319:
311:
503:" from Canto 5 particularly caught the public imagination and were widely published in anthologies and learned as a recitation piece. "Lochinvar is a brave knight who arrives unannounced at the bridal feast of Ellen, his beloved, who is about to be married to 'a laggard in love and a dastard in war'. Lochinvar claims one dance with the bride and dances her out the door, swooping her up onto his horse, and they ride off together into the unknown." The
50:
1019:
150:
1007:
278:, lusts for Clara de Clare, a rich woman. He and his mistress, Constance De Beverley, forge a letter implicating Clare's fiancé, Sir Ralph De Wilton, in treason. Constance, a dishonest nun, hopes that her aid will restore her to favour with Marmion. When De Wilton loses the duel he claims in order to defend his honour against Marmion, he is obliged to go into exile. Clare retires to a convent rather than risk Marmion's attentions.
1059:
1031:
397:, Marmion is disconcerted when his squire Fitz-Eustace sings a favourite song of Constant (Constance's name when she had accompanied him disguised as a page), and also by the stern looks of the palmer. The host tells of a local elfin spirit who offers combat to all comers. Fitz-Eustace observes Marmion leave to encounter the spirit and return at speed with tell-tale signs of combat.
383:, where she forms one of a tribunal in sentencing Constance de Beverly to be immured alive together with an accomplice in the planned murder of Clare. In her final speech Constance tells how she had escaped from a convent to join Marmion who had then abandoned her for the wealthy Clare, charging Clare's fiancé with treason and defeating him in armed combat.
1546:
206:
and several of his nobles to appear before Pluto, which Scott uses in the fifth canto: Scott refers to his developing poem, so it is clear that the overall shape of the work was clear from the outset. Moreover, Surtees sent Scott two forgeries of his own, an account in Latin of a ghostly combat and a
441:
and asks him to take charge of the group of
English nuns from Canto 2 captured by a Scottish galley. The abbess meets the palmer at night and entrusts him with papers deriving from Constance proving Marmion's part in the false accusation of De Wilton which she had abetted in order to gain influence
250:
on 22 February 1808, and in London by
William Miller and John Murray on 8 March. It cost one and a half guineas (ÂŁ1 11s 6d), and 2,000 copies were printed. Scott produced small refinements for the text of the verse and larger updatings for the notes in the second edition and third editions (3,000
265:
According to the
University of Delaware Arsenical Books Database, the 1855 edition of this book contains arsenic, particularly in the green cover, and ought to be handled with care using nitrile gloves. This book should be stored in a plastic bag to keep arsenic from spreading.
404:): Writing again in November, a year having passed since the first introduction, Scott laments the passing of the youthful companionship enjoyed by Skene and himself, but takes comfort from their more mature acceptance of the variety of experience allotted by Heaven.
226:
each agreed to take a 25% share in the project. Murray observed: "We both view it as honourable, profitable, and glorious to be concerned in the publication of a new poem by Walter Scott." Scott said that he thoroughly enjoyed writing the work. He told his son-in-law,
1062:
430:): Writing in December from Edinburgh, Scott asserts that the city is more liberal than in medieval times, but just as secure. Ellis is an example to Scott of how medieval literature can be restored and rendered relevant to the modern world.
477:, though displaying different qualities: one critic for example thought that it 'is less sprightly, and less fanciful, but it is more heroic and more stately' But the tone of the comments tended to be more severe than before: thus, although
488:
carefully balanced virtues and defects, his overall verdict tended to the negative. Several reviewers felt that faults evident in the earlier poem were less tolerable on a second appearance, especially a tendency to antiquarian pedantry.
461:'s forces at Flodden and dies of wounds received in the battle, tended by Clare, who is then united with Lord Fitz-Clare. Marmion's body is confused with that of a peasant and buried in an unmarked grave. Clare and De Wilton marry.
