviour, and a sharp satirical focus on contemporary ideas and issues. Bakhtin credits Dostoevsky with revitalizing the genre and enhancing it with his own innovation in form and structure: the 1292:. By doing so, Bakhtin shows that the novel is well-suited to the post-industrial civilization in which we live because it flourishes on diversity. It is this same diversity that the epic attempts to eliminate from the world. According to Bakhtin, the novel as a genre is unique in that it is able to embrace, ingest, and devour other genres while still maintaining its status as a novel. Other genres, however, cannot emulate the novel without damaging their own distinct identity. 817: 2711:, but each discipline draws largely on genres that exist outside both rhetoric and literature. These extraliterary genres have remained largely unexplored. Bakhtin makes the distinction between primary genres and secondary genres, whereby primary genres legislate those words, phrases, and expressions that are acceptable in everyday life, and secondary genres are characterized by various types of text such as legal, scientific, etc. 56: 1369:" is a fragment from one of Bakhtin's lost books. The publishing house to which Bakhtin had submitted the full manuscript was blown up during the German invasion and Bakhtin was in possession of only the prospectus. However, due to a shortage of paper, Bakhtin began using this remaining section to roll cigarettes. So only a portion of the opening section remains. This remaining section deals primarily with 2721:"From Notes Made in 1970–71" appears also as a collection of fragments extracted from notebooks Bakhtin kept during the years of 1970 and 1971. It is here that Bakhtin discusses interpretation and its endless possibilities. According to Bakhtin, humans have a habit of making narrow interpretations, but such limited interpretations only serve to weaken the richness of the past. 2893:. Bakhtin's works have also been useful in anthropology, especially theories of ritual. However, his influence on such groups has, somewhat paradoxically, resulted in narrowing the scope of Bakhtin's work. According to Clark and Holquist, rarely do those who incorporate Bakhtin's ideas into theories of their own appreciate his work in its entirety. 1112:, and it was a fundamentally new genre that could not be analysed according to preconceived frameworks and schema that might be useful for other manifestations of the European novel. Dostoevsky does not describe characters and contrive plot within the context of a single authorial reality: rather his function as author is to illuminate the 1097:—were not a part of the earlier book, but Bakhtin discusses them at great length in the chapter "Characteristics of Genre and Plot Composition in Dostoesky's Works" in the revised version. He traces the origins of Menippean satire back to ancient Greece, briefly describes a number of historical examples of the 995:

an amalgamation of the way in which others view the subject. Conversely, other-for-me describes the way in which others incorporate the subject's perceptions of them into their own identities. Identity, as Bakhtin describes it here, does not belong merely to the individual. Instead, it is shared by all.

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contributing to the imprecision of these details is the limited access to Russian archival information during Bakhtin's life. It was only after the archives became public that scholars realized that much of what they thought they knew about Bakhtin's life was false or skewed, largely by Bakhtin himself.

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According to Leslie Baxter, "Bakhtin's life work can be understood as a critique of the monologization of the human experience that he perceived in the dominant linguistic, literary, philosophical, and political theories of his time." He was "critical of efforts to reduce the unfinalizable, open, and

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Bakhtin has been called "the philosopher of human communication". Kim argues that Bakhtin's theories of dialogue and literary representation are potentially applicable to virtually all academic disciplines in the human sciences. According to White, Bakhtin's dialogism represents a methodological turn

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is "the apotheosis of unfinalizability". Carnival, through its temporary dissolution or reversal of conventions, generates the 'threshold' situations where disparate individuals come together and express themselves on an equal footing, without the oppressive constraints of social objectification: the

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tradition in Western thought that seeks to finalize humanity, and individual humans, in this way. He argues that Dostoevsky always wrote in opposition to ways of thinking that turn human beings into objects (scientific, economic, social, psychological etc.) – conceptual frameworks that enclose people

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Bakhtin further states: "It is in relation to the whole actual unity that my unique thought arises from my unique place in Being." Bakhtin deals with the concept of morality whereby he attributes the predominating legalistic notion of morality to human moral action. According to Bakhtin, the I cannot

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and language as a living dialogue (translinguistics). In a relatively short space, this essay takes up a topic about which Bakhtin had planned to write a book, making the essay a rather dense and complex read. It is here that Bakhtin distinguishes between literary and everyday language. According to

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comprises only an introduction, of which the first few pages are missing, and part one of the full text. However, Bakhtin's intentions for the work were not altogether lost: he provided an outline in the introduction, in which he stated that the essay was to contain four parts. The first part of the

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Bakhtin's works and ideas gained popularity only after his death, and he endured difficult conditions for much of his professional life, a time in which information was often seen as dangerous and therefore was often hidden. As a result, the details provided now are often of uncertain accuracy. Also

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model of the human psyche, consisting of three components: "I-for-myself", "I-for-the-other", and "other-for-me". The I-for-myself is an unreliable source of identity; Bakhtin argues that it is the I-for-the-other through which human beings develop a sense of identity. The I-for-the-other serves as

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The final essay, "Toward a Methodology for the Human Sciences", originates from notes Bakhtin wrote during the mid-seventies and is the last piece of writing Bakhtin produced before he died. In this essay he makes a distinction between dialectic and dialogics and comments on the difference between

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refers to the qualities of a language that are extralinguistic, but common to all languages. These include qualities such as perspective, evaluation, and ideological positioning. In this way most languages are incapable of neutrality, for every word is inextricably bound to the context in which it

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literally means "time space" (a concept he refers to that of Einstein) and is defined by Bakhtin as "the intrinsic connectedness of temporal and spatial relationships that are artistically expressed in literature." In writing, an author must create entire worlds and, in doing so, is forced to make

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to obtain a postgraduate title, although the dissertation could not be defended until the war ended. In 1946 and 1949, the defense of this dissertation divided the scholars of Moscow into two groups: those official opponents guiding the defense, who accepted the original and unorthodox manuscript,

883:, a town located one hundred kilometers from Moscow. Here, he completed work on a book concerning the 18th-century German novel, which was subsequently accepted by the Sovetskii Pisatel' Publishing House. However, the only copy of the manuscript disappeared during the upheaval caused by the German 2941:

Sheckels contends that "what terms the 'carnivalesque' is tied to the body and the public exhibition of its more private functions it served also as a communication event anti-authority communication events can also be deemed 'carnivalesque'." Essentially, the act of turning society around

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sometimes rendered into English—from French rather than from Russian—as "exotopy"). Together these concepts outline a distinctive philosophy of language and culture that has at its center the claims that all discourse is in essence a dialogical exchange and that this endows all language with a

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On the individual level, this means that a person can never be entirely externally defined: the ability to never be fully enclosed by others' objectifications is essential to subjective consciousness. Though external finalization (definition, description, causal or genetic explanation etc) is

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and Its Significance in the History of Realism", "The Problem of Speech Genres", "The Problem of the Text in Linguistics, Philology, and the Human Sciences: An Experiment in Philosophical Analysis", "From Notes Made in 1970–71", and "Toward a Methodology for the Human Sciences".

1277:." To make an utterance means to "appropriate the words of others and populate them with one's own intention." Bakhtin's deep insights on dialogicality represent a substantive shift from views on the nature of language and knowledge by major thinkers such as 2822:

brought Bakhtin to the attention of the Francophone world, and from there his popularity in the United States, the United Kingdom, and many other countries continued to grow. In the late 1980s, Bakhtin's work experienced a surge of popularity in the West.

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towards "the messy reality of communication, in all its many language forms." While Bakhtin's works focused primarily on text, interpersonal communication is also key, especially when the two are related in terms of culture. Kim states that "culture as

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The final essay, "Discourse in the Novel", is one of Bakhtin's most complete statements concerning his philosophy of language. It is here that Bakhtin provides a model for a history of discourse and introduces the concept of heteroglossia. The term

2904:, for Bakhtin, "all language use is riddled with multiple voices (to be understood more generally as discourses, ideologies, perspectives, or themes)" and thus "meaning-making in general can be understood as the interplay of those voices." 306:, religious criticism) and in disciplines as diverse as literary criticism, history, philosophy, sociology, anthropology and psychology. Although Bakhtin was active in the debates on aesthetics and literature that took place in the 945:. The manuscript, written between 1919 and 1921, was found in bad condition with pages missing and sections of text that were illegible. Consequently, this philosophical essay appears today as a fragment of an unfinished work. 1044:

Nothing conclusive has yet taken place in the world, the ultimate word of the world and about the world has not yet been spoken, the world is open and free, everything is still in the future and will always be in the future.

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Unlike Kant, Bakhtin positions aesthetic activity and experience over abstraction. Bakhtin also clashes with Saussure's view of "langue is a 'social fact'", since Bakhtin views Saussure's society as a "disturbing homogenous

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and those other professors who were against the manuscript's acceptance. The book's earthy, anarchic topic was the cause of many arguments that ceased only when the government intervened. Ultimately, Bakhtin was denied a

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is particularly important to Bakhtin's analysis of Dostoevsky's approach to character, although he frequently discussed it in other contexts. He summarises the general principle behind unfinalizability in Dostoevsky

954:, Bakhtin states the topics he intended to discuss: the second part would have dealt with aesthetic activity and the ethics of artistic creation; the third with the ethics of politics; and the fourth with religion. 1239:" (1941), "From the Prehistory of Novelistic Discourse" (1940), "Forms of Time and of the Chronotope in the Novel" (1937–1938), and "Discourse in the Novel" (1934–1935). It is through the essays contained within 1261:, making a significant contribution to the realm of literary scholarship. Bakhtin explains the generation of meaning through the "primacy of context over text" (heteroglossia), the hybrid nature of language ( 1178:

social system in order to discover the balance between language that was permitted and language that was not. It is by means of this analysis that Bakhtin pinpoints two important subtexts: the first is

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Carner, Grant Calvin Sr (1995) "Confluence, Bakhtin, and Alejo Carpentier's Contextos in Selena and Anna Karenina" Doctoral Dissertation (Comparative Literature) University of California at Riverside.

