Miguel Ángel Asturias

613:

dictator, Manuel Estrada Cabrera's rule. Asturias's novel examines how evil spreads downward from a powerful political leader, into the streets and homes of the citizens. Many themes, such as justice and love, are mocked in the novel, and escape from the dictator's tyranny is seemingly impossible. Each character within the novel is deeply affected by the dictatorship and must struggle to survive in a terrifying reality. The story opens with the accidental murder of a high official, Colonel Parrales Sonriente. The President uses the Colonel's death to dispose of two men as he decides to frame them both for the murder. The tactics of the President are often viewed as sadistic, as he believes his word is the law which no one shall question. The novel then travels with several characters, some close to the President and some seeking escape from his regime. The dictator's trusted adviser, whom the reader knows as "Angel Face", falls in love with a General Canales's daughter, Camila. Also, Angel Face, under the direct order of the President, convinces General Canales that immediate flight is imperative. Unfortunately, the General is one of the two men the President is trying to frame for murder; the President's plan to make General Canales appear guilty is to have him shot while fleeing. The General is hunted for execution while his daughter is held under house arrest by Angel Face. Angel Face is torn between his love for her and his duty to the President. While the Dictator is never named, he has striking similarities to Manuel Estrada Cabrera.

650:

author was both passionate and knowledgeable. The novel draws on traditional legend, but the story is of Asturias's own creation. The plot revolves around an isolated Indian community (the men of maize or "people of corn") whose land is under threat by outsiders, with the intent of commercial exploitation. An indigenous leader, Gaspar Ilom, leads the community's resistance to the planters, who kill him in the hope of thwarting the rebellion. Beyond the grave Ilom lives on as a "folk-hero"; despite his efforts, the people still lose their land. In the second half of the novel, the central character is a postman, Nicho, and the story revolves around his search for his lost wife. In the course of his quest he abandons his duties, tied as they are to "white society", and transforms himself into a coyote, which represents his

789:, is loosely based on Maya mythology and legends. The author chose legends spanning from the creation of the Maya people to the arrival of the Spanish conquistadors hundreds of years later. Asturias introduces the Spanish colonizers in his story "Leyenda del tesoro del Lugar Florido" (Legend of the Treasure from the Flowering Place). In this story, a sacrificial ritual is interrupted by the unexpected arrival of "the white man" ("los hombres blancos"). The tribe scatters in fright of the intruders and their treasure is left behind in the hands of the white man. Jimena Sáenz argues that this story represents the fall of the Maya civilization at the hands of the Spanish conquistadors. 948:

into a stone. That is not a tangible reality but one that involves an understanding of supernatural forces. That is why when I have to give it a literary label I call it "magic realism." Similarly, scholar Lourdes Royano Gutiérrez argues that surrealist thought is not entirely different from the indigenous or mestizo worldview. Royano Gutiérrez describes this worldview as one in which the border between reality and dream is porous and not concrete. It is clear from both Asturias' and Gutiérrez' quotes that magical realism was seen as a suitable genre to represent an indigenous character's thoughts. The surrealist/magical realist style is exemplified in Asturias' works

3399: 1012: 850: 980:, Asturias fuses surrealism with indigenous tradition in something called the "great language" ("la gran lengua"). In this Maya tradition, the people bestow magical power to certain words and phrases; similar to a witch's chant or curse. In his stories, Asturias restores this power to words and lets them speak for themselves: "Los toros toronegros, los toros torobravos, los toros torotumbos, los torostorostoros" ("the bulls bullsblack, the bulls bullsbrave, the bulls bullsshake, the bullsbullsbulls"). 1560: 52: 325:(Association of Law Students), in addition to actively participating in La Tribuna del Partido Unionista (Platform of the Unionist Party). It was ultimately the latter group which derailed the dictatorship of Estrada Cabrera. Both of the associations he founded have been recognized as being positively associated with Guatemalan patriotism. In reference to literature, Asturias' involvement in all of these organizations influenced many of his scenes in 1546: 399:. Asturias was asked following his work as an ambassador to help suppress the threat of rebels from El Salvador. The rebels ultimately succeeded in invading Guatemala and overthrew Jacobo Árbenz' rule in 1954 with the support of the U.S. government. Arbenz's policies were contrary to interests of United Fruit who lobbied heavily for his ousting. When the government of Jacobo Árbenz fell Asturias was expelled from the country by 279:, who had come to power in February 1898. As Asturias later recalled, "My parents were quite persecuted, though they were not imprisoned or anything of the sort". Following an incident in 1904 which, in his capacity as judge, Asturias Sr. set free some students arrested for causing a disturbance, he clashed directly with the dictator, lost his job, and he and his family were forced to move in 1905 to the town of 940:. In an interview with his friend and biographer Günter W. Lorenz, Asturias discusses how these stories fit his view of magical realism and relate to surrealism, saying, "Between the "real" and the "magic" there is a third sort of reality. It is a melting of the visible and the tangible, the hallucination and the dream. It is similar to what the surrealists around Breton wanted and it is what we could call " 564: 520:; 1930), is a collection of nine stories that explore Mayan myths from before the Spanish conquest as well as themes that relate to the development of a Guatemalan national identity. Asturias' fascination with pre-Columbian texts such as Popul Vuh and Anales de los Xahil, as well as his beliefs in popular myths and legends, have heavily influenced the work. Academic 260: 932:

two genres. Asturias discussed the idea of magical realism in his own works linking it explicitly to surrealism. He did not, however, use the term to describe his own material. He used it instead in reference to the Mayan stories written before the conquest of America by the Europeans, stories such as

287:, where Miguel Ángel Asturias lived on his grandparents' farm. It was here that Asturias first came into contact with Guatemala's indigenous people; his nanny, Lola Reyes, was a young indigenous woman who told him stories of their myths and legends that would later have a great influence on his work. 931:

Surrealism has contributed greatly to the works of Asturias. Characterized by its exploration of the subconscious mind, the genre allowed Asturias to cross boundaries of fantasy and reality. Although Asturias' works were seen as preceding magical realism, the author saw many similarities between the

451:

Asturias married his first wife, Clemencia Amado (1915-1979), in 1939. They had two sons, Miguel and Rodrigo Ángel, before divorcing in 1947. Asturias then met and married his second wife, Blanca Mora y Araujo (1904–2000), in 1950. Mora y Araujo was Argentinian, and so when Asturias was deported from

811:

manipulated Latin American politicians and exploited land, resources, and Guatemalan laborers. The effects of American companies in Guatemala inspired Asturias to write "The Banana Trilogy," a series of three novels published in 1950, 1954, and 1960 that revolve around the exploitation of indigenous

795:

does not explicitly identify its setting as early twentieth-century Guatemala, however, the novel's title character was inspired by the 1898–1920 presidency of Manuel Estrada Cabrera. The character of the President rarely appears in the story but Asturias employs a number of other characters to show

781:

Throughout Asturias' literary career, he was continually involved in politics. He was openly opposed to the Cabrera Dictatorship and worked as an ambassador in various Latin American countries. His political opinions come through in a number of his works. Some political themes found in his books are

947:

As mentioned above, Maya culture was an important inspiration for Asturias. He saw a direct relationship between magical realism and Indigenous mentality, saying, "...an Indian or a mestizo in a small village might describe how he saw an enormous stone turn into a person or a giant, or a cloud turn

922:

When asked about his method of interpreting the Mayan psyche, Asturias was quoted saying "I listened a lot, I imagined a little, and invented the rest" (Oí mucho, supuse un poco más e inventé el resto). In spite of his inventions, his ability to incorporate his knowledge in Mayan ethnology into his

901:

and admitted that his interpretations of the indigenous psyche were intuitive and speculative. In taking such liberties, there are many possibilities for error. However, Lourdes Royano Gutiérrez argues that his work remains valid because in this literary situation, intuition served as a better tool

857:

The Guatemala that exists today was founded on top of a substratus of Mayan culture. Before the arrival of the Spanish conquistadors, this civilization was very advanced politically, economically, and socially. This rich Mayan culture has had an undeniable influence on Asturias' literary works. He

964:

Asturias was one of the first Latin American novelists to realize the enormous potential of language in literature. He had a very profound linguistic style that he employed to convey his literary vision. In his works, language is more than a form of expression or a means to an end and can be quite

828:

Guatemala and America are, for Asturias, a country and a continent of nature. Nahum Megged in her article "Artificio y naturaleza en las obras de Miguel Angel Asturias," writes on how his work embodies the "captivating totality of nature" and how it does not use nature solely as a backdrop for the

815:

Asturias was very concerned with the marginalization and poverty of the Maya people in Guatemala. He believed that socio-economic development in Guatemala depended on better integration of indigenous communities, a more equal distribution of wealth in the country, and working to lower the rates of

662:

Written in the form of a myth, the novel is experimental, ambitious, and difficult to follow. For instance, its "time scheme is a mythic time in which many thousands of years may be compressed and seen as a single moment", and the book's language is also "structured so as to be analogous to Indian

649:

refers to the Maya Indians' belief that their flesh was made of corn. The novel is written in six parts, each exploring the contrast of traditional Indian customs and a progressive, modernizing society. Asturias's book explores the magical world of indigenous communities, a subject about which the

592:

showcased Asturias's talent and influence as a novelist. Zimmerman and Rojas describe his work as an "impassioned denunciation of the Guatemalan dictator Manuel Estrada Cabrera." The novel was written during Asturias's exile in Paris. While completing the novel, Asturias associated with members of

308:

In 1922, Asturias and other students founded the Popular University, a community project whereby "the middle class was encouraged to contribute to the general welfare by teaching free courses to the underprivileged." Asturias spent a year studying medicine before switching to the faculty of law at

271:

on 19 October 1899, the first child of Ernesto Asturias Girón, a lawyer and judge, and María Rosales de Asturias, a schoolteacher. Two years later, his brother, Marco Antonio, was born. Asturias's parents were of Spanish descent, and reasonably distinguished: his father could trace his family line

968:

For example, in his novel "Leyendas de Guatemala", there is a rhythmic, musical style to writing. In many of his works, he is known to have frequently used onomatopoeias, repetitions and symbolism, techniques which are also prevalent in pre-Columbian texts. His modern interpretation of the Mayan

746:

commented that it is "sufficiently obvious that the whole art of this novel rests upon its language". In general, Asturias matches the visual freedom of the cartoon by using every resource the Spanish language offers him. His use of color is striking and immeasurably more liberal than in earlier

738:

described it as "a carnival incarnated in the novel. It represents a collision between Mayan Mardi Gras and Hispanic baroque." The novel emerged as a major novel during the 1960s. The plot revolves around the battle between Catalina and Yumí to control Mulata (the moon spirit). Yumí and Catalina

340:

Asturias' university thesis, "The Social Problem of the Indian," was published in 1923. After receiving his law degree the same year, Asturias moved to Europe. He had originally planned to live in England and study political economy, but changed his mind. He soon transferred to Paris, where he

304:

In 1920, Asturias participated in the uprising against the dictator Manuel Estrada Cabrera. While enrolled in El Instituto Nacional de Varones (The National Institute for Boys) he took an active role, such as organizing strikes in his high school, in the overthrow of the dictatorship of Estrada

829:

drama. She explains that the characters in his books who are most in harmony with nature are the protagonists and those who disrupt the balance of nature are the antagonists. The theme of the erotic personification of nature in his novels is pervasive throughout his novels. An example being in

772:

and is a pervasive theme throughout his works. When asked by interviewer Günter W. Lorenz how he perceives his role as a Latin American writer, he responds, "...I felt it was my calling and my duty to write about America, which would someday be of interest to the world." Later in the interview

612:

uses surrealistic techniques and reflects Asturias' notion that Indian's non-rational awareness of reality is an expression of subconscious forces. Although the author never specifies where the novel takes place, it is clear that the plot is influenced by Guatemalan president, and well-known

208:. The novel influenced later Latin American novelists in its mixture of realism and fantasy. Asturias' very public opposition to dictatorial rule led to him spending much of his later life in exile, both in South America and in Europe. The book that is sometimes described as his masterpiece, 272:

back to colonists who had arrived in Guatemala in the 1660s; his mother, whose ancestry was more mixed, was the daughter of a colonel. In 1905, when the writer was six years old, the Asturias family moved to the house of Asturias' grandparents, where they lived a more comfortable lifestyle.

654:. This transformation is yet another reference to Mayan culture; the belief of nahualism, or a man's ability to assume the shape of his guardian animal, is one of the many essential aspects to understanding the hidden meanings in the novel. Through allegory, Asturias shows how European 605:

is one of many novels to explore life under a Latin American dictator and in fact, has been heralded by some as the first real novel exploring the subject of dictatorship. The book has also been called a study of fear because fear is the climate in which it unfolds.

442:

announced that the family of Miguel Ángel Asturias had agreed to repatriate his remains to Guatemalan territory. That same day, the "year of Miguel Ángel Asturias" was inaugurated to commemorate the 125th anniversary of his birth and 50th anniversary of his death.

701:

banana industry. At first, the volumes were only published in small quantities in his native Guatemala. His critique of foreign control of the banana industry and how Guatemalan natives were exploited eventually earned him the Soviet Union's highest prize, the

658:

dominates and transforms native traditions in the Americas. By the novel's end, as Jean Franco notes, "the magic world of Indian legend has been lost"; but it concludes on a "Utopian note," as the people become ants to transport the maize they have harvested.