289:
convent for breaking her vows. She takes her revenge by giving the Abbess, who is one of her three judges, documents that prove De Wilton's innocence. De Wilton, having returned disguised as a pilgrim, follows
Marmion to
453:
at
Christmas, Scott celebrates the festive occasion maintaining ancient family traditions, and asserts the imaginative power of the superstitions recorded in the old books amassed by the bibliophile Heber.
493:
was also criticised for its style, the obscurity and improbability of the plot, the immorality of its main character, and the lack of connection between the introductory epistles and the narrative.
390:): Scott defends his intuitive, ever-varying poetry, taking its inspiration from his experience of the Borders as a young child, against Erskine's advocacy of elevated classical elegy and tragedy.
433:
Canto 5 (The Court): Passing through the
Scottish forces, Marmion is received by James (in thrall to his mistress Lady Heron and the Queen of France) who commits him to the keeping of the pacific
235:." The poem took much longer to compose than Scott had hoped: he was held up by personal and family difficulties and other occupations, and it was probably January 1808 before it was finished.
1363:
194:
is internally dated
November, and there is no reason to doubt that it was written in that month of 1806. At this time Scott was entering into correspondence with the Durham antiquary
372:): Scott considers remedies for historical decline and personal loneliness, namely the joy Mariot and he have found in humble enjoyments, and the purity of solitary meditation.
357:
Canto 1 (The Castle): The
English knight Marmion and his train are received by Sir Hugh the Heron at Norham Castle who arranges for a palmer to guide him on his embassy from
1393:
1573:
419:
has (unavailingly) urged the king against war with
England. In response Marmion tells of his supernatural combat at Gifford. Approaching Edinburgh, Marmion surveys from
251:
copies each) published later in the year. Many further editions followed, both individual and collected, and in 1830 Scott provided the poem with a new introduction.
442:
over him. At
Tantallon Marmion, who has been entrusted with returning Clare to her kinsman Lord Fitz-Clare, hears with impatience of the build-up towards battle.
1565:
457:
Canto 6 (The Battle): De Wilton appears to Clara at Tantallon and tells how he disguised himself as the palmer. He is knighted by Douglas. Marmion joins
342:, Esq.): Writing in November, Scott considers possible remedies for the destructive effect of time in the natural world, in public affairs (he elegises
1049:
298:(Archibald Douglas), is shown the documents, he arms De Wilton and accepts him as a knight again. De Wilton's plans for revenge are overturned by the
1589:
214:
concluded an agreement to pay 1,000 guineas (ÂŁ1,050) for the copyright: the sum may have originated with Scott in previous negotiations with
544:
One of the most quoted excerpts from Scottish poetry is derived from Canto 6, stanza 17 (although it is often erroneously attributed to
640:
A Publisher and His Friends Memoir and Correspondence of John Murray with an Account of the Origin and Progress of the House, 1768-1843
178:, published in 1808. Consisting of six cantos, each with an introductory epistle, and copious antiquarian notes, it concludes with the
302:. Marmion dies on the battlefield, while De Wilton displays heroism, regains his honour, retrieves his lands, and marries Clare.
1095:
896:
Glen, Heather; Glen, Senior Lecturer Faculty of English Cambridge University and Fellow of New Hall Heather (7 December 2018).
1508:
1023:
1538:
434:
295:
343:
219:
1377:
907:
458:
262:. This takes the third edition as its copy-text and corrects it mainly from the manuscript and the first edition.
1785:
1522:
1035:
1795:
499:
was a success with the public and remained popular for over a century. The stanzas telling the story of "young
387:
223:
897:
1714:
1385:
258:
as the second volume (the first to appear) of The Edinburgh Edition of Walter Scott's Poetry, published by
199:
195:
121:
954:
1476:
1409:
1281:
566:
523:
132:
1417:
1337:
1289:
1088:
1011:
259:
1547:
Manners, customs and history of the Highlanders of Scotland; Historical account of the clan MacGregor.