1212:. While official festivities aim to supply a legacy for authority, folk festivities have a critical centrifugal social function. Carnival, in this sense is categorized as a folk festivity by Bakhtin. 4316:

Thorn, Judith. "The Lived Horizon of My Being: The Substantiation of the Self & the Discourse of Resistance in Rigoberta Menchu, Mm Bakhtin and Victor Montejo." University of Arizona Press. 1996.

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that was widely read by Soviet intellectuals. The transcript expresses Bakhtin's opinion of literary scholarship whereby he highlights some of its shortcomings and makes suggestions for improvement.

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of the characters so that each participates on their own terms, in their own voice, according to their own ideas about themselves and the world. Bakhtin calls this multi-voiced reality "polyphony": "

2877:) on the growth of Western scholarship on the novel as a premiere literary genre. As a result of the breadth of topics with which he dealt, Bakhtin has influenced such Western schools of theory as 1295:"From the Prehistory of Novelistic Discourse" is a less traditional essay in which Bakhtin reveals how various different texts from the past have ultimately come together to form the modern novel. 1334:

Bakhtin moves away from the novel and concerns himself with the problems of method and the nature of culture. There are six essays that comprise this compilation: "Response to a Question from the

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essay provides an analysis of performed acts or deeds that comprise "the world actually experienced", as opposed to "the merely thinkable world." For the three subsequent and unfinished parts of

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My uniqueness is given but it simultaneously exists only to the degree to which I actualize this uniqueness (in other words, it is in the performed act and deed that has yet to be achieved).

797:" formed. The group consisted of intellectuals with varying interests, but all shared a love for the discussion of literary, religious, and political topics. Included in this group were 2946:

have worked to change low brow communication forms (such as the mystery novel) into higher literary works of art by making constant references to one of Bakhtin's favorite subjects,

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which was not defended until some years later. The controversial ideas discussed within the work caused much disagreement, and it was consequently decided that Bakhtin be denied his

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He is known today for his interest in a wide variety of subjects, ideas, vocabularies, and periods, as well as his use of authorial disguises, and for his influence (alongside

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Townsend, Alex, Autonomous Voices: An Exploration of Polyphony in the Novels of Samuel Richardson, 2003, Oxford, Bern, Berlin, Bruxelles, Frankfurt/M., New York, Wien, 2003,

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mentioned him as one of the few intelligent critics of Formalism. During the 1920s, Bakhtin's work tended to focus on ethics and aesthetics in general. Early pieces such as

733:, to an old family of the nobility. His father was the manager of a bank and worked in several cities. For this reason Bakhtin spent his early childhood years in Oryol, in 745:). Katerina Clark and Michael Holquist write: "Odessa..., like Vilnius, was an appropriate setting for a chapter in the life of a man who was to become the philosopher of 2703:

Bakhtin, genres exist not merely in language, but rather in communication. In dealing with genres, Bakhtin indicates that they have been studied only within the realm of

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Kim argues that "his ideas of art as a vehicle oriented towards interaction with its audience in order to express or communicate any sort of intention is reminiscent of

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In his chapter on the history of laughter, Bakhtin advances the notion of its therapeutic and liberating force, arguing that "laughing truth ... degraded power".

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Bakhtin, M.M. (2004) "Dialogic Origin and Dialogic Pedagogy of Grammar: Stylistics in Teaching Russian Language in Secondary School". Trans. Lydia Razran Stone.

2998: 1032:: Проблемы творчества Достоевского) in 1929, but was revised and extended in 1963 under the new title. It is the later work that is best known in the West. 4544: 4209: 1170:; however, the book itself also serves as an example of such openness. Throughout the text, Bakhtin attempts two things: he seeks to recover sections of 1024:

is considered to be Bakhtin's seminal work, a work in which he introduces a number of important concepts. The work was originally published in Russia as

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Maja Soboleva: Die Philosophie Michail Bachtins. Von der existentiellen Ontologie zur dialogischen Vernunft. Georg Olms Verlag, Hildesheim 2009.

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Bakhtin studies the interaction between the social and the literary, as well as the meaning of the body and the material bodily lower stratum.

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During his time in Leningrad, Bakhtin shifted his view away from the philosophy characteristic of his early works and towards the notion of

2315: 836:'s 10th anniversary, Meyer, Bakhtin and a number of others associated with Voskresenie were apprehended by the Soviet secret police, the 813:, a bone disease that ultimately led to amputation of a leg in 1938. This illness hampered his productivity and rendered him an invalid. 2235: 4736: 4397: 4502: 879:, he became an obscure figure in a provincial college, dropping out of view and teaching only occasionally. In 1937, Bakhtin moved to 4606: 415: 4508: 2405: 4099:

Guilherme, Alexandre and Morgan, W. John, 'Mikhail M. Bakhtin (1895–1975)-dialogue as the dialogical imagination'. Chapter 2 in

972:. It is here that Bakhtin lays out three claims regarding the acknowledgment of the uniqueness of one's participation in Being: 4786: 4286: 3824:

Lipset, David and Eric K. Silverman (2005) "Dialogics of the Body: The Moral and the Grotesque in Two Sepik River Societies."

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Gratchev, Slav, and Mancing, Howard. "Mikhail Bakhtin's Heritage in Literature, Arts, and Philosophy." Lexington Books, 2018.

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in the 1920s, his distinctive position did not become well known until he was rediscovered by Russian scholars in the 1960s.

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After the amputation of a leg in 1938, Bakhtin's health improved and he became more prolific. In 1940, and until the end of

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Lipset, David and Eric K. Silverman, "Dialogics of the Body: The Moral and the Grotesque in Two Sepik River Societies."

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and Bakhtin allude to can be generally transmitted through communication or reciprocal interaction such as a dialogue."

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whereby the four essays that comprise the work introduce the concepts of dialogism, heteroglossia, and chronotope; and

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Holquist, M., & C. Emerson (1981). Glossary. In MM Bakhtin, The Dialogic Imagination: Four Essays by MM Bakhtin.

2814:. Bakhtin began to be discovered by scholars in 1963, but it was only after his death in 1975 that authors such as 2034: 1860: 1063:

of a person's soul, a discounting of its freedom and its unfinalizability... Dostoevsky always represents a person

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in an alien web of definition and causation, robbing them of freedom and responsibility: "He saw in it a degrading

666: 4176:. By Mikhail Bakhtin. Eds. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1986. ix–xxiii. 2524: 2489: 565: 555: 1302:. This essay applies the concept in order to further demonstrate the distinctive quality of the novel. The word 987:

maintain neutrality toward moral and ethical demands which manifest themselves as one's voice of consciousness.

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While Bakhtin is traditionally seen as a literary critic, there can be no denying his impact on the realm of

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a plurality of independent and unmerged voices and consciousnesses, a genuine polyphony of fully valid voices

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Gratchev, Slav and Marinova, Margarita. "Mikhail Bakhtin: The Duvakin Interviews, 1973." Bucknell UP,2019.

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Editorial Staff" is a transcript of comments made by Bakhtin to a reporter from a monthly journal called

1235:(first published as a whole in 1975) is a compilation of four essays concerning language and the novel: " 661: 458: 294:. His writings, on a variety of subjects, inspired scholars working in a number of different traditions ( 774: 4726: 4418:

New Literary History, Vol. 23, No. 3, History, Politics, and Culture (Summer, 1992), pp. 747–763.

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Bakhtin, Temporality, and Modern Narrative: Writing "the Whole Triumphant Murderous Unstoppable Chute"

4295: 2325: 1457: 3947: 3036:. Ed. Vadim Liapunov and Michael Holquist. Trans. Vadim Liapunov. Austin: University of Texas Press. 840:(Hirschkop 1999: p. 168). The leaders received sentences of up to ten years in labor camps of 4634: 4592: 4523: 4369:

Voloshinov, V.N. Marxism and the Philosophy of Language. New York & London: Seminar Press. 1973

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the text and the aesthetic object. It is here also, that Bakhtin differentiates himself from the

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In "Epic and Novel", Bakhtin demonstrates the novel's distinct nature by contrasting it with the

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to which Bakhtin later added a chapter on the concept of carnival and published with the title

2729:, who, he felt, underestimated the importance of content while oversimplifying change, and the 2726: 2674: 2509: 2385: 2375: 2295: 1732: 1521: 1151: 1132: 1109: 741:, where in 1913 he joined the historical and philological faculty at the local university (the 595: 371: 291: 201: 4574: 4519: 2765:, the chronotope, heteroglossia and "outsidedness" (the English translation of a Russian term 1307:

use of the organizing categories of the real world in which the author lives. For this reason

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reveals a Bakhtin in the process of developing his moral system by decentralizing the work of

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to join his brother Nikolai. It is here that Bakhtin was greatly influenced by the classicist

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Bakhtine démasqué : Histoire d'un menteur, d'une escroquerie et d'un délire collectif

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Bakhtin completed his studies in 1918. He then moved to a small city in western Russia,

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that, in the past, were either ignored or suppressed, and conducts an analysis of the

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During World War II Bakhtin submitted a dissertation on the French Renaissance writer

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Bakhtin, M.M. (2014) "Bakhtin on Shakespeare: Excerpt from 'Additions and Changes to

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are indebted to the philosophical trends of the time—particularly the Marburg school

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Bakhtine démasqué: Histoire d'un menteur, d'une escroquerie et d'un délire collectif

2149: 550: 4690: 4435: 4419: 4355: 4121: 4061: 3576: 3117: 3088: 2901: 2811: 2638: 2583: 2469: 2139: 1965: 1684: 1601: 1594: 1462: 1366: 1298:"Forms of Time and of the Chronotope in the Novel" introduces Bakhtin's concept of 1155:(Russian: Творчество Франсуа Рабле и народная культура средневековья и Ренессанса, 1142: 1094: 1029: 998: 904: 825: 635: 575: 468: 357: 340: 267: 219: 2850:

a collection of essays in which Bakhtin concerns himself with method and culture.

