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at the Music
University as scientist in the field of music physiology. In 2009 he was elected as president of the Austrian Society for Music and Medicine (music medicine, music physiology, psychology of music). Besides his academic career, he began to play trumpet at the age of 7, and continued his
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in 1999 ("summa cum laude") with his work on the trumpet in the fields of "Musical
Acoustics" and "Musical Physiology". In 2003 he qualified as a professor with tenure track in musical acoustics and was Deputy Director of the Institute of Musical Acoustics at the
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As a trumpeter, he performed within philharmonic
Orchestra, Big Bands and brass quintets. As part of his military service in Stabsmusikkorps Bundeswehr, he played with at state receptions (e.g. for
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Wiener
Klangstil - Mythos oder Realität? Ergebnisse der Hörstudie "Hören Sie Wienerisch?" zur Erkennbarkeit des Wiener Klangstils in musikalischen Beispielen. (Habilschrift Teil 2)
268:
Studien zur
Tonerzeugung auf der Trompete: Variablen der Tonerzeugung; Vorstudien und-Versuche; "Warm-up"-Studie zum Einblasvorgang; Studien zur Intonation auf Trompeten
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233:. He has authored books, articles, in print and online media and scientific contributions in TV broadcasts in Austria (ORF) and Germany.
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Collected Papers in
Musical Acoustics. Reprint of articles from Matthias Bertsch published between 1995 - 2003. (Habilschrift Teil 1)
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His interdisciplinary music research is focused toward empirical and data-oriented methods in the area of
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education through private studies with Györky
Ottlakan, Manfred Stoppacher and masterclasses with
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A Sound Shaped by Time and Tools: What Makes the Vienna
Philharmonic So Distinctive.
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The New York Times, Aug. 3, 2014. New York, 2014. (page AR1)
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502:University of Music and Performing Arts, Vienna
512:Dr. Trumpet's Brass Research Review on Youtube
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775:Temporal dynamics of music and language
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394:. Vol. 6. Wien: IWK.MDW.AC.AT.
337:. Vol. 5. Wien: IWK.MDW.AC.AT.
271:. Vol. 4. Wien: IWK.MDW.AC.AT.
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245:and the only official reception of
172:. After graduation he received his
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205:Musicology and scientific research
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720:Music in psychological operations
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665:Generative theory of tonal music
675:Hedonic music consumption model
572:Cognitive neuroscience of music
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184:In 2008, Bertsch trained as a
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1112:Psychology of Music (journal)
655:Eye movement in music reading
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680:Illusory continuity of tones
128:) is a German-born Austrian
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1126:This Is Your Brain on Music
1105:Music, Thought, and Feeling
1091:Musicae Scientiae (journal)
478:Publication list of Bertsch
164:in 1988 for his studies in
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899:Neuronal encoding of sound
869:Melodic intonation therapy
577:Culture in music cognition
385:Bertsch, Matthias (2003).
331:Bertsch, Matthias (2003).
265:Bertsch, Matthias (2002).
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625:Consonance and dissonance
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507:Researchgate Publications
456:Website. As of 2017/10/09
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37:Matthias A. Bertsch, 2021
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914:Psychoanalysis and music
894:Neurologic music therapy
828:Music-specific disorders
640:Embodied music cognition
630:Deutsch's scale illusion
770:Speech-to-song illusion
582:Evolutionary musicology
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1168:Austrian musicologists
1119:The World in Six Songs
1062:William Forde Thompson
818:Musical hallucinations
442:Music University Staff
190:musicians health group
152:(Germany) next to the
924:Systematic musicology
188:coach and joined the
1158:German musicologists
730:Music-related memory
567:Cognitive musicology
480:Retrieved 2012/10/20
468:Retrieved 2012/09/28
444:Retrieved 2017/09/28
170:University of Vienna
156:border and moved to
112:Board member of
89:University of Vienna
71:Auguste von Herzberg
1163:People from Mödling
1017:Max Friedrich Meyer
909:Philosophy of music
904:Performance science
849:Aesthetics of music
823:Musician's dystonia
808:Auditory arrhythmia
695:Melodic expectation
148:Bertsch grew up in
25:Matthias A. Bertsch
16:German musicologist
1076:Books and journals
997:Carol L. Krumhansl
715:Music and movement
670:Glissando illusion
650:Exercise and music
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884:Musical acoustics
760:Sharawadji effect
740:Musical semantics
710:Music and emotion
610:Auditory illusion
237:Artistic activity
231:cognitive science
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60:Lichtenau (Baden)
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1084:Music Perception
1027:Richard Parncutt
1012:Leonard B. Meyer
962:Jane W. Davidson
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725:Music preference
620:Background music
615:Auditory imagery
548:Music psychology
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282:. Retrieved
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130:musicologist
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107:Prof. Dr. MA
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1148:1966 births
1057:Carl Stumpf
987:David Huron
939:Researchers
645:Entrainment
186:biofeedback
1142:Categories
1042:Max Schoen
992:Nina Kraus
952:Lola Cuddy
889:Musicology
407:4 November
401:3900914044
350:4 November
344:3900914036
284:4 November
278:3900914028
253:References
249:in 1987).
227:physiology
219:organology
211:psychology
195:Fred Mills
166:musicology
80:Musicology
49:1966-11-15
795:Disorders
427:ignored (
417:cite book
370:ignored (
360:cite book
304:ignored (
294:cite book
215:acoustics
150:Lichtenau
134:professor
126:Lichtenau
76:Education
62:, Germany
154:Alsacian
94:Employer
864:Hearing
635:Earworm
168:at the
162:Austria
136:at the
803:Amusia
597:Topics
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158:Vienna
555:Areas
454:Ă–GfMM
392:(PDF)
104:Title
429:help
409:2017
396:ISBN
372:help
352:2017
339:ISBN
306:help
286:2017
273:ISBN
229:and
197:and
144:Life
43:Born
174:PhD
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