881:
281:
Constance's hopes of a reconciliation with Marmion are dashed when he abandons her; she ends up being
1632:
1501:
739:
347:
20:
1780:
1425:
1185:
1177:
1153:
537:
411:
meets Marmion on the road and arranges for the delegation to receive supervised accommodation at
401:
806:
751:
415:
till James is ready to receive him. Lindsay tells Marmion that a supernatural figure resembling
1719:
1622:
1530:
1515:
1305:
1729:
1678:
1658:
1581:
1449:
1441:
1321:
1265:
1241:
1081:
394:
358:
331:
294:
where he meets the Abbess, who gives him the exonerating documents. When Marmion's host, the
275:
924:
318:
1749:
1724:
1627:
1484:
1457:
1193:
369:
362:
339:
228:
203:
980:
500:
354:), and in literature: namely spring, the apocalypse, and the revival of medieval romance.
8:
1790:
1249:
854:
665:
545:
427:
247:
211:
99:
1759:
1754:
1698:
1642:
1313:
1233:
1225:
532:
574:
Historical Tales of the Wars of Scotland And of the Border Raids, Forays and Conflicts
1370:
1297:
903:
611:
351:
310:
299:
179:
89:
832:
504:
1688:
1607:
1329:
1129:
638:
484:
438:
416:
1744:
1693:
1345:
1257:
1169:
1112:
478:
412:
153:
1739:
1683:
1673:
1637:
420:
231:: "Oh, man, I had many a grand gallop among these braes when I was thinking of
84:
518:
1774:
1433:
1209:
1161:
1145:
1137:
1121:
876:
450:
446:
408:
1663:
1104:
379:, with a party of nuns including a novice Sister Clare, journeys by sea to
376:
175:
40:
548:): "Oh, what a tangled web we weave,/ When first we practise to deceive!"
1734:
1273:
380:
286:
1041:
531:
to the central character, Helen Graham. The Irish politician and writer
423:
the assembled Scottish forces as Lindsay deplores the move towards war.
1617:
1612:
282:
157:
1668:
1217:
923:
Brontë, Charlotte; Townsend, F. H. (Frederick Henry) (1 March 1998).
513:
291:
49:
1068:
171:
1018:
740:
https://sites.udel.edu/poisonbookproject/arsenical-books-database/
1201:
1006:
215:
1073:
1030:
664:
Scott, Walter (1888). "Introduction". In Morley, Henry (ed.).
393:
Canto 3 (The Hostel, or Inn): Staying overnight at the inn at
517:
when St. John Rivers gives the poem to Jane. Similarly, in
637:
Smiles, Samuel (1911). "XXXVI". In Mackay, Thomas (ed.).
254:
In 2018 Ainsley McIntosh produced a critical edition of
527:(1848), Gilbert Markham, the narrator, gives a copy of
198:, and in December they discussed the account given by
703:
Sir Walter Scott: A Bibliographical History 1796‒1832
19:
This article is about the poem. For other uses, see
778:The Reviewing of Walter Scott's Poetry: 1805‒1817
535:took it as the inspiration for his own 1809 work
170:is a historical romance in verse of 16th-century
1772:
809:. Edinburgh University Library. 19 December 2011
754:. Edinburgh University Library. 19 December 2011
274:The poem tells how Lord Marmion, a favourite of
1364:Translations and Imitations from German Ballads
772:For a detailed consideration of the reviews of
207:ballad, both of which also appear in the poem.
190:The introductory epistle to the first canto of
922:
826:
824:
598:, ed. Ainsley McIntosh (Edinburgh, 2018), 288.
1089:
981:"Quotes Mistakenly Attributed to Shakespeare"
899:Charlotte Brontë: The Imagination in History
659:
657:
821:
1096:
1082:
941:Wellington: The Path to Victory, 1769–1814
614:(London, 1932), 341‒44 (17 December 1806).
608:The Letters of Sir Walter Scott: 1787‒1807
314:Canto 2 illustration, from an 1885 edition
48:
978:
654:
895:
317:
309:
830:
799:
104:William Miller, and John Murray, London
1773:
952:
877:"Lochinvar | fictional character"
796:, 4 (April, 1808), columns 53‒61 (57).