222:

and customs. Asturias combined his extensive knowledge of Mayan beliefs with his political convictions, channeling them into a life of commitment and solidarity. His work is often identified with the social and moral aspirations of the Guatemalan people.

1086:. This award caused some controversy at the time because of his relative anonymity outside of Latin America. Robert G. Mead criticized the choice because he thought that there were more well-known deserving candidates. In 1966, Asturias was awarded the 914:

as "Indianist" authors. She argues that all three of these writers were led to "break with realism precisely because of the limitations of the genre when it came to representing the Indian". For example, Asturias used a lyrical and experimental style in

881:

Certain aspects of indigenous life were of a unique interest to Asturias. Commonly known as corn, maize is an integral part of Mayan culture. It is not only a main staple in their diet but plays an important role in the Mayan creation story found in the

773:

Asturias identifies himself as a spokesman for Guatemala, saying, "...Among the Indians there's a belief in the Gran Lengua (Big Tongue). The Gran Lengua is the spokesman for the tribe. And in a way that's what I've been: the spokesman for my tribe."

423:

achieved power and Asturias was given back his Guatemalan citizenship. Montenegro appointed Asturias as ambassador to France, where he served until 1970, taking up a permanent residence in Paris. A year later, in 1967, English translations of

858:

believed in the sacredness of the Mayan traditions and worked to bring life back into its culture by integrating the Indian imagery and tradition into his novels. Asturias studied at the Sorbonne (the University of Paris at that time) with

796:

the terrible effects of living under a dictatorship. This book was a notable contribution to the dictator novel genre. Asturias was unable to publish the book in Guatemala for thirteen years because of the strict censorship laws of the

747:

novels." Asturias built the novel with this unique use of color, liberal theory, and his distinctive use of the Spanish language. His novel also received the Silla Monsegur Prize for the best Spanish-American novel published in France.

782:

the following: Spanish colonization of Latin America and the decline of the Maya civilization; the effects of political dictatorships on society; and the exploitation of the Guatemala people by foreign-owned agricultural companies.

1027:

After his death in 1974, his home country acknowledged his contribution to Guatemalan literature by establishing literary awards and scholarships in his name. One of these is the country's most distinguished literary prize, the

544:

has been described by some as "historia-sueño-poemas" (history-dream-poem). In each legend, Asturias draws the reader in with a fury of beauty and mystery without being able to comprehend the sense of space and time.

407:

and Chile, where he spent the next eight years of his life. When another change of government in Argentina meant that he once more had to seek a new home, Asturias moved to Europe. While living in exile in

187:. Some scholars view him as the first Latin American novelist to show how the study of anthropology and linguistics could affect the writing of literature. While in Paris, Asturias also associated with the 816:

illiteracy amongst other prevalent issues. Asturias' choice to publicize some of the political problems of Guatemala in his novels brought international attention to them. He was awarded the

329:. Asturias was thus involved in politics; working as a representative of the Asociación General de Estudiantes Universitarios (General Association of University Students), and traveling to 973:

with colourful, exuberant vocabulary. This unique style has been called "tropical baroque" ("barroquismo tropical") by scholar Lourdes Royano Gutiérrez in her analysis of his major works.

290:

In 1908, when Asturias was nine, his family returned to the suburbs of Guatemala City. Here they established a supply store where Asturias spent his adolescence. Asturias first attended

1047:" who, he argues, "really initiated Latin American modernism." His experimentation with style and language is considered by some scholars as a precursor to the magical realism genre. 540:

movement. Asturias used conventional writing and lyrical prose to tell a story about birds and other animals conversing with other archetypal human beings. Asturias' writing style in

431:

Later in Asturias' life he helped found the Popular University of Guatemala. Asturias spent his final years in Madrid, where he died in 1974. He is buried in the 10th division of the

1039:

Asturias is remembered as a man who believed strongly in recognizing indigenous culture in Guatemala. For Gerald Martin, Asturias is one of what he terms "the ABC writers—Asturias,

1970: 1082:

Asturias received many honors and literary awards over the course of his career. One of the more notable awards was the Nobel Prize for Literature, which he received in 1967 for

739:

become experts in sorcery and are criticized by the Church for their practices. The novel uses Mayan mythology and Catholic tradition to form a distinctive allegory of belief.

5268: 361:, and began writing poetry and fiction. During this time, Asturias developed a deep concern for Mayan culture and in 1925 he worked to translate the Mayan sacred text, the 1182: 841:

Asturias was greatly inspired by the Maya culture of Central America. It is an overarching theme in many of his works and greatly influenced the style of this writing.

536:

is, "The first major anthropological contribution to Spanish American literature." According to academic Francisco Solares-Larrave, the stories are a precursor to the

965:

abstract. Language does not give life to his work, rather the organic language Asturias uses has a life of its own within his work ("El lenguage tiene vida propia").

1249: 5915: 191:

movement, and he is credited with introducing many features of modernist style into Latin American letters. In this way, he is an important precursor of the

3504: 1573: 1029: 3537: 235: 5261: 5030: 3435: 859: 313:

in Guatemala City. He obtained his law degree in 1923 and received the Gálvez Prize for his thesis on Indian problems. Asturias was also awarded the

5820: 3131: 768:

in its language, Mayan in its mythology). His quest to create an authentic Guatemalan national identity is central to his first published novel,

1170: 1062:

because of the stream-of-consciousness style he employed. His work has been translated into numerous languages such as English, French, German,

5815: 3249:

Solares-Lavarre, Francisco (2000). "El discurso del mito: respuesta a la modernidad en Leyendas de Guatemala". In Mario Roberto Morales (ed.).

5895: 5254: 2685: 5835: 5875: 5865: 5277: 645:, 1949) is usually considered to be Asturias's masterpiece, yet remains one of the least understood novels produced by Asturias. The title 172:, novelist, playwright and journalist. Winning the Nobel Prize in Literature in 1967, his work helped bring attention to the importance of 5830: 5825: 482: 226:

After decades of exile and marginalization, Asturias finally received broad recognition in the 1960s. In 1966, he won the Soviet Union's

673:

Asturias wrote an epic trilogy about the exploitation of the native Indians on banana plantations. This trilogy comprises three novels:

3447: 5795: 1098:) in which he criticizes the presence of aggressive American companies such as The United Fruit Company in Latin American countries. 588:

was completed in 1933 but remained unpublished until 1946, where it was privately released in Mexico. As one of his earliest works,

3374: 5800: 1579: 1033: 5870: 3530: 5905: 5805: 5023: 1101:

Other prizes for Asturias' work include: el Premio Galvez (1923); Chavez Prize (1923); and the Prix Sylla Monsegur (1931), for

310: 3428: 5144: 3546: 3333: 3290: 3194: 3058: 2817: 2798: 2779: 944:." Although the two genres shared much in common, magical realism is often considered as having been born in Latin America. 5910: 5885: 2926: 5920: 5855: 179:

Asturias was born and raised in Guatemala though he lived a significant part of his adult life abroad. He first lived in

5739: 5890: 5810: 3523: 663:

languages". Because of its unusual approach, it was some time before the novel was accepted by critics and the public.

420: 1106: 5925: 5235: 5230: 5225: 5220: 5215: 5205: 5200: 5195: 5190: 5185: 5016: 3213: 3077: 2955: 1618: 3421: 3388: 242:

had won it in 1945). Asturias spent his final years in Madrid, where he died at the age of 74. He is buried in the

5845: 1816: 5880: 5850: 5084: 5063: 4992: 4981: 4970: 4959: 4937: 4926: 4915: 4904: 4893: 4882: 4871: 4860: 4849: 4838: 4827: 4816: 4805: 4794: 4783: 4772: 4761: 4750: 4739: 4728: 4706: 4695: 4684: 4673: 4662: 4651: 4640: 4629: 4618: 4607: 4596: 4585: 4574: 4563: 4552: 4541: 4530: 4519: 4508: 4497: 4475: 4464: 4453: 4442: 4431: 4420: 4405: 4394: 4383: 4372: 4361: 4350: 4339: 4328: 4313: 4302: 4290: 4279: 4268: 4257: 4235: 4224: 4213: 4202: 4191: 4180: 4169: 4158: 4147: 4136: 4125: 4114: 4103: 4092: 4081: 4070: 4059: 4051: 4042: 4033: 4013: 4001: 3990: 3979: 3968: 3960: 3948: 3937: 3926: 3910: 3899: 3888: 3877: 3866: 3855: 3844: 3833: 3822: 3811: 3800: 3778: 3767: 3759: 3743: 3732: 3721: 3713: 3701: 3690: 3679: 3668: 3657: 3646: 3635: 3624: 3613: 3598: 3587: 3576: 3565: 2836: 1497:/ translated by Maureen Ahern. – Tempe : Arizona State University Center for Latin American Studies, 1977) 919:, which Franco believed to be a more authentic way of representing the indigenous mind than traditional prose. 760:

Postcolonial Guatemalan identity is influenced by a mixture of Mayan and European culture. Asturias, himself a

396: 231: 5860: 5840: 305:

Cabrera. He and his classmates formed what is now known to be "La Generación del 20" (The Generation of 20).

298:. Asturias began writing as a student and wrote the first draft of a story that would later become his novel 870:, the sacred book of the Mayas. Fascinated by the mythology of the indigenous people of Guatemala, he wrote 983:

Asturias uses a significant amount of Mayan vocabulary in his works. A glossary can be found at the end of

553:

wrote of the book, "I found it brought about a tropical dream, which I experienced with singular delight."

1325:

El hombre que lo tenía todo, todo, todo; La leyenda del Sombrerón; La leyenda del tesoro del Lugar Florido

853:

Maya vase depicting a lord of the underworld stripped of clothes and headgear by the young maize divinity.

807:, the United States continually increased its presence in Latin American economies. Companies such as the 464:

to his wife, Blanca, after it was published in 1956. They remained married until Asturias' death in 1974.

4512: 969:

writing style later became his trademark. Asturias synthesized the liturgic diction found in the ancient

4005: 3591: 1642: 549:

brought Asturias critical praise in France as well as in Guatemala. The noted French poet and essayist

379:. Two years later, in Paris, Asturias received the Sylla Monsegur Prize for the French translations of 367:, into Spanish, a project which he spent 40 years on. He also founded a magazine while in Paris called 5721: 5080: 3550: 3381: 2846:

Henighan, Stephen (1999). "Two Paths to the Boom: Carpentier, Asturias, and the Performative Split".

403:

because of his support for Árbenz. He was stripped of his Guatemalan citizenship and went to live in

144: 73: 432: 243: 5900: 5049: 911: 894:), a mythological fable that introduces readers to the life, customs, and psyche of a Maya Indian. 1003:

in order to better understand the rich combination of colloquial Guatemalan and indigenous words.

5179: 4195: 3650: 3302:

I & L (Ideologies and Literature) Journal of Hispanic and Luso-Brazil Literatures Minneapolis

1613:. Judge, Harry George., Toyne, Anthony. Oxford : Oxford University Press. 1985–1993. p. 25. 706:. This recognition marked Asturias as one of the few authors recognized in both the West and the 353:) and became a dedicated surrealist under the influence of the French poet and literary theorist 1681:"Mis padres eran bastante perseguidos, pero no eran conjurados ni cosa que se parezca." Qtd. in 1263:/ translated by Gilbert Alter-Gilbert. – Pittsburgh : Latin American Literary Review, 1997) 5158: 5125: 5108: 4365: 3837: 1016: 276: 3470: 1128: 820:

and the Nobel Prize for Literature because of the political criticisms included in his books.

734:

while he and his wife were living in Genoa in 1963. His novel received many positive reviews;

579: 569: 200: 123: 4457: 3747: 3736: 3602: 3515: 3462: 3125: 1333:. – Nanterre : ALLCA XX/Université Paris X, Centre de Recherches Latino-Américanes, 1993 1241: 524:

describes the book as, "lyrical recreations of Guatemalan folk-lore gaining inspiration from

512: 505: 400: 4809: 4666: 5790: 5785: 5590: 3983: 863: 808: 486: 4842: 3258: 8: 5554: 5405: 5393: 4886: 4479: 4228: 3914: 3848: 3705: 3683: 3367: 1067: 907: 594: 350: 346: 192: 5566: 5375: 4589: 4151: 439: 317:

for being the top student in his faculty. It was at this university that he founded the

5476: 5470: 5246: 4831: 4446: 4317: 4063: 3751: 3617: 3398: 3269:(1957). "Carta de Paul Valéry a Francis de Miomandre". In Miguel Ángel Asturias (ed.). 3156: 3113: 3035: 2995: 2908: 2863: 2726: 1636: 173: 5727: 5643: 5488: 4184: 3628: 3139:

Megged, Nahun (1976). "Artificio y naturaleza en las obras de Miguel Angel Asturias".