1415: 1273:). Heteroglossia is "the base condition governing the operation of meaning in any 1166:, a classic of Renaissance studies, Bakhtin concerns himself with the openness of 4579: 4553: 4263: 4244: 4164: 3580: 2930: 2914: 2819: 2603: 2519: 2335: 2194: 2104: 2009: 1904: 1850: 1807: 1500: 1270: 560: 287: 283: 169: 4497: 4680: 4629: 3248: 2862: 2815: 2803: 2799: 2787: 2746: 2547: 2345: 2179: 2074: 2004: 1894: 1887: 1747: 1679: 1236: 1189: 1054:

truth, devoid of the living response. Bakhtin is critical of what he calls the

857: 802: 766: 730: 681: 610: 600: 570: 515: 276: 84: 4569: 3535: 832:. However, just as this book was introduced, on 8 December 1928, right before 4710: 4685: 4660: 4575:

Description of Bakhtin's work and how it was "discovered" by Western scholars

4560:

Absurdist Monthly Review – The Writers Magazine of The New Absurdist Movement

4145: 3003: 2882: 2762: 2730: 2648: 2633: 2484: 2285: 2144: 2119: 2084: 1931: 1899: 1430: 1420: 1361: 1282: 1245: 1184: 1079: 1075: 961: 810: 750: 746: 686: 671: 620: 540: 520: 362: 345: 303: 197: 185: 4374: 3365:. Translated by Emerson, Caryl. University of Minnesota Press. p. xxix. 4378:

Manchester: Manchester University Press; New York, St Martin's Press, 1996

4120:

Novel: A Forum on Fiction, Vol. 16, No. 2 (Winter, 1983), pp. 101–120

3198: 3083: 3015:. Ed. and trans. Caryl Emerson. Minneapolis: University of Minnesota Press. 2943: 2628: 2573: 2174: 1960: 1815: 1784: 1652: 891: 790: 786: 758: 630: 443: 307: 106: 4233:

Magee, Paul. 'Poetry as Extorreor Monolothe: Finnegans Wake on Bakhtin'.

4069: 2947: 2878: 2807: 2783: 2699: 2653: 2613: 2588: 2099: 2094: 1778: 1768: 1289: 1262: 1218: 1175: 1157:

Tvorčestvo Fransua Rable i narodnaja kul'tura srednevekov'ja i Renessansa

833: 816: 754: 585: 580: 530: 410: 279: 4072:. Second Edition 2005. The Johns Hopkins University Press. 25 Jan. 2006 1452: 777:, whose works contain the beginnings of concepts elaborated by Bakhtin. 4665: 4530:

Philology in Runet. A special search through the M. M. Bakhtin's works.

4434:

Comparative Literature, Vol. 48, No. 1 (Winter, 1996), pp. 39–64.

4430: 4116: 2897: 2708: 2305: 2184: 2169: 2164: 1943: 1865: 1826: 1740: 1631: 1527: 1299: 1257: 969: 845: 525: 193: 26: 4414: 4132: 4101:

Philosophy, Dialogue, and Education: Nine modern European philosophers

4074:

http://litguide.press.jhu.edu/cgibin/view.cgi?eid=22&query=Bakhtin

2853:

In the 1920s there was a "Bakhtin school" in Russia, in line with the

871:

During the six years he spent working as a book-keeper in the town of

2890: 2854: 2718:. This is what Bakhtin describes as the tertiary nature of dialogue. 2623: 2124: 2054: 1992: 1924: 1838: 1821: 1802: 1797: 1583: 1577: 1556: 1538: 1274: 1266: 1251: 1187:) which Bakhtin describes as a social institution, and the second is 1067:

of a final decision, at a moment of crisis, at an unfinalizable, and

982:

Because I am actual and irreplaceable I must actualize my uniqueness.

829: 321: 299: 189: 4439: 4341:

Irony, satire, parody and the grotesque in the music of Shostakovich

4125: 1016:. It was at this time that he began his engagement with the work of 4423: 3006:

and Michael Holquist. Austin and London: University of Texas Press.

2758: 2704: 1936: 1914: 1832: 1638: 1624: 1435: 1425: 1388: 1352: 1149:

was not published until 1965, at which time it was given the title

872: 861: 849: 405: 4584: 3119:

Nietzsche's Influence on Bakhtin's Aesthetics of Grotesque Realism

2741:

Some of the works which bear the names of Bakhtin's close friends

55: 4267:(Translated by Guy Lanoue and Alexandre Sadetsky) 2000 Routledge 3774: 2189: 2114: 2109: 2059: 1919: 1909: 1882: 1645: 1589: 1532: 1479: 1440: 1123: 876: 853: 806: 734: 295: 34: 4520:"INTERNATIONAL MAN OF MYSTERY – The Battle over Mikhail Bakhtin" 894:, Bakhtin lived in Moscow, where he submitted a dissertation on 4375:

Torn Halves: Political Conflict in Literary and Cultural Theory

4309:

Schuster, Charles I. "Mikhail Bakhtin as Rhetorical Theorist."

2598: 2593: 2134: 2129: 2089: 1870: 1845: 1773: 1707: 1673: 1660: 1571: 1545: 1370: 965: 762: 738: 421: 102: 4223:. By Mikhail Bakhtin. Austin: University of Texas Press, 1993. 4187:. Austin and London: University of Texas Press, 1981. xv–xxxiv 3022:. Trans. Vern W. McGee. Austin, Tx: University of Texas Press. 990:

It is here also that Bakhtin introduces an "architectonic" or

237: 4083:. Ed. Frank Farmer. Mahwah: Hermagoras Press, 1998. xi–xxiii. 4033:. Atlanta/Leiden, Society of Biblical Literature/Brill, 2007. 2695: 2159: 1714: 1700: 1098: 880: 726: 80: 3792: 3790: 1147:

Rabelais and Folk Culture of the Middle Ages and Renaissance

3813:

Redeeming Laughter: The Comic Dimension of Human Experience

2563: 757:'s Rabelaisian gangster or to the tricks and deceptions of 753:. The same sense of fun and irreverence that gave birth to 228: 4580:

Languagehat blog on the veracity of the "smoking incident"

4392:. London-Thousand Oaks-New Delhi: SAGE Publications. 1998. 4216:. Ed. Frank Farmer. Mahwah: Hermagoras Press, 1998. 23–32. 1204:, Bakhtin intentionally refers to the distinction between 4313:. Ed. Frank Farmer. Mahwah: Hermagoras Press, 1998. 1–14. 4094:

Mikhail Bakhtin and Biblical Scholarship: An Introduction

3908:

The University of Western Ontario Journal of Anthropology

3904:"Mikhail Bakhtin: The philosopher of human communication" 3787: 225: 4066:

The Johns Hopkins Guide to Literary Theory and Criticism

3983:

Maryland politics and political communication: 1950–2005

1108:

According to Bakhtin, Dostoevsky was the creator of the

4559: 4498:

The Bakhtin Circle, Internet Encyclopedia of Philosophy

3970:. Thousand Oaks, CA: SAGE Publishing, Inc. p. 102. 3439: 3437: 3435: 2778:

As a literary theorist, Bakhtin is associated with the

941:

was first published in the USSR in 1986 with the title

4415:

Dialogism in the Novel and Bakhtin's Theory of Culture

2842:

which explores the openness of the Rabelaisian novel;

1323: 2999:

The Dialogic Imagination: Four Essays by M.M. Bakhtin

769:, left its mark on Bakhtin." He later transferred to 249: 240: 16:

Russian philosopher and literary theorist (1895–1975)

4045:

The Bakhtin Circle: Philosophy, Culture and Politics

3882:

The Thought of Mikhail Bakhtin: From Word to Culture

3432: 3346:. California: Stanford University Press. p. 65. 2907: 2733:, who too rigidly adhered to the concept of "code." 234: 222: 3677: 3675: 3673: 3046:Bakhtin, M.M., V.D. Duvakin, S.G. Bocharov (2002), 2979:. Trans. Hélène Iswolsky. Cambridge, MA: MIT Press. 1050:inevitable and even necessary, it can never be the 976:

I both actively and passively participate in Being.