636:
564:
1077:
663:
375:Canto 2 (The Convent): The Abbess of
1539:Letters on Demonology and Witchcraft
943:. Yale University Press, 2013. p.311
831:Fineman, Kelly R (15 January 2010).
1341:(1831–1832, pub. posthumously 2008)
13:
979:Mabillard, Amanda (11 June 2018).
807:"Walter Scott, Marmion: Reception"
14:
1807:
1378:Minstrelsy of the Scottish Border
999:
782:Two Studies in Romantic Reviewing
705:(New Castle, Delaware, 1998), 87.
167:Marmion: A Tale of Flodden Field
1103:
1057:
1029:
1017:
1005:
953:Murphy, Sean (8 February 2017).
667:Marmion: A Tale of Flodden Field
596:Marmion: A Tale of Flodden Field
576:. Electric Scotland. p. 363
305:
256:Marmion: A Tale of Flodden Field
148:
32:Marmion: A Tale of Flodden Field
972:
955:"Great Scottish quotes on life"
946:
933:
916:
889:
869:
855:"Lochinvar by Sir Walter Scott"
847:
787:
766:
744:
733:
721:
701:William B. Todd and Ann Bowen,
202:of the supernatural summons of
1509:Abstract of the Eyrbiggia-Saga
1349:(1832, pub. posthumously 2008)
929:– via Project Gutenberg.
708:
695:
682:
630:
617:
601:
588:
558:
246:was published in Edinburgh by
1:
833:"Marmion by Sir Walter Scott"
551:
469:Many of the reviewers judged
185:
1386:The Lay of the Last Minstrel
565:Lawson, John Parker (1839).
475:The Lay of the Last Minstrel
464:
445:Introduction to Canto 6 (To
426:Introduction to Canto 5 (To
400:Introduction to Canto 4 (To
386:Introduction to Canto 3 (To
368:Introduction to Canto 2 (To
338:Introduction to Canto 1 (To
326:, inspired by original poem
200:Robert Lindsay of Pitscottie
122:The Lay of the Last Minstrel
7:
1477:Chronicles of the Canongate
1067:public domain audiobook at
926:Jane Eyre: An Autobiography
902:. Oxford University Press.
567:"Battle of Flodden AD 1513"
524:The Tenant of Wildfell Hall
238:
10:
1812:
1418:The Vision of Don Roderick
1394:Ballads and Lyrical Pieces
260:Edinburgh University Press
54:Title page of 1809 edition
18:
1707:
1651:
1600:
1557:
1494:
1468:
1356:
1111:
912:– via Google Books.
784:(Salzburg, 1976), 358‒69.
147:
140:
128:
116:
108:
95:
83:
75:
67:
59:
47:
37:
30:
835:. Writing and Ruminating
21:Marmion (disambiguation)
16:Poem by Sir Walter Scott
1426:The Bridal of Triermain
1186:The Bride of Lammermoor
1178:The Heart of Midlothian
882:Encyclopædia Britannica
538:The Battles of Talavera
363:James IV, King of Scots
322:Detail of the painting
269:
1786:Poetry by Walter Scott
1720:Dandie Dinmont Terrier
1531:Tales of a Grandfather
1306:The Fair Maid of Perth
1010:Quotations related to
507:were also admirers of
335:
315:
1796:Epic poems in English