1140: 1011: 5649: 5104: 4963: 4644: 4343: 4306: 4162: 3972: 3815: 3694: 3329: 3323: 3286: 3237: 3209: 3190: 3173: 3073: 3072:. By Miguel Ángel Asturias (Critical ed.). Madrid: ALLCA XX. pp. xxxix–li. 3054: 3048: 3039: 2832: 2813: 2794: 2775: 2768: 2733: 1624: 1614: 1133: 1040: 878:). This fictional work re-tells some of the Mayan folkloric stories of his homeland. 817: 703: 227: 140: 5429: 4140: 3661: 3606: 5703: 5679: 5608: 5506: 5417: 5315: 4765: 4534: 4294: 4239: 4173: 4129: 4118: 4074: 3952: 3148: 3105: 3025: 2987: 2900: 2855: 1071: 1063: 1059: 1044: 804: 698: 598: 468: 391:

Asturias devoted much of his political energy towards supporting the government of

239: 164: 5757: 5411: 5345: 5309: 4688: 4387: 1148:/ translated by Gerald Martin. – New York : Delacorte/Seymour Lawrence, 1975) 849: 812:

farm laborers and the monopoly presence of the United Fruit Company in Guatemala.

392: 5602: 5596: 5381: 5363: 5339: 5303: 5297: 5291: 4875: 4611: 4523: 4468: 4424: 4413: 4283: 4217: 3930: 3639: 3580: 3569: 3251: 1565: 1159: 898: 593:

the Surrealist movement as well as fellow future Latin American writers, such as

537: 5524: 4941: 4820: 4743: 4699: 3413: 2938: 1166:/ translated by Darwin Flakoll and Claribel Alegría. – London : Owen, 1967) 460:. He lived in his wife's homeland for eight years. Asturias dedicated his novel 354: 5751: 5733: 5691: 5667: 5655: 5578: 5560: 5530: 5512: 5482: 5441: 4919: 4908: 4578: 4567: 4409: 4354: 4272: 3903: 3859: 3804: 3771: 3725: 3050:

Journeys through the Labyrinth: Latin American Fiction in the Twentieth Century

2884: 1261:

The Mirror of Lida Sal : Tales Based on Mayan Myths and Guatemalan Legends

707: 268: 112: 3355: 3350: 3266: 3096:

Mead, Jr., Robert G. (May 1968). "Miguel Ángel Asturias and the Nobel Prize".

3030: 3013: 2343: 1321:/ Compilación y prólogo Richard J. Callan . – Buenos Aires : Losada, 1981 697:; 1960). It is a fictional account of the results of foreign control over the 550: 275:

Despite his relative privilege, Asturias's father opposed the dictatorship of

5779: 5715: 5697: 5584: 5500: 5453: 5357: 5351: 5333: 5152: 5069: 5057: 5008: 4798: 4776: 4754: 4732: 4655: 4633: 4622: 4501: 4398: 4085: 3994: 3881: 3870: 3486: 3278: 2975: 2766:(1989). "Miguel Angel Asturias". In Solé, Carlos A.; Abreu, Maria I. (eds.). 1551: 1204: 941: 765: 725: 529: 525: 473: 357:. While there, he was influenced by the gathering of writers and artists in 219: 169: 108: 5447: 4261: 4096: 3014:"On Dictatorship and Rhetoric in Latin American Writing: A Counter-Proposal" 1628: 5763: 5709: 5661: 5542: 5536: 5518: 5494: 5435: 5399: 5327: 5321: 4974: 4930: 4710: 4556: 4545: 4376: 4206: 3478: 3408: 3404: 3241: 3177: 1087: 1020: 637: 631: 457: 404: 358: 284: 214: 205: 129: 22: 3393: 3104:(2). American Association of Teachers of Spanish and Portuguese: 326–331. 2967: 2737: 1200:/ translated by Martin Shuttleworth. – Garden City, N.Y.: Doubleday, 1971) 5637: 5631: 5572: 5548: 5164: 5040: 4864: 4787: 4600: 4435: 4321: 4107: 3892: 3826: 3782: 2963: 2763: 1608: 1286:/ translated by Beverly Koch. – Garden City, N.Y. : Doubleday, 1971) 1055: 1051: 903: 797: 655: 521: 330: 1559: 1453:

Teatro : Chantaje, Dique seco, Soluna, La audiencia de los confines

1015:

Bust of Miguel Ángel Asturias. Paseo de los Poetas, Rosedal de Palermo,

477:

Gaspar Ilom, the name of an indigenous rebel in his father's own novel,

259: 51: 5685: 5614: 5387: 5369: 5133: 3941: 3672: 2867: 383:. On July 14, 1933, he returned to Guatemala after ten years in Paris. 188: 3160: 3117: 2999: 2912: 5745: 5673: 4985: 4897: 3206:

Las novelas de Miguel Angel Asturias: desde la teoría de la recepción

563: 453: 363: 342: 184: 2859: 2829:

Las novelas de Miguel Ángel Asturias desde la teoría de la recepción

280: 4677: 3152: 3109: 2991: 2904: 1190:/ translated by Gregory Rabassa. – New York : Delacorte, 1973) 1178:/ translated by Gregory Rabassa. – New York : Delacorte, 1971) 800:

government, a dictatorship that ruled Guatemala from 1931 to 1944.

711: 485:(URNG). The URNG was a rebel group active in the 1980s, during the 334: 3170:

Miguel Angel Asturias: Semblanza para el estudio de su vida y obra

3363: 1509:. – Buenos Aires : Casa impresora Francisco A. Colombo, 1952 761: 26: 3328:. Athens, OH: Ohio University Center for International Studies. 1545: 1428:

Miguel Ángel Asturias, raíz y destino: Poesía inédita, 1917–1924

412:

his reputation grew as an author with the release of his novel,

4853: 1971:"Restos de Miguel Ángel Asturias serán repatriados a Guatemala" 1382:. – Guatemala City : Talleres tipográficos de Cordón, 1943 1154:. – Buenos Aires : Ministerio de Educación Pública, 1950 ( 651: 89: 3545: 3068:

Martin, Gerald (2000). "Cronología". In Martin, Gerald (ed.).

1392:

Ejercicios poéticos en forma de sonetos sobre temas de Horacio

1339:. – Madrid, Allca XX, 2000 (Mario Roberto Morales Compilation) 886:. This particular story was the influence for Asturias' novel 3005: 2918: 1400:. – La Plata, Argentina : Talleres gráficos Moreno, 1952 409: 180: 3325:

Voices From the Silence: Guatemalan Literature of Resistance

1495:

Guatemalan Sociology : The Social Problem of the Indian

1212:/ translated by Gregory Rabassa. – London : Owen, 1963) 528:

and colonial sources." For Latin American literature critic

1441:

Soluna : Comedia prodigiosa en dos jornadas y un final

3248: 833:

in which he writes, "El tropico es el sexo de la tierra."

1872: 1870: 1868: 1866: 1582:, national theatre and cultural complex in Guatemala City 5276: 2978:(1973). "Mulata de tal: The Novel as Animated Cartoon". 1307:

Torotumbo; La audiencia de los confines; Mensajes indios

1237:. – Paris : Imprimerie Française de l'Edition, 1925 3257:. Madrid – París: ALLCA (Colección Archivos). pp. 2793:(3rd ed.). Cambridge: Cambridge University Press. 1424:. – Varese-Milán, Instituto Editoriale Cisalpino, 1965. 1132:. – Mexico City : Costa-Amic, 1946 (translated by 1090:'s Lenin Peace Prize. He received this recognition for 168:; 19 October 1899 – 9 June 1974) was a Guatemalan 3313:

Zamora, Lois Parkinson; Faris, Wendy B., eds. (1995).

2705: 1863: 1032:. In addition, Guatemala City's national theatre, the 1954: 1884: 1882: 1491:

Sociología guatemalteca: El problema social del indio

2584: 2582: 2580: 2578: 2576: 2443: 2441: 1781: 1779: 1777: 1541: 2554: 2552: 2550: 2540: 2538: 2536: 2431: 2429: 1412:. – La Habana, Talleres de Ocar, García, S.A., 1959 1406:. – San Salvador : Ministerio de Cultura, 1955 584:One of Asturias' most critically acclaimed novels, 3505:Miguel Ángel Asturias National Prize in Literature 3250: 2927:"Myth and Social Realism in Miguel Angel Asturias" 2767: 2725: 2457: 2455: 2453: 2002: 2000: 1905: 1903: 1879: 1574:Miguel Ángel Asturias National Prize in Literature 1030:Miguel Ángel Asturias National Prize in Literature 3443: 3375:"The Latin American Novel, Testimony of an Epoch" 3167: 3087:McHenry, Robert (1993). "Miguel Angel Asturias". 2573: 2438: 2281: 2279: 2030: 2028: 2026: 2024: 1936: 1774: 926: 764:, proposed a hybrid national soul for Guatemala ( 5777: 3285:. Illinois: Southern Illinois University Press. 3203: 2986:(2). University of Pennsylvania Press: 397–415. 2547: 2533: 2426: 2394: 2392: 2390: 2388: 2386: 2203: 2201: 2191: 2189: 2187: 2450: 1997: 1900: 1592: 1515:. – Xalapa : Universidad Veracruzana, 1964 1430:. – Guatemala City : Artemis Edinter, 1999 923:novels make his work authentic and convincing. 375:. In 1930, Asturias published his first novel 33: and the second or maternal family name is 16:Guatemalan writer and poet-diplomat (1899-1974) 5038: 3321: 2791:An Introduction to Spanish-American Literature 2276: 2123: 2121: 2112: 2021: 1656: 1654: 1652: 1259:. – Mexico City : Siglo Veintiuno, 1967 ( 5916:Universidad de San Carlos de Guatemala alumni 5262: 5024: 3531: 3429: 3382:Estudios críticos sobre Miguel Ángel Asturias 3231: 3187:Miguel Angel Asturias's Archaeology of Return 2383: 2198: 2184: 1576:, Guatemala's most prestigious literary prize 1533:. – Caracas : Monte Avila Editores, 1972 1493:. – Guatemala City Sánchez y de Guise, 1923 ( 321:(Association of University Students) and the 3130:: CS1 maint: multiple names: authors list ( 2305: 2303: 1394:. – Buenos Aires : Botella al Mar, 1951 1374:Con el rehén en los dientes: Canto a Francia 1352:. – Imprimerie Française de l'Edition, 1929 1309:. – Barcelona : Plaza & Janés, 1967 866:. In 1926, he finished a translation of the 176:, especially those of his native Guatemala. 3317:. Durham and London: Duke University Press. 3315:Magical Realism: Theory, History, Community 3312: 2753: 2567: 2118: 1649: 483:Unidad Revolucionaria Nacional Guatemalteca 386: 254: 5269: 5255: 5031: 5017: 3538: 3524: 3436: 3422: 3397: 3351:Literature Nobel Prize Award Ceremony 1967 2066: 2064: 1920: 1918: 1531:América, fábula de fábulas y otros ensayos 1474:. – Guatemala City : Américana, 1935. 1398:Alto es el Sur : Canto a la Argentina 452:Guatemala in 1954, he went to live in the 419:In 1966, democratically elected President 3300:Willis, Susan (1983). "Nobody's Mulata". 3227:. Buenos Airesa: Editorial Universitaria. 3208:. Valladolid: Universidad de Valladolid. 3029: 3008:subscription required for online access.) 2953: 2921:subscription required for online access.) 2883: 2831:. Valladolid: Universidad de Valladolid. 2826: 2300: 2266: 2264: 1858: 1370:. – Guatemala City : Américana, 1940 1364:. – Guatemala City : Américana, 1936 1358:. – Guatemala City : Américana, 1935 1196:. – Buenos Aires : Goyanarte, 1961 ( 902:than scientific analysis. In accordance, 3370:, with 154 library catalogue records 3277: 3189:. New York: Cambridge University Press. 2845: 2774:. New York: Scribner. pp. 865–873. 2494: 2330: 2237: 2127: 1807: 1805: 1803: 1768: 1745: 1010: 848: 562: 497: 319:Asociación de Estudiantes Universitarios 258: 230:. The following year he was awarded the 5821:Ambassadors of Guatemala to El Salvador 3225:Genio y Figura de Miguel Angel Asturias 3172:. Guatemala: Cultural Centroamericana. 3086: 2744: 2714: 2597: 2344:"Asturias, Miguel Angel, Viento Fuerte" 2169: 2163: 2061: 1915: 1852: 1837: 1794: 1709: 1503:. – Guatemala City : Goubaud, 1928 1050:Critics compare his fiction to that of 785:Asturias' collection of short stories, 489:, and after the peace accords in 1996. 467:Asturias' son from his first marriage, 5778: 3299: 3265: 3234:Miguel Angel Asturias en la Literatura 3184: 3138: 3067: 3046: 3011: 2974: 2788: 2762: 2723: 2640: 2518: 2506: 2482: 2461: 2368: 2356: 2309: 2285: 2270: 2261: 2148: 2091: 2046: 2034: 2006: 1948: 1909: 1764: 1762: 1760: 1751: 1721: 1694: 1682: 1669: 1269:. – Madrid : Closas-Orcoyen, 1971 1208:. – Buenos Aires : Losada, 1963 ( 1186:. – Buenos Aires : Losada, 1960 ( 1174:. – Buenos Aires : Losada, 1954 ( 1144:. – Buenos Aires : Losada, 1949 ( 556: 510:Asturias' first book to be published, 311:Universidad de San Carlos de Guatemala 5816:Ambassadors of Guatemala to Argentina 5250: 5012: 3519: 3417: 3322:Zimmerman, Marc; Rojas, Raul (1998). 3283:Our Land is Made of Courage and Glory 3222: 3091:. Vol. 1. University of Chicago. 2891:: Antecedents, Sources and Reality". 2879:. New York: Eliseo Torres & Sons. 2807: 2717:La narrativa de Miguel Angel Asturias 1811: 1800: 1705: 1703: 1580:Centro Cultural Miguel Ángel Asturias 1449:. – Buenos Aires : Ariadna, 1957 1443:. – Buenos Aires : Losange, 1955 1418:. – Buenos Aires : Losada, 1965. 1376:. – Guatemala City : Zadik, 1942 1290:El Hombre que lo Tenía Todo Todo Todo 1162:. – New York : Delacorte, 1968; 1034:Centro Cultural Miguel Ángel Asturias 666: 198:One of Asturias' most famous novels, 163: 5896:Members of the Congress of Guatemala 5278:Cannes Film Festival jury presidents 3377:. Nobel lecture from NobelPrize.org. 3095: 2924: 2874: 2810:Nobel Lectures, Literature 1901–1967 2673: 2661: 2398: 2225: 2070: 1991: 1924: 1455:. – Buenos Aires : Losada, 1964 1253:. – Buenos Aires : Losada, 1956 1224:. – Buenos Aires : Losada, 1972 323:Asociación de estudiantes El Derecho 5876:Recipients of the Lenin Peace Prize 5866:Guatemalan male short story writers 2960:Books and Writers (kirjasto.sci.fi) 2956:"Miguel Ángel Asturias (1899–1974)" 2324: 1757: 1507:Carta aérea a mis amigos de América 1388:. – Buenos Aires : Argos, 1949 1327:. – Barcelona : Bruguera, 1981 1313:Antología de Miguel Ángel Asturias 574:one of Asturias's best-known works. 13: 5831:Ambassadors of Guatemala to Mexico 5826:Ambassadors of Guatemala to France 3204:Royano Gutiérrez, Lourdes (1993). 2754:Castelpoggi, Atilio Jorge (1961). 1831: 1700: 1404:Bolívar : Canto al Libertador 959: 862:, an expert in the culture of the 844: 267:Miguel Ángel Asturias was born in 204:, describes life under a ruthless 14: 5937: 5836:Burials at Père Lachaise Cemetery 3344: 3168:Pilón de Pachecho, Marta (1968). 1410:Nombre custodio e imagen pasajera 1294:The Man that Had it All, All, All 616:Playwright Hugo Carrillo adapted 165:[mi(ˈ)ɣelˈaŋxelasˈtuɾjas] 5796:20th-century short story writers 3089:The New Encyclopaedia Britannica 2747:¿Cómo era Miguel Ángel Asturias? 1558: 1544: 1527:. – Barcelona : Lumen, 1969 1521:. – Madrid : Guadiana, 1968 1501:La arquitectura de la vida nueva 906:categorizes Asturias along with 836: 717: 236:the second Latin American author 50: 5801:20th-century Guatemalan writers 2749:. Guatemala: Editorial Cultura. 2745:Carrera, Mario Alberto (1999). 2706:Asturias, Miguel Angel (1957). 2679: 2667: 2655: 2646: 2634: 2625: 2612: 2603: 2591: 2561: 2524: 2512: 2500: 2488: 2476: 2467: 2417: 2404: 2374: 2362: 2350: 2336: 2315: 2291: 2252: 2243: 2231: 2219: 2210: 2175: 2154: 2142: 2133: 2106: 2097: 2085: 2076: 2052: 2040: 2012: 1985: 1963: 1942: 1930: 1891: 1843: 1788: 1736: 1610:Oxford illustrated encyclopedia 1245:. – Madrid : Oriente, 1930 1107:Prix du Meilleur Livre Étranger 623: 5871:Guatemalan short story writers 5064:Ronald George Wreyford Norrish 3389:Arte y Literatura de Guatemala 3356:Recording of Asturias reading 3232:Sierra Franco, Aurora (1969). 3018:Latin American Research Review 2966:Public Library. Archived from 2931:Comparative Literature Studies 2758:. Buenos Aires: La Mandrágora. 1727: 1715: 1688: 1675: 1663: 1601: 1218:. – Buenos Aires, Losada, 1969 927:Surrealism and magical realism 492: 283:, the departmental capital of 183:in the 1920s where he studied 1: 5906:Nobel laureates in Literature 5806:20th-century Guatemalan poets 2698: 1519:Latinoamérica y otros ensayos 1386:Poesía : Sien de alondra 1350:Rayito de estrella; fantomima 730:Asturias published his novel 421:Julio César Méndez Montenegro 157:Miguel Ángel Asturias Rosales 62:Miguel Ángel Asturias Rosales 2937:(3): 237–247. Archived from 1447:La audiencia de los confines 1315:. – México, Costa-Amic, 1968 1136:. New York: Macmillan, 1963) 249: 25:, the first or paternal 7: 5911:Writers from Guatemala City 5886:Guatemalan male journalists 5740:Alejandro González Iñárritu 1537: 1380:Anoche, 10 de marzo de 1543 1319:Viajes, ensayos y fantasías 897:Asturias did not speak any 776: 755: 10: 5942: 5921:University of Paris alumni 5856:Guatemalan Nobel laureates 2875:Hill, Eladia Leon (1972). 2848:The Modern Language Review 2827:Gutiérrez, Royano (1993). 2715:Bellini, Giuseppe (1969). 2686:"A Tendency of Commitment" 2113:Zimmerman & Rojas 1998 1472:Emulo Lipolidón: fantomima 1356:Emulo Lipolidón: fantomima 1183:Los ojos de los enterrados 723: 691:Los ojos de los enterrados 629: 577: 503: 438:On 9 June 2024, President 428:were published in Boston. 232:Nobel Prize for Literature 20: 5891:Guatemalan male novelists 5811:20th-century male writers 5624: 5463: 5284: 5174: 5143: 5124: 5103: 5079: 5048: 4951: 4720: 4489: 4249: 4024: 3792: 3557: 3551:Nobel Prize in Literature 3497: 3454: 3031:10.1017/S0023879100033926 2954:Liukkonen, Petri (2002). 2631:Royano Gutiérrez, p. 115. 2609:Royano Gutiérrez, p. 113. 2588:Royano Gutiérrez, p. 112. 2447:Royano Gutiérrez, p. 101. 1973:(in Spanish). 