231: 3897: 3895: 3893: 3891: 3358: 3249:"Bakhtin М.М. (1895-1975), theorist of literature" 2936: 4311:Landmark Essays on Bakhtin, Rhetoric, and Writing 4290:The Journal Jurisprudence, Vol. 7, 2010. 405–440. 4214:Landmark Essays on Bakhtin, Rhetoric, and Writing 4081:Landmark Essays on Bakhtin, Rhetoric, and Writing 3632: 2970:, (Russian) Moscow: Khudozhestvennaja literatura. 931: 4708: 4133:The Refiguration of the Anthropology of Language 3670: 2830:an unfinished portion of a philosophical essay; 275:4 November] 1895 – 7 March 1975) was a 4388:Mayerfeld Bell, Michael and Gardiner, Michael. 3888: 3055:Journal of Russian and East European Psychology 2749:have been attributed to Bakhtin – particularly 2698:" deals with the difference between Saussurean 4732:People from Orlovsky Uyezd (Oryol Governorate) 4535:Carnival, Carnivalesque and the Grotesque Body 4047:London, Sterling, Virginia: Pluto Press, 2002. 2770:particular ethical or ethico-political force. 1193:which is defined as a literary mode. Thus, in 4600: 4390:Bakhtin and the Human Sciences. No last words 4142:, Vol. 1, No. 1 (Feb., 1986), pp. 89–102 4136:(review of Problems of Dostoevsky's Poetics) 4103:, Routledge, London and New York, pp. 24–38, 4068:. Eds. Michael Groden, Martin Kreiswirth and 3884:. New York: St. Martin's Press. pp. 3–4. 3639:, Manchester University Press ND, p. 8, 3357:Bakhtin, Mikhail (1984). "Editor's Preface". 3341: 3048:M.M. Bakhtin: Conversations with V.D. Duvakin 3043:, 6 vols., (Russian) Moscow: Russkie slovari. 2675: 706: 257: 4096:. SBL Semeia Studies 38. Atlanta: SBL, 2000. 4057:. Cambridge: Harvard University Press, 1984. 4031:Bakhtin and Genre Theory in Biblical Studies 4013:Corporate communication: Theory and Practice 3998:Corporate communication: Theory and Practice 3961: 3959: 3957: 2920: 4157:Mikhail Bakhtin: An Aesthetic for Democracy 3867:Communication as...: Perspectives on theory 2316:A Dialogue Concerning Oratorical Partitions 848:, where he and his wife spent six years in 4607: 4593: 4372:Young, Robert J.C., 'Back to Bakhtin', in 4117:Toward a Mechanics of Mode: Beyond Bakhtin 3985:. Lanham, MD: Lexington Books. p. 35. 3968:Communication as...:Perspectives on theory 3633:Hirschkop, Ken; Shepherd, David G (1989), 3342:Morson, Gary Saul; Emerson, Caryl (1990). 3141:, Stanford University Press, 1990, p. xiv. 2682: 2668: 713: 699: 54: 4540:Bakhtin and Religion: A Feeling for Faith 4337: 4036:Bota, Cristian, and Jean-Paul Bronckart. 3954: 3569: 2755:The Formal Method in Literary Scholarship 4159:. Oxford: Oxford University Press, 1999. 3980: 3626: 2782:, and his work is compared with that of 2406:Copia: Foundations of the Abundant Style 1243:that Bakhtin introduces the concepts of 852:(now Kostanay). In 1936, they moved to 815: 268:[mʲɪxɐˈilmʲɪˈxajləvʲɪdʑbɐxˈtʲin] 4287:Monologism and Dialogism in Private Law 4279:Mikhail Bakhtin: Creation of a Prosaics 4148:. "Bakhtin in the sober light of day." 4053:Clark, Katerina, and Michael Holquist. 4010: 3995: 3869:. Thousand Oaks, CA: SAGE. p. 101. 3575: 3520:. İstanbul: Ayrinti. pp. 155–157. 3356: 3344:Mikhail Bakhtin: Creation of a Prosaics 3138:Mikhail Bakhtin: Creation of a Prosaics 1365:and Its Significance in the History of 4709: 4296:Mikhail Bakhtin: The Word in the World 4277:Morson, Gary Saul, and Caryl Emerson. 4196:Bahtin: Diyaloji, Karnaval ve Politika 3965: 3864: 3518:Bahtin: Diyaloji, Karnaval ve Politika 3221: 3191: 2984:Questions of Literature and Aesthetics 4588: 4475:Jean-Paul Bronckart, Cristian Bota: 4199:, Ayrıntı Yayınları, İstanbul, 2017, 4185:The Dialogic Imagination: Four Essays 3879: 3246: 3150:Katerina Clark and Michael Holquist, 2796:Author and Hero in Aesthetic Activity 2609:Rhetoric of social intervention model 1026:Problems of Dostoevsky's Creative Art 266: 4338:Sheinberg, Esti (29 December 2000). 3515: 3452:Morson and Emerson (1990). p. 490–91 3420:Morson and Emerson (1990). pp. 89–96 3135:Gary Saul Morson and Caryl Emerson, 2848:Speech Genres and Other Late Essays, 4614: 4366:. Manchester University Press, 1997 4174:Speech Genres and Other Late Essays 4172:Holquist, Michael. "Introduction." 3901: 3429:Morson and Emerson (1990). p. 95–96 3402:Morson and Emerson (1990). p. 91–92 3375:Morson and Emerson (1990). p. 36–37 3020:Speech Genres and Other Late Essays 1332:Speech Genres and Other Late Essays 1325:Speech Genres and Other Late Essays 1311:is a concept that engages reality. 900:Gorky Institute of World Literature 820:Bakhtin Circle, Leningrad, 1924–26. 13: 4281:. Stanford University Press, 1990. 2751:Marxism and Philosophy of Language 926: 14: 4813: 4737:20th-century Russian philosophers 4491: 3924: 3605:Holquist and Emerson 1981, p. 428 3154:(Harvard University Press, 1984: 2908:Bakhtin and communication studies 2836:Problems of Dostoyevsky's Poetics 2736: 1346:"Response to a Question from the 1071:, turning point for their soul." 4640:Problems of Dostoevsky's Poetics 4165:Dialogism: Bakhtin and His World 3393:Morson and Emerson (1990). p. 37 3361:Problems of Dostoevsky's Poetics 3267:Dialogism: Bakhtin and His World 3012:Problems of Dostoevsky's Poetics 2968:Problems of Dostoevsky's Poetics 2826:Bakhtin's primary works include 1395: 1022:Problems of Dostoevsky's Poetics 1008:Problems of Dostoevsky's Poetics 1002:: polyphony and unfinalizability 1000:Problems of Dostoevsky's Poetics 805:, who joined the group later in 218: 4453:A study in the Polyphonic Novel 4079:Farmer, Frank. "Introduction." 4004: 3989: 3974: 3918: 3873: 3858: 3849: 3840: 3831: 3818: 3803: 3765: 3756: 3747: 3738: 3729: 3720: 3711: 3702: 3693: 3684: 3661: 3617: 3608: 3599: 3560: 3551: 3542: 3509: 3500: 3491: 3482: 3473: 3464: 3455: 3446: 3423: 3414: 3405: 3396: 3387: 3378: 3369: 3350: 3335: 3326: 3317: 3308: 3299: 3290: 3281: 3002:. Ed. Michael Holquist. Trans. 2953: 2937:Carnivalesque and communication 2828:Toward a Philosophy of the Act, 2792:Towards a Philosophy of the Act 911:) and granted a lesser degree ( 866:Mordovian Pedagogical Institute 864:), where Bakhtin taught at the 158:Mordovian Pedagogical Institute 4259:Meletinsky, Eleazar Moiseevich 4245:The Interpretation of Dialogue 4221:Toward a Philosophy of the Act 3272: 3259: 3253:Saint Petersburg Encyclopaedia 3240: 3215: 3165: 3144: 3129: 3110: 3034:Toward a Philosophy of the Act 2993:, (Russian) Moscow: Iskusstvo. 2963:, (Russian) Leningrad: Priboj. 2832:Problems of Dostoyevsky's Art, 1222:: chronotope and heteroglossia 958:Toward a Philosophy of the Act 952:Toward a Philosophy of the Act 947:Toward a Philosophy of the Act 939:Toward a Philosophy of the Act 933:Toward a Philosophy of the Act 1: 4787:Linguists of Slavic languages 3116:Y. Mazour-Matusevich (2009), 3099: 2986:, (Russian) Moscow: Progress. 2579:List of feminist rhetoricians 771:Petrograd Imperial University 313: 124:Petrograd Imperial University 23:Eastern Slavic naming customs 4459:University of Georgia Press 4344:. UK: Ashgate. p. 378. 