1679:Saunders Mucklebackit
1659:Jedediah Cleishbotham
1582:The Doom of Devorgoil
1450:The Lord of the Isles
1442:The Field of Waterloo
1322:Count Robert of Paris
1242:The Fortunes of Nigel
983:. Shakespeare on line
794:The Literary Panorama
776:see J. H. Alexander,
670:. Cassell and Company
511:. It is mentioned in
332:William D. Washington
321:
313:
276:Henry VIII of England
1750:Sir Walter Scott Way
1628:John Gibson Lockhart
1550:(1893, posthumously)
1485:The Keepsake Stories
1458:Harold the Dauntless
1410:The Lady of the Lake
1194:A Legend of Montrose
1045:at Project Gutenberg
1038:at Wikimedia Commons
407:Canto 4 (The Camp):
370:the Rev. John Mariot
340:William Stewart Rose
134:The Lady of the Lake
1730:"Hail to the Chief"
1480:, 1st series (1827)
1250:Peveril of the Peak
857:. Poetry Foundation
752:"Marmion: Synopsis"
324:Lady Clara de Clare
248:Archibald Constable
212:Archibald Constable
210:On 30 January 1807
174:and England by Sir
100:Archibald Constable
1755:Walter Scott Prize
1699:Sir Arthur Wardour
1643:William Wordsworth
1338:The Siege of Malta
1314:Anne of Geierstein
1266:Saint Ronan's Well
533:John Wilson Croker
473:equal in merit to
336:
316:
1768:
1767:
1725:Fair Maid's House
1034:Media related to
1022:Works related to
612:H. J. C. Grierson
435:Archibald Douglas
409:Sir David Lindsay
300:Battle of Flodden
180:Battle of Flodden
163:
162:
90:Iambic tetrameter
1803:
1715:Abbotsford House
1689:Jonathan Oldbuck
1633:J. B. S. Morritt
1608:James Ballantyne
1330:Castle Dangerous
1098:
1091:
1084:
1075:
1074:
1061:
1060:
1033:
1021:
1009:
993:
992:
990:
988:
976:
970:
969:
967:
965:
950:
944:
937:
931:
930:
920:
914:
913:
893:
887:
886:
873:
867:
866:
864:
862:
851:
845:
844:
842:
840:
828:
819:
818:
816:
814:
803:
797:
791:
785:
770:
764:
763:
761:
759:
748:
742:
737:
731:
725:
719:
712:
706:
699:
693:
686:
680:
679:
677:
675:
661:
652:
651:
649:
647:
634:
628:
621:
615:
605:
599:
592:
586:
585:
583:
581:
571:
562:
485:Edinburgh Review
449:): Writing from
439:Tantallon Castle
152:
151:
112:22 February 1808
109:Publication date
52:
43:
33:
28:
27:
1811:
1810:
1806:
1805:
1804:
1802:
1801:
1800:
1771:
1770:
1769:
1764:
1760:Writers' Museum
1703:
1694:Dominie Sampson
1647:
1623:William Laidlaw
1596:
1574:MacDuff's Cross
1553:
1490:
1464:
1352:
1258:Quentin Durward
1154:The Black Dwarf
1107:
1102:
1058:
1002:
997:
996:
986:
984:
977:
973:
963:
961:
951:
947:
938:
934:
921:
917:
910:
894:
890:
875:
874:
870:
860:
858:
853:
852:
848:
838:
836:
829:
822:
812:
810:
805:
804:
800:
792:
788:
771:
767:
757:
755:
750:
749:
745:
738:
734:
726:
722:
713:
709:
700:
696:
687:
683:
673:
671:
662:
655:
645:
643:
635:
631:
622:
618:
606:
602:
593:
589:
579:
577:
569:
563:
559:
554:
479:Francis Jeffrey
467:
413:Crichton Castle
388:William Erskine
308:
283:walled up alive
272:
241:
188:
149:
103:
55:
38:
31:
24:
17:
12:
11:
5:
1809:
1799:
1798:
1793:
1788:
1783:
1781:Scottish poems
1766:
1765:
1763:
1762:
1757:
1752:
1747:
1742:
1740:Scott Monument
1737:
1732:
1727:
1722:
1717:
1711:
1709:
1705:
1704:
1702:
1701:
1696:
1691:
1686:
1684:Edie Ochiltree
1681:
1676:
1674:Lord Glenallan
1671:
1666:
1661:
1655:
1653:
1649:
1648:
1646:
1645:
1640:
1638:Robert Southey
1635:
1630:
1625:
1620:
1615:
1610:
1604:
1602:
1598:
1597:
1595:
1594:
1586:
1578:
1570:
1561:
1559:
1555:
1554:
1552:
1551:
1543:
1535:
1527:
1519:
1512:
1505:
1498:
1496:
1492:
1491:
1489:
1488:
1481:
1472:
1470:
1466:
1465:
1463:
1462:
1454:
1446:
1438:
1430:
1422:
1414:
1406:
1398:
1390:
1382:
1374:
1367:
1360:
1358:
1354:
1353:
1351:
1350:
1342:
1334:
1326:
1318:
1310:
1302:
1294:
1286:
1278:
1270:
1262:
1254:
1246:
1238:
1230:
1222:
1214:
1206:
1198:
1190:
1182:
1174:
1166:
1158:
1150:
1142:
1134:
1126:
1117:
1115:
1109:
1108:
1101:
1100:
1093:
1086:
1078:
1072:
1071:
1055:
1053:at Archive.org
1047:
1039:
1036:Marmion (poem)
1027:
1024:Marmion (poem)
1015:
1001:
1000:External links
998:
995:
994:
971:
945:
932:
915:
908:
888:
868:
846:
820:
798:
786:
765:
743:
732:
720:
707:
694:
681:
653:
629:
616:
600:
594:Walter Scott,
587:
556:
555:
553:
550:
505:Brontë sisters
466:
463:
421:Blackford Hill
365:in Edinburgh.
307:
304:
271:
268:
240:
237:
220:William Miller
196:Robert Surtees
187:
184:
161:
160:
145:
144:
138:
137:
130:
126:
125:
118:
114:
113:
110:
106:
105:
97:
93:
92:
87:
81:
80:
77:
73:
72:
69:
65:
64:
61:
57:
56:
53:
45:
44:
35:
34:
15:
9:
6:
4:
3:
2:
1808:
1797:
1794:
1792:
1789:
1787:
1784:
1782:
1779:
1778:
1776:
1761:
1758:
1756:
1753:
1751:
1748:
1746:
1743:
1741:
1738:
1736:
1733:
1731:
1728:
1726:
1723:
1721:
1718:
1716:
1713:
1712:
1710:
1706:
1700:
1697:
1695:
1692:
1690:
1687:
1685:
1682:
1680:
1677:
1675:
1672:
1670:
1667:
1665:
1662:
1660:
1657:
1656:
1654:
1650:
1644:
1641:
1639:
1636:
1634:
1631:
1629:
1626:
1624:
1621:
1619:
1616:
1614:
1611:
1609:
1606:
1605:
1603:
1599:
1592:
1591:
1587:
1584:
1583:
1579:
1576:
1575:
1571:
1568:
1567:
1563:
1562:
1560:
1556:
1549:
1548:
1544:
1541:
1540:
1536:
1533:
1532:
1528:
1525:
1524:
1520:
1518:" (1808–1826)
1517:
1513:
1510:
1506:
1503:
1500:
1499:
1497:
1493:
1486:
1482:
1479:
1478:
1474:
1473:
1471:
1469:Short stories
1467:
1460:
1459:
1455:
1452:
1451:
1447:
1444:
1443:
1439:
1436:
1435:
1431:
1428:
1427:
1423:
1420:
1419:
1415:
1412:
1411:
1407:
1404:
1403:
1399:
1396:
1395:
1391:
1388:
1387:
1383:
1380:
1379:
1375:
1372:
1368:
1365:
1362:
1361:
1359:
1355:
1348:
1347:
1343:
1340:
1339:
1335:
1332:
1331:
1327:
1324:
1323:
1319:
1316:
1315:
1311:
1308:
1307:
1303:
1300:
1299:
1295:
1292:
1291:
1287:
1284:
1283:
1282:The Betrothed
1279:
1276:
1275:
1271:
1268:
1267:
1263:
1260:
1259:
1255:
1252:
1251:
1247:
1244:
1243:
1239:
1236:
1235:
1231:
1228:
1227:
1223:
1220:
1219:
1215:
1212:
1211:
1210:The Monastery
1207:
1204:
1203:
1199:
1196:
1195:
1191:
1188:
1187:
1183:
1180:
1179:
1175:
1172:
1171:
1167:
1164:
1163:
1162:Old Mortality
1159:
1156:
1155:
1151:
1148:
1147:
1146:The Antiquary
1143:
1140:
1139:
1138:Guy Mannering
1135:
1132:
1131:
1127:
1124:
1123:
1122:Queenhoo Hall
1119:
1118:
1116:
1114:
1110:
1106:
1099:
1094:
1092:
1087:
1085:
1080:
1079:
1076:
1070:
1066:
1065:
1056:
1054:
1052:
1048:
1046:
1044:
1040:
1037:
1032:
1028:
1026:at Wikisource
1025:
1020:
1016:
1013:
1008:
1004:
1003:
982:
975:
960:
956:
949:
942:
936:
928:
927:
919:
911:
909:9780198187615
905:
901:
900:
892:
884:
883:
878:
872:
856:
850:
834:
827:
825:
808:
802:
795:
790:
783:
779:
775:
769:
753:
747:
741:
736:
729:
724:
717:
711:
704:
698:
691:
685:
669:
668:
660:
658:
642:
641:
633:
626:
620:
613:
609:
604:
597:
591:
575:
568:
561:
557:
549:
547:
542:
540:
539:
534:
530:
526:
525:
520:
516:
515:
510:
506:
502:
498:
494:
492:
487:
486:
480:
476:
472:
462:
460:
455:
452:
448:
447:Richard Heber
443:
440:
436:
431:
429:
424:
422:
418:
414:
410:
405:
403:
398:
396:
391:
389:
384:
382:
378:
373:
371:
366:
364:
360:
355:
353:
349:
345:
341:
333:
329:
325:
320:
312:
306:Canto summary
303:
301:
297:
296:Earl of Angus
293:
288:
284:
279:
277:
267:
263:
261:
257:
252:
249:
245:
236:
234:
230:
225:
221:
217:
213:
208:
205:
201:
197:
193:
183:
181:
177:
173:
169:
168:
159:
155:
146:
143:
139:
136:
135:
131:
127:
124:
123:
119:
115:
111:
107:
101:
98:
94:
91:
88:
86:
82:
78:
74:
70:
66:
62:
58:
51:
46:
42:
36:
29:
26:
22:
1745:Scott's View
1664:Jeanie Deans
1588:
1580:
1572:
1566:Halidon Hill
1564:
1545:
1537:
1529:
1521:
1475:
1456:
1448:
1440:
1432:
1424:
1416:
1408:
1401:
1400:
1392:
1384:
1376:
1344:
1336:
1328:
1320:
1312:
1304:
1296:
1290:The Talisman
1288:
1280:
1272:
1264:
1256:
1248:
1240:
1232:
1224:
1216:
1208:
1200:
1192:
1184:
1176:
1168:
1160:
1152:
1144:
1136:
1128:
1120:
1105:Walter Scott
1063:
1050:
1042:
1014:at Wikiquote
985:. Retrieved
974:
962:. Retrieved
959:The Scotsman
958:
948:
940:
939:Muir, Rory.