9 June 2024 1077: 1006: 823: 750: 736:Ideologies and Literature 710:during the period of the 446: 397:Juan José Arévalo Bermejo 145:Nobel Prize in Literature 136: 118: 104: 96: 79: 74:Guatemala City, Guatemala 58: 49: 42: 5926:20th-century journalists 2724:Callan, Richard (1970). 2652:Royano Gutiérrez, p. 83. 2558:Royano Gutiérrez, p. 84. 2544:Royano Gutiérrez, p. 90. 2530:Royano Gutiérrez, p. 94. 2473:Royano Gutiérrez, p. 81. 2435:Royano Gutiérrez, p. 82. 2103:Callan, see 'Chronology' 2058:Solares-Larrave, pp. 682 1586: 1513:Rumania; su nueva imagen 1188:The Eyes of the Interred 1116: 714:for his literary works. 695:The Eyes of the Interred 387:Exile and rehabilitation 255:Early life and education 195:of the 1960s and 1970s. 3273:. Buenos Aires: Losada. 3047:Martin, Gerald (1989). 3012:Martin, Gerald (1982). 2812:. Amsterdam: Elsevier. 2719:. Buenos Aires: Losada. 2710:. Buenos Aires: Losada. 2568:Zamora & Faris 1995 1416:Clarivigilia primaveral 1210:The Mulatta and Mr. Fly 938:Los Anales de los Xahil 481:, was President of the 296:Colegio del Padre Solís 292:Colegio del Padre Pedro 238:to receive this honor ( 5846:Guatemalan journalists 5180:Nobel Prize recipients 5159:Haldan Keffer Hartline 5145:Physiology or Medicine 4513:Gabriel García Márquez 4366:Aleksandr Solzhenitsyn 3223:Sáenz, Jimena (1974). 2770:Latin American Writers 1937:Pilón de Pachecho 1968 1876:Callan, see Chronology 1641:: CS1 maint: others ( 1598:Royano Gutiérrez, 1993 1478:Imágenes de nacimiento 1459:El Rey de la Altaneria 1280:La Maquinita de hablar 1036:, is named after him. 1024: 1017:Parque Tres de Febrero 854: 770:Leyendas de Guatemala, 575: 433:Père Lachaise Cemetery 277:Manuel Estrada Cabrera 264: 244:Père Lachaise Cemetery 161:Spanish pronunciation: 5881:Magic realism writers 5851:Guatemalan male poets 5424:Miguel Ángel Asturias 5094:Miguel Ángel Asturias 4458:Isaac Bashevis Singer 4333:Miguel Ángel Asturias 4006:Frans Eemil Sillanpää 3737:Verner von Heidenstam 3592:Bjørnstjerne Bjørnson 3463:Leyendas de Guatemala 3445:Miguel Ángel Asturias 3405:Miguel Ángel Asturias 3394:Miguel Ángel Asturias 3364:Miguel Angel Asturias 3271:Leyendas de Guatemala 3185:Prieto, Rene (1993). 2877:Miguel Angel Asturias 2808:Frenz, Horst (1969). 2789:Franco, Jean (1994). 2756:Miguel Angel Asturias 2728:Miguel Angel Asturias 2708:Leyendas de Guatemala 2412:Leyendas de Guatemala 1960:Callan, see Chronolgy 1257:El espejo de Lida Sal 1250:Week-end en Guatemala 1242:Leyendas de Guatemala 1103:Leyendas de Guatemala 1014: 989:Leyendas de Guatemala 872:Leyendas de Guatemala 852: 831:Leyendas de Guatemala 787:Leyendas de Guatemala 742:Gerald Martin in the 620:into a play in 1974. 566: 547:Leyendas de Guatemala 542:Leyendas de Guatemala 534:Leyendas de Guatemala 513:Leyendas de Guatemala 506:Leyendas de Guatemala 499:Leyendas de Guatemala 462:Week-end en Guatemala 401:Carlos Castillo Armas 381:Leyendas de Guatemala 377:Leyendas de Guatemala 262: 44:Miguel Ángel Asturias 5861:Guatemalan novelists 5841:Guatemalan diplomats 5591:Francis Ford Coppola 3984:Roger Martin du Gard 3236:. Guatemala: Istmo. 2732:. New York: Twayne. 1267:Tres de cuatro soles 1092:La trilogía bananera 876:Legends of Guatemala 809:United Fruit Company 518:Legends of Guatemala 487:Guatemalan Civil War 300:El Señor Presidente. 5716:Joel and Ethan Coen 5555:Bernardo Bertolucci 5406:Alessandro Blasetti 5394:Olivia de Havilland 4887:Svetlana Alexievich 4229:Salvatore Quasimodo 3915:Erik Axel Karlfeldt 3849:George Bernard Shaw 3706:Rabindranath Tagore 3684:Maurice Maeterlinck 3471:El Señor Presidente 3368:Library of Congress 3070:El Señor Presidente 2970:on 26 January 2008. 2925:Leal, Luis (1968). 2889:El Señor Presidente 2692:(October 27, 1967). 2139:Himelblau, 1973, 47 1525:Comiendo en Hungría 1368:Alclasán; fantomima 1331:El árbol de la cruz 1284:The Talking Machine 1129:El Señor Presidente 1111:El señor presidente 993:El Señor Presidente 954:El señor Presidente 912:José María Arguedas 908:Rosario Castellanos 793:El Señor Presidente 618:El Señor Presidente 610:El Señor Presidente 603:El Señor Presidente 595:Arturo Uslar Pietri 590:El Señor Presidente 586:El Señor Presidente 580:El Señor Presidente 570:El Señor Presidente 558:El Señor Presidente 351:University of Paris 327:El Señor Presidente 218:), is a defense of 201:El Señor Presidente 193:Latin American Boom 174:indigenous cultures 124:El Señor Presidente 5477:Roberto Rossellini 5471:Tennessee Williams 4832:Mario Vargas Llosa 4810:J. M. G. Le Clézio 4667:Wisława Szymborska 4447:Vicente Aleixandre 4318:Shmuel Yosef Agnon 4196:Juan Ramón Jiménez 4064:Johannes V. Jensen 3752:Henrik Pontoppidan 3618:Henryk Sienkiewicz 3396:on Nobelprize.org 3253:Cuentos y leyendas 2321:Castelpoggi, p. 91 2082:Castelpoggi, p. 27 2018:Castelpoggi, p. 28 1897:Castelpoggi, p. 16 1888:Castelpoggi, p. 26 1742:Castelpoggi, p. 13 1733:Castelpoggi, p. 14 1672:, pp. 481–483 1337:Cuentos y leyendas 1235:Rayito de estrella 1222:Viernes de Dolores 1096:The Banana Trilogy 1025: 855: 668:The Banana Trilogy 576: 265: 5773: 5772: 5650:Quentin Tarantino 5244: 5243: 5006: 5005: 4964:Abdulrazak Gurnah 4843:Tomas Tranströmer 4344:Yasunari Kawabata 4307:Mikhail Sholokhov 4163:Winston Churchill 3838:Władysław Reymont 3816:Jacinto Benavente 3695:Gerhart Hauptmann 3513: 3512: 3335:978-0-89680-198-1 3292:978-0-8093-2625-9 3196:978-0-521-43412-6 3060:978-0-86091-952-0 3053:. London: Verso. 2819:978-981-02-3413-3 2800:978-0-521-44923-6 2781:978-0-684-18463-0 2380:Henighan, p. 1023 1785:Castelpoggi, p.15 1422:Sonetos de Italia 1229:Story Collections 1198:The Bejeweled Boy 1134:Frances Partridge 1105:; as well as the 818:Lenin Peace Prize 704:Lenin Peace Prize 567:A translation of 337:for his new job. 228:Lenin Peace Prize 154: 153: 141:Lenin Peace Prize 5933: 5704:Steven Spielberg 5680:Isabelle Huppert 5609:David Cronenberg 5567:Gérard Depardieu 5507:Giorgio Strehler 5418:Luchino Visconti 5376:Tetsurō Furukaki 5316:Maurice Genevoix 5271: 5264: 5257: 5248: 5247: 5182: 5033: 5026: 5019: 5010: 5009: 4999: 4988: 4977: 4966: 4944: 4933: 4922: 4911: 4900: 4889: 4878: 4867: 4856: 4845: 4834: 4823: 4812: 4801: 4790: 4779: 4768: 4766:Elfriede Jelinek 4757: 4746: 4735: 4713: 4702: 4691: 4680: 4669: 4658: 4647: 4636: 4625: 4614: 4603: 4592: 4590:Camilo José Cela 4581: 4570: 4559: 4548: 4537: 4535:Jaroslav Seifert 4526: 4515: 4504: 4482: 4471: 4460: 4449: 4438: 4427: 4416: 4401: 4390: 4379: 4368: 4357: 4346: 4335: 4324: 4309: 4298: 4297:(declined award) 4295:Jean-Paul Sartre 4286: 4275: 4264: 4242: 4240:Saint-John Perse 4231: 4220: 4209: 4198: 4187: 4176: 4174:Ernest Hemingway 4165: 4154: 4152:François Mauriac 4143: 4132: 4130:Bertrand Russell 4121: 4119:William Faulkner 4110: 4099: 4088: 4077: 4075:Gabriela Mistral 4066: 4055: 4054: 4046: 4045: 4037: 4036: 4017: 4016: 4008: 3997: 3986: 3975: 3964: 3963: 3955: 3953:Luigi Pirandello 3944: 3933: 3922: 3906: 3895: 3884: 3873: 3862: 3851: 3840: 3829: 3818: 3807: 3785: 3774: 3763: 3762: 3754: 3739: 3728: 3717: 3716: 3708: 3697: 3686: 3675: 3664: 3653: 3642: 3631: 3620: 3609: 3603:Frédéric Mistral 3594: 3583: 3572: 3540: 3533: 3526: 3517: 3516: 3438: 3431: 3424: 3415: 3414: 3401: 3386: 3378: 3339: 3318: 3309: 3296: 3274: 3262: 3256: 3245: 3228: 3219: 3200: 3181: 3164: 3135: 3129: 3121: 3092: 3083: 3064: 3043: 3033: 3003: 2971: 2950: 2948: 2946: 2941:on 7 August 2008 2916: 2887:(Winter 1973). " 2880: 2871: 2854:(4): 1009–1024. 2842: 2823: 2804: 2785: 2773: 2759: 2750: 2741: 2731: 2720: 2711: 2693: 2683: 2677: 2671: 2665: 2659: 2653: 2650: 2644: 2638: 2632: 2629: 2623: 2616: 2610: 2607: 2601: 2595: 2589: 2586: 2571: 2565: 2559: 2556: 2545: 2542: 2531: 2528: 2522: 2521:, pp. 64–67 2516: 2510: 2509:, pp. 67–70 2504: 2498: 2492: 2486: 2480: 2474: 2471: 2465: 2459: 2448: 2445: 2436: 2433: 2424: 2421: 2415: 2408: 2402: 2396: 2381: 2378: 2372: 2366: 2360: 2354: 2348: 2347: 2340: 2334: 2328: 2322: 2319: 2313: 2307: 2298: 2295: 2289: 2283: 2274: 2268: 2259: 2256: 2250: 2247: 2241: 2235: 2229: 2223: 2217: 2214: 2208: 2205: 2196: 2193: 2182: 2179: 2173: 2167: 2161: 2158: 2152: 2146: 2140: 2137: 2131: 2125: 2116: 2110: 2104: 2101: 2095: 2089: 2083: 2080: 2074: 2068: 2059: 2056: 2050: 2044: 2038: 2032: 2019: 2016: 2010: 2004: 1995: 1989: 1983: 1982: 1980: 1978: 1967: 1961: 1958: 1952: 1946: 1940: 1934: 1928: 1922: 1913: 1907: 1898: 1895: 1889: 1886: 1877: 1874: 1861: 1856: 1850: 1847: 1841: 1835: 1829: 1828: 1826: 1824: 1819:. NobelPrize.org 1809: 1798: 1792: 1786: 1783: 1772: 1766: 1755: 1749: 1743: 1740: 1734: 1731: 1725: 1719: 1713: 1707: 1698: 1692: 1686: 1679: 1673: 1667: 1661: 1658: 1647: 1646: 1640: 1632: 1605: 1599: 1596: 1568: 1563: 1562: 1554: 1549: 1548: 1158:/ translated by 1060:William Faulkner 805:Second World War 699:Central American 599:Alejo Carpentier 469:Rodrigo Asturias 440:Bernardo Arévalo 263:Map of Guatemala 240:Gabriela Mistral 167: 162: 86: 70: 68: 54: 40: 39: 5941: 5940: 5936: 5935: 5934: 5932: 5931: 5930: 5901:Mestizo writers 5776: 5775: 5774: 5769: 5728:Pedro Almodóvar 5644:Patrice Chéreau 5620: 5603:Martin Scorsese 5597:Isabelle Adjani 5489:Françoise Sagan 5459: 5382:Armand Salacrou 5364:Georges Simenon 5340:Maurice Lehmann 5304:Georges Huisman 5298:Georges Huisman 5292:Georges Huisman 5280: 5275: 5245: 5240: 5178: 5170: 5167:(United States) 5161:(United States) 5139: 5136:(United States) 5120: 5099: 5075: 5072:(Great Britain) 5066:(Great Britain) 5044: 5037: 5007: 5002: 4997:to be announced 4991: 4980: 4969: 4958: 4947: 4936: 4925: 4914: 4903: 4892: 4881: 4876:Patrick Modiano 4870: 4859: 4848: 4837: 4826: 4815: 4804: 4793: 4782: 4771: 4760: 4749: 4738: 4727: 4716: 4705: 4694: 4683: 4672: 4661: 4650: 4639: 4628: 4617: 4612:Nadine Gordimer 4606: 4595: 4584: 4573: 4562: 4551: 4540: 