4248:University of Chicago Press 4230:Vol. 19, No. 2, 2005, 17–52. 4015:. Albany: SUNY. p. 249. 4000:. Albany: SUNY. p. 242. 3104: 2961:Problems of Dostoevsky's Art 2868: 2802:of Hermann Cohen, including 2569:Glossary of rhetorical terms 1145:. Thus, due to its content, 1093:and its generic counterpart— 667:Tartu–Moscow Semiotic School 214:Mikhail Mikhailovich Bakhtin 70:Mikhail Mikhailovich Bakhtin 7: 4757:Fyodor Dostoyevsky scholars 4671:Culture of popular laughter 4299:. London: Routledge, 2007. 4150:Bakhtin and Cultural Theory 3636:Bakhtin and cultural theory 3585:. Oxford University Press. 3461:Bakhtin (1984). pp. 114–120 3332:Emerson and Morson 184–189. 3072: 3064:". Trans. Sergeiy Sandler. 2416:Language as Symbolic Action 1265:) and the relation between 259:Михаи́л Миха́йлович Бахти́н 10: 4818: 4792:Soviet literary historians 4022: 3506:Clark and Holquist 297–299 3039:Bakhtin, M.M. (1996–2012) 1225: 1130: 1005: 824:In 1924, Bakhtin moved to 286:and scholar who worked on 21:In this name that follows 20: 4742:20th-century philologists 4653: 4622: 4505:(University of Sheffield) 4401:. SAGE Publications 2002 4228:Journal of Ritual Studies 3826:Journal of Ritual Studies 3470:Bakhtin (1984). p. 120–21 3411:Bakhtin (1984). pp. 61–62 2933:'s theories on culture." 2921:Communication and culture 2844:The Dialogic Imagination, 2810:and, to a lesser extent, 2773: 2326:De Optimo Genere Oratorum 780: 416:Semiotic theory of Peirce 258: 207: 179: 163: 153: 143: 133: 129: 114: 91: 77:4 November] 1895 65: 53: 46: 4777:Russian literary critics 4767:Philosophers of language 4635:The Dialogic Imagination 4242:Maranhão, Tullio (1990) 4212:. "Bakhtin’s Rhetoric." 3681:Holquist 1981, p. xxxiii 3199: 2991:Aesthetics of Verbal Art 1241:The Dialogic Imagination 1233:The Dialogic Imagination 1228:The Dialogic Imagination 1220:The Dialogic Imagination 1172:Gargantua and Pantagruel 1168:Gargantua and Pantagruel 1127:: carnival and grotesque 271:; 16 November [ 4654:Concepts and Philosophy 4556:on Bakhtin with a photo 4479:, Editeur : Droz, 3981:Sheckels, T.F. (2006). 3966:Baxter, Leslie (2006). 3865:Baxter, Leslie (2006). 3226:. London: I.B. Tauris. 2840:Rabelais and His World, 2694:"The Problem of Speech 2266:De Sophisticis Elenchis 1338:Editorial Staff", "The 662:Copenhagen–Tartu school 546:Algirdas Julien Greimas 454:Computational semiotics 138:20th-century philosophy 4696:Polyphony (literature) 4645:Rabelais and His World 4549:Rabelais and his world 4522:by Matt Steinglass in 4284:O'Callaghan, Patrick. 4011:Goodman, M.B. (1994). 3996:Goodman, M.B. (1994). 3942:Cite journal requires 3699:Clark and Holquist 278 3548:Iswolsky 1965, p. 92f. 3443:Bakhtin (1984). p. 176 3384:Bakhtin (1984). p. 166 3222:Haynes, D. J. (2013). 3203:(in Russian). polit.ru 3200:Мемория. Михаил Бахтин 2976:Rabelais and His World 2887:Social constructionism 2386:De doctrina Christiana 2376:Dialogus de oratoribus 2296:Rhetorica ad Herennium 1522:Captatio benevolentiae 1202:Rabelais and His World 1195:Rabelais and His World 1164:Rabelais and His World 1152:Rabelais and His World 1133:Rabelais and His World 1125:Rabelais and His World 1047: 905:higher doctoral degree 860:, now the Republic of 821: 292:philosophy of language 73:16 November [ 4236:Cordite Poetry Review 4183:to Mikhail Bakhtin's 4139:Cultural Anthropology 4064:. "Mikhail Bakhtin." 3880:Danow, David (1991). 3837:Clark and Holquist 3. 3032:Bakhtin, M.M. (1993) 3027:Art and Answerability 3025:Bakhtin, M.M. (1990) 3018:Bakhtin, M.M. (1986) 3009:Bakhtin, M.M. (1984) 2996:Bakhtin, M.M. (1981) 2989:Bakhtin, M.M. (1979) 2982:Bakhtin, M.M. (1975) 2973:Bakhtin, M.M. (1968) 2966:Bakhtin, M.M. (1963) 2959:Bakhtin, M.M. (1929) 2859:Ferdinand de Saussure 2554:Communication studies 2396:De vulgari eloquentia 2256:Rhetoric to Alexander 1279:Ferdinand de Saussure 1042: 913:Candidate of Sciences 819: 616:Ferdinand de Saussure 490:Paradigmatic analysis 4782:Russian philologists 4162:Holquist, Michael. 4060:Emerson, Caryl, and 4040:. Paris: Droz, 2011. 4029:Boer, Roland (ed.), 3744:Holquist xvii–xviii. 3516:İlim, Firat (2017). 3488:Bakhtin (1984). p. 6 3479:Bakhtin (1984). p. 7 3050:(Russian), Soglasie. 1206:official festivities 943:K filosofii postupka 725:Bakhtin was born in 646:Victoria, Lady Welby 495:Syntagmatic analysis 464:Semiotics of culture 4802:Soviet philosophers 4797:Soviet male writers 4762:Philosophers of art 4364:Introducing Bakhtin 4358:on 17 October 2007. 4264:The Poetics of Myth 4179:Holquist, Michael. 3810:Peter Ludwig Berger 3771:Bota and Bronckart. 3614:Bakhtin 1984 p. 294 2559:Composition studies 2490:Health and medicine 2356:Institutio Oratoria 1563:Eloquentia perfecta 799:Valentin Voloshinov 626:Michael Silverstein 449:Cognitive semiotics 4752:Literary theorists 4747:Critical theorists 4676:Dialogue (Bakhtin) 4566:Brothers Karamazov 4503:The Bakhtin Centre 4444:Vladislav Krasnov 4169:. Routledge, 2002. 3902:Kim, Gary (2004). 3782:The Bakhtin Circle 3566:Maranhão 1990, p.4 3079:Dialogue (Bakhtin) 3041:Collected Writings 2780:Russian Formalists 2644:Terministic screen 2426:A General Rhetoric 1956:Resignation speech 1493:Studia humanitatis 1475:Byzantine rhetoric 1114:self-consciousness 964:, with a focus on 917:research doctorate 909:Doctor of Sciences 822: 677:Post-structuralism 459:Literary semiotics 351:relational complex 290:, ethics, and the 174:literary criticism 148:Russian philosophy 4727:People from Oryol 4704: 4703: 4511:(James P. Zappen) 4509:A Bakhtin profile 4457:Vladislav Krasnov 4412:Maria Shevtsova, 4407:978-0-7619-7447-5 4395:Michael Gardiner 4333:978-0-8204-5917-2 4325:978-3-906769-80-6 4305:978-0-415-42419-6 4219:Liapunov, Vadim. 4205:978-605-314-220-1 4109:978-1-138-83149-0 4043:Brandist, Craig. 3646:978-0-7190-2615-7 3577:Wertsch, James V. 3278:Holquist xxi–xxvi 3247:Cherdakov, D. N. 2898:rhetorical theory 2692: 2691: 2619:Rogerian argument 2366:Panegyrici Latini 1458:The age of Cicero 1190:grotesque realism 1139:François Rabelais 1069:unpredeterminable 1018:Fyodor Dostoevsky 896:François Rabelais 801:and, eventually, 743:Odessa University 723: 722: 641:Jakob von Uexküll 596:Charles S. Peirce 591:Charles W. Morris 566:Vyacheslav Ivanov 211: 210: 119:Odessa University 4809: 4691:Menippean satire 4609: 4602: 4595: 4586: 4585: 4515:Bakhtin Timeline 4474: 4359: 4354:. Archived from 4293:Pechey, Graham. 4167:, Second Edition 4155:Hirschkop, Ken. 4092:Green, Barbara. 4062:Gary Saul Morson 4017: 4016: 4008: 4002: 4001: 3993: 3987: 3986: 3978: 3972: 3971: 3963: 3952: 3951: 3945: 3940: 3938: 3930: 3922: 3916: 3915: 3899: 3886: 3885: 3877: 3871: 3870: 3862: 3856: 3853: 3847: 3844: 3838: 3835: 3829: 3822: 3816: 3807: 3801: 3794: 3785: 3778: 3772: 3769: 3763: 3762:Holquist xx–xxi. 3760: 3754: 3751: 3745: 3742: 3736: 3733: 3727: 3724: 3718: 3715: 3709: 3706: 3700: 3697: 3691: 3688: 3682: 3679: 3668: 3665: 3659: 3656: 3655: 3653: 3630: 3624: 3621: 3615: 3612: 3606: 3603: 3597: 3596: 3573: 3567: 3564: 3558: 3555: 3549: 3546: 3540: 3539: 3513: 3507: 3504: 3498: 3495: 3489: 3486: 3480: 3477: 3471: 3468: 3462: 3459: 3453: 3450: 3444: 3441: 3430: 3427: 3421: 3418: 3412: 3409: 3403: 3400: 3394: 3391: 3385: 3382: 3376: 3373: 3367: 3366: 3364: 3354: 3348: 3347: 3339: 3333: 3330: 3324: 3321: 3315: 3312: 3306: 3303: 3297: 3294: 3288: 3285: 3279: 3276: 3270: 3263: 3257: 3256: 3244: 3238: 3237: 3224:Bakhtin reframed 3219: 3213: 3212: 3210: 3208: 3195: 3189: 3188: 3186: 3184: 3169: 3163: 3148: 3142: 3133: 3127: 3114: 3089:Menippean satire 3068:129(3): 522–537. 