935:
925:
918:
898:
891:
880:
871:
859:. Retrieved
849:
837:. Retrieved
811:. Retrieved
801:
793:
789:
781:
780:, Vol. 2 of
777:
773:
768:
756:. Retrieved
746:
735:
727:
723:
715:
710:
702:
697:
689:
684:
672:. Retrieved
666:
644:. Retrieved
639:
632:
624:
619:
607:
603:
595:
590:
578:. Retrieved
573:
560:
543:
536:
528:
522:
512:
508:
496:
495:
490:
482:
474:
470:
468:
456:
444:
432:
428:George Ellis
425:
406:
399:
392:
385:
374:
367:
356:
337:
327:
323:
280:
273:
264:
255:
253:
243:
242:
232:
209:
191:
189:
176:Walter Scott
166:
165:
164:
141:
133:
120:
41:Walter Scott
25:
1590:Auchindrane
1534:(1828–1831)
1526:(1825–1832)
1523:The Journal
1504:(1788–1832)
1502:The letters
1495:Non-fiction
1381:(1802–1803)
1366:(1796–1819)
1274:Redgauntlet
546:Shakespeare
519:Anne Brontë
402:James Skene
381:Lindisfarne
287:Lindisfarne
224:John Murray
129:Followed by
117:Preceded by
102:, Edinburgh
1791:1808 poems
1775:Categories
1652:Characters
1618:James Hogg
1613:Lord Byron
1371:Glenfinlas
1234:The Pirate
1226:Kenilworth
714:McIntosh,
688:McIntosh,
623:McIntosh,
552:References
359:Henry VIII
186:Background
158:Wikisource
1669:Dryasdust
1298:Woodstock
1218:The Abbot
718:, 314‒18.
692:, 293‒99.
514:Jane Eyre
501:Lochinvar
465:Reception
292:Edinburgh
182:in 1513.
142:Full text
96:Publisher
79:Narrative
63:1806-1808
1511:" (1814)
1487:" (1828)
1373:" (1800)
1130:Waverley
1069:LibriVox
716:op. cit.
690:op. cit.
625:op. cit.
239:Editions
229:Lockhart
204:James IV
172:Scotland
71:Scotland
1708:Related
1516:Memoirs
1402:Marmion
1346:Bizarro
1202:Ivanhoe
1170:Rob Roy
1064:Marmion
1051:Marmion
1043:Marmion
1012:Marmion
987:26 June
964:26 June
861:26 June
839:25 June
813:26 June
774:Marmion
758:26 June
674:26 June
646:26 June
580:26 June
529:Marmion
509:Marmion
497:Marmion
491:Marmion
471:Marmion
451:Mertoun
417:St John
395:Gifford
328:Marmion
285:in the
244:Marmion
233:Marmion
216:Longman
192:Marmion
154:Marmion
68:Country
60:Written
39:by Sir
1601:People
1593:(1830)
1585:(1830)
1577:(1823)
1569:(1822)
1542:(1830)
1461:(1817)
1453:(1815)
1445:(1815)
1437:(1813)
1434:Rokeby
1429:(1813)
1421:(1811)
1413:(1810)
1405:(1808)
1397:(1806)
1389:(1805)
1357:Poetry
1333:(1831)
1325:(1831)
1317:(1829)
1309:(1828)
1301:(1826)
1293:(1825)
1285:(1825)
1277:(1824)
1269:(1823)
1261:(1823)
1253:(1823)
1245:(1822)
1237:(1821)
1229:(1821)
1221:(1820)
1213:(1820)
1205:(1819)
1197:(1819)
1189:(1819)
1181:(1818)
1173:(1817)
1165:(1816)
1157:(1816)
1149:(1816)
1141:(1815)
1133:(1814)
1125:(1808)
1113:Novels
906:
730:, 319.
627:, 292.
610:, ed.
459:Surrey
377:Whitby
350:, and
344:Nelson
1735:Maida
1558:Plays
728:Ibid.
570:(PDF)
85:Meter
989:2018
966:2018
904:ISBN
863:2018
841:2018
815:2018
760:2018
676:2018
648:2018
582:2018
483:The
348:Pitt
270:Plot
222:and
76:Form
521:'s
481:in
437:at
361:to
352:Fox
156:at
1777::
957:.
879:.
823:^
656:^
572:.
541:.
346:,
334:).
218:.
1514:"
1507:"
1483:"
1369:"
1097:e
1090:t
1083:v
991:.
968:.
885:.
865:.
843:.
817:.
762:.
678:.
650:.
584:.
330:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