4529: 4524:William Golding 4518: 4507: 4496: 4485: 4474: 4469:Odysseas Elytis 4463: 4452: 4441: 4430: 4425:Eugenio Montale 4419: 4414:Harry Martinson 4404: 4393: 4382: 4371: 4360: 4349: 4338: 4327: 4312: 4301: 4289: 4284:Giorgos Seferis 4278: 4267: 4256: 4245: 4234: 4223: 4218:Boris Pasternak 4212: 4201: 4190: 4185:Halldór Laxness 4179: 4168: 4157: 4146: 4135: 4124: 4113: 4102: 4091: 4080: 4069: 4058: 4050: 4049: 4041: 4040: 4032: 4031: 4020: 4012: 4011: 4000: 3989: 3978: 3967: 3959: 3958: 3947: 3936: 3931:John Galsworthy 3925: 3909: 3898: 3887: 3876: 3865: 3854: 3843: 3832: 3821: 3810: 3799: 3788: 3777: 3766: 3758: 3757: 3742: 3731: 3720: 3712: 3711: 3700: 3689: 3678: 3667: 3656: 3645: 3640:Rudyard Kipling 3634: 3629:Giosuè Carducci 3623: 3612: 3597: 3586: 3581:Theodor Mommsen 3575: 3570:Sully Prudhomme 3564: 3553: 3544: 3514: 3509: 3493: 3450: 3442: 3384: 3373: 3347: 3342: 3336: 3293: 3279:Westlake, E. J. 3216: 3197: 3123: 3122: 3080: 3061: 2980:Hispanic Review 2944: 2942: 2893:Hispanic Review 2885:Himelblau, Jack 2860:10.2307/3737234 2839: 2820: 2801: 2782: 2701: 2696: 2684: 2680: 2672: 2668: 2660: 2656: 2651: 2647: 2639: 2635: 2630: 2626: 2617: 2613: 2608: 2604: 2596: 2592: 2587: 2574: 2566: 2562: 2557: 2548: 2543: 2534: 2529: 2525: 2517: 2513: 2505: 2501: 2493: 2489: 2481: 2477: 2472: 2468: 2460: 2451: 2446: 2439: 2434: 2427: 2422: 2418: 2409: 2405: 2397: 2384: 2379: 2375: 2367: 2363: 2355: 2351: 2342: 2341: 2337: 2329: 2325: 2320: 2316: 2308: 2301: 2296: 2292: 2284: 2277: 2269: 2262: 2257: 2253: 2248: 2244: 2236: 2232: 2224: 2220: 2215: 2211: 2206: 2199: 2194: 2185: 2180: 2176: 2168: 2164: 2159: 2155: 2147: 2143: 2138: 2134: 2126: 2119: 2111: 2107: 2102: 2098: 2090: 2086: 2081: 2077: 2069: 2062: 2057: 2053: 2045: 2041: 2033: 2022: 2017: 2013: 2005: 1998: 1990: 1986: 1976: 1974: 1969: 1968: 1964: 1959: 1955: 1947: 1943: 1935: 1931: 1923: 1916: 1908: 1901: 1896: 1892: 1887: 1880: 1875: 1864: 1857: 1853: 1848: 1844: 1836: 1832: 1822: 1820: 1815: 1810: 1801: 1793: 1789: 1784: 1775: 1767: 1758: 1750: 1746: 1741: 1737: 1732: 1728: 1720: 1716: 1708: 1701: 1693: 1689: 1680: 1676: 1668: 1664: 1659: 1650: 1634: 1633: 1621: 1607: 1606: 1602: 1597: 1593: 1589: 1566:Politics portal 1564: 1557: 1550: 1543: 1540: 1274:Children's Book 1160:Gregory Rabassa 1141:Hombres de maíz 1119: 1084:Hombres de maiz 1080: 1074:and many more. 1009: 985:Hombres de maíz 962: 960:Use of language 929: 888:Hombres de maíz 860:Georges Raynaud 847: 845:Mayan influence 839: 826: 779: 758: 753: 744:Hispanic Review 728: 722: 671: 652:guardian spirit 647:Hombres de maíz 643:Hombres de maíz 634: 628: 582: 561: 538:magical realism 508: 502: 495: 449: 395:, successor to 389: 257: 252: 210:Hombres de maíz 160: 150: 143: 88: 84: 72: 71:19 October 1899 66: 64: 63: 45: 38: 17: 12: 11: 5: 5939: 5929: 5928: 5923: 5918: 5913: 5908: 5903: 5898: 5893: 5888: 5883: 5878: 5873: 5868: 5863: 5858: 5853: 5848: 5843: 5838: 5833: 5828: 5823: 5818: 5813: 5808: 5803: 5798: 5793: 5788: 5771: 5770: 5768: 5767: 5761: 5755: 5752:Vincent Lindon 5749: 5743: 5737: 5734:Cate Blanchett 5731: 5725: 5719: 5713: 5707: 5701: 5695: 5692:Robert De Niro 5689: 5683: 5677: 5671: 5668:Stephen Frears 5665: 5659: 5656:Emir Kusturica 5653: 5647: 5641: 5635: 5628: 5626: 5622: 5621: 5619: 5618: 5612: 5606: 5600: 5594: 5588: 5582: 5579:Clint Eastwood 5576: 5570: 5564: 5561:Roman Polanski 5558: 5552: 5546: 5540: 5534: 5531:Sydney Pollack 5528: 5522: 5516: 5513:William Styron 5510: 5504: 5498: 5492: 5486: 5483:Alan J. Pakula 5480: 5474: 5467: 5465: 5461: 5460: 5458: 5457: 5451: 5445: 5442:Ingrid Bergman 5439: 5433: 5430:Michèle Morgan 5427: 5421: 5415: 5409: 5403: 5397: 5391: 5385: 5379: 5373: 5367: 5361: 5355: 5349: 5343: 5337: 5331: 5325: 5319: 5313: 5307: 5301: 5295: 5288: 5286: 5282: 5281: 5274: 5273: 5266: 5259: 5251: 5242: 5241: 5239: 5238: 5233: 5228: 5223: 5218: 5213: 5208: 5203: 5198: 5193: 5188: 5183: 5175: 5172: 5171: 5169: 5168: 5162: 5156: 5149: 5147: 5141: 5140: 5138: 5137: 5130: 5128: 5122: 5121: 5119: 5118: 5114: 5112: 5101: 5100: 5098: 5097: 5090: 5088: 5077: 5076: 5074: 5073: 5067: 5061: 5054: 5052: 5046: 5045: 5036: 5035: 5028: 5021: 5013: 5004: 5003: 5001: 5000: 4989: 4978: 4967: 4955: 4953: 4949: 4948: 4946: 4945: 4934: 4923: 4920:Olga Tokarczuk 4912: 4909:Kazuo Ishiguro 4901: 4890: 4879: 4868: 4857: 4846: 4835: 4824: 4813: 4802: 4791: 4780: 4769: 4758: 4747: 4736: 4724: 4722: 4718: 4717: 4715: 4714: 4703: 4692: 4681: 4670: 4659: 4648: 4637: 4626: 4615: 4604: 4593: 4582: 4579:Naguib Mahfouz 4571: 4568:Joseph Brodsky 4560: 4549: 4538: 4527: 4516: 4505: 4493: 4491: 4487: 4486: 4484: 4483: 4480:Czesław Miłosz 4472: 4461: 4450: 4439: 4428: 4417: 4410:Eyvind Johnson 4402: 4391: 4380: 4369: 4358: 4355:Samuel Beckett 4347: 4336: 4325: 4310: 4299: 4287: 4276: 4273:John Steinbeck 4265: 4253: 4251: 4247: 4246: 4244: 4243: 4232: 4221: 4210: 4199: 4188: 4177: 4166: 4155: 4144: 4141:Pär Lagerkvist 4133: 4122: 4111: 4100: 4089: 4078: 4067: 4056: 4047: 4038: 4028: 4026: 4022: 4021: 4019: 4018: 4009: 3998: 3987: 3976: 3973:Eugene O'Neill 3965: 3956: 3945: 3934: 3923: 3907: 3904:Sinclair Lewis 3896: 3885: 3874: 3863: 3860:Grazia Deledda 3852: 3841: 3830: 3819: 3808: 3805:Anatole France 3796: 3794: 3790: 3789: 3787: 3786: 3775: 3772:Carl Spitteler 3764: 3755: 3748:Karl Gjellerup 3740: 3729: 3726:Romain Rolland 3718: 3709: 3698: 3687: 3676: 3665: 3662:Selma Lagerlöf 3654: 3643: 3632: 3621: 3610: 3607:José Echegaray 3595: 3584: 3573: 3561: 3559: 3555: 3554: 3543: 3542: 3535: 3528: 3520: 3511: 3510: 3508: 3507: 3501: 3499: 3495: 3494: 3492: 3491: 3483: 3475: 3467: 3458: 3456: 3452: 3451: 3441: 3440: 3433: 3426: 3418: 3412: 3411: 3402: 3391: 3379: 3371: 3361: 3353: 3346: 3345:External links 3343: 3341: 3340: 3334: 3319: 3310: 3308:(17): 146–162. 3297: 3291: 3275: 3263: 3246: 3229: 3220: 3214: 3201: 3195: 3182: 3165: 3153:10.2307/339512 3147:(2): 319–328. 3136: 3110:10.2307/338517 3093: 3084: 3078: 3065: 3059: 3044: 3024:(3): 207–227. 3009: 2992:10.2307/471993 2976:Martin, Gerald 2972: 2951: 2922: 2905:10.2307/471873 2881: 2872: 2843: 2837: 2824: 2818: 2805: 2799: 2786: 2780: 2760: 2751: 2742: 2721: 2712: 2702: 2700: 2697: 2695: 2694: 2678: 2666: 2654: 2645: 2633: 2624: 2611: 2602: 2590: 2572: 2560: 2546: 2532: 2523: 2511: 2499: 2487: 2475: 2466: 2464:, pp. 321 2449: 2437: 2425: 2416: 2403: 2382: 2373: 2361: 2349: 2335: 2323: 2314: 2299: 2290: 2275: 2260: 2251: 2242: 2230: 2218: 2209: 2197: 2183: 2174: 2162: 2153: 2141: 2132: 2117: 2105: 2096: 2084: 2075: 2060: 2051: 2039: 2020: 2011: 1996: 1984: 1962: 1953: 1941: 1929: 1914: 1899: 1890: 1878: 1862: 1859:Liukkonen 2002 1851: 1842: 1830: 1799: 1787: 1773: 1756: 1744: 1735: 1726: 1714: 1699: 1697:, pp. 483 1687: 1685:, pp. 482 1674: 1662: 1648: 1619: 1600: 1590: 1588: 1585: 1584: 1583: 1577: 1570: 1569: 1555: 1539: 1536: 1535: 1534: 1528: 1522: 1516: 1510: 1504: 1498: 1487: 1486: 1482: 1481: 1475: 1468: 1467: 1463: 1462: 1456: 1450: 1444: 1437: 1436: 1432: 1431: 1425: 1419: 1413: 1407: 1401: 1395: 1389: 1383: 1377: 1371: 1365: 1359: 1353: 1346: 1345: 1341: 1340: 1334: 1328: 1322: 1316: 1310: 1303: 1302: 1298: 1297: 1287: 1276: 1275: 1271: 1270: 1264: 1254: 1246: 1238: 1231: 1230: 1226: 1225: 1219: 1213: 1201: 1191: 1179: 1176:The Green Pope 1167: 1149: 1137: 1124: 1123: 1118: 1115: 1079: 1076: 1008: 1005: 961: 958: 928: 925: 899:Mayan language 846: 843: 838: 835: 825: 822: 803:Following the 778: 775: 757: 754: 752: 749: 724:Main article: 721: 716: 708:Communist bloc 687:The Green Pope 670: 665: 630:Main article: 627: 622: 597:and the Cuban 578:Main article: 560: 555: 504:Main article: 501: 496: 494: 491: 448: 445: 388: 385: 369:Tiempos Nuevos 269:Guatemala City 256: 253: 251: 248: 152: 151: 138: 137:Notable awards 134: 133: 120: 116: 115: 113:dictator novel 106: 102: 101: 98: 94: 93: 87:(aged 74) 81: 77: 76: 60: 56: 55: 47: 46: 43: 15: 9: 6: 4: 3: 2: 5938: 5927: 5924: 5922: 5919: 5917: 5914: 5912: 5909: 5907: 5904: 5902: 5899: 5897: 5894: 5892: 5889: 5887: 5884: 5882: 5879: 5877: 5874: 5872: 5869: 5867: 5864: 5862: 5859: 5857: 5854: 5852: 5849: 5847: 5844: 5842: 5839: 5837: 5834: 5832: 5829: 5827: 5824: 5822: 5819: 5817: 5814: 5812: 5809: 5807: 5804: 5802: 5799: 5797: 5794: 5792: 5789: 5787: 5784: 5783: 5781: 5765: 5762: 5759: 5758:Ruben Östlund 5756: 5753: 5750: 5747: 5744: 5741: 5738: 5735: 5732: 5729: 5726: 5723: 5722:George Miller 5720: 5717: 5714: 5711: 5708: 5705: 5702: 5699: 5698:Nanni Moretti 5696: 5693: 5690: 5687: 5684: 5681: 5678: 5675: 5672: 5669: 5666: 5663: 5660: 5657: 5654: 5651: 5648: 5645: 5642: 5639: 5636: 5633: 5630: 5629: 5627: 5623: 5616: 5613: 5610: 5607: 5604: 5601: 5598: 5595: 5592: 5589: 5586: 5585:Jeanne Moreau 5583: 5580: 5577: 5574: 5571: 5568: 5565: 5562: 5559: 5556: 5553: 5550: 5547: 5544: 5541: 5538: 5535: 5532: 5529: 5526: 5523: 5520: 5517: 5514: 5511: 5508: 5505: 5502: 5501:Jacques Deray 5499: 5496: 5493: 5490: 5487: 5484: 5481: 5478: 5475: 5472: 5469: 5468: 5466: 5462: 5455: 5454:Jeanne Moreau 5452: 5449: 5446: 5443: 5440: 5437: 5434: 5431: 5428: 5425: 5422: 5419: 5416: 5413: 5412:André Chamson 5410: 5407: 5404: 5401: 5398: 5395: 5392: 5389: 5386: 5383: 5380: 5377: 5374: 5371: 5368: 5365: 5362: 5359: 5358:Marcel Achard 5356: 5353: 5352:Marcel Achard 5350: 5347: 5346:André Maurois 5344: 5341: 5338: 5335: 5334:Marcel Pagnol 5332: 5329: 5326: 5323: 5320: 5317: 5314: 5311: 5310:André Maurois 5308: 5305: 5302: 5299: 5296: 5293: 5290: 5289: 5287: 5283: 5279: 5272: 5267: 5265: 5260: 5258: 5253: 5252: 5249: 5237: 5234: 5232: 5229: 5227: 5224: 5222: 5219: 5217: 5214: 5212: 5209: 5207: 5204: 5202: 5199: 5197: 5194: 5192: 5189: 5187: 5184: 5181: 5177: 5176: 5173: 5166: 5163: 5160: 5157: 5154: 5153:Ragnar Granit 5151: 5150: 5148: 5146: 