2812:Nicolai Hartmann 2743:V. N. Voloshinov 2684: 2677: 2670: 2584:List of speeches 2431: 2421: 2411: 2401: 2391: 2381: 2371: 2361: 2351: 2341: 2331: 2321: 2311: 2301: 2291: 2281: 2271: 2261: 2251: 2241: 2231: 2035:Neo-Aristotelian 1602:Figure of speech 1463:Second Sophistic 1399: 1376: 1375: 1210:folk festivities 1143:higher doctorate 1110:polyphonic novel 1095:Menippean satire 1065:on the threshold 1037:unfinalizability 715: 708: 701: 636:Vladimir Toporov 576:Roberta Kevelson 485:Commutation test 469:Social semiotics 333:General concepts 318: 317: 270: 265: 261: 260: 253: 247: 246: 243: 242: 239: 236: 233: 230: 227: 224: 98: 58: 44: 43: 4817: 4816: 4812: 4811: 4810: 4808: 4807: 4806: 4707: 4706: 4705: 4700: 4649: 4618: 4616:Mikhail Bakhtin 4613: 4494: 4489: 4472: 4440:10.2307/1771629 4398:Mikhail Bakhtin 4352: 4126:10.2307/1345079 4055:Mikhail Bakhtin 4025: 4020: 4009: 4005: 3994: 3990: 3979: 3975: 3964: 3955: 3943: 3941: 3932: 3931: 3923: 3919: 3900: 3889: 3878: 3874: 3863: 3859: 3854: 3850: 3845: 3841: 3836: 3832: 3823: 3819: 3808: 3804: 3795: 3788: 3779: 3775: 3770: 3766: 3761: 3757: 3752: 3748: 3743: 3739: 3734: 3730: 3725: 3721: 3716: 3712: 3707: 3703: 3698: 3694: 3689: 3685: 3680: 3671: 3666: 3662: 3651: 3649: 3647: 3631: 3627: 3622: 3618: 3613: 3609: 3604: 3600: 3593: 3574: 3570: 3565: 3561: 3556: 3552: 3547: 3543: 3528: 3514: 3510: 3505: 3501: 3496: 3492: 3487: 3483: 3478: 3474: 3469: 3465: 3460: 3456: 3451: 3447: 3442: 3433: 3428: 3424: 3419: 3415: 3410: 3406: 3401: 3397: 3392: 3388: 3383: 3379: 3374: 3370: 3355: 3351: 3340: 3336: 3331: 3327: 3323:Hirschkop 12–14 3322: 3318: 3313: 3309: 3304: 3300: 3295: 3291: 3286: 3282: 3277: 3273: 3264: 3260: 3245: 3241: 3234: 3220: 3216: 3206: 3204: 3201: 3197: 3196: 3192: 3182: 3180: 3171: 3170: 3166: 3152:Mikhail Bakhtin 3149: 3145: 3134: 3130: 3115: 3111: 3107: 3102: 3075: 2956: 2939: 2931:Clifford Geertz 2923: 2910: 2871: 2820:Tzvetan Todorov 2776: 2767:vnenakhodimost, 2739: 2688: 2659: 2658: 2604:Public rhetoric 2542: 2541: 2532: 2531: 2480:Native American 2445: 2444: 2435: 2434: 2429: 2419: 2409: 2399: 2389: 2379: 2369: 2359: 2349: 2339: 2329: 2319: 2309: 2299: 2289: 2279: 2269: 2259: 2249: 2239: 2229: 2220: 2219: 2210: 2209: 2050: 2049: 2040: 2039: 1983: 1982: 1971: 1970: 1861:Funeral oration 1851:Farewell speech 1808:Socratic method 1764: 1763: 1754: 1753: 1516: 1515: 1506: 1505: 1411: 1410: 1328: 1271:intertextuality 1230: 1224: 1135: 1129: 1091:Carnivalization 1076:Carnivalization 1035:The concept of 1010: 1004: 936: 929: 927:Works and ideas 783: 719: 561:Louis Hjelmslev 511:Mikhail Bakhtin 316: 288:literary theory 284:literary critic 263: 256:; Russian: 251: 221: 217: 182: 170:literary theory 166: 122: 115:Alma mater 110: 100: 96: 87: 78: 72: 71: 61: 60:Bakhtin in 1920 49: 48:Mikhail Bakhtin 42: 17: 12: 11: 5: 4815: 4805: 4804: 4799: 4794: 4789: 4784: 4779: 4774: 4769: 4764: 4759: 4754: 4749: 4744: 4739: 4734: 4729: 4724: 4719: 4702: 4701: 4699: 4698: 4693: 4688: 4683: 4681:Grotesque body 4678: 4673: 4668: 4663: 4657: 4655: 4651: 4650: 4648: 4647: 4642: 4637: 4632: 4630:Epic and Novel 4626: 4624: 4620: 4619: 4612: 4611: 4604: 4597: 4589: 4583: 4582: 4577: 4572: 4562: 4557: 4551: 4542: 4537: 4532: 4527: 4517: 4512: 4506: 4500: 4493: 4492:External links 4490: 4488: 4487: 4470: 4467: 4442: 4426: 4424:10.2307/469228 4410: 4393: 4386: 4370: 4367: 4360: 4350: 4335: 4317: 4314: 4307: 4291: 4282: 4275: 4256: 4240: 4231: 4224: 4217: 4207: 4191: 4188: 4177: 4170: 4160: 4153: 4146:Hirschkop, Ken 4143: 4128: 4112: 4097: 4090: 4087: 4084: 4077: 4058: 4051: 4048: 4041: 4034: 4026: 4024: 4021: 4019: 4018: 4003: 3988: 3973: 3953: 3944:|journal= 3917: 3887: 3872: 3857: 3848: 3839: 3830: 3817: 3802: 3786: 3773: 3764: 3755: 3746: 3737: 3728: 3726:Holquist xiii. 3719: 3710: 3701: 3692: 3683: 3669: 3667:Holquist xxxii 3660: 3645: 3625: 3623:Holquist, 1990 3616: 3607: 3598: 3591: 3582:Mind As Action 3568: 3559: 3550: 3541: 3526: 3508: 3499: 3490: 3481: 3472: 3463: 3454: 3445: 3431: 3422: 3413: 3404: 3395: 3386: 3377: 3368: 3349: 3334: 3325: 3316: 3307: 3298: 3289: 3280: 3271: 3258: 3239: 3232: 3214: 3190: 3179:. 7 March 1975 3177:Britannica.com 3164: 3143: 3128: 3108: 3106: 3103: 3101: 3098: 3097: 3096: 3094:Pavel Medvedev 3091: 3086: 3081: 3074: 3071: 3070: 3069: 3058: 3051: 3044: 3037: 3030: 3023: 3016: 3007: 2994: 2987: 2980: 2971: 2964: 2955: 2952: 2938: 2935: 2922: 2919: 2909: 2906: 2870: 2867: 2863:Roman Jakobson 2816:Julia Kristeva 2804:Ernst Cassirer 2800:neo-Kantianism 2788:Roman Jakobson 2775: 2772: 2747:P. N. Medvedev 2738: 2737:Disputed texts 2735: 2731:Structuralists 2716:superaddressee 2690: 2689: 2687: 2686: 2679: 2672: 2664: 2661: 2660: 2657: 2656: 2651: 2646: 2641: 2636: 2631: 2626: 2621: 2616: 2611: 2606: 2601: 2596: 2591: 2586: 2581: 2576: 2571: 2566: 2561: 2556: 2551: 2548:Ars dictaminis 2543: 2539: 2538: 2537: 2534: 2533: 2530: 2529: 2528: 2527: 2517: 2512: 2507: 2502: 2497: 2492: 2487: 2482: 2477: 2472: 2467: 2462: 2457: 2452: 2446: 2442: 2441: 2440: 2437: 2436: 2433: 2432: 2422: 2412: 2402: 2392: 2382: 2372: 2362: 2352: 2346:On the Sublime 2342: 2332: 2322: 2312: 2302: 2292: 2282: 2272: 2262: 2252: 2242: 2232: 2221: 2217: 2216: 2215: 2212: 2211: 2208: 2207: 2202: 2197: 2192: 2187: 2182: 2177: 2172: 2167: 2162: 2157: 2152: 2147: 2142: 2137: 2132: 2127: 2122: 2117: 2112: 2107: 2102: 2097: 2092: 2087: 2082: 2077: 2072: 2067: 2062: 2057: 2051: 2047: 2046: 2045: 2042: 2041: 2038: 2037: 2032: 2027: 2022: 2017: 2012: 2007: 2002: 2001: 2000: 1990: 1984: 1978: 1977: 1976: 1973: 1972: 1969: 1968: 1963: 1958: 1953: 1952: 1951: 1941: 1940: 1939: 1929: 1928: 1927: 1922: 1917: 1907: 1902: 1897: 1895:Lightning talk 1892: 1891: 1890: 1880: 1875: 1874: 1873: 1863: 1858: 1853: 1848: 1843: 1842: 1841: 1836: 1824: 1819: 1812: 1811: 1810: 1800: 1795: 1790: 1789: 1788: 1776: 1771: 1765: 1761: 1760: 1759: 1756: 1755: 1752: 1751: 1744: 1737: 1736: 1735: 1725: 1720: 1719: 1718: 1711: 1704: 1692: 1687: 1682: 1680:Method of loci 1677: 1670: 1663: 1658: 1657: 1656: 1649: 1642: 1635: 1628: 1616: 1615: 1614: 1609: 1599: 1598: 1597: 1587: 1580: 1575: 1568: 1567: 1566: 1554: 1549: 1542: 1535: 1530: 1525: 1517: 1513: 1512: 1511: 1508: 1507: 1504: 1503: 1498: 1497: 1496: 1484: 1483: 1482: 1477: 1467: 1466: 1465: 1460: 1450: 1445: 1444: 1443: 1438: 1433: 1428: 1423: 1416:Ancient Greece 1412: 1406: 1405: 1404: 1401: 1400: 1392: 1391: 1385: 1384: 1327: 1322: 1237:Epic and Novel 1226:Main article: 1223: 1217: 1131:Main article: 1128: 1122: 1006:Main article: 1003: 997: 984: 983: 980: 977: 935: 930: 928: 925: 858:Mordovian ASSR 803:P. N. Medvedev 795:Bakhtin Circle 782: 779: 775:F. F. Zelinsky 767:Ilf and Petrov 737:, and then in 721: 720: 718: 717: 710: 703: 695: 692: 691: 690: 689: 684: 682:Deconstruction 679: 674: 669: 664: 656: 655: 654:Related topics 651: 650: 649: 648: 643: 638: 633: 628: 623: 618: 613: 611:Augusto Ponzio 608: 603: 601:Susan Petrilli 598: 593: 588: 583: 578: 573: 571:Roman Jakobson 568: 563: 558: 553: 551:Félix Guattari 548: 543: 538: 533: 528: 523: 518: 516:Roland Barthes 513: 505: 504: 500: 499: 498: 497: 492: 487: 479: 478: 474: 473: 472: 471: 466: 461: 456: 451: 446: 438: 437: 433: 432: 431: 430: 425: 418: 413: 408: 403: 398: 396:Representation 393: 388: 383: 374: 365: 360: 355: 354: 353: 348: 335: 334: 330: 329: 325: 324: 315: 312: 209: 208: 205: 204: 183: 180: 177: 176: 167: 165:Main interests 164: 161: 160: 155: 151: 150: 145: 141: 140: 135: 131: 130: 127: 126: 116: 112: 111: 109:, Soviet Union 101: 99:(aged 79) 93: 89: 88: 85:Russian Empire 79: 69: 67: 63: 62: 59: 51: 50: 47: 15: 9: 6: 4: 3: 2: 4814: 4803: 4800: 4798: 4795: 4793: 4790: 4788: 4785: 4783: 4780: 4778: 4775: 4773: 4770: 4768: 4765: 4763: 4760: 4758: 4755: 4753: 4750: 4748: 4745: 4743: 4740: 4738: 4735: 4733: 4730: 4728: 4725: 4723: 4720: 4718: 4715: 4714: 4712: 4697: 4694: 4692: 4689: 4687: 4686:Heteroglossia 4684: 4682: 4679: 4677: 4674: 4672: 4669: 4667: 4664: 4662: 4661:Carnivalesque 4659: 4658: 4656: 4652: 4646: 4643: 4641: 4638: 4636: 4633: 4631: 4628: 4627: 4625: 4621: 4617: 4610: 4605: 4603: 4598: 4596: 4591: 4590: 4587: 4581: 4578: 4576: 4573: 4571: 4567: 4564:Polyphony of 4563: 4561: 4558: 4555: 4552: 4550: 4546: 4543: 4541: 4538: 4536: 4533: 4531: 4528: 4525: 4524:Lingua Franca 4521: 4518: 4516: 4513: 4510: 4507: 4504: 4501: 4499: 4496: 4495: 4486: 4485:2-600-00545-5 4482: 4478: 4471: 4468: 4466: 4465:0-8203-0472-7 4462: 4458: 4454: 4452: 4448: 4443: 4441: 4437: 4433: 4432: 4428:Stacy Burton 4427: 4425: 4421: 4417: 4416: 4411: 4408: 4404: 4400: 4399: 4394: 4391: 4387: 4385: 4384:0-7190-4777-3 4381: 4377: 4376: 4371: 4368: 4365: 4361: 4357: 4353: 4351:0-7546-0226-5 4347: 4343: 4342: 4336: 4334: 4330: 4326: 4322: 4318: 4315: 4312: 4308: 4306: 4302: 4298: 4297: 4292: 4289: 4288: 4283: 4280: 4276: 4274: 4273:0-415-92898-2 4270: 4266: 4265: 4260: 4257: 4255: 4254:0-226-50433-6 4251: 4247: 4246: 4241: 4238: 4237: 4232: 4229: 4225: 4222: 4218: 4215: 4211: 4210:Klancher, Jon 4208: 4206: 4202: 4198: 4197: 4193:İlim, Fırat. 4192: 4189: 4186: 4182: 4178: 4175: 4171: 4168: 4166: 4161: 4158: 4154: 4151: 4147: 4144: 4141: 4140: 4135: 4134: 4130:Jane H. Hill 4129: 4127: 4123: 4119: 4118: 4114:David Hayman 4113: 4110: 4106: 4102: 4098: 4095: 4091: 4088: 4085: 4082: 4078: 4075: 4071: 4067: 4063: 4059: 4056: 4052: 4049: 4046: 4042: 4039: 4035: 4032: 4028: 4027: 4014: 4007: 3999: 3992: 3984: 3977: 3969: 3962: 3960: 3958: 3949: 3936: 3928: 3921: 3913: 3909: 3905: 3898: 3896: 3894: 3892: 3883: 3876: 3868: 3861: 3852: 3846:Schuster 1–2. 3843: 3834: 3828:19 (2) 17–52. 3827: 3821: 3814: 3811: 3806: 3799: 3793: 3791: 3783: 3777: 3768: 3759: 3753:Holquist xix. 3750: 3741: 3732: 3723: 3714: 3705: 3696: 3687: 3678: 3676: 3674: 3664: 3648: 3642: 3638: 3637: 3629: 3620: 3611: 3602: 3594: 3592:9780195117530 3588: 3584: 3583: 3578: 3572: 3563: 3557:Holquist xxvi 3554: 3545: 3537: 3533: 3529: 3527:9786053142201 3523: 3519: 3512: 3503: 3494: 3485: 3476: 3467: 3458: 3449: 3440: 3438: 3436: 3426: 3417: 3408: 3399: 3390: 3381: 3372: 3363: 3362: 3353: 3345: 3338: 3329: 3320: 3311: 3302: 3296:Liapunov xvii 3293: 3284: 3275: 3268: 3262: 3254: 3250: 3243: 3235: 3233:9780857724519 3229: 3225: 3218: 3202: 3194: 3178: 3174: 3168: 3161: 3160:0-674-57417-6 3157: 3153: 3147: 3140: 3139: 3132: 3125: 3121: 3120: 3113: 3109: 3095: 3092: 3090: 3087: 3085: 3082: 3080: 3077: 3076: 3067: 3063: 3059: 3057:42(6): 12–49. 3056: 3052: 3049: 3045: 3042: 3038: 3035: 3031: 3028: 3024: 3021: 3017: 3014: 3013: 3008: 3005: 3004:Caryl Emerson 3001: 3000: 2995: 2992: 2988: 2985: 2981: 2978: 2977: 2972: 2969: 2965: 2962: 2958: 2957: 2951: 2949: 2945: 2934: 2932: 2927: 2918: 2916: 2905: 2903: 2902:Leslie Baxter 2899: 2894: 2892: 2888: 2884: 2883:Structuralism 2880: 2876: 2875:György Lukács 2866: 2864: 2860: 2856: 2851: 2849: 2845: 2841: 2837: 2833: 2829: 2824: 2821: 2817: 2813: 2809: 2805: 2801: 2797: 2793: 2789: 2785: 2781: 2771: 2768: 2764: 2763:carnivalesque 2760: 2756: 2752: 2748: 2744: 2734: 2732: 2728: 2722: 2719: 2717: 2712: 2710: 2706: 2701: 2697: 2685: 2680: 2678: 2673: 2671: 2666: 2665: 2663: 2662: 2655: 2652: 2650: 2649:Toulmin model 2647: 2645: 2642: 2640: 2637: 2635: 2634:Talking point 2632: 2630: 2629:Speechwriting 2627: 2625: 2622: 2620: 2617: 2615: 2612: 2610: 2607: 2605: 2602: 2600: 2597: 2595: 2592: 2590: 2587: 2585: 2582: 2580: 2577: 2575: 2572: 2570: 2567: 2565: 2562: 2560: 2557: 2555: 2552: 2550: 2549: 2545: 2544: 2536: 2535: 2526: 2523: 2522: 2521: 2518: 2516: 2513: 2511: 2508: 2506: 2503: 2501: 2498: 2496: 2493: 2491: 2488: 2486: 2483: 2481: 2478: 2476: 2473: 2471: 2468: 2466: 2463: 2461: 2458: 2456: 2453: 2451: 2450:Argumentation 2448: 2447: 2439: 2438: 2428: 2427: 2423: 2418: 2417: 2413: 2408: 2407: 2403: 2398: 2397: 2393: 2388: 2387: 2383: 2378: 2377: 2373: 2368: 2367: 2363: 2358: 2357: 2353: 2348: 2347: 2343: 2338: 2337: 2333: 2328: 2327: 2323: 2318: 2317: 2313: 2308: 2307: 2303: 2298: 2297: 2293: 2288: 2287: 2286:De Inventione 2283: 2278: 2277: 2273: 2268: 2267: 2263: 2258: 2257: 2253: 2248: 2247: 2243: 2238: 2237: 2233: 2228: 2227: 2223: 2222: 2214: 2213: 2206: 2203: 2201: 2198: 2196: 2193: 2191: 2188: 2186: 2183: 2181: 2178: 2176: 2173: 2171: 2168: 2166: 2163: 2161: 2158: 2156: 2153: 2151: 2148: 2146: 2143: 2141: 2138: 2136: 2133: 2131: 2128: 2126: 2123: 2121: 2118: 2116: 2113: 2111: 2108: 2106: 2103: 2101: 2098: 2096: 2093: 2091: 2088: 2086: 2083: 2081: 2078: 2076: 2073: 2071: 2068: 2066: 2063: 2061: 2058: 2056: 2053: 2052: 2044: 2043: 2036: 2033: 2031: 2028: 2026: 2023: 2021: 2018: 2016: 2013: 2011: 2008: 2006: 2003: 1999: 1996: 1995: 1994: 1991: 1989: 1986: 1985: 1981: 1975: 1974: 1967: 1966:War-mongering 1964: 1962: 1959: 1957: 1954: 1950: 1947: 1946: 1945: 1942: 1938: 1935: 1934: 1933: 1932:Progymnasmata 1930: 1926: 1923: 1921: 1918: 1916: 1913: 1912: 1911: 1908: 1906: 1903: 1901: 1900:Maiden speech 1898: 1896: 1893: 1889: 1886: 1885: 1884: 1881: 1879: 1876: 1872: 1869: 1868: 1867: 1864: 1862: 1859: 1857: 1854: 1852: 1849: 1847: 1844: 1840: 1837: 1835: 1834: 1830: 1829: 1828: 1825: 1823: 1820: 1818: 1817: 1813: 1809: 1806: 1805: 1804: 1801: 1799: 1796: 1794: 1791: 1787: 1786: 1782: 1781: 1780: 1777: 1775: 1772: 1770: 1767: 1766: 1758: 1757: 1750: 1749: 1745: 1743: 1742: 1738: 1734: 1731: 1730: 1729: 1726: 1724: 1721: 1717: 1716: 1712: 1710: 1709: 1705: 1703: 1702: 1698: 1697: 1696: 1693: 1691: 1688: 1686: 1683: 1681: 1678: 1676: 1675: 1671: 