5142: 5135: 5132: 5131: 5129: 5127: 5123: 5116: 5115: 5113: 5110: 5106: 5102: 5095: 5092: 5091: 5089: 5086: 5082: 5078: 5071: 5070:George Porter 5068: 5065: 5062: 5059: 5058:Manfred Eigen 5056: 5055: 5053: 5051: 5047: 5042: 5034: 5029: 5027: 5022: 5020: 5015: 5014: 5011: 4998: 4994: 4990: 4987: 4983: 4979: 4976: 4972: 4968: 4965: 4961: 4957: 4956: 4954: 4950: 4943: 4939: 4935: 4932: 4928: 4924: 4921: 4917: 4913: 4910: 4906: 4902: 4899: 4895: 4891: 4888: 4884: 4880: 4877: 4873: 4869: 4866: 4862: 4858: 4855: 4851: 4847: 4844: 4840: 4836: 4833: 4829: 4825: 4822: 4818: 4814: 4811: 4807: 4803: 4800: 4799:Doris Lessing 4796: 4792: 4789: 4785: 4781: 4778: 4777:Harold Pinter 4774: 4770: 4767: 4763: 4759: 4756: 4755:J. M. Coetzee 4752: 4748: 4745: 4741: 4737: 4734: 4733:V. S. Naipaul 4730: 4726: 4725: 4723: 4719: 4712: 4708: 4704: 4701: 4697: 4693: 4690: 4689:José Saramago 4686: 4682: 4679: 4675: 4671: 4668: 4664: 4660: 4657: 4656:Seamus Heaney 4653: 4649: 4646: 4642: 4638: 4635: 4634:Toni Morrison 4631: 4627: 4624: 4623:Derek Walcott 4620: 4616: 4613: 4609: 4605: 4602: 4598: 4594: 4591: 4587: 4583: 4580: 4576: 4572: 4569: 4565: 4561: 4558: 4554: 4550: 4547: 4543: 4539: 4536: 4532: 4528: 4525: 4521: 4517: 4514: 4510: 4506: 4503: 4502:Elias Canetti 4499: 4495: 4494: 4492: 4488: 4481: 4477: 4473: 4470: 4466: 4462: 4459: 4455: 4451: 4448: 4444: 4440: 4437: 4433: 4429: 4426: 4422: 4418: 4415: 4411: 4407: 4403: 4400: 4399:Patrick White 4396: 4392: 4389: 4388:Heinrich Böll 4385: 4381: 4378: 4374: 4370: 4367: 4363: 4359: 4356: 4352: 4348: 4345: 4341: 4337: 4334: 4330: 4326: 4323: 4319: 4315: 4311: 4308: 4304: 4300: 4296: 4292: 4288: 4285: 4281: 4277: 4274: 4270: 4266: 4263: 4259: 4255: 4254: 4252: 4248: 4241: 4237: 4233: 4230: 4226: 4222: 4219: 4215: 4211: 4208: 4204: 4200: 4197: 4193: 4189: 4186: 4182: 4178: 4175: 4171: 4167: 4164: 4160: 4156: 4153: 4149: 4145: 4142: 4138: 4134: 4131: 4127: 4123: 4120: 4116: 4112: 4109: 4105: 4101: 4098: 4094: 4090: 4087: 4086:Hermann Hesse 4083: 4079: 4076: 4072: 4068: 4065: 4061: 4057: 4053: 4048: 4044: 4039: 4035: 4030: 4029: 4027: 4023: 4015: 4010: 4007: 4003: 3999: 3996: 3995:Pearl S. Buck 3992: 3988: 3985: 3981: 3977: 3974: 3970: 3966: 3962: 3957: 3954: 3950: 3946: 3943: 3939: 3935: 3932: 3928: 3924: 3920: 3916: 3912: 3908: 3905: 3901: 3897: 3894: 3890: 3886: 3883: 3882:Sigrid Undset 3879: 3875: 3872: 3871:Henri Bergson 3868: 3864: 3861: 3857: 3853: 3850: 3846: 3842: 3839: 3835: 3831: 3828: 3824: 3820: 3817: 3813: 3809: 3806: 3802: 3798: 3797: 3795: 3791: 3784: 3780: 3776: 3773: 3769: 3765: 3761: 3756: 3753: 3749: 3745: 3741: 3738: 3734: 3730: 3727: 3723: 3719: 3715: 3710: 3707: 3703: 3699: 3696: 3692: 3688: 3685: 3681: 3677: 3674: 3670: 3666: 3663: 3659: 3655: 3652: 3651:Rudolf Eucken 3648: 3644: 3641: 3637: 3633: 3630: 3626: 3622: 3619: 3615: 3611: 3608: 3604: 3600: 3596: 3593: 3589: 3585: 3582: 3578: 3574: 3571: 3567: 3563: 3562: 3560: 3556: 3552: 3548: 3541: 3536: 3534: 3529: 3527: 3522: 3521: 3518: 3506: 3503: 3502: 3500: 3496: 3489: 3488: 3487:Mulata de tal 3484: 3481: 3480: 3476: 3473: 3472: 3468: 3465: 3464: 3460: 3459: 3457: 3453: 3449: 3446: 3439: 3434: 3432: 3427: 3425: 3420: 3419: 3416: 3410: 3406: 3403: 3400: 3395: 3392: 3390: 3383: 3380: 3376: 3372: 3369: 3365: 3362: 3360: 3359: 3358:The President 3354: 3352: 3349: 3348: 3337: 3331: 3327: 3326: 3320: 3316: 3311: 3307: 3303: 3298: 3294: 3288: 3284: 3280: 3276: 3272: 3268: 3264: 3260: 3255: 3254: 3247: 3243: 3239: 3235: 3230: 3226: 3221: 3217: 3215:84-7762-363-5 3211: 3207: 3202: 3198: 3192: 3188: 3183: 3179: 3175: 3171: 3166: 3162: 3158: 3154: 3150: 3146: 3142: 3137: 3133: 3127: 3119: 3115: 3111: 3107: 3103: 3099: 3094: 3090: 3085: 3081: 3079:84-89666-51-2 3075: 3071: 3066: 3062: 3056: 3052: 3051: 3045: 3041: 3037: 3032: 3027: 3023: 3019: 3015: 3010: 3007: 3001: 2997: 2993: 2989: 2985: 2981: 2977: 2973: 2969: 2965: 2961: 2957: 2952: 2940: 2936: 2932: 2928: 2923: 2920: 2914: 2910: 2906: 2902: 2898: 2894: 2890: 2886: 2882: 2878: 2873: 2869: 2865: 2861: 2857: 2853: 2849: 2844: 2840: 2834: 2830: 2825: 2821: 2815: 2811: 2806: 2802: 2796: 2792: 2787: 2783: 2777: 2772: 2771: 2765: 2761: 2757: 2752: 2748: 2743: 2739: 2735: 2730: 2729: 2722: 2718: 2713: 2709: 2704: 2703: 2691: 2687: 2682: 2676:, p. 326 2675: 2670: 2664:, p. 237 2663: 2658: 2649: 2643:, p. 223 2642: 2637: 2628: 2621: 2615: 2606: 2599: 2594: 2585: 2583: 2581: 2579: 2577: 2570:, p. 191 2569: 2564: 2555: 2553: 2551: 2541: 2539: 2537: 2527: 2520: 2515: 2508: 2503: 2496: 2495:Westlake 2005 2491: 2484: 2479: 2470: 2463: 2458: 2456: 2454: 2444: 2442: 2432: 2430: 2420: 2413: 2407: 2401:, p. 330 2400: 2395: 2393: 2391: 2389: 2387: 2377: 2371:, p. 413 2370: 2365: 2359:, p. 146 2358: 2353: 2345: 2339: 2332: 2331:Westlake 2005 2327: 2318: 2312:, p. 869 2311: 2306: 2304: 2297:Callan, p. 58 2294: 2288:, p. 252 2287: 2282: 2280: 2273:, p. 251 2272: 2267: 2265: 2258:Callan, p. 54 2255: 2249:Callan, p. 53 2246: 2239: 2238:Westlake 2005 2234: 2228:, p. 242 2227: 2222: 2216:Callan, p. 20 2213: 2207:Callan, p. 19 2204: 2202: 2195:Callan, p. 18 2192: 2190: 2188: 2181:Callan, p. 25 2178: 2171: 2166: 2160:Callan, p. 21 2157: 2151:, p. 151 2150: 2145: 2136: 2130:, p. 165 2129: 2128:Westlake 2005 2124: 2122: 2115:, p. 123 2114: 2109: 2100: 2093: 2088: 2079: 2073:, p. 246 2072: 2067: 2065: 2055: 2049:, p. 146 2048: 2043: 2037:, p. 250 2036: 2031: 2029: 2027: 2025: 2015: 2009:, p. 871 2008: 2003: 2001: 1994:, p. 238 1993: 1988: 1972: 1966: 1957: 1951:, p. 866 1950: 1945: 1938: 1933: 1927:, p. 245 1926: 1921: 1919: 1912:, p. 867 1911: 1906: 1904: 1894: 1885: 1883: 1873: 1871: 1869: 1867: 1860: 1855: 1849:Callan, p. 12 1846: 1840:, p. 657 1839: 1834: 1818: 1813: 1808: 1806: 1804: 1796: 1791: 1782: 1780: 1778: 1770: 1769:Westlake 2005 1765: 1763: 1761: 1753: 1748: 1739: 1730: 1724:, p. 865 1723: 1718: 1711: 1706: 1704: 1696: 1691: 1684: 1678: 1671: 1666: 1657: 1655: 1653: 1644: 1638: 1630: 1626: 1622: 1620:0-19-869129-7 1616: 1612: 1611: 1604: 1595: 1591: 1581: 1578: 1575: 1572: 1571: 1567: 1561: 1556: 1553: 1552:Poetry portal 1547: 1542: 1532: 1529: 1526: 1523: 1520: 1517: 1514: 1511: 1508: 1505: 1502: 1499: 1496: 1492: 1489: 1488: 1484: 1483: 1479: 1476: 1473: 1470: 1469: 1465: 1464: 1460: 1457: 1454: 1451: 1448: 1445: 1442: 1439: 1438: 1434: 1433: 1429: 1426: 1423: 1420: 1417: 1414: 1411: 1408: 1405: 1402: 1399: 1396: 1393: 1390: 1387: 1384: 1381: 1378: 1375: 1372: 1369: 1366: 1363: 1360: 1357: 1354: 1351: 1348: 1347: 1343: 1342: 1338: 1335: 1332: 1329: 1326: 1323: 1320: 1317: 1314: 1311: 1308: 1305: 1304: 1300: 1299: 1295: 1291: 1288: 1285: 1281: 1278: 1277: 1273: 1272: 1268: 1265: 1262: 1258: 1255: 1252: 1251: 1247: 1244: 1243: 1239: 1236: 1233: 1232: 1228: 1227: 1223: 1220: 1217: 1214: 1211: 1207: 1206: 1205:Mulata de tal 1202: 1199: 1195: 1194:El alhajadito 1192: 1189: 1185: 1184: 1180: 1177: 1173: 1172: 1171:El papa verde 1168: 1165: 1161: 1157: 1153: 1152:Viento fuerte 1150: 1147: 1143: 1142: 1138: 1135: 1131: 1130: 1126: 1125: 1121: 1120: 1114: 1112: 1108: 1104: 1099: 1097: 1093: 1089: 1085: 1075: 1073: 1069: 1065: 1061: 1057: 1053: 1048: 1046: 1042: 1037: 1035: 1031: 1022: 1018: 1013: 1004: 1002: 1001:El Papa verde 998: 997:Viento Fuerte 994: 990: 986: 981: 979: 978:Mulata de tal 974: 972: 966: 957: 955: 951: 950:Mulata de tal 945: 943: 942:magic realism 939: 935: 924: 920: 918: 913: 909: 905: 900: 895: 893: 889: 885: 879: 877: 873: 869: 865: 861: 851: 842: 837:Writing style 834: 832: 821: 819: 813: 810: 806: 801: 799: 794: 790: 788: 783: 774: 771: 767: 763: 748: 745: 740: 737: 733: 732:Mulata de tal 727: 726:Mulata de tal 720: 719:Mulata de tal 715: 713: 709: 705: 700: 696: 692: 689:; 1954), and 688: 684: 683:El Papa Verde 680: 676: 675:Viento fuerte 669: 664: 660: 657: 653: 648: 644: 640: 639: 633: 626: 621: 619: 614: 611: 607: 604: 600: 596: 591: 587: 581: 573: 571: 565: 559: 554: 552: 548: 543: 539: 535: 531: 530:Gerald Martin 527: 526:pre-Columbian 523: 519: 515: 514: 507: 500: 490: 488: 484: 480: 476: 475: 474:nom de guerre 470: 465: 463: 459: 455: 444: 441: 436: 434: 429: 427: 426:Mulata de Tal 422: 417: 415: 414:Mulata de Tal 411: 406: 402: 398: 394: 393:Jacobo Árbenz 384: 382: 378: 374: 370: 366: 365: 360: 356: 352: 348: 344: 338: 336: 332: 328: 324: 320: 316: 312: 306: 302: 301: 297: 293: 288: 286: 282: 278: 273: 270: 261: 247: 245: 241: 237: 233: 229: 224: 221: 220:Mayan culture 217: 216: 211: 207: 203: 202: 196: 194: 190: 186: 182: 177: 175: 171: 170:poet-diplomat 166: 158: 149: 146: 142: 139: 135: 132: 131: 126: 125: 121: 119:Notable works 117: 114: 110: 109:Magic realism 107: 103: 99: 95: 91: 82: 78: 75: 61: 57: 53: 48: 41: 36: 32: 28: 24: 19: 5764:Greta Gerwig 5710:Jane Campion 5662:Wong Kar-wai 5625:2001–present 5543:Ettore Scola 5537:Yves Montand 5525:Miloš Forman 5519:Dirk Bogarde 5495:Kirk Douglas 5436:Joseph Losey 5423: 5400:Sophia Loren 5328:Jean Cocteau 5322:Jean Cocteau 5210: 5093: 4996: 4975:Annie Ernaux 4952:2021–present 4942:Louise Glück 4931:Peter Handke 4821:Herta Müller 4744:Imre Kertész 4711:Gao Xingjian 4700:Günter Grass 4645:Kenzaburō Ōe 4557:Wole Soyinka 4546:Claude Simon 4377:Pablo Neruda 4332: 4207:Albert Camus 3919:posthumously 3918: 3485: 3479:Men of Maize 3477: 3469: 3461: 3444: 3409:Find a Grave 3385:(in Spanish) 3357: 3324: 3314: 3305: 3301: 3282: 3270: 3267:Valéry, Paul 3252: 3233: 3224: 3205: 3186: 3169: 3144: 3140: 3126:cite journal 3101: 3097: 3088: 3069: 3049: 3021: 3017: 2983: 2979: 2968:the original 2959: 2943:. Retrieved 2939:the original 2934: 2930: 2899:(1): 43–78. 2896: 2892: 2888: 2876: 2851: 2847: 2828: 2809: 2790: 2769: 2764:Franco, Jean 2755: 2746: 2727: 2716: 2707: 2689: 2681: 2669: 2657: 2648: 2636: 2627: 2619: 2614: 2605: 2600:, p. 21 2598:Bellini 1969 2593: 2563: 2526: 2514: 2502: 2490: 2485:, p. 16 2478: 2469: 2423:Sáenz, p.81. 