1669: 1668: 1664: 1662: 1659: 1655: 1654: 1650: 1648: 1647: 1643: 1641: 1640: 1636: 1634: 1633: 1629: 1627: 1626: 1622: 1621: 1620: 1617: 1613: 1610: 1608: 1605: 1604: 1603: 1600: 1596: 1593: 1592: 1591: 1588: 1586: 1585: 1581: 1579: 1576: 1574: 1573: 1569: 1565: 1564: 1560: 1559: 1558: 1555: 1553: 1550: 1548: 1547: 1543: 1541: 1540: 1536: 1534: 1531: 1529: 1526: 1524: 1523: 1519: 1518: 1510: 1509: 1502: 1501:Modern period 1499: 1495: 1494: 1490: 1489: 1488: 1485: 1481: 1478: 1476: 1473: 1472: 1471: 1468: 1464: 1461: 1459: 1456: 1455: 1454: 1451: 1449: 1448:Ancient India 1446: 1442: 1439: 1437: 1434: 1432: 1431:Attic orators 1429: 1427: 1424: 1422: 1419: 1418: 1417: 1414: 1413: 1409: 1403: 1402: 1398: 1394: 1393: 1390: 1387: 1386: 1382: 1378: 1377: 1374: 1372: 1368: 1364: 1363: 1362:Bildungsroman 1357: 1355: 1354: 1349: 1344: 1341: 1340:Bildungsroman 1337: 1333: 1326: 1321: 1318: 1317:heteroglossia 1312: 1310: 1305: 1301: 1296: 1293: 1291: 1286: 1284: 1283:Immanuel Kant 1280: 1276: 1272: 1268: 1264: 1260: 1259: 1254: 1253: 1248: 1247: 1246:heteroglossia 1242: 1238: 1234: 1229: 1221: 1216: 1213: 1211: 1207: 1203: 1198: 1196: 1192: 1191: 1186: 1185:carnivalesque 1182: 1177: 1173: 1169: 1165: 1160: 1158: 1154: 1153: 1148: 1144: 1140: 1134: 1126: 1121: 1119: 1115: 1111: 1106: 1104: 1100: 1096: 1092: 1088: 1085: 1081: 1077: 1072: 1070: 1066: 1062: 1057: 1053: 1046: 1041: 1038: 1033: 1031: 1027: 1023: 1019: 1015: 1009: 1001: 996: 993: 988: 981: 978: 975: 974: 973: 971: 967: 963: 959: 955: 953: 948: 944: 940: 934: 924: 920: 918: 914: 910: 906: 901: 897: 893: 888: 886: 882: 878: 874: 869: 867: 863: 859: 855: 851: 847: 843: 839: 835: 831: 827: 818: 814: 812: 811:osteomyelitis 808: 804: 800: 796: 792: 788: 778: 776: 772: 768: 764: 760: 756: 752: 748: 747:heteroglossia 744: 740: 736: 732: 728: 716: 711: 709: 704: 702: 697: 696: 694: 693: 688: 687:Postmodernism 685: 683: 680: 678: 675: 673: 672:Structuralism 670: 668: 665: 663: 660: 659: 658: 657: 653: 652: 647: 644: 642: 639: 637: 634: 632: 629: 627: 624: 622: 621:Thomas Sebeok 619: 617: 614: 612: 609: 607: 604: 602: 599: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 557: 554: 552: 549: 547: 544: 542: 541:Gottlob Frege 539: 537: 534: 532: 529: 527: 524: 522: 521:Marcel Danesi 519: 517: 514: 512: 509: 508: 507: 506: 502: 501: 496: 493: 491: 488: 486: 483: 482: 481: 480: 476: 475: 470: 467: 465: 462: 460: 457: 455: 452: 450: 447: 445: 442: 441: 440: 439: 435: 434: 429: 426: 424: 423: 419: 417: 414: 412: 409: 407: 404: 402: 399: 397: 394: 392: 389: 387: 384: 382: 378: 375: 373: 369: 366: 364: 363:Confabulation 361: 359: 356: 352: 349: 347: 344: 343: 342: 339: 338: 337: 336: 332: 331: 327: 326: 323: 320: 319: 311: 309: 305: 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in 1963 2727:Formalists 2709:literature 2510:Technology 2500:Procedural 2320:(c. 50 BC) 2306:De Oratore 2170:Quintilian 2165:Protagoras 2020:Metaphoric 1944:Propaganda 1827:Epideictic 1741:Sotto voce 1695:Persuasion 1690:Operations 1632:Dispositio 1528:Chironomia 1309:chronotope 1304:chronotope 1300:chronotope 1267:utterances 1258:chronotope 1103:polyphonic 970:aesthetics 846:Kazakhstan 526:John Deely 372:Denotation 314:Early life 194:chronotope 27:patronymic 4239:41, 2013. 3798:Dialogism 3796:Holquist 3780:Brandist 3265:Holquist 3162:), p. 27. 3122:, CLCWeb 3105:Citations 3062:Rabelais' 2891:Semiotics 2869:Influence 2855:discourse 2759:dialogism 2624:Seduction 2455:Cognitive 2443:Subfields 2370:(100–400) 2125:Isocrates 2065:Augustine 2055:Aristotle 2030:Narrative 1980:Criticism 1925:Philippic 1839:Panegyric 1822:Elocution 1803:Dialectic 1723:Situation 1584:Facilitas 1578:Enthymeme 1557:Eloquence 1539:Delectare 1275:utterance 1252:dialogism 1056:monologic 992:schematic 887:of 1941. 856:(then in 830:dialogism 826:Leningrad 322:Semiotics 300:semiotics 202:polyphony 190:dialogism 4545:excerpts 3652:26 April 3579:(1998). 3183:23 March 3073:See also 2705:rhetoric 2495:Pedagogy 2475:Feminist 2246:Rhetoric 2236:Phaedrus 2230:(380 BC) 2180:Richards 2150:Perelman 1998:Pentadic 1993:Dramatic 1937:Suasoria 1915:Diatribe 1856:Forensic 1833:Encomium 1798:Demagogy 1667:Imitatio 1639:Elocutio 1625:Inventio 1595:Informal 1514:Concepts 1441:Sophists 1436:Calliope 1426:Atticism 1421:Asianism 1389:Rhetoric 1381:a series 1379:Part of 1353:Novy Mir 1348:Novy Mir 1336:Novy Mir 1320:exists. 1181:carnival 1084:carnival 1014:dialogue 885:invasion 873:Kustanai 862:Mordovia 850:Kustanai 751:carnival 406:Semiosis 401:Salience 391:Modality 381:Decoding 377:Encoding 346:relation 4023:Sources 3800:, p.183 2540:Related 2515:Therapy 2505:Science 2470:Digital 2350:(c. 50) 2340:(46 BC) 2330:(46 BC) 2310:(55 BC) 2300:(80 BC) 2290:(84 BC) 2226:Gorgias 2195:Toulmin 2190:Tacitus 2140:McLuhan 2115:Gorgias 2110:Erasmus 2105:Derrida 2070:Bakhtin 2060:Aspasia 2025:Mimesis 1988:Cluster 1920:Eristic 1910:Polemic 1905:Oratory 1883:Lecture 1646:Memoria 1590:Fallacy 1533:Decorum 1480:Trivium 1408:History 1367:Realism 1105:novel. 1080:Emerson 1030:Russian 898:to the 877:Saransk 854:Saransk 842:Solovki 807:Vitebsk 735:Vilnius 477:Methods 386:Lexical 296:Marxism 277:Russian 39:Bakhtin 4483: 4463: 4405: 4382: 4348: 4331: 4323: 4303: 4271: 4252: 4203: 4107: 3784:, 1–26 3643: 3589: 3534: 3524: 3230: 3158: 2915:Geertz 2889:, and 2774:Legacy 2761:, the 2696:Genres 2599:Pistis 2594:Orator 2520:Visual 2430:(1970) 2420:(1966) 2410:(1521) 2400:(1305) 2336:Orator 2276:Topics 2205:Weaver 2135:Lysias 2130:Lucian 2120:Hobbes 2095:de Man 2090:Cicero 1888:Public 1871:Sermon 1846:Eulogy 1774:Debate 1762:Genres 1708:Pathos 1674:Kairos 1661:Hypsos 1607:Scheme 1572:Eunoia 1552:Device 1546:Docere 1371:Goethe 966:ethics 781:Career 763:picaro 761:, the 739:Odessa 731:Russia 436:Fields 422:Umwelt 328: 144:Region 103:Moscow 25:, the 4623:Works 4547:from 4327:/ US 2390:(426) 2380:(102) 2218:Works 2185:Smith 2175:Ramus 2160:Plato 2155:Pizan 2085:Burke 2075:Booth 2010:Genre 2005:Frame 1748:Topos 1733:Grand 1728:Style 1715:Logos 1701:Ethos 1685:Modes 1612:Trope 1359:"The 1099:genre 1052:whole 1040:thus: 881:Kimry 787:Nevel 755:Babel 727:Oryol 428:Value 250:bukh- 81:Oryol 4554:Page 4481:ISBN 4461:ISBN 4449:and 4403:ISBN 4380:ISBN 4346:ISBN 4329:ISBN 4321:ISBN 4301:ISBN 4269:ISBN 4250:ISBN 4201:ISBN 4105:ISBN 3948:help 3654:2011 3641:ISBN 3587:ISBN 3532:OCLC 3522:ISBN 3269:p.10 3228:ISBN 3209:2015 3185:2013 3156:ISBN 3066:PMLA 2861:and 2818:and 2794:and 2753:and 2745:and 2707:and 2564:Doxa 2360:(95) 2200:Vico 1949:Spin 1290:epic 1281:and 1255:and 1208:and 968:and 962:Kant 915:, a 838:OGPU 749:and 358:Code 341:Sign 273:O.S. 264:IPA: 252:TEEN 92:Died 75:O.S. 66:Born 4455:by 4436:doi 4420:doi 4122:doi 2639:TED 2485:New 2145:Ong 1330:In 1200:In 1162:In 1159:). 134:Era 37:is 29:is 4713:: 4261:, 3956:^ 3939:: 3937:}} 3933:{{ 3912:12 3910:. 3906:. 3890:^ 3789:^ 3672:^ 3530:. 3434:^ 3251:. 3175:. 3126::2 3124:11 2950:. 2885:, 2881:, 2865:. 2838:; 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Index