2419: 2411: 2406: 2376: 2364: 2352: 2346:. Ilab Lila. 2338: 2333:, p. 66 2326: 2317: 2293: 2254: 2245: 2240:, p. 40 2233: 2221: 2212: 2177: 2172:, p. 58 2170:Bellini 1969 2165: 2156: 2144: 2135: 2108: 2099: 2094:, p. 10 2087: 2078: 2054: 2042: 2014: 1987: 1975:. Retrieved 1965: 1956: 1944: 1939:, p. 35 1932: 1893: 1854: 1845: 1838:McHenry 1993 1833: 1821:. Retrieved 1797:, p. 16 1795:Carrera 1999 1790: 1771:, p. 65 1754:, p. 11 1747: 1738: 1729: 1717: 1712:, p. 14 1710:Carrera 1999 1690: 1677: 1665: 1660:Callan, p.11 1609: 1603: 1594: 1530: 1524: 1518: 1512: 1506: 1500: 1494: 1490: 1477: 1471: 1458: 1452: 1446: 1440: 1427: 1421: 1415: 1409: 1403: 1397: 1391: 1385: 1379: 1373: 1367: 1361: 1355: 1349: 1336: 1330: 1324: 1318: 1312: 1306: 1293: 1289: 1283: 1279: 1266: 1260: 1256: 1248: 1240: 1234: 1221: 1215: 1209: 1203: 1197: 1193: 1187: 1181: 1175: 1169: 1163: 1155: 1151: 1146:Men of Maize 1145: 1139: 1127: 1110: 1102: 1100: 1095: 1091: 1088:Soviet Union 1083: 1081: 1049: 1038: 1026: 1021:Buenos Aires 1000: 996: 992: 988: 984: 982: 977: 975: 970: 967: 963: 953: 949: 946: 937: 933: 930: 921: 917:Men of Maize 916: 896: 892:Men of Maize 891: 887: 883: 880: 875: 871: 867: 856: 840: 830: 827: 814: 802: 792: 791: 786: 784: 780: 769: 759: 743: 741: 735: 731: 729: 718: 694: 690: 686: 682: 678: 674: 672: 667: 661: 646: 642: 638:Men of Maize 636: 635: 632:Men of Maize 625:Men of Maize 624: 617: 615: 609: 608: 602: 589: 585: 583: 568: 557: 546: 541: 533: 517: 511: 509: 498: 479:Men of Maize 478: 472: 471:, under the 466: 461: 458:Buenos Aires 450: 437: 430: 425: 418: 413: 405:Buenos Aires 390: 380: 376: 372: 368: 362: 359:Montparnasse 355:André Breton 339: 326: 322: 318: 315:Premio Falla 314: 307: 303: 299: 295: 291: 289: 285:Baja Verapaz 274: 266: 225: 215:Men of Maize 213: 209: 199: 197: 178: 156: 155: 147: 130:Men of Maize 128: 122: 85:(1974-06-09) 34: 30: 23:Spanish name 18: 5791:1974 deaths 5786:1899 births 5638:David Lynch 5632:Liv Ullmann 5573:Louis Malle 5549:Wim Wenders 5165:George Wald 5096:(Guatemala) 5041:Nobel Prize 4865:Alice Munro 4788:Orhan Pamuk 4601:Octavio Paz 4436:Saul Bellow 4322:Nelly Sachs 4108:T. S. Eliot 3893:Thomas Mann 3827:W. B. Yeats 3783:Knut Hamsun 2964:Kuusankoski 2962:. Finland: 2641:Martin 1982 2519:Prieto 1993 2507:Prieto 1993 2497:, p. 7 2483:Prieto 1993 2462:Megged 1976 2414:. p. 52-58. 2369:Martin 1973 2357:Willis 1983 2310:Franco 1989 2286:Franco 1994 2271:Franco 1994 2149:Martin 1989 2092:Valéry 1957 2047:Martin 1989 2035:Franco 1994 2007:Franco 1989 1949:Franco 1989 1910:Franco 1989 1817:"Biography" 1752:Callan 1970 1722:Franco 1989 1695:Martin 2000 1683:Martin 2000 1670:Martin 2000 1301:Anthologies 1156:Strong Wind 1066:, Italian, 1056:James Joyce 1052:Franz Kafka 904:Jean Franco 864:Quiché Maya 679:Strong Wind 656:imperialism 551:Paul Valéry 522:Jean Franco 493:Major works 456:capital of 454:Argentinian 331:El Salvador 234:, becoming 83:9 June 1974 5780:Categories 5686:Tim Burton 5615:Luc Besson 5448:René Clair 5388:Fritz Lang 5370:Jean Giono 5134:Hans Bethe 5081:Literature 4262:Ivo Andrić 4097:André Gide 3942:Ivan Bunin 3673:Paul Heyse 2838:8477623635 2699:References 2618:Asturias, 2410:Asturias, 1812:Frenz 1969 1292:. – 1973 ( 1282:. – 1971 ( 1068:Portuguese 1045:Carpentier 435:in Paris. 294:and then, 246:in Paris. 189:Surrealist 97:Occupation 67:1899-10-19 5746:Spike Lee 5674:Sean Penn 5464:1976–2000 5285:1946–1975 5060:(Germany) 5050:Chemistry 5043:laureates 4986:Jon Fosse 4898:Bob Dylan 4721:2001–2020 4490:1981–2000 4250:1961–1980 4025:1941–1960 3793:1921–1940 3558:1901–1920 3547:Laureates 3040:253131581 2674:Mead 1968 2662:Leal 1968 2620:Torotumbo 2399:Mead 1968 2226:Leal 1968 2071:Leal 1968 1992:Leal 1968 1925:Leal 1968 1637:cite book 1466:Librettos 971:Popul Vuh 934:Popul Vuh 884:Popul Vuh 868:Popol Vuh 681:; 1950), 373:New Times 364:Popol Vuh 343:ethnology 250:Biography 185:ethnology 5155:(Sweden) 4678:Dario Fo 3281:(2005). 3141:Hispania 3098:Hispania 2945:28 March 1823:11 March 1629:11814265 1538:See also 1480:. – 1935 1461:. – 1968 1216:Maladrón 1113:(1952). 777:Politics 756:Identity 712:Cold War 416:(1963). 347:Sorbonne 341:studied 335:Honduras 206:dictator 100:Novelist 31:Asturias 21:In this 5126:Physics 3549:of the 3498:Related 3448:(books) 3387:, from 3259:675–705 3242:2546463 3178:2779332 2868:3737234 2622:, 1971. 1977:22 June 1435:Theatre 1362:Sonetos 1164:Cyclone 1072:Russian 1064:Swedish 762:mestizo 345:at the 92:, Spain 35:Rosales 27:surname 5766:(2024) 5760:(2023) 5754:(2022) 5748:(2021) 5742:(2019) 5736:(2018) 5730:(2017) 5724:(2016) 5718:(2015) 5712:(2014) 5706:(2013) 5700:(2012) 5694:(2011) 5688:(2010) 5682:(2009) 5676:(2008) 5670:(2007) 5664:(2006) 5658:(2005) 5652:(2004) 5646:(2003) 5640:(2002) 5634:(2001) 5617:(2000) 5611:(1999) 5605:(1998) 5599:(1997) 5593:(1996) 5587:(1995) 5581:(1994) 5575:(1993) 5569:(1992) 5563:(1991) 5557:(1990) 5551:(1989) 5545:(1988) 5539:(1987) 5533:(1986) 5527:(1985) 5521:(1984) 5515:(1983) 5509:(1982) 5503:(1981) 5497:(1980) 5491:(1979) 5485:(1978) 5479:(1977) 5473:(1976) 5456:(1975) 5450:(1974) 5444:(1973) 5438:(1972) 5432:(1971) 5426:(1970) 5420:(1969) 5414:(1968) 5408:(1967) 5402:(1966) 5396:(1965) 5390:(1964) 5384:(1963) 5378:(1962) 5372:(1961) 5366:(1960) 5360:(1959) 5354:(1958) 5348:(1957) 5342:(1956) 5336:(1955) 5330:(1954) 5324:(1953) 5318:(1952) 5312:(1951) 5306:(1949) 5300:(1947) 5294:(1946) 4854:Mo Yan 3490:(1963) 3482:(1949) 3474:(1946) 3466:(1930) 3332: 3289: 3240: 3212: 3193: 3176: 3161:339512 3159: 3118:338517 3116: 3076: 3057: 3038: 3000:471993 2998: 2913:471873 2911: 2866: 2835: 2816: 2797: 2778: 2738:122016 2736: 1814:. See 1627: 1617: 1485:Essays 1344:Poetry 1122:Novels 1078:Awards 1058:, and 1041:Borges 1007:Legacy 999:, and 824:Nature 766:ladino 751:Themes 447:Family 281:Salamá 90:Madrid 5211:1967 5105:Peace 5039:1967 3455:Books 3157:JSTOR 3114:JSTOR 3036:S2CID 3006:JSTOR 2996:JSTOR 2919:JSTOR 2909:JSTOR 2864:JSTOR 1587:Notes 1117:Works 798:Ubico 410:Genoa 181:Paris 105:Genre 5236:1972 5231:1971 5226:1970 5221:1969 5216:1968 5206:1966 5201:1965 5196:1964 5191:1963 5186:1962 5117:None 5109:1967 5085:1967 4993:2024 4982:2023 4971:2022 4960:2021 4938:2020 4927:2019 4916:2018 4905:2017 4894:2016 4883:2015 4872:2014 4861:2013 4850:2012 4839:2011 4828:2010 4817:2009 4806:2008 4795:2007 4784:2006 4773:2005 4762:2004 4751:2003 4740:2002 4729:2001 4707:2000 4696:1999 4685:1998 4674:1997 4663:1996 4652:1995 4641:1994 4630:1993 4619:1992 4608:1991 4597:1990 4586:1989 4575:1988 4564:1987 4553:1986 4542:1985 4531:1984 4520:1983 4509:1982 4498:1981 4476:1980 4465:1979 4454:1978 4443:1977 4432:1976 4421:1975 4406:1974 4395:1973 4384:1972 4373:1971 4362:1970 4351:1969 4340:1968 4329:1967 4314:1966 4303:1965 4291:1964 4280:1963 4269:1962 4258:1961 4236:1960 4225:1959 4214:1958 4203:1957 4192:1956 4181:1955 4170:1954 4159:1953 4148:1952 4137:1951 4126:1950 4115:1949 4104:1948 4093:1947 4082:1946 4071:1945 4060:1944 4052:1943 4043:1942 4034:1941 4014:1940 4002:1939 3991:1938 3980:1937 3969:1936 3961:1935 3949:1934 3938:1933 3927:1932 3911:1931 3900:1930 3889:1929 3878:1928 3867:1927 3856:1926 3845:1925 3834:1924 3823:1923 3812:1922 3801:1921 3779:1920 3768:1919 3760:1918 3744:1917 3733:1916 3722:1915 3714:1914 3702:1913 3691:1912 3680:1911 3669:1910 3658:1909 3647:1908 3636:1907 3625:1906 3614:1905 3599:1904 3588:1903 3577:1902 3566:1901 3330:ISBN 3287:ISBN 3238:OCLC 3210:ISBN 3191:ISBN 3174:OCLC 3132:link 3074:ISBN 3055:ISBN 2947:2008 2833:ISBN 2814:ISBN 2795:ISBN 2776:ISBN 2734:OCLC 2690:Time 1979:2024 1825:2008 1643:link 1625:OCLC 1615:ISBN 1109:for 952:and 910:and 333:and 309:the 148:1967 80:Died 59:Born 3407:at 3366:at 3149:doi 3106:doi 3026:doi 2988:doi 2901:doi 2856:doi 976:In 936:or 371:or 29:is 5782:: 4995:: 4984:: 4973:: 4962:: 4940:: 4929:: 4918:: 4907:: 4896:: 4885:: 4874:: 4863:: 4852:: 4841:: 4830:: 4819:: 4808:: 4797:: 4786:: 4775:: 4764:: 4753:: 4742:: 4731:: 4709:: 4698:: 4687:: 4676:: 4665:: 4654:: 4643:: 4632:: 4621:: 4610:: 4599:: 4588:: 4577:: 4566:: 4555:: 4544:: 4533:: 4522:: 4511:: 4500:: 4478:: 4467:: 4456:: 4445:: 4434:: 4423:: 4412:/ 4408:: 4397:: 4386:: 4375:: 4364:: 4353:: 4342:: 4331:: 4320:/ 4316:: 4305:: 4293:: 4282:: 4271:: 4260:: 4238:: 4227:: 4216:: 4205:: 4194:: 4183:: 4172:: 4161:: 4150:: 4139:: 4128:: 4117:: 4106:: 4095:: 4084:: 4073:: 4062:: 4004:: 3993:: 3982:: 3971:: 3951:: 3940:: 3929:: 3913:: 3902:: 3891:: 3880:: 3869:: 3858:: 3847:: 3836:: 3825:: 3814:: 3803:: 3781:: 3770:: 3750:/ 3746:: 3735:: 3724:: 3704:: 3693:: 3682:: 3671:: 3660:: 3649:: 3638:: 3627:: 3616:: 3605:/ 3601:: 3590:: 3579:: 3568:: 3304:. 3155:. 3145:59 3143:. 3128:}} 3124:{{ 3112:. 3102:51 3100:. 3034:. 3022:17 3020:. 3016:. 2994:. 2984:41 2982:. 2958:. 2933:. 2929:. 2907:. 2897:40 2895:. 2862:. 2852:94 2850:. 2688:. 2575:^ 2549:^ 2535:^ 2452:^ 2440:^ 2428:^ 2385:^ 2302:^ 2278:^ 2263:^ 2200:^ 2186:^ 2120:^ 2063:^ 2023:^ 1999:^ 1917:^ 1902:^ 1881:^ 1865:^ 1802:^ 1776:^ 1759:^ 1702:^ 1651:^ 1639:}} 1635:{{ 1623:. 1070:, 1054:, 1043:, 1019:, 995:, 991:, 987:, 956:. 601:. 532:, 127:, 111:, 5270:e 5263:t 5256:v 5111:) 5107:( 5087:) 5083:( 5032:e 5025:t 5018:v 3921:) 3917:( 3539:e 3532:t 3525:v 3437:e 3430:t 3423:v 3338:. 3306:4 3295:. 3261:. 3244:. 3218:. 3199:. 3180:. 3163:. 3151:: 3134:) 3120:. 3108:: 3082:. 3063:. 3042:. 3028:: 3004:( 3002:. 2990:: 2949:. 2935:5 2917:( 2915:. 2903:: 2870:. 2858:: 2841:. 2822:. 2803:. 2784:. 2740:. 1981:. 1827:. 1645:) 1631:. 1296:) 1094:( 1023:. 890:( 874:( 693:( 685:( 677:( 641:( 572:, 516:( 349:( 212:( 159:( 69:) 65:( 37:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge

Miguel Ángel Asturias

Index